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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBAD7F it is the complementary color #445280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBAD7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBAD7F shade: #C0AD7A, #D1BF8D, #E2D1A0, #F3E3B3 and #FFF5C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBAD7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBAD7F shade: #BBAD7F, #AA9B6C, #998959, #887746 and #776533

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBAD7F shade: #BCAE80, #BC9D80, #BC8D80 and #BC8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBAD7F shade: #BCAE80, #B9BC80, #A9BC80, #99BC80 and #89BC80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBAD7F shade matches the following richer shades: #BCAE80, #CBB670, #DBBE60, #EBC751 and #FACF41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBAD7F shade: #BCAE80, #ACA58F, #9C9D9F, #8D95AF and #7D8CBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBAD7F shade: #BC8E80, #BC9E80, #BCAE80, #BABC80 and #AABC80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBAD7F shade: #998850, #AD9C65, #BCAE80, #CABF9B and #D8D0B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBAD7F shade: #BBAD7F, #82BC80 and #9680BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBAD7F shade: #BBAD7F, #80BCAE and #AE80BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBAD7F shade: #BBAD7F, #82BC80, #808EBC and #BA80BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBAD7F shade: #BBAD7F, #80BC90, #808EBC and #BC80AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 32 / 27

HEX #BBAD7F

RGB 187 173 127

HSL 46, 0.31%, 0.62%

LAB 70.86, -2, 25.5

 

Complementary color

CMYK 47 / 36 / 0 / 50

HEX #445280

RGB 68 82 128

HSL 226, 0.31%, 0.38%

LAB 35.64, 7.8, -27.67

 

CMYK 0 / 10 / 36 / 25

HEX #C0AD7A

RGB 192 173 122

HSL 43.71, 0.36%, 0.62%

LAB 71.21, -0.62, 28.73

 

CMYK 0 / 9 / 33 / 18

HEX #D1BF8D

RGB 209 191 141

HSL 44.12, 0.43%, 0.69%

LAB 77.72, -1.06, 27.57

 

CMYK 0 / 8 / 29 / 11

HEX #E2D1A0

RGB 226 209 160

HSL 44.55, 0.53%, 0.76%

LAB 84.13, -1.45, 26.49

 

CMYK 0 / 7 / 26 / 5

HEX #F3E3B3

RGB 243 227 179

HSL 45, 0.73%, 0.83%

LAB 90.44, -1.78, 25.46

 

CMYK 0 / 4 / 22 / 0

HEX #FFF5C6

RGB 255 245 198

HSL 49.47, 1%, 0.89%

LAB 96.26, -3.9, 23.88

 

CMYK 0 / 7 / 32 / 27

HEX #BBAD7F

RGB 187 173 127

HSL 46, 0.31%, 0.62%

LAB 70.86, -2, 25.5

 

CMYK 0 / 9 / 36 / 33

HEX #AA9B6C

RGB 170 155 108

HSL 45.48, 0.27%, 0.55%

LAB 64.22, -1.58, 26.67

 

CMYK 0 / 10 / 42 / 40

HEX #998959

RGB 153 137 89

HSL 45, 0.26%, 0.47%

LAB 57.45, -1.06, 27.92

 

CMYK 0 / 13 / 49 / 47

HEX #887746

RGB 136 119 70

HSL 44.55, 0.32%, 0.4%

LAB 50.53, -0.43, 29.25

 

CMYK 0 / 15 / 57 / 53

HEX #776533

RGB 119 101 51

HSL 44.12, 0.4%, 0.33%

LAB 43.46, 0.38, 30.64

 

CMYK 0 / 7 / 32 / 26

HEX #BCAE80

RGB 188 174 128

HSL 46, 0.31%, 0.62%

LAB 71.23, -2.01, 25.47

 

CMYK 0 / 16 / 32 / 26

HEX #BC9D80

RGB 188 157 128

HSL 29, 0.31%, 0.62%

LAB 66.8, 7.18, 19.46

 

