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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9F1A it is the complementary color #4460E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9F1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9F1A shade: #C09F15, #D1B128, #E2C33B, #F3D54E and #FFE761

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9F1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9F1A shade: #BB9F1A, #AA8D07, #997B00, #886900 and #775700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9F1A shade: #BCA019, #BC7419, #BC4819, #BC1C19 and #BC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9F1A shade: #BCA019, #ACBC19, #80BC19, #55BC19 and #29BC19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9F1A shade matches the following richer shades: #BCA019 and #CDAB08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9F1A shade: #BCA019, #AB942B, #99893C, #887E4D and #77725F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9F1A shade: #BC4719, #BC7319, #BC9E19, #AEBC19 and #83BC19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9F1A shade: #73620F, #988114, #BCA019, #E0BE1F and #E5C943

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9F1A shade: #BB9F1A, #19BC1C and #5D19BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9F1A shade: #BB9F1A, #19BC9E and #9E19BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9F1A shade: #BB9F1A, #19BC1C, #1937BC and #BC19B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9F1A shade: #BB9F1A, #19BC4D, #1937BC and #BC1988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 86 / 27

HEX #BB9F1A

RGB 187 159 26

HSL 49.57, 0.76%, 0.42%

LAB 66.09, -2.12, 65.11

 

Complementary color

CMYK 70 / 58 / 0 / 10

HEX #4460E5

RGB 68 96 229

HSL 229.57, 0.76%, 0.58%

LAB 45.98, 33.73, -70.54

 

CMYK 0 / 17 / 89 / 25

HEX #C09F15

RGB 192 159 21

HSL 48.42, 0.8%, 0.42%

LAB 66.56, 0, 66.83

 

CMYK 0 / 15 / 81 / 18

HEX #D1B128

RGB 209 177 40

HSL 48.64, 0.68%, 0.49%

LAB 72.99, -1.55, 68

 

CMYK 0 / 14 / 74 / 11

HEX #E2C33B

RGB 226 195 59

HSL 48.86, 0.74%, 0.56%

LAB 79.34, -2.87, 68.14

 

CMYK 0 / 12 / 68 / 5

HEX #F3D54E

RGB 243 213 78

HSL 49.09, 0.87%, 0.63%

LAB 85.6, -4, 67.69

HEX #F3D54E

CMYK 0 / 9 / 62 / 0

HEX #FFE761

RGB 255 231 97

HSL 50.89, 1%, 0.69%

LAB 91.36, -7.01, 66.31

HEX #FFE761

CMYK 0 / 15 / 86 / 27

HEX #BB9F1A

RGB 187 159 26

HSL 49.57, 0.76%, 0.42%

LAB 66.09, -2.12, 65.11

 

CMYK 0 / 17 / 96 / 33

HEX #AA8D07

RGB 170 141 7

HSL 49.33, 0.92%, 0.35%

LAB 59.54, -0.43, 62.91

 

CMYK 0 / 20 / 100 / 40

HEX #997B00

RGB 153 123 0

HSL 48.24, 1%, 0.3%

LAB 52.88, 1.58, 58.52

 

CMYK 0 / 23 / 100 / 47

HEX #886900

RGB 136 105 0

HSL 46.32, 1%, 0.27%

LAB 46.09, 3.78, 52.92

 

CMYK 0 / 27 / 100 / 53

HEX #775700

RGB 119 87 0

HSL 43.87, 1%, 0.23%

LAB 39.14, 6.12, 47.2

 

CMYK 0 / 15 / 87 / 26

HEX #BCA019

RGB 188 160 25

HSL 49.69, 0.77%, 0.42%

LAB 66.45, -2.23, 65.68

 

CMYK 0 / 38 / 87 / 26

HEX #BC7419

RGB 188 116 25

HSL 33.5, 0.77%, 0.42%

LAB 55.33, 21.87, 56.63

 

