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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBBFF1 it is the complementary color #44400E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBBFF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBBFF1 shade: #C0BFEC, #D1D1FF, #E2E3FF and #F3F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBBFF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBBFF1 shade: #BBBFF1, #AAADDE, #999BCB, #8889B8 and #7777A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBBFF1 shade: #BBBFF1, #C5BBF1, #D4BBF1, #E2BBF1 and #F1BBF0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBBFF1 shade: #BBBFF1 and #BBBBF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBBFF1 shade matches the following richer shades: #BBBFF1, #B4B9F7 and #AEB4FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBBFF1 shade: #BBBFF1, #C1C4EA, #C8CAE3, #CFD0DD and #D5D5D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBBFF1 shade: #BBDCF1, #BBCEF1, #BBBFF1, #C5BBF1 and #D3BBF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBBFF1 shade: #767EE3, #999FEA, #BBBFF1 and #DDDFF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBBFF1 shade: #BBBFF1, #F1BBEA and #D5F1BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBBFF1 shade: #BBBFF1, #F1BBBF and #BFF1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBBFF1 shade: #BBBFF1, #F1BBEA, #F1ECBB and #BBF1C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBBFF1 shade: #BBBFF1, #F1BBDA, #F1ECBB and #BBF1D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

Complementary color

CMYK 0 / 6 / 79 / 73

HEX #44400E

RGB 68 64 14

HSL 55.56, 0.66%, 0.16%

LAB 26.53, -5.19, 29.57

 

CMYK 19 / 19 / 0 / 7

HEX #C0BFEC

RGB 192 191 236

HSL 241.33, 0.54%, 0.84%

LAB 78.77, 9.46, -22.17

 

CMYK 18 / 18 / 0 / 0

HEX #D1D1FF

RGB 209 209 255

HSL 240, 1%, 0.91%

LAB 85.19, 9.15, -22.43

 

CMYK 11 / 11 / 0 / 0

HEX #E2E3FF

RGB 226 227 255

HSL 237.93, 1%, 0.94%

LAB 90.93, 4.97, -13.66

 

CMYK 5 / 4 / 0 / 0

HEX #F3F5FF

RGB 243 245 255

HSL 230, 1%, 0.98%

LAB 96.65, 1.15, -5.03

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 23 / 22 / 0 / 13

HEX #AAADDE

RGB 170 173 222

HSL 236.54, 0.44%, 0.77%

LAB 72.03, 9.4, -25

 

CMYK 25 / 24 / 0 / 20

HEX #999BCB

RGB 153 155 203

HSL 237.6, 0.32%, 0.7%

LAB 65.38, 9.78, -24.82

 

CMYK 26 / 26 / 0 / 28

HEX #8889B8

RGB 136 137 184

HSL 238.75, 0.25%, 0.63%

LAB 58.59, 10.2, -24.68

 

CMYK 28 / 28 / 0 / 35

HEX #7777A5

RGB 119 119 165

HSL 240, 0.2%, 0.56%

LAB 51.65, 10.67, -24.57

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 18 / 22 / 0 / 5

HEX #C5BBF1

RGB 197 187 241

HSL 251.11, 0.66%, 0.84%

LAB 78.32, 14.28, -25.49

 

CMYK 12 / 22 / 0 / 5

HEX #D4BBF1

RGB 212 187 241

HSL 267.78, 0.66%, 0.84%

LAB 79.55, 18.96, -23.51

 

CMYK 6 / 22 / 0 / 5

HEX #E2BBF1

RGB 226 187 241

HSL 283.33, 0.66%, 0.84%

LAB 80.77, 23.42, -21.54

 

CMYK 0 / 22 / 0 / 5

HEX #F1BBF0

RGB 241 187 240

HSL 301.11, 0.66%, 0.84%

LAB 82.13, 28.09, -18.82

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 22 / 22 / 0 / 5

HEX #BBBBF1

RGB 187 187 241

HSL 240, 0.66%, 0.84%

LAB 77.55, 11.23, -26.74

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 27 / 25 / 0 / 3

HEX #B4B9F7

RGB 180 185 247

HSL 235.52, 0.81%, 0.84%

LAB 76.75, 11.66, -31.24

 

CMYK 31 / 29 / 0 / 0

HEX #AEB4FE

RGB 174 180 254

HSL 235.5, 0.98%, 0.84%

LAB 75.32, 14.42, -37.25

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 18 / 16 / 0 / 8

HEX #C1C4EA

RGB 193 196 234

HSL 235.61, 0.49%, 0.84%

LAB 80.04, 6.64, -19.15

 

