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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6FE1 it is the complementary color #44901E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6FE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6FE1 shade: #C06FDC, #D181EF, #E293FF, #F3A5FF and #FFB7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6FE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6FE1 shade: #BB6FE1, #AA5DCE, #994BBB, #8839A8 and #772795

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6FE1 shade: #BB6FE1, #DA6FE1, #E16FC9, #E16FAB and #E16F8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6FE1 shade: #BB6FE1, #9C6FE1, #7D6FE1 and #6F6FE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6FE1 shade matches the following richer shades: #BB6FE1, #C061EF and #C453FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6FE1 shade: #BB6FE1, #B67DD3, #B28BC5, #AD99B7 and #A8A7A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6FE1 shade: #7E6FE1, #9C6FE1, #BB6FE1, #D96FE1 and #E16FCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6FE1 shade: #9A2BD2, #AB4CDA, #BB6FE1, #CB91E8 and #DBB3EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6FE1 shade: #BB6FE1, #E16F7E and #6FE18D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6FE1 shade: #BB6FE1, #E1BB6F and #6FE1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6FE1 shade: #BB6FE1, #E16F7E, #95E16F and #6FE1D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6FE1 shade: #BB6FE1, #E1826F, #95E16F and #6FCEE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

Complementary color

CMYK 53 / 0 / 79 / 44

HEX #44901E

RGB 68 144 30

HSL 100, 0.66%, 0.34%

LAB 53.24, -43.57, 49.38

 

CMYK 13 / 50 / 0 / 14

HEX #C06FDC

RGB 192 111 220

HSL 284.59, 0.61%, 0.65%

LAB 59.66, 49.65, -42.94

 

CMYK 13 / 46 / 0 / 6

HEX #D181EF

RGB 209 129 239

HSL 283.64, 0.77%, 0.72%

LAB 66.13, 48.89, -43.2

 

CMYK 11 / 42 / 0 / 0

HEX #E293FF

RGB 226 147 255

HSL 283.89, 1%, 0.79%

LAB 72.4, 47.52, -41.99

 

CMYK 5 / 35 / 0 / 0

HEX #F3A5FF

RGB 243 165 255

HSL 292, 1%, 0.82%

LAB 77.98, 43.11, -33.18

 

CMYK 0 / 28 / 0 / 0

HEX #FFB7FF

RGB 255 183 255

HSL 300, 1%, 0.86%

LAB 83.1, 37.39, -25.23

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 17 / 55 / 0 / 19

HEX #AA5DCE

RGB 170 93 206

HSL 280.88, 0.54%, 0.59%

LAB 52.76, 50.1, -46.09

 

CMYK 18 / 60 / 0 / 27

HEX #994BBB

RGB 153 75 187

HSL 281.79, 0.45%, 0.51%

LAB 46.17, 50.78, -45.75

 

CMYK 19 / 66 / 0 / 34

HEX #8839A8

RGB 136 57 168

HSL 282.7, 0.49%, 0.44%

LAB 39.56, 51.24, -45.24

 

CMYK 20 / 74 / 0 / 42

HEX #772795

RGB 119 39 149

HSL 283.64, 0.59%, 0.37%

LAB 33.01, 51.27, -44.42

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 3 / 51 / 0 / 12

HEX #DA6FE1

RGB 218 111 225

HSL 296.32, 0.66%, 0.66%

LAB 63.1, 57.73, -40.1

 

CMYK 0 / 51 / 11 / 12

HEX #E16FC9

RGB 225 111 201

HSL 312.63, 0.66%, 0.66%

LAB 63.01, 55.63, -26.71

 

CMYK 0 / 51 / 24 / 12

HEX #E16FAB

RGB 225 111 171

HSL 328.42, 0.66%, 0.66%

LAB 61.93, 51.15, -11.3

 

CMYK 0 / 51 / 38 / 12

HEX #E16F8C

RGB 225 111 140

HSL 344.74, 0.66%, 0.66%

LAB 61.02, 47.25, 5.19

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 31 / 51 / 0 / 12

HEX #9C6FE1

RGB 156 111 225

HSL 263.68, 0.66%, 0.66%

LAB 55.96, 41.2, -51.85

 

CMYK 44 / 51 / 0 / 12

HEX #7D6FE1

RGB 125 111 225

HSL 247.37, 0.66%, 0.66%

LAB 53.13, 33.66, -56.54

 

CMYK 51 / 51 / 0 / 12

HEX #6F6FE1

RGB 111 111 225

HSL 240, 0.66%, 0.66%

LAB 52.05, 30.57, -58.34

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 20 / 59 / 0 / 6

HEX #C061EF

RGB 192 97 239

HSL 280.14, 0.82%, 0.66%

LAB 58.03, 60.53, -56.15

 

