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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC9DC it is the complementary color #443623. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC9DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC9DC shade: #C0C9D7, #D1DBEA, #E2EDFD and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC9DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC9DC shade: #BBC9DC, #AAB7C9, #99A5B6, #8893A3 and #778190

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC9DC shade: #BBC9DC, #BBC0DC, #BFBBDC, #C8BBDC and #D1BBDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC9DC shade: #BBC9DC, #BBC0DC and #BBBBDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC9DC shade matches the following richer shades: #BBC9DC, #B3C8E4, #ABC7EC, #A2C5F5 and #9AC4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC9DC shade: #BBC9DC, #C3CAD4, #CCCCCB, #D4CDC3 and #DCCEBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC9DC shade: #BBDBDC, #BBD2DC, #BBC9DC, #BBC1DC and #BEBBDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC9DC shade: #859EC0, #A0B3CE, #BBC9DC, #D6DFEA and #F2F4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC9DC shade: #BBC9DC, #D4BBDC and #D6DCBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC9DC shade: #BBC9DC, #DCBBC9 and #C9DCBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC9DC shade: #BBC9DC, #D4BBDC, #DCCEBB and #C3DCBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC9DC shade: #BBC9DC, #DCBBDA, #DCCEBB and #BBDCBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

Complementary color

CMYK 0 / 21 / 49 / 73

HEX #443623

RGB 68 54 35

HSL 34.55, 0.32%, 0.2%

LAB 23.63, 3.18, 14.29

 

CMYK 11 / 7 / 0 / 16

HEX #C0C9D7

RGB 192 201 215

HSL 216.52, 0.22%, 0.8%

LAB 80.68, -0.32, -8.02

 

CMYK 11 / 6 / 0 / 8

HEX #D1DBEA

RGB 209 219 234

HSL 216, 0.37%, 0.87%

LAB 87.07, -0.46, -8.5

 

CMYK 11 / 6 / 0 / 1

HEX #E2EDFD

RGB 226 237 253

HSL 215.56, 0.87%, 0.94%

LAB 93.38, -0.59, -8.97

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 15 / 9 / 0 / 21

HEX #AAB7C9

RGB 170 183 201

HSL 214.84, 0.22%, 0.73%

LAB 73.95, -0.78, -10.62

 

CMYK 16 / 9 / 0 / 29

HEX #99A5B6

RGB 153 165 182

HSL 215.17, 0.17%, 0.66%

LAB 67.32, -0.64, -10.19

 

CMYK 17 / 10 / 0 / 36

HEX #8893A3

RGB 136 147 163

HSL 215.56, 0.13%, 0.59%

LAB 60.56, -0.5, -9.76

 

CMYK 17 / 10 / 0 / 44

HEX #778190

RGB 119 129 144

HSL 216, 0.1%, 0.52%

LAB 53.64, -0.35, -9.32

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 15 / 13 / 0 / 14

HEX #BBC0DC

RGB 187 192 220

HSL 230.91, 0.32%, 0.8%

LAB 78.13, 3.89, -14.55

 

CMYK 13 / 15 / 0 / 14

HEX #BFBBDC

RGB 191 187 220

HSL 247.27, 0.32%, 0.8%

LAB 77.15, 7.88, -15.99

 

CMYK 9 / 15 / 0 / 14

HEX #C8BBDC

RGB 200 187 220

HSL 263.64, 0.32%, 0.8%

LAB 77.87, 10.81, -14.84

 

CMYK 5 / 15 / 0 / 14

HEX #D1BBDC

RGB 209 187 220

HSL 280, 0.32%, 0.8%

LAB 78.61, 13.78, -13.64

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 15 / 13 / 0 / 14

HEX #BBC0DC

RGB 187 192 220

HSL 230.91, 0.32%, 0.8%

LAB 78.13, 3.89, -14.55

 

CMYK 15 / 15 / 0 / 14

HEX #BBBBDC

RGB 187 187 220

HSL 240, 0.32%, 0.8%

LAB 76.84, 6.59, -16.48

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 21 / 12 / 0 / 11

HEX #B3C8E4

RGB 179 200 228

HSL 214.29, 0.48%, 0.8%

LAB 79.89, -1.15, -16.25

 

CMYK 28 / 16 / 0 / 7

HEX #ABC7EC

RGB 171 199 236

HSL 214.15, 0.63%, 0.8%

LAB 79.36, -1.17, -21.4

 

CMYK 34 / 20 / 0 / 4

HEX #A2C5F5

RGB 162 197 245

HSL 214.7, 0.81%, 0.8%

LAB 78.58, -0.46, -27.46

 

