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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBD68E it is the complementary color #442971. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBD68E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBD68E shade: #C0D689, #D1E89C, #E2FAAF, #F3FFC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBD68E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBD68E shade: #BBD68E, #AAC47B, #99B268, #88A055 and #778E42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBD68E shade: #BBD68E, #CED68E, #D6CA8E, #D6B78E and #D6A38E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBD68E shade: #BBD68E, #A8D68E, #94D68E, #8ED69B and #8ED6AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBD68E shade matches the following richer shades: #BBD68E, #BEE282, #C1EF75 and #C4FB69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBD68E shade: #BBD68E, #B8CA9A, #B5BDA7, #B2B1B3 and #AFA4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBD68E shade: #D6CA8E, #CFD68E, #BCD68E, #A8D68E and #95D68E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBD68E shade: #97C051, #A9CB70, #BBD68E, #CDE1AC and #DFECCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBD68E shade: #BBD68E, #8ED6B7 and #D48ED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBD68E shade: #BBD68E, #8EBCD6 and #D68EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBD68E shade: #BBD68E, #8ED6B7, #A88ED6 and #D68EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBD68E shade: #BBD68E, #8ED6CC, #A88ED6 and #D68E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

Complementary color

CMYK 40 / 64 / 0 / 56

HEX #442971

RGB 68 41 113

HSL 262.5, 0.47%, 0.3%

LAB 23.69, 29.71, -37.26

 

CMYK 10 / 0 / 36 / 16

HEX #C0D689

RGB 192 214 137

HSL 77.14, 0.48%, 0.69%

LAB 82.44, -19.86, 35.63

 

CMYK 10 / 0 / 33 / 9

HEX #D1E89C

RGB 209 232 156

HSL 78.16, 0.62%, 0.76%

LAB 88.77, -19.93, 34.53

 

CMYK 10 / 0 / 30 / 2

HEX #E2FAAF

RGB 226 250 175

HSL 79.2, 0.88%, 0.83%

LAB 95.01, -19.98, 33.46

 

CMYK 5 / 0 / 24 / 0

HEX #F3FFC2

RGB 243 255 194

HSL 71.8, 1%, 0.88%

LAB 97.82, -13.73, 27.9

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 13 / 0 / 37 / 23

HEX #AAC47B

RGB 170 196 123

HSL 81.37, 0.38%, 0.63%

LAB 75.73, -21.05, 33.79

 

CMYK 14 / 0 / 42 / 30

HEX #99B268

RGB 153 178 104

HSL 80.27, 0.32%, 0.55%

LAB 69.19, -20.99, 34.97

 

CMYK 15 / 0 / 47 / 37

HEX #88A055

RGB 136 160 85

HSL 79.2, 0.31%, 0.48%

LAB 62.53, -20.89, 36.17

 

CMYK 16 / 0 / 54 / 44

HEX #778E42

RGB 119 142 66

HSL 78.16, 0.37%, 0.41%

LAB 55.75, -20.73, 37.37

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 4 / 0 / 34 / 16

HEX #CED68E

RGB 206 214 142

HSL 66.67, 0.47%, 0.7%

LAB 83.53, -13.92, 34.71

 

CMYK 0 / 6 / 34 / 16

HEX #D6CA8E

RGB 214 202 142

HSL 50, 0.47%, 0.7%

LAB 81.01, -4.71, 31.51

 

CMYK 0 / 14 / 34 / 16

HEX #D6B78E

RGB 214 183 142

HSL 34.17, 0.47%, 0.7%

LAB 76.14, 5.25, 24.99

 

CMYK 0 / 24 / 34 / 16

HEX #D6A38E

RGB 214 163 142

HSL 17.5, 0.47%, 0.7%

LAB 71.18, 15.98, 18.2

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 21 / 0 / 34 / 16

HEX #A8D68E

RGB 168 214 142

HSL 98.33, 0.47%, 0.7%

LAB 80.94, -27.94, 30.82

 

CMYK 31 / 0 / 34 / 16

HEX #94D68E

RGB 148 214 142

HSL 115, 0.47%, 0.7%

LAB 79.81, -34.74, 29.1

 

CMYK 34 / 0 / 28 / 16

HEX #8ED69B

RGB 142 214 155

HSL 130.83, 0.47%, 0.7%

LAB 79.73, -34.49, 22.19

 

CMYK 34 / 0 / 18 / 16

HEX #8ED6AF

RGB 142 214 175

HSL 147.5, 0.47%, 0.7%

LAB 80.15, -30.76, 12.21

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 16 / 0 / 42 / 11

HEX #BEE282

RGB 190 226 130

HSL 82.5, 0.62%, 0.7%

LAB 85.48, -27.27, 43

 

CMYK 19 / 0 / 51 / 6

HEX #C1EF75

RGB 193 239 117

HSL 82.62, 0.79%, 0.7%

LAB 89.09, -33.63, 53.66

 

