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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBD586 it is the complementary color #442A79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBD586. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBD586 shade: #C0D581, #D1E794, #E2F9A7, #F3FFBA and #FFFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBD586. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBD586 shade: #BBD586, #AAC373, #99B160, #889F4D and #778D3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBD586 shade: #BAD486, #CFD486, #D4C486, #D4AE86 and #D49986

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBD586 shade: #BAD486, #A5D486, #90D486, #86D491 and #86D4A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBD586 shade matches the following richer shades: #BAD486, #BFE179, #C3EE6B and #C8FC5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBD586 shade: #BAD486, #B6C793, #B1BAA0, #ADACAD and #A89FBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBD586 shade: #D4C386, #D0D486, #BBD486, #A6D486 and #91D486

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBD586 shade: #98BF49, #A9C967, #BAD486, #CCDFA4 and #DDEAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBD586 shade: #BBD586, #86D4AE and #CE86D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBD586 shade: #BBD586, #86BBD4 and #D486BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBD586 shade: #BBD586, #86D4AE, #9F86D4 and #D486AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBD586 shade: #BBD586, #86D4C6, #9F86D4 and #D48694

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 37 / 16

HEX #BBD586

RGB 187 213 134

HSL 79.75, 0.48%, 0.68%

LAB 81.77, -21.62, 36.22

 

Complementary color

CMYK 44 / 65 / 0 / 53

HEX #442A79

RGB 68 42 121

HSL 259.75, 0.48%, 0.32%

LAB 24.53, 31.47, -41.02

 

CMYK 10 / 0 / 39 / 16

HEX #C0D581

RGB 192 213 129

HSL 75, 0.5%, 0.67%

LAB 82.04, -20.34, 39.17

 

CMYK 10 / 0 / 36 / 9

HEX #D1E794

RGB 209 231 148

HSL 75.9, 0.63%, 0.74%

LAB 88.37, -20.46, 38.04

 

CMYK 9 / 0 / 33 / 2

HEX #E2F9A7

RGB 226 249 167

HSL 76.83, 0.87%, 0.82%

LAB 94.62, -20.54, 36.94

 

CMYK 5 / 0 / 27 / 0

HEX #F3FFBA

RGB 243 255 186

HSL 70.43, 1%, 0.86%

LAB 97.68, -14.82, 31.74

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 12 / 0 / 37 / 16

HEX #BBD586

RGB 187 213 134

HSL 79.75, 0.48%, 0.68%

LAB 81.77, -21.62, 36.22

 

CMYK 13 / 0 / 41 / 24

HEX #AAC373

RGB 170 195 115

HSL 78.75, 0.4%, 0.61%

LAB 75.34, -21.55, 37.38

 

CMYK 14 / 0 / 46 / 31

HEX #99B160

RGB 153 177 96

HSL 77.78, 0.34%, 0.54%

LAB 68.8, -21.43, 38.56

 

CMYK 14 / 0 / 52 / 38

HEX #889F4D

RGB 136 159 77

HSL 76.83, 0.35%, 0.46%

LAB 62.14, -21.26, 39.74

 

CMYK 16 / 0 / 59 / 45

HEX #778D3A

RGB 119 141 58

HSL 75.9, 0.42%, 0.39%

LAB 55.36, -20.99, 40.85

 

CMYK 12 / 0 / 37 / 17

HEX #BAD486

RGB 186 212 134

HSL 80, 0.48%, 0.68%

LAB 81.43, -21.51, 35.77

 

CMYK 2 / 0 / 37 / 17

HEX #CFD486

RGB 207 212 134

HSL 63.85, 0.48%, 0.68%

LAB 82.95, -13.48, 38.04

 

CMYK 0 / 8 / 37 / 17

HEX #D4C486

RGB 212 196 134

HSL 47.69, 0.48%, 0.68%

LAB 79.16, -3.34, 33.19

 

