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Color name
HEX #BB91FA

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB91FA it is the complementary color #446E05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB91FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB91FA shade: #C091F5, #D1A3FF, #E2B5FF, #F3C7FF and #FFD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB91FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB91FA shade: #BB91FA, #AA7FE7, #996DD4, #885BC1 and #7749AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB91FA shade: #B98EF9, #D68EF9, #F38EF9, #F98EE3 and #F98EC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB91FA shade: #B98EF9, #9C8EF9 and #8E8EF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB91FA shade matches the following richer shades: #B98EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB91FA shade: #B98EF9, #BB98F0, #BDA1E6, #BFABDD and #C1B4D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB91FA shade: #8E9DF9, #9D8EF9, #B98EF9, #D68EF9 and #F28EF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB91FA shade: #8840F6, #A167F7, #B98EF9, #D2B6FB and #EADDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB91FA shade: #BB91FA, #F98EB9 and #8EF98E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB91FA shade: #BB91FA, #F9B98E and #8EF9B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB91FA shade: #BB91FA, #F98EB9, #CFF98E and #8EF9CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB91FA shade: #BB91FA, #F98E99, #CFF98E and #8EF9EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 42 / 0 / 2

HEX #BB91FA

RGB 187 145 250

HSL 264, 0.91%, 0.77%

LAB 67.81, 36.57, -46.74

 

Complementary color

CMYK 38 / 0 / 95 / 57

HEX #446E05

RGB 68 110 5

HSL 84, 0.91%, 0.23%

LAB 41.83, -30.27, 45.95

 

CMYK 22 / 41 / 0 / 4

HEX #C091F5

RGB 192 145 245

HSL 268.2, 0.83%, 0.76%

LAB 68.06, 36.81, -43.59

 

CMYK 18 / 36 / 0 / 0

HEX #D1A3FF

RGB 209 163 255

HSL 270, 1%, 0.82%

LAB 74.17, 34.07, -39.36

 

CMYK 11 / 29 / 0 / 0

HEX #E2B5FF

RGB 226 181 255

HSL 276.49, 1%, 0.85%

LAB 79.86, 29.43, -30.43

 

CMYK 5 / 22 / 0 / 0

HEX #F3C7FF

RGB 243 199 255

HSL 287.14, 1%, 0.89%

LAB 85.57, 25.15, -21.59

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 25 / 42 / 0 / 2

HEX #BB91FA

RGB 187 145 250

HSL 264, 0.91%, 0.77%

LAB 67.81, 36.57, -46.74

 

CMYK 26 / 45 / 0 / 9

HEX #AA7FE7

RGB 170 127 231

HSL 264.81, 0.68%, 0.7%

LAB 61.22, 37.42, -46.78

 

CMYK 28 / 49 / 0 / 17

HEX #996DD4

RGB 153 109 212

HSL 265.63, 0.54%, 0.63%

LAB 54.51, 38.33, -46.84

 

CMYK 30 / 53 / 0 / 24

HEX #885BC1

RGB 136 91 193

HSL 266.47, 0.45%, 0.56%

LAB 47.71, 39.3, -46.9

 

CMYK 32 / 58 / 0 / 32

HEX #7749AE

RGB 119 73 174

HSL 267.33, 0.41%, 0.48%

LAB 40.8, 40.3, -46.93

 

CMYK 26 / 43 / 0 / 2

HEX #B98EF9

RGB 185 142 249

HSL 264.11, 0.9%, 0.77%

LAB 66.9, 37.44, -47.64

 

CMYK 14 / 43 / 0 / 2

HEX #D68EF9

RGB 214 142 249

HSL 280.37, 0.9%, 0.77%

LAB 69.81, 45.52, -42.87

 

CMYK 2 / 43 / 0 / 2

HEX #F38EF9

RGB 243 142 249

HSL 296.64, 0.9%, 0.77%

LAB 73.05, 53.8, -37.57

 

CMYK 0 / 43 / 9 / 2

HEX #F98EE3

RGB 249 142 227

HSL 312.34, 0.9%, 0.77%

LAB 72.91, 51.79, -25.71

 

CMYK 0 / 43 / 20 / 2

HEX #F98EC6

RGB 249 142 198

HSL 328.6, 0.9%, 0.77%

LAB 71.94, 47.33, -11.19

 

CMYK 26 / 43 / 0 / 2

HEX #B98EF9

RGB 185 142 249

HSL 264.11, 0.9%, 0.77%

LAB 66.9, 37.44, -47.64

 

CMYK 37 / 43 / 0 / 2

HEX #9C8EF9

RGB 156 142 249

HSL 247.85, 0.9%, 0.77%

LAB 64.37, 29.79, -51.81

 

CMYK 43 / 43 / 0 / 2

HEX #8E8EF9

RGB 142 142 249

HSL 240, 0.9%, 0.77%

LAB 63.29, 26.34, -53.59

 

CMYK 26 / 43 / 0 / 2

HEX #B98EF9

RGB 185 142 249

HSL 264.11, 0.9%, 0.77%

LAB 66.9, 37.44, -47.64

 

CMYK 26 / 43 / 0 / 2

HEX #B98EF9

RGB 185 142 249

HSL 264.11, 0.9%, 0.77%

LAB 66.9, 37.44, -47.64

 

CMYK 22 / 37 / 0 / 6

HEX #BB98F0

RGB 187 152 240

HSL 263.86, 0.75%, 0.77%

LAB 68.98, 30.36, -39.45

 