CMYK 0 / 25 / 32 / 26

HEX #BC8D80

RGB 188 141 128

HSL 13, 0.31%, 0.62%

LAB 62.76, 16.01, 13.88

 

CMYK 0 / 32 / 32 / 26

HEX #BC8080

RGB 188 128 128

HSL 0, 0.31%, 0.62%

LAB 59.61, 23.23, 9.44

 

CMYK 0 / 7 / 32 / 26

HEX #BCAE80

RGB 188 174 128

HSL 46, 0.31%, 0.62%

LAB 71.23, -2.01, 25.47

 

CMYK 2 / 0 / 32 / 26

HEX #B9BC80

RGB 185 188 128

HSL 63, 0.31%, 0.62%

LAB 74.72, -10.55, 30.08

 

CMYK 10 / 0 / 32 / 26

HEX #A9BC80

RGB 169 188 128

HSL 79, 0.31%, 0.62%

LAB 73.52, -16.74, 28.26

 

CMYK 19 / 0 / 32 / 26

HEX #99BC80

RGB 153 188 128

HSL 95, 0.31%, 0.62%

LAB 72.43, -22.71, 26.61

 

CMYK 27 / 0 / 32 / 26

HEX #89BC80

RGB 137 188 128

HSL 111, 0.31%, 0.62%

LAB 71.45, -28.39, 25.13

 

CMYK 0 / 7 / 32 / 26

HEX #BCAE80

RGB 188 174 128

HSL 46, 0.31%, 0.62%

LAB 71.23, -2.01, 25.47

 

CMYK 0 / 10 / 45 / 20

HEX #CBB670

RGB 203 182 112

HSL 46.15, 0.47%, 0.62%

LAB 74.4, -2.02, 38.27

 

CMYK 0 / 13 / 56 / 14

HEX #DBBE60

RGB 219 190 96

HSL 45.85, 0.63%, 0.62%

LAB 77.72, -1.03, 50.56

 

CMYK 0 / 15 / 66 / 8

HEX #EBC751

RGB 235 199 81

HSL 45.97, 0.79%, 0.62%

LAB 81.35, -0.02, 61.79

 

CMYK 0 / 17 / 74 / 2

HEX #FACF41

RGB 250 207 65

HSL 46.05, 0.95%, 0.62%

LAB 84.65, 1.38, 71.86

 

CMYK 0 / 7 / 32 / 26

HEX #BCAE80

RGB 188 174 128

HSL 46, 0.31%, 0.62%

LAB 71.23, -2.01, 25.47

 

CMYK 0 / 4 / 17 / 33

HEX #ACA58F

RGB 172 165 143

HSL 45.52, 0.15%, 0.62%

LAB 67.77, -1.26, 12.31

 

CMYK 2 / 1 / 0 / 38

HEX #9C9D9F

RGB 156 157 159

HSL 220, 0.02%, 0.62%

LAB 64.71, 0.03, -1.18

 

CMYK 19 / 15 / 0 / 31

HEX #8D95AF

RGB 141 149 175

HSL 225.88, 0.18%, 0.62%

LAB 61.87, 2.76, -14.54

 

CMYK 34 / 26 / 0 / 25

HEX #7D8CBE

RGB 125 140 190

HSL 226.15, 0.33%, 0.62%

LAB 58.82, 6.71, -27.79

 

CMYK 0 / 24 / 32 / 26

HEX #BC8E80

RGB 188 142 128

HSL 14, 0.31%, 0.62%

LAB 63.01, 15.46, 14.22

 

CMYK 0 / 16 / 32 / 26

HEX #BC9E80

RGB 188 158 128

HSL 30, 0.31%, 0.62%

LAB 67.05, 6.64, 19.81

 

CMYK 0 / 7 / 32 / 26

HEX #BCAE80

RGB 188 174 128

HSL 46, 0.31%, 0.62%

LAB 71.23, -2.01, 25.47

 

CMYK 1 / 0 / 32 / 26

HEX #BABC80

RGB 186 188 128

HSL 62, 0.31%, 0.62%

LAB 74.8, -10.16, 30.2

 