CMYK 39 / 23 / 0 / 1

HEX #9AC4FD

RGB 154 196 253

HSL 214.55, 0.96%, 0.8%

LAB 78.14, 0, -32.47

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 8 / 5 / 0 / 17

HEX #C3CAD4

RGB 195 202 212

HSL 215.29, 0.17%, 0.8%

LAB 81.07, -0.46, -5.8

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCB

RGB 204 204 203

HSL 60, 0.01%, 0.8%

LAB 82.02, -0.18, 0.49

 

CMYK 0 / 3 / 8 / 17

HEX #D4CDC3

RGB 212 205 195

HSL 35.29, 0.17%, 0.8%

LAB 82.7, 0.69, 5.82

 

CMYK 0 / 6 / 15 / 14

HEX #DCCEBB

RGB 220 206 187

HSL 34.55, 0.32%, 0.8%

LAB 83.41, 1.73, 11.19

 

CMYK 15 / 0 / 0 / 14

HEX #BBDBDC

RGB 187 219 220

HSL 181.82, 0.32%, 0.8%

LAB 85.2, -10.29, -4.04

 

CMYK 15 / 5 / 0 / 14

HEX #BBD2DC

RGB 187 210 220

HSL 198.18, 0.32%, 0.8%

LAB 82.82, -5.64, -7.55

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 15 / 12 / 0 / 14

HEX #BBC1DC

RGB 187 193 220

HSL 229.09, 0.32%, 0.8%

LAB 78.39, 3.36, -14.16

 

CMYK 14 / 15 / 0 / 14

HEX #BEBBDC

RGB 190 187 220

HSL 245.45, 0.32%, 0.8%

LAB 77.07, 7.56, -16.11

 

CMYK 31 / 18 / 0 / 25

HEX #859EC0

RGB 133 158 192

HSL 214.58, 0.32%, 0.64%

LAB 64.36, -0.68, -20.37

 

CMYK 22 / 13 / 0 / 19

HEX #A0B3CE

RGB 160 179 206

HSL 215.22, 0.32%, 0.72%

LAB 72.34, -0.68, -15.84

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 9 / 5 / 0 / 8

HEX #D6DFEA

RGB 214 223 234

HSL 213, 0.32%, 0.88%

LAB 88.45, -0.92, -6.42

 

CMYK 2 / 2 / 0 / 3

HEX #F2F4F8

RGB 242 244 248

HSL 220, 0.3%, 0.96%

LAB 96.14, 0.06, -2.16

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 4 / 15 / 0 / 14

HEX #D4BBDC

RGB 212 187 220

HSL 285.45, 0.32%, 0.8%

LAB 78.87, 14.78, -13.23

 

CMYK 3 / 0 / 15 / 14

HEX #D6DCBB

RGB 214 220 187

HSL 70.91, 0.32%, 0.8%

LAB 86.54, -7.66, 15.54

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 0 / 15 / 9 / 14

HEX #DCBBC9

RGB 220 187 201

HSL 334.55, 0.32%, 0.8%

LAB 79.03, 14.08, -2.66

 

CMYK 9 / 0 / 15 / 14

HEX #C9DCBB

RGB 201 220 187

HSL 94.55, 0.32%, 0.8%

LAB 85.6, -12.26, 14.09

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 4 / 15 / 0 / 14

HEX #D4BBDC

RGB 212 187 220

HSL 285.45, 0.32%, 0.8%

LAB 78.87, 14.78, -13.23

 

CMYK 0 / 6 / 15 / 14

HEX #DCCEBB

RGB 220 206 187

HSL 34.55, 0.32%, 0.8%

LAB 83.41, 1.73, 11.19

 

CMYK 11 / 0 / 15 / 14

HEX #C3DCBB

RGB 195 220 187

HSL 105.45, 0.32%, 0.8%

LAB 85.19, -14.34, 13.45

 

CMYK 15 / 9 / 0 / 14

HEX #BBC9DC

RGB 187 201 220

HSL 214.55, 0.32%, 0.8%

LAB 80.46, -0.91, -11.06

 

CMYK 0 / 15 / 1 / 14

HEX #DCBBDA

RGB 220 187 218

HSL 303.64, 0.32%, 0.8%

LAB 79.51, 17.09, -11.12

 

CMYK 0 / 6 / 15 / 14

HEX #DCCEBB

RGB 220 206 187

HSL 34.55, 0.32%, 0.8%

LAB 83.41, 1.73, 11.19

 

CMYK 15 / 0 / 14 / 14

HEX #BBDCBD

RGB 187 220 189

HSL 123.64, 0.32%, 0.8%

LAB 84.7, -16.72, 11.63

 

Description

Color code: HEX #BBC9DC | qconv.com Color code: HEX #BBC9DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 201 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 201 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 9 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 9% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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