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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC3B2 it is the complementary color #443C4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC3B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC3B2 shade: #C0C3AD, #D1D5C0, #E2E7D3, #F3F9E6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC3B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC3B2 shade: #BBC3B2, #AAB19F, #999F8C, #888D79 and #777B66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC3B2 shade: #BAC2B1, #BFC2B1, #C2C1B1, #C2BCB1 and #C2B8B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC3B2 shade: #BAC2B1, #B6C2B1, #B1C2B2, #B1C2B6 and #B1C2BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC3B2 shade matches the following richer shades: #BAC2B1, #BBCDA6, #BBD89B, #BCE390 and #BDEE85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC3B2 shade: #BAC2B1, #B9B7BD, #B9ACC8, #B8A0D3 and #B895DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC3B2 shade: #C2C1B1, #BFC2B1, #BAC2B1, #B6C2B1 and #B1C2B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC3B2 shade: #919E83, #A6B09A, #BAC2B1, #CFD4C8 and #E3E6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC3B2 shade: #BBC3B2, #B1C2BC and #C2B1C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC3B2 shade: #BBC3B2, #B1BAC2 and #C2B1BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC3B2 shade: #BBC3B2, #B1C2BC, #B9B1C2 and #C2B1B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC3B2 shade: #BBC3B2, #B1C2C1, #B9B1C2 and #C2B1B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 9 / 24

HEX #BBC3B2

RGB 187 195 178

HSL 88.24, 0.12%, 0.73%

LAB 77.76, -5.85, 7.59

 

Complementary color

CMYK 12 / 22 / 0 / 70

HEX #443C4D

RGB 68 60 77

HSL 268.24, 0.12%, 0.27%

LAB 26.72, 7.33, -9.06

 

CMYK 2 / 0 / 11 / 24

HEX #C0C3AD

RGB 192 195 173

HSL 68.18, 0.15%, 0.72%

LAB 78.02, -4.92, 10.7

 

CMYK 2 / 0 / 10 / 16

HEX #D1D5C0

RGB 209 213 192

HSL 71.43, 0.2%, 0.79%

LAB 84.46, -5.04, 9.91

 

CMYK 2 / 0 / 9 / 9

HEX #E2E7D3

RGB 226 231 211

HSL 75, 0.29%, 0.87%

LAB 90.79, -5.15, 9.15

 

CMYK 2 / 0 / 8 / 2

HEX #F3F9E6

RGB 243 249 230

HSL 78.95, 0.61%, 0.94%

LAB 97.03, -5.26, 8.42

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 4 / 0 / 9 / 24

HEX #BBC3B2

RGB 187 195 178

HSL 88.24, 0.12%, 0.73%

LAB 77.76, -5.85, 7.59

 

CMYK 4 / 0 / 10 / 31

HEX #AAB19F

RGB 170 177 159

HSL 83.33, 0.1%, 0.66%

LAB 71.21, -5.77, 8.36

 

CMYK 4 / 0 / 12 / 38

HEX #999F8C

RGB 153 159 140

HSL 78.95, 0.09%, 0.59%

LAB 64.53, -5.68, 9.18

 

CMYK 4 / 0 / 14 / 45

HEX #888D79

RGB 136 141 121

HSL 75, 0.08%, 0.51%

LAB 57.72, -5.59, 10.05

 

CMYK 3 / 0 / 17 / 52

HEX #777B66

RGB 119 123 102

HSL 71.43, 0.09%, 0.44%

LAB 50.74, -5.48, 10.99

 

CMYK 4 / 0 / 9 / 24

HEX #BAC2B1

RGB 186 194 177

HSL 88.24, 0.12%, 0.73%

LAB 77.4, -5.86, 7.59

 

CMYK 2 / 0 / 9 / 24

HEX #BFC2B1

RGB 191 194 177

HSL 70.59, 0.12%, 0.73%

LAB 77.78, -4.08, 8.19

 

CMYK 0 / 1 / 9 / 24

HEX #C2C1B1

RGB 194 193 177

HSL 56.47, 0.12%, 0.73%

LAB 77.75, -2.47, 8.17

 

