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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9E21 it is the complementary color #4461DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9E21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9E21 shade: #C09E1C, #D1B02F, #E2C242, #F3D455 and #FFE668

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9E21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9E21 shade: #BB9E21, #AA8C0E, #997A00, #886800 and #775600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9E21 shade: #BA9D20, #BA7420, #BA4A20, #BA2120 and #BA2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9E21 shade: #BA9D20, #ADBA20, #84BA20, #5BBA20 and #31BA20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9E21 shade matches the following richer shades: #BA9D20 and #CCA80F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9E21 shade: #BA9D20, #A89232, #968744, #857C56 and #737167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9E21 shade: #BA4920, #BA7220, #BA9B20, #B0BA20 and #87BA20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9E21 shade: #746214, #977F1A, #BA9D20, #D9B82A and #DFC44E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9E21 shade: #BB9E21, #20BA20 and #5E20BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9E21 shade: #BB9E21, #20BA9B and #9B20BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9E21 shade: #BB9E21, #20BA20, #203FBA and #BA20BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9E21 shade: #BB9E21, #20BA4E, #203FBA and #BA208C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 82 / 27

HEX #BB9E21

RGB 187 158 33

HSL 48.7, 0.7%, 0.43%

LAB 65.85, -1.39, 63.03

 

Complementary color

CMYK 69 / 56 / 0 / 13

HEX #4461DE

RGB 68 97 222

HSL 228.7, 0.7%, 0.57%

LAB 45.71, 30.64, -67.02

 

CMYK 0 / 18 / 85 / 25

HEX #C09E1C

RGB 192 158 28

HSL 47.56, 0.75%, 0.43%

LAB 66.32, 0.7, 65.01

 

CMYK 0 / 16 / 78 / 18

HEX #D1B02F

RGB 209 176 47

HSL 47.78, 0.64%, 0.5%

LAB 72.77, -0.78, 65.58

 

CMYK 0 / 14 / 71 / 11

HEX #E2C242

RGB 226 194 66

HSL 48, 0.73%, 0.57%

LAB 79.13, -2.03, 65.33

 

CMYK 0 / 13 / 65 / 5

HEX #F3D455

RGB 243 212 85

HSL 48.23, 0.87%, 0.64%

LAB 85.4, -3.11, 64.63

 

CMYK 0 / 10 / 59 / 0

HEX #FFE668

RGB 255 230 104

HSL 50.07, 1%, 0.7%

LAB 91.17, -6.06, 63.09

 

CMYK 0 / 16 / 82 / 27

HEX #BB9E21

RGB 187 158 33

HSL 48.7, 0.7%, 0.43%

LAB 65.85, -1.39, 63.03

 

CMYK 0 / 18 / 92 / 33

HEX #AA8C0E

RGB 170 140 14

HSL 48.46, 0.85%, 0.36%

LAB 59.28, 0.23, 61.59

 

CMYK 0 / 20 / 100 / 40

HEX #997A00

RGB 153 122 0

HSL 47.84, 1%, 0.3%

LAB 52.61, 2.14, 58.33

 

CMYK 0 / 24 / 100 / 47

HEX #886800

RGB 136 104 0

HSL 45.88, 1%, 0.27%

LAB 45.82, 4.36, 52.73

 

CMYK 0 / 28 / 100 / 53

HEX #775600

RGB 119 86 0

HSL 43.36, 1%, 0.23%

LAB 38.86, 6.72, 47.01

 

CMYK 0 / 16 / 83 / 27

HEX #BA9D20

RGB 186 157 32

HSL 48.7, 0.71%, 0.43%

LAB 65.48, -1.33, 62.97

 

CMYK 0 / 38 / 83 / 27

HEX #BA7420

RGB 186 116 32

HSL 32.73, 0.71%, 0.43%

LAB 55.11, 21.19, 53.95

 

CMYK 0 / 60 / 83 / 27

HEX #BA4A20

RGB 186 74 32

HSL 16.36, 0.71%, 0.43%

LAB 46.23, 43.15, 45.99

 

CMYK 0 / 82 / 83 / 27

HEX #BA2120

RGB 186 33 32

HSL 0.39, 0.71%, 0.43%

LAB 40.62, 58.46, 40.77

 

CMYK 0 / 83 / 83 / 27

HEX #BA2020

RGB 186 32 32

HSL 0, 0.71%, 0.43%

LAB 40.53, 58.72, 40.68

 

CMYK 0 / 16 / 83 / 27

HEX #BA9D20

RGB 186 157 32

HSL 48.7, 0.71%, 0.43%

LAB 65.48, -1.33, 62.97

 

CMYK 7 / 0 / 83 / 27

HEX #ADBA20

RGB 173 186 32

HSL 65.06, 0.71%, 0.43%

LAB 72.3, -22.04, 68.36

 

CMYK 29 / 0 / 83 / 27

HEX #84BA20

RGB 132 186 32

HSL 81.04, 0.71%, 0.43%

LAB 69.56, -38.76, 64.91

 

CMYK 51 / 0 / 83 / 27

HEX #5BBA20

RGB 91 186 32

HSL 97.01, 0.71%, 0.43%

LAB 67.61, -52.77, 62.44

 

CMYK 74 / 0 / 83 / 27

HEX #31BA20

RGB 49 186 32

HSL 113.38, 0.71%, 0.43%

LAB 66.42, -62.48, 60.92

 

CMYK 0 / 16 / 83 / 27

HEX #BA9D20

RGB 186 157 32

HSL 48.7, 0.71%, 0.43%

LAB 65.48, -1.33, 62.97

 

CMYK 0 / 18 / 93 / 20

HEX #CCA80F

RGB 204 168 15

HSL 48.57, 0.86%, 0.43%

LAB 70.09, 0.44, 71.13

 

