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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB8314 it is the complementary color #447CEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB8314. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB8314 shade: #C0830F, #D19522, #E2A735, #F3B948 and #FFCB5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB8314. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB8314 shade: #BB8314, #AA7101, #995F00, #884D00 and #773B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB8314 shade: #BD8413, #BD5613, #BD2913 and #BD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB8314 shade: #BD8413, #BDB213, #9ABD13, #6DBD13 and #3FBD13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB8314 shade matches the following richer shades: #BD8413 and #CE8A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB8314 shade: #BD8413, #AC7E24, #9B7935, #8A7346 and #796E57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB8314 shade: #BD2713, #BD5413, #BD8113, #BDAF13 and #9EBD13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB8314 shade: #72500C, #976A0F, #BD8413, #E29E17 and #EAAE39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB8314 shade: #BB8314, #2DBD13 and #3E13BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB8314 shade: #BB8314, #13BD81 and #8113BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB8314 shade: #BB8314, #2DBD13, #134FBD and #A313BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB8314 shade: #BB8314, #13BD2D, #134FBD and #BD13A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 89 / 27

HEX #BB8314

RGB 187 131 20

HSL 39.88, 0.81%, 0.41%

LAB 58.83, 13.03, 60.76

 

Complementary color

CMYK 71 / 47 / 0 / 8

HEX #447CEB

RGB 68 124 235

HSL 219.88, 0.81%, 0.59%

LAB 53.65, 18.39, -61.5

 

CMYK 0 / 32 / 92 / 25

HEX #C0830F

RGB 192 131 15

HSL 39.32, 0.86%, 0.41%

LAB 59.41, 15.16, 62.57

 

CMYK 0 / 29 / 84 / 18

HEX #D19522

RGB 209 149 34

HSL 39.43, 0.72%, 0.48%

LAB 65.88, 13.25, 63.68

 

CMYK 0 / 26 / 77 / 11

HEX #E2A735

RGB 226 167 53

HSL 39.54, 0.75%, 0.55%

LAB 72.27, 11.59, 63.62

 

CMYK 0 / 24 / 70 / 5

HEX #F3B948

RGB 243 185 72

HSL 39.65, 0.88%, 0.62%

LAB 78.59, 10.15, 62.93

 

CMYK 0 / 20 / 64 / 0

HEX #FFCB5B

RGB 255 203 91

HSL 40.98, 1%, 0.68%

LAB 84.34, 6.84, 61.26

 

CMYK 0 / 30 / 89 / 27

HEX #BB8314

RGB 187 131 20

HSL 39.88, 0.81%, 0.41%

LAB 58.83, 13.03, 60.76

 

CMYK 0 / 34 / 99 / 33

HEX #AA7101

RGB 170 113 1

HSL 39.76, 0.99%, 0.34%

LAB 52.24, 15.11, 58.81

 

CMYK 0 / 38 / 100 / 40

HEX #995F00

RGB 153 95 0

HSL 37.25, 1%, 0.3%

LAB 45.57, 17.56, 53.58

 

CMYK 0 / 43 / 100 / 47

HEX #884D00

RGB 136 77 0

HSL 33.97, 1%, 0.27%

LAB 38.8, 20.14, 48.08

 

CMYK 0 / 50 / 100 / 53

HEX #773B00

RGB 119 59 0

HSL 29.75, 1%, 0.23%

LAB 31.92, 22.78, 42.49

 

CMYK 0 / 30 / 90 / 26

HEX #BD8413

RGB 189 132 19

HSL 39.88, 0.82%, 0.41%

LAB 59.31, 13.35, 61.47

 

CMYK 0 / 54 / 90 / 26

HEX #BD5613

RGB 189 86 19

HSL 23.65, 0.82%, 0.41%

LAB 48.91, 38.13, 53.52

 

CMYK 0 / 78 / 90 / 26

HEX #BD2913

RGB 189 41 19

HSL 7.76, 0.82%, 0.41%

LAB 41.93, 56.84, 48.31

 

CMYK 0 / 90 / 90 / 26

HEX #BD1313

RGB 189 19 19

HSL 0, 0.82%, 0.41%

LAB 40.13, 61.92, 47

 

CMYK 0 / 30 / 90 / 26

HEX #BD8413

RGB 189 132 19

HSL 39.88, 0.82%, 0.41%

LAB 59.31, 13.35, 61.47

 

CMYK 0 / 6 / 90 / 26

HEX #BDB213

RGB 189 178 19

HSL 56.12, 0.82%, 0.41%

LAB 71.36, -11.37, 70.85

 

CMYK 19 / 0 / 90 / 26

HEX #9ABD13

RGB 154 189 19

HSL 72.35, 0.82%, 0.41%

LAB 71.77, -31.77, 70.04

 

CMYK 42 / 0 / 90 / 26

HEX #6DBD13

RGB 109 189 19

HSL 88.24, 0.82%, 0.41%

LAB 69.25, -48.72, 66.94

 

CMYK 67 / 0 / 90 / 26

HEX #3FBD13

RGB 63 189 19

HSL 104.47, 0.82%, 0.41%

LAB 67.65, -61.37, 64.95

 

CMYK 0 / 30 / 90 / 26

HEX #BD8413

RGB 189 132 19

HSL 39.88, 0.82%, 0.41%

LAB 59.31, 13.35, 61.47

 

CMYK 0 / 33 / 99 / 19

HEX #CE8A02

RGB 206 138 2

HSL 40, 0.98%, 0.41%

LAB 62.76, 17.36, 67.8

 

CMYK 0 / 30 / 90 / 26

HEX #BD8413

RGB 189 132 19

HSL 39.88, 0.82%, 0.41%

LAB 59.31, 13.35, 61.47

 

