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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6DD1 it is the complementary color #44922E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6DD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6DD1 shade: #C06DCC, #D17FDF, #E291F2, #F3A3FF and #FFB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6DD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6DD1 shade: #BB6DD1, #AA5BBE, #9949AB, #883798 and #772585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6DD1 shade: #BA6BD0, #D06BCB, #D06BB0, #D06B95 and #D06B79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6DD1 shade: #BA6BD0, #9F6BD0, #836BD0 and #6B6BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6DD1 shade matches the following richer shades: #BA6BD0, #C35CE0 and #CB4CEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6DD1 shade: #BA6BD0, #B17BC0, #A88BB1, #9F9AA1 and #97AA91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6DD1 shade: #836BD0, #9E6BD0, #B86BD0, #D06BCD and #D06BB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6DD1 shade: #9638B1, #AB4CC6, #BA6BD0, #C88BDA and #D7AAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6DD1 shade: #BB6DD1, #D06B6F and #6BD090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6DD1 shade: #BB6DD1, #D0B86B and #6BD0B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6DD1 shade: #BB6DD1, #D06B6F, #83D06B and #6BD0CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6DD1 shade: #BB6DD1, #D0866B, #83D06B and #6BB5D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 48 / 0 / 18

HEX #BB6DD1

RGB 187 109 209

HSL 286.8, 0.52%, 0.62%

LAB 58.14, 47.07, -39.17

 

Complementary color

CMYK 53 / 0 / 68 / 43

HEX #44922E

RGB 68 146 46

HSL 106.8, 0.52%, 0.38%

LAB 54.01, -43.13, 44.03

 

CMYK 6 / 47 / 0 / 20

HEX #C06DCC

RGB 192 109 204

HSL 292.42, 0.48%, 0.61%

LAB 58.51, 47.51, -35.71

 

CMYK 6 / 43 / 0 / 13

HEX #D17FDF

RGB 209 127 223

HSL 291.25, 0.6%, 0.69%

LAB 65.01, 46.77, -36.09

 

CMYK 7 / 40 / 0 / 5

HEX #E291F2

RGB 226 145 242

HSL 290.1, 0.79%, 0.76%

LAB 71.44, 46.02, -36.41

 

CMYK 5 / 36 / 0 / 0

HEX #F3A3FF

RGB 243 163 255

HSL 292.17, 1%, 0.82%

LAB 77.56, 44.15, -33.83

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 11 / 48 / 0 / 18

HEX #BB6DD1

RGB 187 109 209

HSL 286.8, 0.52%, 0.62%

LAB 58.14, 47.07, -39.17

 

CMYK 11 / 52 / 0 / 25

HEX #AA5BBE

RGB 170 91 190

HSL 287.88, 0.43%, 0.55%

LAB 51.55, 47.8, -38.82

 

CMYK 11 / 57 / 0 / 33

HEX #9949AB

RGB 153 73 171

HSL 288.98, 0.4%, 0.48%

LAB 44.91, 48.45, -38.36

 

CMYK 11 / 64 / 0 / 40

HEX #883798

RGB 136 55 152

HSL 290.1, 0.47%, 0.41%

LAB 38.26, 48.87, -37.7

 

CMYK 11 / 72 / 0 / 48

HEX #772585

RGB 119 37 133

HSL 291.25, 0.56%, 0.33%

LAB 31.67, 48.83, -36.7

 

CMYK 11 / 49 / 0 / 18

HEX #BA6BD0

RGB 186 107 208

HSL 286.93, 0.52%, 0.62%

LAB 57.57, 47.63, -39.51

 

CMYK 0 / 49 / 2 / 18

HEX #D06BCB

RGB 208 107 203

HSL 302.97, 0.52%, 0.62%

LAB 60.1, 52.96, -32.51

 

CMYK 0 / 49 / 15 / 18

HEX #D06BB0

RGB 208 107 176

HSL 319.01, 0.52%, 0.62%

LAB 59.03, 48.48, -18.77

 