CMYK 12 / 11 / 0 / 11

HEX #C8CAE3

RGB 200 202 227

HSL 235.56, 0.33%, 0.84%

LAB 81.87, 4.18, -12.6

 

CMYK 6 / 6 / 0 / 13

HEX #CFD0DD

RGB 207 208 221

HSL 235.71, 0.17%, 0.84%

LAB 83.76, 2.1, -6.54

 

CMYK 0 / 0 / 0 / 16

HEX #D5D5D6

RGB 213 213 214

HSL 240, 0.01%, 0.84%

LAB 85.3, 0.19, -0.5

 

CMYK 22 / 9 / 0 / 5

HEX #BBDCF1

RGB 187 220 241

HSL 203.33, 0.66%, 0.84%

LAB 86.06, -6.36, -13.87

 

CMYK 22 / 15 / 0 / 5

HEX #BBCEF1

RGB 187 206 241

HSL 218.89, 0.66%, 0.84%

LAB 82.41, 0.99, -19.35

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 18 / 22 / 0 / 5

HEX #C5BBF1

RGB 197 187 241

HSL 251.11, 0.66%, 0.84%

LAB 78.32, 14.28, -25.49

 

CMYK 12 / 22 / 0 / 5

HEX #D3BBF1

RGB 211 187 241

HSL 266.67, 0.66%, 0.84%

LAB 79.47, 18.64, -23.65

 

CMYK 48 / 44 / 0 / 11

HEX #767EE3

RGB 118 126 227

HSL 235.6, 0.66%, 0.68%

LAB 56.41, 23.73, -52.46

 

CMYK 35 / 32 / 0 / 8

HEX #999FEA

RGB 153 159 234

HSL 235.56, 0.66%, 0.76%

LAB 67.66, 15.31, -38.43

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 11 / 10 / 0 / 3

HEX #DDDFF8

RGB 221 223 248

HSL 235.56, 0.66%, 0.92%

LAB 89.36, 4.08, -12.37

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 0 / 22 / 3 / 5

HEX #F1BBEA

RGB 241 187 234

HSL 307.78, 0.66%, 0.84%

LAB 81.94, 27.01, -15.89

 

CMYK 12 / 0 / 22 / 5

HEX #D5F1BB

RGB 213 241 187

HSL 91.11, 0.66%, 0.84%

LAB 91.97, -18.51, 23.11

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 0 / 22 / 21 / 5

HEX #F1BBBF

RGB 241 187 191

HSL 355.56, 0.66%, 0.84%

LAB 80.74, 20, 5.47

 

CMYK 21 / 0 / 22 / 5

HEX #BFF1BB

RGB 191 241 187

HSL 115.56, 0.66%, 0.84%

LAB 90.59, -26, 20.97

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 0 / 22 / 3 / 5

HEX #F1BBEA

RGB 241 187 234

HSL 307.78, 0.66%, 0.84%

LAB 81.94, 27.01, -15.89

 

CMYK 0 / 2 / 22 / 5

HEX #F1ECBB

RGB 241 236 187

HSL 54.44, 0.66%, 0.84%

LAB 92.7, -5.99, 24.42

 

CMYK 22 / 0 / 20 / 5

HEX #BBF1C1

RGB 187 241 193

HSL 126.67, 0.66%, 0.84%

LAB 90.47, -26.29, 17.68

 

CMYK 22 / 21 / 0 / 5

HEX #BBBFF1

RGB 187 191 241

HSL 235.56, 0.66%, 0.84%

LAB 78.56, 9.05, -25.19

 

CMYK 0 / 22 / 10 / 5

HEX #F1BBDA

RGB 241 187 218

HSL 325.56, 0.66%, 0.84%

LAB 81.46, 24.25, -8.02

 

CMYK 0 / 2 / 22 / 5

HEX #F1ECBB

RGB 241 236 187

HSL 54.44, 0.66%, 0.84%

LAB 92.7, -5.99, 24.42

 

CMYK 22 / 0 / 13 / 5

HEX #BBF1D1

RGB 187 241 209

HSL 144.44, 0.66%, 0.84%

LAB 90.82, -23.41, 9.88

 

Description

Color code: HEX #BBBFF1 | qconv.com Color code: HEX #BBBFF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 191 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 191 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 21 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 21% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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