CMYK 0 / 62 / 87 / 26

HEX #BC4819

RGB 188 72 25

HSL 17.3, 0.77%, 0.42%

LAB 46.17, 44.64, 49.11

 

CMYK 0 / 85 / 87 / 26

HEX #BC1C19

RGB 188 28 25

HSL 1.1, 0.77%, 0.42%

LAB 40.56, 60.05, 44.46

 

CMYK 0 / 87 / 87 / 26

HEX #BC1919

RGB 188 25 25

HSL 0, 0.77%, 0.42%

LAB 40.34, 60.68, 44.28

 

CMYK 0 / 15 / 87 / 26

HEX #BCA019

RGB 188 160 25

HSL 49.69, 0.77%, 0.42%

LAB 66.45, -2.23, 65.68

 

CMYK 9 / 0 / 87 / 26

HEX #ACBC19

RGB 172 188 25

HSL 65.89, 0.77%, 0.42%

LAB 72.76, -23.64, 70.28

 

CMYK 32 / 0 / 87 / 26

HEX #80BC19

RGB 128 188 25

HSL 82.09, 0.77%, 0.42%

LAB 69.91, -41.38, 66.75

 

CMYK 55 / 0 / 87 / 26

HEX #55BC19

RGB 85 188 25

HSL 97.91, 0.77%, 0.42%

LAB 68, -55.5, 64.35

 

CMYK 78 / 0 / 87 / 26

HEX #29BC19

RGB 41 188 25

HSL 114.11, 0.77%, 0.42%

LAB 66.91, -64.63, 62.97

 

CMYK 0 / 15 / 87 / 26

HEX #BCA019

RGB 188 160 25

HSL 49.69, 0.77%, 0.42%

LAB 66.45, -2.23, 65.68

 

CMYK 0 / 17 / 96 / 20

HEX #CDAB08

RGB 205 171 8

HSL 49.64, 0.92%, 0.42%

LAB 70.96, -0.79, 72.72

 

CMYK 0 / 15 / 87 / 26

HEX #BCA019

RGB 188 160 25

HSL 49.69, 0.77%, 0.42%

LAB 66.45, -2.23, 65.68

 

CMYK 0 / 13 / 75 / 33

HEX #AB942B

RGB 171 148 43

HSL 49.22, 0.6%, 0.42%

LAB 61.66, -2.78, 55.29

 

CMYK 0 / 10 / 61 / 40

HEX #99893C

RGB 153 137 60

HSL 49.68, 0.44%, 0.42%

LAB 57.07, -3.82, 42.59

 

CMYK 0 / 7 / 43 / 47

HEX #887E4D

RGB 136 126 77

HSL 49.83, 0.28%, 0.42%

LAB 52.61, -3.62, 28.01

 

CMYK 0 / 4 / 20 / 53

HEX #77725F

RGB 119 114 95

HSL 47.5, 0.11%, 0.42%

LAB 47.99, -1.51, 11.24

 

CMYK 0 / 62 / 87 / 26

HEX #BC4719

RGB 188 71 25

HSL 16.93, 0.77%, 0.42%

LAB 46, 45.1, 48.97

 

CMYK 0 / 39 / 87 / 26

HEX #BC7319

RGB 188 115 25

HSL 33.13, 0.77%, 0.42%

LAB 55.1, 22.42, 56.44

 

CMYK 0 / 16 / 87 / 26

HEX #BC9E19

RGB 188 158 25

HSL 48.96, 0.77%, 0.42%

LAB 65.92, -1.16, 65.25

 

CMYK 7 / 0 / 87 / 26

HEX #AEBC19

RGB 174 188 25

HSL 65.15, 0.77%, 0.42%

LAB 72.92, -22.79, 70.47

 

CMYK 30 / 0 / 87 / 26

HEX #83BC19

RGB 131 188 25

HSL 80.98, 0.77%, 0.42%

LAB 70.08, -40.25, 66.95

 