CMYK 22 / 0 / 58 / 2

HEX #C4FB69

RGB 196 251 105

HSL 82.6, 0.95%, 0.7%

LAB 92.46, -39.05, 62.94

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 9 / 0 / 24 / 21

HEX #B8CA9A

RGB 184 202 154

HSL 82.5, 0.31%, 0.7%

LAB 78.91, -14.47, 21.98

 

CMYK 4 / 0 / 12 / 26

HEX #B5BDA7

RGB 181 189 167

HSL 81.82, 0.14%, 0.7%

LAB 75.46, -6.75, 10.17

 

CMYK 1 / 1 / 0 / 30

HEX #B2B1B3

RGB 178 177 179

HSL 270, 0.01%, 0.7%

LAB 72.34, 0.73, -0.9

 

CMYK 9 / 15 / 0 / 25

HEX #AFA4C0

RGB 175 164 192

HSL 263.57, 0.18%, 0.7%

LAB 69.09, 9.38, -12.91

 

CMYK 0 / 6 / 34 / 16

HEX #D6CA8E

RGB 214 202 142

HSL 50, 0.47%, 0.7%

LAB 81.01, -4.71, 31.51

 

CMYK 3 / 0 / 34 / 16

HEX #CFD68E

RGB 207 214 142

HSL 65.83, 0.47%, 0.7%

LAB 83.61, -13.54, 34.82

 

CMYK 12 / 0 / 34 / 16

HEX #BCD68E

RGB 188 214 142

HSL 81.67, 0.47%, 0.7%

LAB 82.24, -20.7, 32.77

 

CMYK 21 / 0 / 34 / 16

HEX #A8D68E

RGB 168 214 142

HSL 98.33, 0.47%, 0.7%

LAB 80.94, -27.94, 30.82

 

CMYK 30 / 0 / 34 / 16

HEX #95D68E

RGB 149 214 142

HSL 114.17, 0.47%, 0.7%

LAB 79.86, -34.41, 29.19

 

CMYK 21 / 0 / 58 / 25

HEX #97C051

RGB 151 192 81

HSL 82.16, 0.47%, 0.54%

LAB 72.81, -31.03, 50.51

 

CMYK 17 / 0 / 45 / 20

HEX #A9CB70

RGB 169 203 112

HSL 82.42, 0.47%, 0.62%

LAB 77.47, -26.2, 41.55

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 9 / 0 / 24 / 12

HEX #CDE1AC

RGB 205 225 172

HSL 82.64, 0.47%, 0.78%

LAB 86.9, -15.71, 23.77

 

CMYK 6 / 0 / 14 / 7

HEX #DFECCB

RGB 223 236 203

HSL 83.64, 0.46%, 0.86%

LAB 91.68, -10.03, 14.55

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 34 / 0 / 14 / 16

HEX #8ED6B7

RGB 142 214 183

HSL 154.17, 0.47%, 0.7%

LAB 80.33, -29.15, 8.22

 

CMYK 1 / 34 / 0 / 16

HEX #D48ED6

RGB 212 142 214

HSL 298.33, 0.47%, 0.7%

LAB 68.17, 38.03, -26.18

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 34 / 12 / 0 / 16

HEX #8EBCD6

RGB 142 188 214

HSL 201.67, 0.47%, 0.7%

LAB 73.92, -8.93, -17.94

 

CMYK 0 / 34 / 12 / 16

HEX #D68EBC

RGB 214 142 188

HSL 321.67, 0.47%, 0.7%

LAB 67.48, 34.1, -12.72

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 34 / 0 / 14 / 16

HEX #8ED6B7

RGB 142 214 183

HSL 154.17, 0.47%, 0.7%

LAB 80.33, -29.15, 8.22

 

CMYK 21 / 34 / 0 / 16

HEX #A88ED6

RGB 168 142 214

HSL 261.67, 0.47%, 0.7%

LAB 63.78, 24.35, -33.32

 

CMYK 0 / 34 / 19 / 16

HEX #D68EAD

RGB 214 142 173

HSL 334.17, 0.47%, 0.7%

LAB 67.02, 31.7, -5

 

CMYK 13 / 0 / 34 / 16

HEX #BBD68E

RGB 187 214 142

HSL 82.5, 0.47%, 0.7%

LAB 82.17, -21.08, 32.67

 

CMYK 34 / 0 / 5 / 16

HEX #8ED6CC

RGB 142 214 204

HSL 171.67, 0.47%, 0.7%

LAB 80.85, -24.61, -2.22

 

CMYK 21 / 34 / 0 / 16

HEX #A88ED6

RGB 168 142 214

HSL 261.67, 0.47%, 0.7%

LAB 63.78, 24.35, -33.32

 

CMYK 0 / 34 / 29 / 16

HEX #D68E98

RGB 214 142 152

HSL 351.67, 0.47%, 0.7%

LAB 66.45, 28.66, 5.98

 

Description

Color code: HEX #BBD68E | qconv.com Color code: HEX #BBD68E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 214 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 214 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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