CMYK 0 / 3 / 9 / 24

HEX #C2BCB1

RGB 194 188 177

HSL 38.82, 0.12%, 0.73%

LAB 76.44, 0.18, 6.3

 

CMYK 0 / 5 / 9 / 24

HEX #C2B8B1

RGB 194 184 177

HSL 24.71, 0.12%, 0.73%

LAB 75.4, 2.31, 4.81

 

CMYK 4 / 0 / 9 / 24

HEX #BAC2B1

RGB 186 194 177

HSL 88.24, 0.12%, 0.73%

LAB 77.4, -5.86, 7.59

 

CMYK 6 / 0 / 9 / 24

HEX #B6C2B1

RGB 182 194 177

HSL 102.35, 0.12%, 0.73%

LAB 77.1, -7.27, 7.13

 

CMYK 9 / 0 / 8 / 24

HEX #B1C2B2

RGB 177 194 178

HSL 123.53, 0.12%, 0.73%

LAB 76.77, -8.84, 6.06

 

CMYK 9 / 0 / 6 / 24

HEX #B1C2B6

RGB 177 194 182

HSL 137.65, 0.12%, 0.73%

LAB 76.87, -8.1, 4.04

 

CMYK 9 / 0 / 4 / 24

HEX #B1C2BA

RGB 177 194 186

HSL 151.76, 0.12%, 0.73%

LAB 76.97, -7.34, 2.03

 

CMYK 4 / 0 / 9 / 24

HEX #BAC2B1

RGB 186 194 177

HSL 88.24, 0.12%, 0.73%

LAB 77.4, -5.86, 7.59

 

CMYK 9 / 0 / 19 / 20

HEX #BBCDA6

RGB 187 205 166

HSL 87.69, 0.28%, 0.73%

LAB 80.17, -13.04, 17.41

 

CMYK 13 / 0 / 28 / 15

HEX #BBD89B

RGB 187 216 155

HSL 88.52, 0.44%, 0.73%

LAB 82.94, -20.24, 26.98

 

CMYK 17 / 0 / 37 / 11

HEX #BCE390

RGB 188 227 144

HSL 88.19, 0.6%, 0.73%

LAB 85.83, -26.74, 36.46

 

CMYK 21 / 0 / 44 / 7

HEX #BDEE85

RGB 189 238 133

HSL 88, 0.76%, 0.73%

LAB 88.76, -32.91, 45.65

 

CMYK 4 / 0 / 9 / 24

HEX #BAC2B1

RGB 186 194 177

HSL 88.24, 0.12%, 0.73%

LAB 77.4, -5.86, 7.59

 

CMYK 2 / 3 / 0 / 26

HEX #B9B7BD

RGB 185 183 189

HSL 260, 0.04%, 0.73%

LAB 74.73, 1.83, -2.8

 

CMYK 8 / 14 / 0 / 22

HEX #B9ACC8

RGB 185 172 200

HSL 267.86, 0.2%, 0.73%

LAB 72.22, 9.97, -12.55

 

CMYK 13 / 24 / 0 / 17

HEX #B8A0D3

RGB 184 160 211

HSL 268.24, 0.37%, 0.73%

LAB 69.49, 18.56, -22.73

 

CMYK 17 / 33 / 0 / 13

HEX #B895DE

RGB 184 149 222

HSL 268.77, 0.53%, 0.73%

LAB 67.25, 27.09, -32.26

 

CMYK 0 / 1 / 9 / 24

HEX #C2C1B1

RGB 194 193 177

HSL 56.47, 0.12%, 0.73%

LAB 77.75, -2.47, 8.17

 

CMYK 2 / 0 / 9 / 24

HEX #BFC2B1

RGB 191 194 177

HSL 70.59, 0.12%, 0.73%

LAB 77.78, -4.08, 8.19

 

CMYK 4 / 0 / 9 / 24

HEX #BAC2B1

RGB 186 194 177

HSL 88.24, 0.12%, 0.73%

LAB 77.4, -5.86, 7.59

 

CMYK 6 / 0 / 9 / 24

HEX #B6C2B1

RGB 182 194 177

HSL 102.35, 0.12%, 0.73%

LAB 77.1, -7.27, 7.13

 