CMYK 23 / 67 / 0 / 1

HEX #C453FD

RGB 196 83 253

HSL 279.88, 0.98%, 0.66%

LAB 57.09, 70.54, -65.4

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 14 / 41 / 0 / 17

HEX #B67DD3

RGB 182 125 211

HSL 279.77, 0.49%, 0.66%

LAB 61.06, 37.42, -35.77

 

CMYK 10 / 29 / 0 / 23

HEX #B28BC5

RGB 178 139 197

HSL 280.34, 0.33%, 0.66%

LAB 63.31, 25.42, -24.45

 

CMYK 5 / 16 / 0 / 28

HEX #AD99B7

RGB 173 153 183

HSL 280, 0.17%, 0.66%

LAB 65.82, 13, -12.84

 

CMYK 1 / 1 / 0 / 34

HEX #A8A7A9

RGB 168 167 169

HSL 270, 0.01%, 0.66%

LAB 68.63, 0.74, -0.91

 

CMYK 44 / 51 / 0 / 12

HEX #7E6FE1

RGB 126 111 225

HSL 247.89, 0.66%, 0.66%

LAB 53.21, 33.89, -56.4

 

CMYK 31 / 51 / 0 / 12

HEX #9C6FE1

RGB 156 111 225

HSL 263.68, 0.66%, 0.66%

LAB 55.96, 41.2, -51.85

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 4 / 51 / 0 / 12

HEX #D96FE1

RGB 217 111 225

HSL 295.79, 0.66%, 0.66%

LAB 62.97, 57.46, -40.31

 

CMYK 0 / 51 / 10 / 12

HEX #E16FCA

RGB 225 111 202

HSL 312.11, 0.66%, 0.66%

LAB 63.04, 55.79, -27.22

 

CMYK 27 / 80 / 0 / 18

HEX #9A2BD2

RGB 154 43 210

HSL 279.88, 0.66%, 0.5%

LAB 43.14, 68.93, -63.96

 

CMYK 22 / 65 / 0 / 15

HEX #AB4CDA

RGB 171 76 218

HSL 280.14, 0.66%, 0.58%

LAB 50.56, 61.08, -56.44

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 13 / 38 / 0 / 9

HEX #CB91E8

RGB 203 145 232

HSL 280, 0.65%, 0.74%

LAB 68.59, 37.19, -35.55

 

CMYK 8 / 25 / 0 / 6

HEX #DBB3EF

RGB 219 179 239

HSL 280, 0.65%, 0.82%

LAB 78.19, 25.1, -24.45

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 0 / 51 / 44 / 12

HEX #E16F7E

RGB 225 111 126

HSL 352.11, 0.66%, 0.66%

LAB 60.68, 45.75, 12.78

 

CMYK 51 / 0 / 37 / 12

HEX #6FE18D

RGB 111 225 141

HSL 135.79, 0.66%, 0.66%

LAB 81.38, -50.45, 31.41

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 0 / 17 / 51 / 12

HEX #E1BB6F

RGB 225 187 111

HSL 40, 0.66%, 0.66%

LAB 77.7, 4.27, 43.33

 

CMYK 51 / 0 / 17 / 12

HEX #6FE1BB

RGB 111 225 187

HSL 160, 0.66%, 0.66%

LAB 82.28, -41.43, 8.72

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 0 / 51 / 44 / 12

HEX #E16F7E

RGB 225 111 126

HSL 352.11, 0.66%, 0.66%

LAB 60.68, 45.75, 12.78

 

CMYK 34 / 0 / 51 / 12

HEX #95E16F

RGB 149 225 111

HSL 100, 0.66%, 0.66%

LAB 82.59, -43.53, 48.06

 

CMYK 51 / 0 / 7 / 12

HEX #6FE1D2

RGB 111 225 210

HSL 172.11, 0.66%, 0.66%

LAB 82.85, -36.06, -2.62

 

CMYK 17 / 51 / 0 / 12

HEX #BB6FE1

RGB 187 111 225

HSL 280, 0.66%, 0.66%

LAB 59.32, 49.34, -46.32

 

CMYK 0 / 42 / 51 / 12

HEX #E1826F

RGB 225 130 111

HSL 10, 0.66%, 0.66%

LAB 64.26, 34.6, 26.18

 

CMYK 34 / 0 / 51 / 12

HEX #95E16F

RGB 149 225 111

HSL 100, 0.66%, 0.66%

LAB 82.59, -43.53, 48.06

 

CMYK 51 / 8 / 0 / 12

HEX #6FCEE1

RGB 111 206 225

HSL 190, 0.66%, 0.66%

LAB 77.85, -23.03, -18.08

 

Description

Color code: HEX #BB6FE1 | qconv.com Color code: HEX #BB6FE1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 111 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 111 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 51 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 51% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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