CMYK 0 / 18 / 37 / 17

HEX #D4AE86

RGB 212 174 134

HSL 30.77, 0.48%, 0.68%

LAB 73.54, 8.29, 25.73

 

CMYK 0 / 28 / 37 / 17

HEX #D49986

RGB 212 153 134

HSL 14.62, 0.48%, 0.68%

LAB 68.39, 19.64, 18.73

 

CMYK 12 / 0 / 37 / 17

HEX #BAD486

RGB 186 212 134

HSL 80, 0.48%, 0.68%

LAB 81.43, -21.51, 35.77

 

CMYK 22 / 0 / 37 / 17

HEX #A5D486

RGB 165 212 134

HSL 96.15, 0.48%, 0.68%

LAB 80.07, -29.18, 33.74

 

CMYK 32 / 0 / 37 / 17

HEX #90D486

RGB 144 212 134

HSL 112.31, 0.48%, 0.68%

LAB 78.89, -36.36, 31.97

 

CMYK 37 / 0 / 32 / 17

HEX #86D491

RGB 134 212 145

HSL 128.46, 0.48%, 0.68%

LAB 78.58, -37.76, 25.77

 

CMYK 37 / 0 / 22 / 17

HEX #86D4A6

RGB 134 212 166

HSL 144.62, 0.48%, 0.68%

LAB 78.99, -33.94, 15.29

 

CMYK 12 / 0 / 37 / 17

HEX #BAD486

RGB 186 212 134

HSL 80, 0.48%, 0.68%

LAB 81.43, -21.51, 35.77

 

CMYK 15 / 0 / 46 / 12

HEX #BFE179

RGB 191 225 121

HSL 79.62, 0.63%, 0.68%

LAB 85.15, -27.43, 46.99

 

CMYK 18 / 0 / 55 / 7

HEX #C3EE6B

RGB 195 238 107

HSL 79.69, 0.79%, 0.68%

LAB 88.83, -33.37, 57.92

 

CMYK 21 / 0 / 63 / 1

HEX #C8FC5E

RGB 200 252 94

HSL 79.75, 0.96%, 0.68%

LAB 92.89, -38.88, 68.01

 

CMYK 12 / 0 / 37 / 17

HEX #BAD486

RGB 186 212 134

HSL 80, 0.48%, 0.68%

LAB 81.43, -21.51, 35.77

 

CMYK 9 / 0 / 26 / 22

HEX #B6C793

RGB 182 199 147

HSL 79.62, 0.32%, 0.68%

LAB 77.82, -14.73, 24.17

 

CMYK 5 / 0 / 14 / 27

HEX #B1BAA0

RGB 177 186 160

HSL 80.77, 0.16%, 0.68%

LAB 74.19, -7.81, 12.13

 

CMYK 0 / 1 / 0 / 32

HEX #ADACAD

RGB 173 172 173

HSL 300, 0.01%, 0.68%

LAB 70.46, 0.55, -0.4

 

CMYK 10 / 15 / 0 / 27

HEX #A89FBB

RGB 168 159 187

HSL 259.29, 0.17%, 0.68%

LAB 67.06, 8.76, -13.25

 

CMYK 0 / 8 / 37 / 17

HEX #D4C386

RGB 212 195 134

HSL 46.92, 0.48%, 0.68%

LAB 78.9, -2.82, 32.85

 

CMYK 2 / 0 / 37 / 17

HEX #D0D486

RGB 208 212 134

HSL 63.08, 0.48%, 0.68%

LAB 83.03, -13.1, 38.15

 

CMYK 12 / 0 / 37 / 17

HEX #BBD486

RGB 187 212 134

HSL 79.23, 0.48%, 0.68%

LAB 81.5, -21.13, 35.87

 

CMYK 22 / 0 / 37 / 17

HEX #A6D486

RGB 166 212 134

HSL 95.38, 0.48%, 0.68%

LAB 80.13, -28.83, 33.83

 

CMYK 32 / 0 / 37 / 17

HEX #91D486

RGB 145 212 134

HSL 111.54, 0.48%, 0.68%

LAB 78.94, -36.03, 32.04

 