CMYK 18 / 30 / 0 / 10

HEX #BDA1E6

RGB 189 161 230

HSL 264.35, 0.58%, 0.77%

LAB 70.89, 23.7, -31

 

CMYK 14 / 23 / 0 / 13

HEX #BFABDD

RGB 191 171 221

HSL 264, 0.42%, 0.77%

LAB 73.17, 16.84, -22.56

 

CMYK 9 / 15 / 0 / 17

HEX #C1B4D3

RGB 193 180 211

HSL 265.16, 0.26%, 0.77%

LAB 75.25, 10.48, -13.94

 

CMYK 43 / 37 / 0 / 2

HEX #8E9DF9

RGB 142 157 249

HSL 231.59, 0.9%, 0.77%

LAB 67.05, 17.67, -47.63

 

CMYK 37 / 43 / 0 / 2

HEX #9D8EF9

RGB 157 142 249

HSL 248.41, 0.9%, 0.77%

LAB 64.45, 30.04, -51.68

 

CMYK 26 / 43 / 0 / 2

HEX #B98EF9

RGB 185 142 249

HSL 264.11, 0.9%, 0.77%

LAB 66.9, 37.44, -47.64

 

CMYK 14 / 43 / 0 / 2

HEX #D68EF9

RGB 214 142 249

HSL 280.37, 0.9%, 0.77%

LAB 69.81, 45.52, -42.87

 

CMYK 3 / 43 / 0 / 2

HEX #F28EF9

RGB 242 142 249

HSL 296.07, 0.9%, 0.77%

LAB 72.93, 53.52, -37.76

 

CMYK 45 / 74 / 0 / 4

HEX #8840F6

RGB 136 64 246

HSL 263.74, 0.91%, 0.61%

LAB 46.38, 66.23, -79.22

 

CMYK 35 / 58 / 0 / 3

HEX #A167F7

RGB 161 103 247

HSL 264.17, 0.9%, 0.69%

LAB 56.08, 52.19, -63.91

 

CMYK 26 / 43 / 0 / 2

HEX #B98EF9

RGB 185 142 249

HSL 264.11, 0.9%, 0.77%

LAB 66.9, 37.44, -47.64

 

CMYK 16 / 27 / 0 / 2

HEX #D2B6FB

RGB 210 182 251

HSL 264.35, 0.9%, 0.85%

LAB 78.53, 23.15, -30.45

 

CMYK 8 / 13 / 0 / 1

HEX #EADDFD

RGB 234 221 253

HSL 264.38, 0.89%, 0.93%

LAB 90, 10.27, -13.94

 

CMYK 25 / 42 / 0 / 2

HEX #BB91FA

RGB 187 145 250

HSL 264, 0.91%, 0.77%

LAB 67.81, 36.57, -46.74

 

CMYK 0 / 43 / 26 / 2

HEX #F98EB9

RGB 249 142 185

HSL 335.89, 0.9%, 0.77%

LAB 71.55, 45.51, -4.55

 

CMYK 43 / 0 / 43 / 2

HEX #8EF98E

RGB 142 249 142

HSL 120, 0.9%, 0.77%

LAB 89.61, -51.8, 41.86

 

CMYK 25 / 42 / 0 / 2

HEX #BB91FA

RGB 187 145 250

HSL 264, 0.91%, 0.77%

LAB 67.81, 36.57, -46.74

 

CMYK 0 / 26 / 43 / 2

HEX #F9B98E

RGB 249 185 142

HSL 24.11, 0.9%, 0.77%

LAB 80.06, 17.93, 30.85

 

CMYK 43 / 0 / 26 / 2

HEX #8EF9B9

RGB 142 249 185

HSL 144.11, 0.9%, 0.77%

LAB 90.32, -44.72, 21.26

 

CMYK 25 / 42 / 0 / 2

HEX #BB91FA

RGB 187 145 250

HSL 264, 0.91%, 0.77%

LAB 67.81, 36.57, -46.74

 

CMYK 0 / 43 / 26 / 2

HEX #F98EB9

RGB 249 142 185

HSL 335.89, 0.9%, 0.77%

LAB 71.55, 45.51, -4.55

 

CMYK 17 / 0 / 43 / 2

HEX #CFF98E

RGB 207 249 142

HSL 83.55, 0.9%, 0.77%

LAB 93, -30.47, 46.87

 

CMYK 43 / 0 / 17 / 2

HEX #8EF9CF

RGB 142 249 207

HSL 156.45, 0.9%, 0.77%

LAB 90.78, -40.37, 10.58

 

CMYK 25 / 42 / 0 / 2

HEX #BB91FA

RGB 187 145 250

HSL 264, 0.91%, 0.77%

LAB 67.81, 36.57, -46.74

 

CMYK 0 / 43 / 39 / 2

HEX #F98E99

RGB 249 142 153

HSL 353.83, 0.9%, 0.77%

LAB 70.72, 41.56, 12.09

 

CMYK 17 / 0 / 43 / 2

HEX #CFF98E

RGB 207 249 142

HSL 83.55, 0.9%, 0.77%

LAB 93, -30.47, 46.87

 

CMYK 43 / 0 / 4 / 2

HEX #8EF9EF

RGB 142 249 239

HSL 174.39, 0.9%, 0.77%

LAB 91.57, -33.28, -4.88

 

Description

Color code: HEX #BB91FA | qconv.com Color code: HEX #BB91FA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 145 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 145 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 42 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 42% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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