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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC5CD it is the complementary color #443A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC5CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC5CD shade: #C0C5C8, #D1D7DB, #E2E9EE and #F3FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC5CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC5CD shade: #BBC5CD, #AAB3BA, #99A1A7, #888F94 and #777D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC5CD shade: #BBC5CD, #BBC0CD, #BBBBCD, #C0BBCD and #C4BBCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC5CD shade: #BBC5CD, #BBC0CD, #BBBBCD and #BBBBCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC5CD shade matches the following richer shades: #BBC5CD, #B2C6D6, #A8C7E0, #9FC8E9 and #95C9F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC5CD shade: #BBC5CD, #C5C4C3, #CEC3BA, #D8C2B0 and #E1C1A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC5CD shade: #BBCDCB, #BBCACD, #BBC5CD, #BBC0CD and #BBBCCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC5CD shade: #8C9CAA, #A3B1BB, #BBC5CD, #D3D9DE and #EBEDF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC5CD shade: #BBC5CD, #C6BBCD and #CCCDBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC5CD shade: #BBC5CD, #CDBBC5 and #C5CDBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC5CD shade: #BBC5CD, #C6BBCD, #CDC3BB and #C2CDBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC5CD shade: #BBC5CD, #CBBBCD, #CDC3BB and #BCCDBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

Complementary color

CMYK 0 / 15 / 26 / 73

HEX #443A32

RGB 68 58 50

HSL 26.67, 0.15%, 0.23%

LAB 25.22, 2.86, 6.59

 

CMYK 4 / 1 / 0 / 22

HEX #C0C5C8

RGB 192 197 200

HSL 202.5, 0.07%, 0.77%

LAB 79.22, -1.15, -2.11

 

CMYK 5 / 2 / 0 / 14

HEX #D1D7DB

RGB 209 215 219

HSL 204, 0.12%, 0.84%

LAB 85.64, -1.28, -2.68

 

CMYK 5 / 2 / 0 / 7

HEX #E2E9EE

RGB 226 233 238

HSL 205, 0.26%, 0.91%

LAB 91.96, -1.4, -3.24

 

CMYK 5 / 2 / 0 / 0

HEX #F3FBFF

RGB 243 251 255

HSL 200, 1%, 0.98%

LAB 98.14, -1.89, -2.83

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 9 / 4 / 0 / 27

HEX #AAB3BA

RGB 170 179 186

HSL 206.25, 0.1%, 0.7%

LAB 72.45, -1.74, -4.65

 

CMYK 8 / 4 / 0 / 35

HEX #99A1A7

RGB 153 161 167

HSL 205.71, 0.07%, 0.63%

LAB 65.79, -1.63, -4.1

 

CMYK 8 / 3 / 0 / 42

HEX #888F94

RGB 136 143 148

HSL 205, 0.05%, 0.56%

LAB 58.99, -1.51, -3.54

 

CMYK 8 / 3 / 0 / 49

HEX #777D81

RGB 119 125 129

HSL 204, 0.04%, 0.49%

LAB 52.03, -1.39, -2.95

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 9 / 6 / 0 / 20

HEX #BBC0CD

RGB 187 192 205

HSL 223.33, 0.15%, 0.77%

LAB 77.68, 0.8, -7.12

 

CMYK 9 / 9 / 0 / 20

HEX #BBBBCD

RGB 187 187 205

HSL 240, 0.15%, 0.77%

LAB 76.38, 3.49, -9.04

 

CMYK 6 / 9 / 0 / 20

HEX #C0BBCD

RGB 192 187 205

HSL 256.67, 0.15%, 0.77%

LAB 76.77, 5.16, -8.42

 

CMYK 4 / 9 / 0 / 20

HEX #C4BBCD

RGB 196 187 205

HSL 270, 0.15%, 0.77%

LAB 77.09, 6.51, -7.91

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 9 / 6 / 0 / 20

HEX #BBC0CD

RGB 187 192 205

HSL 223.33, 0.15%, 0.77%

LAB 77.68, 0.8, -7.12

 

CMYK 9 / 9 / 0 / 20

HEX #BBBBCD

RGB 187 187 205

HSL 240, 0.15%, 0.77%

LAB 76.38, 3.49, -9.04

 

CMYK 9 / 9 / 0 / 20

HEX #BBBBCD

RGB 187 187 205

HSL 240, 0.15%, 0.77%

LAB 76.38, 3.49, -9.04

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 17 / 7 / 0 / 16

HEX #B2C6D6

RGB 178 198 214

HSL 206.67, 0.31%, 0.77%

LAB 78.87, -3.45, -10.27

 

CMYK 25 / 11 / 0 / 12

HEX #A8C7E0

RGB 168 199 224

HSL 206.79, 0.47%, 0.77%

LAB 78.78, -4.85, -15.85

 