CMYK 0 / 15 / 87 / 55

HEX #73620F

RGB 115 98 15

HSL 49.8, 0.77%, 0.25%

LAB 41.87, -1.96, 44.96

 

CMYK 0 / 15 / 87 / 40

HEX #988114

RGB 152 129 20

HSL 49.55, 0.77%, 0.34%

LAB 54.48, -1.87, 55.65

 

CMYK 0 / 15 / 87 / 26

HEX #BCA019

RGB 188 160 25

HSL 49.69, 0.77%, 0.42%

LAB 66.45, -2.23, 65.68

 

CMYK 0 / 15 / 86 / 12

HEX #E0BE1F

RGB 224 190 31

HSL 49.43, 0.76%, 0.5%

LAB 77.74, -2.05, 74.89

 

CMYK 0 / 12 / 71 / 10

HEX #E5C943

RGB 229 201 67

HSL 49.63, 0.76%, 0.58%

LAB 81.2, -4.31, 67.1

 

CMYK 0 / 15 / 86 / 27

HEX #BB9F1A

RGB 187 159 26

HSL 49.57, 0.76%, 0.42%

LAB 66.09, -2.12, 65.11

 

CMYK 87 / 0 / 85 / 26

HEX #19BC1C

RGB 25 188 28

HSL 121.1, 0.77%, 0.42%

LAB 66.72, -66.28, 62.05

 

CMYK 51 / 87 / 0 / 26

HEX #5D19BC

RGB 93 25 188

HSL 265.03, 0.77%, 0.42%

LAB 31, 61.07, -71.31

 

CMYK 0 / 15 / 86 / 27

HEX #BB9F1A

RGB 187 159 26

HSL 49.57, 0.76%, 0.42%

LAB 66.09, -2.12, 65.11

 

CMYK 87 / 0 / 16 / 26

HEX #19BC9E

RGB 25 188 158

HSL 168.96, 0.77%, 0.42%

LAB 68.49, -45.74, 4.23

 

CMYK 16 / 87 / 0 / 26

HEX #9E19BC

RGB 158 25 188

HSL 288.96, 0.77%, 0.42%

LAB 40.57, 70.12, -55.29

 

CMYK 0 / 15 / 86 / 27

HEX #BB9F1A

RGB 187 159 26

HSL 49.57, 0.76%, 0.42%

LAB 66.09, -2.12, 65.11

 

CMYK 87 / 0 / 85 / 26

HEX #19BC1C

RGB 25 188 28

HSL 121.1, 0.77%, 0.42%

LAB 66.72, -66.28, 62.05

 

CMYK 87 / 71 / 0 / 26

HEX #1937BC

RGB 25 55 188

HSL 228.96, 0.77%, 0.42%

LAB 30.81, 40.75, -71.8

 

CMYK 0 / 87 / 2 / 26

HEX #BC19B9

RGB 188 25 185

HSL 301.1, 0.77%, 0.42%

LAB 45.48, 74.83, -45.36

 

CMYK 0 / 15 / 86 / 27

HEX #BB9F1A

RGB 187 159 26

HSL 49.57, 0.76%, 0.42%

LAB 66.09, -2.12, 65.11

 

CMYK 87 / 0 / 59 / 26

HEX #19BC4D

RGB 25 188 77

HSL 139.14, 0.77%, 0.42%

LAB 67.06, -61.99, 44.55

 

CMYK 87 / 71 / 0 / 26

HEX #1937BC

RGB 25 55 188

HSL 228.96, 0.77%, 0.42%

LAB 30.81, 40.75, -71.8

 

CMYK 0 / 87 / 28 / 26

HEX #BC1988

RGB 188 25 136

HSL 319.14, 0.77%, 0.42%

LAB 43.01, 68.26, -19.89

 

Description

Color code: HEX #BB9F1A | qconv.com Color code: HEX #BB9F1A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 159 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 159 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 86 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 86% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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