CMYK 0 / 27 / 79 / 33

HEX #AC7E24

RGB 172 126 36

HSL 39.71, 0.65%, 0.41%

LAB 55.91, 9.53, 52.55

 

CMYK 0 / 22 / 66 / 39

HEX #9B7935

RGB 155 121 53

HSL 40, 0.49%, 0.41%

LAB 52.84, 5.53, 41.35

 

CMYK 0 / 17 / 49 / 46

HEX #8A7346

RGB 138 115 70

HSL 39.71, 0.33%, 0.41%

LAB 49.63, 2.75, 28.16

 

CMYK 0 / 9 / 28 / 53

HEX #796E57

RGB 121 110 87

HSL 40.59, 0.16%, 0.41%

LAB 46.85, 0.38, 14.41

 

CMYK 0 / 79 / 90 / 26

HEX #BD2713

RGB 189 39 19

HSL 7.06, 0.82%, 0.41%

LAB 41.72, 57.43, 48.16

 

CMYK 0 / 56 / 90 / 26

HEX #BD5413

RGB 189 84 19

HSL 22.94, 0.82%, 0.41%

LAB 48.52, 39.13, 53.22

 

CMYK 0 / 32 / 90 / 26

HEX #BD8113

RGB 189 129 19

HSL 38.82, 0.82%, 0.41%

LAB 58.57, 15, 60.9

 

CMYK 0 / 7 / 90 / 26

HEX #BDAF13

RGB 189 175 19

HSL 55.06, 0.82%, 0.41%

LAB 70.54, -9.82, 70.21

 

CMYK 16 / 0 / 90 / 26

HEX #9EBD13

RGB 158 189 19

HSL 70.94, 0.82%, 0.41%

LAB 72.04, -30.13, 70.37

 

CMYK 0 / 30 / 89 / 55

HEX #72500C

RGB 114 80 12

HSL 40, 0.81%, 0.25%

LAB 36.63, 8.18, 41.45

 

CMYK 0 / 30 / 90 / 41

HEX #976A0F

RGB 151 106 15

HSL 40.15, 0.82%, 0.33%

LAB 48.16, 10.59, 51.81

 

CMYK 0 / 30 / 90 / 26

HEX #BD8413

RGB 189 132 19

HSL 39.88, 0.82%, 0.41%

LAB 59.31, 13.35, 61.47

 

CMYK 0 / 30 / 90 / 11

HEX #E29E17

RGB 226 158 23

HSL 39.9, 0.82%, 0.49%

LAB 69.95, 15.55, 70.61

 

CMYK 0 / 26 / 76 / 8

HEX #EAAE39

RGB 234 174 57

HSL 39.66, 0.81%, 0.57%

LAB 74.86, 11.46, 64.88

 

CMYK 0 / 30 / 89 / 27

HEX #BB8314

RGB 187 131 20

HSL 39.88, 0.81%, 0.41%

LAB 58.83, 13.03, 60.76

 

CMYK 76 / 0 / 90 / 26

HEX #2DBD13

RGB 45 189 19

HSL 110.82, 0.82%, 0.41%

LAB 67.28, -64.58, 64.48

 

CMYK 67 / 90 / 0 / 26

HEX #3E13BD

RGB 62 19 189

HSL 255.18, 0.82%, 0.41%

LAB 27.2, 60.42, -78.31

 

CMYK 0 / 30 / 89 / 27

HEX #BB8314

RGB 187 131 20

HSL 39.88, 0.81%, 0.41%

LAB 58.83, 13.03, 60.76

 

CMYK 90 / 0 / 32 / 26

HEX #13BD81

RGB 19 189 129

HSL 158.82, 0.82%, 0.41%

LAB 68.11, -53.56, 19.45

 

CMYK 32 / 90 / 0 / 26

HEX #8113BD

RGB 129 19 189

HSL 278.82, 0.82%, 0.41%

LAB 35.61, 67.16, -64.15

 

CMYK 0 / 30 / 89 / 27

HEX #BB8314

RGB 187 131 20

HSL 39.88, 0.81%, 0.41%

LAB 58.83, 13.03, 60.76

 

CMYK 76 / 0 / 90 / 26

HEX #2DBD13

RGB 45 189 19

HSL 110.82, 0.82%, 0.41%

LAB 67.28, -64.58, 64.48

 

CMYK 90 / 58 / 0 / 26

HEX #134FBD

RGB 19 79 189

HSL 218.82, 0.82%, 0.41%

LAB 36.75, 25.18, -62.64

 

CMYK 14 / 90 / 0 / 26

HEX #A313BD

RGB 163 19 189

HSL 290.82, 0.82%, 0.41%

LAB 41.1, 72.19, -54.98

 

CMYK 0 / 30 / 89 / 27

HEX #BB8314

RGB 187 131 20

HSL 39.88, 0.81%, 0.41%

LAB 58.83, 13.03, 60.76

 

CMYK 90 / 0 / 76 / 26

HEX #13BD2D

RGB 19 189 45

HSL 129.18, 0.82%, 0.41%

LAB 67.07, -66.01, 57.5

 

CMYK 90 / 58 / 0 / 26

HEX #134FBD

RGB 19 79 189

HSL 218.82, 0.82%, 0.41%

LAB 36.75, 25.18, -62.64

 

CMYK 0 / 90 / 14 / 26

HEX #BD13A3

RGB 189 19 163

HSL 309.18, 0.82%, 0.41%

LAB 44.13, 72.83, -34.46

 

Description

Color code: HEX #BB8314 | qconv.com Color code: HEX #BB8314 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 131 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 131 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 89 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 89% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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