CMYK 32 / 14 / 0 / 9

HEX #9FC8E9

RGB 159 200 233

HSL 206.76, 0.63%, 0.77%

LAB 78.79, -5.86, -20.73

 

CMYK 39 / 17 / 0 / 5

HEX #95C9F3

RGB 149 201 243

HSL 206.81, 0.8%, 0.77%

LAB 78.83, -6.58, -26.08

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 0 / 1 / 1 / 23

HEX #C5C4C3

RGB 197 196 195

HSL 30, 0.02%, 0.77%

LAB 79.21, 0.17, 0.61

 

CMYK 0 / 5 / 10 / 19

HEX #CEC3BA

RGB 206 195 186

HSL 27, 0.17%, 0.77%

LAB 79.44, 2.3, 5.89

 

CMYK 0 / 10 / 19 / 15

HEX #D8C2B0

RGB 216 194 176

HSL 27, 0.34%, 0.77%

LAB 79.79, 4.88, 11.87

 

CMYK 0 / 14 / 26 / 12

HEX #E1C1A7

RGB 225 193 167

HSL 26.9, 0.49%, 0.77%

LAB 80.14, 7.47, 17.3

 

CMYK 9 / 0 / 1 / 20

HEX #BBCDCB

RGB 187 205 203

HSL 173.33, 0.15%, 0.77%

LAB 81.04, -6.45, -1.1

 

CMYK 9 / 1 / 0 / 20

HEX #BBCACD

RGB 187 202 205

HSL 190, 0.15%, 0.77%

LAB 80.3, -4.49, -3.25

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 9 / 6 / 0 / 20

HEX #BBC0CD

RGB 187 192 205

HSL 223.33, 0.15%, 0.77%

LAB 77.68, 0.8, -7.12

 

CMYK 9 / 8 / 0 / 20

HEX #BBBCCD

RGB 187 188 205

HSL 236.67, 0.15%, 0.77%

LAB 76.64, 2.95, -8.66

 

CMYK 18 / 8 / 0 / 33

HEX #8C9CAA

RGB 140 156 170

HSL 208, 0.15%, 0.61%

LAB 63.55, -2.62, -9.21

 

CMYK 13 / 5 / 0 / 27

HEX #A3B1BB

RGB 163 177 187

HSL 205, 0.15%, 0.69%

LAB 71.43, -2.8, -6.76

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 5 / 2 / 0 / 13

HEX #D3D9DE

RGB 211 217 222

HSL 207.27, 0.14%, 0.85%

LAB 86.38, -1.09, -3.17

 

CMYK 2 / 1 / 0 / 6

HEX #EBEDF0

RGB 235 237 240

HSL 216, 0.14%, 0.93%

LAB 93.68, -0.12, -1.69

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 3 / 9 / 0 / 20

HEX #C6BBCD

RGB 198 187 205

HSL 276.67, 0.15%, 0.77%

LAB 77.25, 7.19, -7.66

 

CMYK 0 / 0 / 9 / 20

HEX #CCCDBB

RGB 204 205 187

HSL 63.33, 0.15%, 0.77%

LAB 81.89, -3.5, 8.84

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 0 / 9 / 4 / 20

HEX #CDBBC5

RGB 205 187 197

HSL 326.67, 0.15%, 0.77%

LAB 77.61, 8.12, -2.73

 

CMYK 4 / 0 / 9 / 20

HEX #C5CDBB

RGB 197 205 187

HSL 86.67, 0.15%, 0.77%

LAB 81.36, -5.97, 8.01

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 3 / 9 / 0 / 20

HEX #C6BBCD

RGB 198 187 205

HSL 276.67, 0.15%, 0.77%

LAB 77.25, 7.19, -7.66

 

CMYK 0 / 5 / 9 / 20

HEX #CDC3BB

RGB 205 195 187

HSL 26.67, 0.15%, 0.77%

LAB 79.38, 2.11, 5.25

 

CMYK 5 / 0 / 9 / 20

HEX #C2CDBB

RGB 194 205 187

HSL 96.67, 0.15%, 0.77%

LAB 81.14, -7.02, 7.67

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 1 / 9 / 0 / 20

HEX #CBBBCD

RGB 203 187 205

HSL 293.33, 0.15%, 0.77%

LAB 77.66, 8.9, -7

 

CMYK 0 / 5 / 9 / 20

HEX #CDC3BB

RGB 205 195 187

HSL 26.67, 0.15%, 0.77%

LAB 79.38, 2.11, 5.25

 

CMYK 8 / 0 / 9 / 20

HEX #BCCDBB

RGB 188 205 187

HSL 116.67, 0.15%, 0.77%

LAB 80.71, -9.11, 6.99

 

Description

Color code: HEX #BBC5CD | qconv.com Color code: HEX #BBC5CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 197 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 197 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 4 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 4% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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