CMYK 20 / 0 / 62 / 25

HEX #98BF49

RGB 152 191 73

HSL 79.83, 0.48%, 0.52%

LAB 72.51, -30.85, 53.74

 

CMYK 16 / 0 / 49 / 21

HEX #A9C967

RGB 169 201 103

HSL 79.59, 0.48%, 0.6%

LAB 76.79, -26.22, 45.13

 

CMYK 12 / 0 / 37 / 17

HEX #BAD486

RGB 186 212 134

HSL 80, 0.48%, 0.68%

LAB 81.43, -21.51, 35.77

 

CMYK 9 / 0 / 26 / 13

HEX #CCDFA4

RGB 204 223 164

HSL 79.32, 0.48%, 0.76%

LAB 86.15, -16.24, 26.88

 

CMYK 6 / 0 / 17 / 8

HEX #DDEAC3

RGB 221 234 195

HSL 80, 0.48%, 0.84%

LAB 90.85, -11, 17.51

 

CMYK 12 / 0 / 37 / 16

HEX #BBD586

RGB 187 213 134

HSL 79.75, 0.48%, 0.68%

LAB 81.77, -21.62, 36.22

 

CMYK 37 / 0 / 18 / 17

HEX #86D4AE

RGB 134 212 174

HSL 150.77, 0.48%, 0.68%

LAB 79.16, -32.35, 11.29

 

CMYK 3 / 37 / 0 / 17

HEX #CE86D4

RGB 206 134 212

HSL 295.38, 0.48%, 0.68%

LAB 65.69, 40.06, -28.94

 

CMYK 12 / 0 / 37 / 16

HEX #BBD586

RGB 187 213 134

HSL 79.75, 0.48%, 0.68%

LAB 81.77, -21.62, 36.22

 

CMYK 37 / 12 / 0 / 17

HEX #86BBD4

RGB 134 187 212

HSL 199.23, 0.48%, 0.68%

LAB 73.13, -11.1, -18.08

 

CMYK 0 / 37 / 12 / 17

HEX #D486BB

RGB 212 134 187

HSL 319.23, 0.48%, 0.68%

LAB 65.46, 37.54, -15.22

 

CMYK 12 / 0 / 37 / 16

HEX #BBD586

RGB 187 213 134

HSL 79.75, 0.48%, 0.68%

LAB 81.77, -21.62, 36.22

 

CMYK 37 / 0 / 18 / 17

HEX #86D4AE

RGB 134 212 174

HSL 150.77, 0.48%, 0.68%

LAB 79.16, -32.35, 11.29

 

CMYK 25 / 37 / 0 / 17

HEX #9F86D4

RGB 159 134 212

HSL 259.23, 0.48%, 0.68%

LAB 60.94, 25.76, -36.69

 

CMYK 0 / 37 / 19 / 17

HEX #D486AC

RGB 212 134 172

HSL 330.77, 0.48%, 0.68%

LAB 64.98, 35.14, -7.48

 

CMYK 12 / 0 / 37 / 16

HEX #BBD586

RGB 187 213 134

HSL 79.75, 0.48%, 0.68%

LAB 81.77, -21.62, 36.22

 

CMYK 37 / 0 / 7 / 17

HEX #86D4C6

RGB 134 212 198

HSL 169.23, 0.48%, 0.68%

LAB 79.75, -27.18, -0.68

 

CMYK 25 / 37 / 0 / 17

HEX #9F86D4

RGB 159 134 212

HSL 259.23, 0.48%, 0.68%

LAB 60.94, 25.76, -36.69

 

CMYK 0 / 37 / 30 / 17

HEX #D48694

RGB 212 134 148

HSL 349.23, 0.48%, 0.68%

LAB 64.31, 31.69, 5.14

 

Description

Color code: HEX #BBD586 | qconv.com Color code: HEX #BBD586 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 213 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 213 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 37 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 37% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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