CMYK 0 / 16 / 83 / 27

HEX #BA9D20

RGB 186 157 32

HSL 48.7, 0.71%, 0.43%

LAB 65.48, -1.33, 62.97

 

CMYK 0 / 13 / 70 / 34

HEX #A89232

RGB 168 146 50

HSL 48.81, 0.54%, 0.43%

LAB 60.88, -2.69, 51.63

 

CMYK 0 / 10 / 55 / 41

HEX #968744

RGB 150 135 68

HSL 49.02, 0.38%, 0.43%

LAB 56.32, -3.39, 37.66

 

CMYK 0 / 7 / 35 / 48

HEX #857C56

RGB 133 124 86

HSL 48.51, 0.21%, 0.43%

LAB 51.92, -2.68, 22.02

 

CMYK 0 / 2 / 10 / 55

HEX #737167

RGB 115 113 103

HSL 50, 0.06%, 0.43%

LAB 47.54, -1.16, 5.82

 

CMYK 0 / 61 / 83 / 27

HEX #BA4920

RGB 186 73 32

HSL 15.97, 0.71%, 0.43%

LAB 46.05, 43.62, 45.82

 

CMYK 0 / 39 / 83 / 27

HEX #BA7220

RGB 186 114 32

HSL 31.95, 0.71%, 0.43%

LAB 54.63, 22.3, 53.54

 

CMYK 0 / 17 / 83 / 27

HEX #BA9B20

RGB 186 155 32

HSL 47.92, 0.71%, 0.43%

LAB 64.95, -0.26, 62.51

 

CMYK 5 / 0 / 83 / 27

HEX #B0BA20

RGB 176 186 32

HSL 63.9, 0.71%, 0.43%

LAB 72.53, -20.76, 68.65

 

CMYK 27 / 0 / 83 / 27

HEX #87BA20

RGB 135 186 32

HSL 79.87, 0.71%, 0.43%

LAB 69.73, -37.6, 65.13

 

CMYK 0 / 16 / 83 / 55

HEX #746214

RGB 116 98 20

HSL 48.75, 0.71%, 0.27%

LAB 42, -1.29, 43.47

 

CMYK 0 / 16 / 83 / 41

HEX #977F1A

RGB 151 127 26

HSL 48.48, 0.71%, 0.35%

LAB 53.85, -1.03, 53.35

 

CMYK 0 / 16 / 83 / 27

HEX #BA9D20

RGB 186 157 32

HSL 48.7, 0.71%, 0.43%

LAB 65.48, -1.33, 62.97

 

CMYK 0 / 15 / 81 / 15

HEX #D9B82A

RGB 217 184 42

HSL 48.69, 0.7%, 0.51%

LAB 75.58, -1.67, 69.96

 

CMYK 0 / 12 / 65 / 13

HEX #DFC44E

RGB 223 196 78

HSL 48.83, 0.69%, 0.59%

LAB 79.45, -3.69, 60.72

 

CMYK 0 / 16 / 82 / 27

HEX #BB9E21

RGB 187 158 33

HSL 48.7, 0.7%, 0.43%

LAB 65.85, -1.39, 63.03

 

CMYK 83 / 0 / 83 / 27

HEX #20BA20

RGB 32 186 32

HSL 120, 0.71%, 0.43%

LAB 66.16, -64.81, 60.58

 

CMYK 49 / 83 / 0 / 27

HEX #5E20BA

RGB 94 32 186

HSL 264.16, 0.71%, 0.43%

LAB 31.71, 58.38, -68.95

 

CMYK 0 / 16 / 82 / 27

HEX #BB9E21

RGB 187 158 33

HSL 48.7, 0.7%, 0.43%

LAB 65.85, -1.39, 63.03

 

CMYK 83 / 0 / 17 / 27

HEX #20BA9B

RGB 32 186 155

HSL 167.92, 0.71%, 0.43%

LAB 67.87, -45.15, 4.99

 

CMYK 17 / 83 / 0 / 27

HEX #9B20BA

RGB 155 32 186

HSL 287.92, 0.71%, 0.43%

LAB 40.49, 67.64, -54.27

 

CMYK 0 / 16 / 82 / 27

HEX #BB9E21

RGB 187 158 33

HSL 48.7, 0.7%, 0.43%

LAB 65.85, -1.39, 63.03

 

CMYK 83 / 0 / 83 / 27

HEX #20BA20

RGB 32 186 32

HSL 120, 0.71%, 0.43%

LAB 66.16, -64.81, 60.58

 

CMYK 83 / 66 / 0 / 27

HEX #203FBA

RGB 32 63 186

HSL 227.92, 0.71%, 0.43%

LAB 32.72, 35.41, -67.47

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 0 / 16 / 82 / 27

HEX #BB9E21

RGB 187 158 33

HSL 48.7, 0.7%, 0.43%

LAB 65.85, -1.39, 63.03

 

CMYK 83 / 0 / 58 / 27

HEX #20BA4E

RGB 32 186 78

HSL 137.92, 0.71%, 0.43%

LAB 66.5, -60.56, 43.45

 

CMYK 83 / 66 / 0 / 27

HEX #203FBA

RGB 32 63 186

HSL 227.92, 0.71%, 0.43%

LAB 32.72, 35.41, -67.47

 

CMYK 0 / 83 / 25 / 27

HEX #BA208C

RGB 186 32 140

HSL 317.92, 0.71%, 0.43%

LAB 43.31, 66.84, -21.9

 

Description

Color code: HEX #BB9E21 | qconv.com Color code: HEX #BB9E21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 158 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 158 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 82% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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