CMYK 10 / 0 / 32 / 26

HEX #AABC80

RGB 170 188 128

HSL 78, 0.31%, 0.62%

LAB 73.59, -16.36, 28.37

 

CMYK 0 / 11 / 48 / 40

HEX #998850

RGB 153 136 80

HSL 46.03, 0.31%, 0.46%

LAB 57.04, -1.49, 32.29

 

CMYK 0 / 10 / 42 / 32

HEX #AD9C65

RGB 173 156 101

HSL 45.83, 0.31%, 0.54%

LAB 64.64, -1.7, 31.06

 

CMYK 0 / 7 / 32 / 26

HEX #BCAE80

RGB 188 174 128

HSL 46, 0.31%, 0.62%

LAB 71.23, -2.01, 25.47

 

CMYK 0 / 5 / 23 / 21

HEX #CABF9B

RGB 202 191 155

HSL 45.96, 0.31%, 0.7%

LAB 77.39, -1.89, 19.59

 

CMYK 0 / 4 / 16 / 15

HEX #D8D0B6

RGB 216 208 182

HSL 45.88, 0.3%, 0.78%

LAB 83.49, -1.54, 13.9

 

CMYK 0 / 7 / 32 / 27

HEX #BBAD7F

RGB 187 173 127

HSL 46, 0.31%, 0.62%

LAB 70.86, -2, 25.5

 

CMYK 31 / 0 / 32 / 26

HEX #82BC80

RGB 130 188 128

HSL 118, 0.31%, 0.62%

LAB 71.06, -30.76, 24.54

 

CMYK 20 / 32 / 0 / 26

HEX #9680BC

RGB 150 128 188

HSL 262, 0.31%, 0.62%

LAB 57.61, 20.76, -28.37

 

CMYK 0 / 7 / 32 / 27

HEX #BBAD7F

RGB 187 173 127

HSL 46, 0.31%, 0.62%

LAB 70.86, -2, 25.5

 

CMYK 32 / 0 / 7 / 26

HEX #80BCAE

RGB 128 188 174

HSL 166, 0.31%, 0.62%

LAB 71.97, -22.42, 0.9

 

CMYK 7 / 32 / 0 / 26

HEX #AE80BC

RGB 174 128 188

HSL 286, 0.31%, 0.62%

LAB 59.95, 28.44, -24.57

 

CMYK 0 / 7 / 32 / 27

HEX #BBAD7F

RGB 187 173 127

HSL 46, 0.31%, 0.62%

LAB 70.86, -2, 25.5

 

CMYK 31 / 0 / 32 / 26

HEX #82BC80

RGB 130 188 128

HSL 118, 0.31%, 0.62%

LAB 71.06, -30.76, 24.54

 

CMYK 32 / 24 / 0 / 26

HEX #808EBC

RGB 128 142 188

HSL 226, 0.31%, 0.62%

LAB 59.49, 5.9, -25.6

 

CMYK 1 / 32 / 0 / 26

HEX #BA80BC

RGB 186 128 188

HSL 298, 0.31%, 0.62%

LAB 61.23, 32.36, -22.5

 

CMYK 0 / 7 / 32 / 27

HEX #BBAD7F

RGB 187 173 127

HSL 46, 0.31%, 0.62%

LAB 70.86, -2, 25.5

 

CMYK 32 / 0 / 23 / 26

HEX #80BC90

RGB 128 188 144

HSL 136, 0.31%, 0.62%

LAB 71.26, -28.58, 16.22

 

CMYK 32 / 24 / 0 / 26

HEX #808EBC

RGB 128 142 188

HSL 226, 0.31%, 0.62%

LAB 59.49, 5.9, -25.6

 

CMYK 0 / 32 / 9 / 26

HEX #BC80AC

RGB 188 128 172

HSL 316, 0.31%, 0.62%

LAB 60.88, 30.08, -13.91

 

Description

Color code: HEX #BBAD7F | qconv.com Color code: HEX #BBAD7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 173 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 173 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 32 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 32% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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