CMYK 9 / 0 / 9 / 24

HEX #B1C2B1

RGB 177 194 177

HSL 120, 0.12%, 0.73%

LAB 76.74, -9.02, 6.56

 

CMYK 8 / 0 / 17 / 38

HEX #919E83

RGB 145 158 131

HSL 88.89, 0.12%, 0.57%

LAB 63.44, -9.7, 12.57

 

CMYK 6 / 0 / 13 / 31

HEX #A6B09A

RGB 166 176 154

HSL 87.27, 0.12%, 0.65%

LAB 70.52, -7.57, 10.08

 

CMYK 4 / 0 / 9 / 24

HEX #BAC2B1

RGB 186 194 177

HSL 88.24, 0.12%, 0.73%

LAB 77.4, -5.86, 7.59

 

CMYK 2 / 0 / 6 / 17

HEX #CFD4C8

RGB 207 212 200

HSL 85, 0.12%, 0.81%

LAB 84.24, -3.85, 5.33

 

CMYK 1 / 0 / 3 / 10

HEX #E3E6E0

RGB 227 230 224

HSL 90, 0.11%, 0.89%

LAB 90.92, -2.07, 2.56

 

CMYK 4 / 0 / 9 / 24

HEX #BBC3B2

RGB 187 195 178

HSL 88.24, 0.12%, 0.73%

LAB 77.76, -5.85, 7.59

 

CMYK 9 / 0 / 3 / 24

HEX #B1C2BC

RGB 177 194 188

HSL 158.82, 0.12%, 0.73%

LAB 77.02, -6.96, 1.02

 

CMYK 0 / 9 / 1 / 24

HEX #C2B1C1

RGB 194 177 193

HSL 303.53, 0.12%, 0.73%

LAB 74.04, 8.95, -5.92

 

CMYK 4 / 0 / 9 / 24

HEX #BBC3B2

RGB 187 195 178

HSL 88.24, 0.12%, 0.73%

LAB 77.76, -5.85, 7.59

 

CMYK 9 / 4 / 0 / 24

HEX #B1BAC2

RGB 177 186 194

HSL 208.24, 0.12%, 0.73%

LAB 75.05, -1.53, -5.12

 

CMYK 0 / 9 / 4 / 24

HEX #C2B1BA

RGB 194 177 186

HSL 328.24, 0.12%, 0.73%

LAB 73.84, 7.67, -2.38

 

CMYK 4 / 0 / 9 / 24

HEX #BBC3B2

RGB 187 195 178

HSL 88.24, 0.12%, 0.73%

LAB 77.76, -5.85, 7.59

 

CMYK 9 / 0 / 3 / 24

HEX #B1C2BC

RGB 177 194 188

HSL 158.82, 0.12%, 0.73%

LAB 77.02, -6.96, 1.02

 

CMYK 5 / 9 / 0 / 24

HEX #B9B1C2

RGB 185 177 194

HSL 268.24, 0.12%, 0.73%

LAB 73.32, 6.04, -7.62

 

CMYK 0 / 9 / 6 / 24

HEX #C2B1B7

RGB 194 177 183

HSL 338.82, 0.12%, 0.73%

LAB 73.76, 7.13, -0.86

 

CMYK 4 / 0 / 9 / 24

HEX #BBC3B2

RGB 187 195 178

HSL 88.24, 0.12%, 0.73%

LAB 77.76, -5.85, 7.59

 

CMYK 9 / 0 / 1 / 24

HEX #B1C2C1

RGB 177 194 193

HSL 176.47, 0.12%, 0.73%

LAB 77.15, -5.98, -1.49

 

CMYK 5 / 9 / 0 / 24

HEX #B9B1C2

RGB 185 177 194

HSL 268.24, 0.12%, 0.73%

LAB 73.32, 6.04, -7.62

 

CMYK 0 / 9 / 8 / 24

HEX #C2B1B2

RGB 194 177 178

HSL 356.47, 0.12%, 0.73%

LAB 73.63, 6.25, 1.69

 

Description

Color code: HEX #BBC3B2 | qconv.com Color code: HEX #BBC3B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 195 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 195 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 9 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 9% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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