CMYK 0 / 49 / 28 / 18

HEX #D06B95

RGB 208 107 149

HSL 335.05, 0.52%, 0.62%

LAB 58.13, 44.56, -4.52

 

CMYK 0 / 49 / 42 / 18

HEX #D06B79

RGB 208 107 121

HSL 351.68, 0.52%, 0.62%

LAB 57.37, 41.17, 10.69

 

CMYK 11 / 49 / 0 / 18

HEX #BA6BD0

RGB 186 107 208

HSL 286.93, 0.52%, 0.62%

LAB 57.57, 47.63, -39.51

 

CMYK 24 / 49 / 0 / 18

HEX #9F6BD0

RGB 159 107 208

HSL 270.89, 0.52%, 0.62%

LAB 54.49, 40.11, -44.57

 

CMYK 37 / 49 / 0 / 18

HEX #836BD0

RGB 131 107 208

HSL 254.26, 0.52%, 0.62%

LAB 51.72, 32.7, -49.14

 

CMYK 49 / 49 / 0 / 18

HEX #6B6BD0

RGB 107 107 208

HSL 240, 0.52%, 0.62%

LAB 49.73, 26.92, -52.43

 

CMYK 11 / 49 / 0 / 18

HEX #BA6BD0

RGB 186 107 208

HSL 286.93, 0.52%, 0.62%

LAB 57.57, 47.63, -39.51

 

CMYK 13 / 59 / 0 / 12

HEX #C35CE0

RGB 195 92 224

HSL 286.82, 0.68%, 0.62%

LAB 56.72, 60.58, -49.81

 

CMYK 15 / 68 / 0 / 6

HEX #CB4CEF

RGB 203 76 239

HSL 286.75, 0.84%, 0.62%

LAB 56.19, 72.08, -59.01

 

CMYK 11 / 49 / 0 / 18

HEX #BA6BD0

RGB 186 107 208

HSL 286.93, 0.52%, 0.62%

LAB 57.57, 47.63, -39.51

 

CMYK 8 / 36 / 0 / 25

HEX #B17BC0

RGB 177 123 192

HSL 286.96, 0.35%, 0.62%

LAB 59.27, 33.02, -27.86

 

CMYK 5 / 21 / 0 / 31

HEX #A88BB1

RGB 168 139 177

HSL 285.79, 0.2%, 0.62%

LAB 61.62, 17.96, -15.83

 

CMYK 1 / 4 / 0 / 37

HEX #9F9AA1

RGB 159 154 161

HSL 282.86, 0.04%, 0.62%

LAB 64.21, 3.16, -3.01

 

CMYK 11 / 0 / 15 / 33

HEX #97AA91

RGB 151 170 145

HSL 105.6, 0.13%, 0.62%

LAB 67.56, -11.42, 10.67

 

CMYK 37 / 49 / 0 / 18

HEX #836BD0

RGB 131 107 208

HSL 254.26, 0.52%, 0.62%

LAB 51.72, 32.7, -49.14

 

CMYK 24 / 49 / 0 / 18

HEX #9E6BD0

RGB 158 107 208

HSL 270.3, 0.52%, 0.62%

LAB 54.38, 39.84, -44.74

 

CMYK 12 / 49 / 0 / 18

HEX #B86BD0

RGB 184 107 208

HSL 285.74, 0.52%, 0.62%

LAB 57.33, 47.06, -39.9

 

CMYK 0 / 49 / 1 / 18

HEX #D06BCD

RGB 208 107 205

HSL 301.78, 0.52%, 0.62%

LAB 60.19, 53.31, -33.51

 

CMYK 0 / 49 / 14 / 18

HEX #D06BB2

RGB 208 107 178

HSL 317.82, 0.52%, 0.62%

LAB 59.1, 48.79, -19.8

 

CMYK 15 / 68 / 0 / 31

HEX #9638B1

RGB 150 56 177

HSL 286.61, 0.52%, 0.46%

LAB 41.98, 56.75, -46.6

 

CMYK 14 / 62 / 0 / 22

HEX #AB4CC6

RGB 171 76 198

HSL 286.72, 0.52%, 0.54%

LAB 49.38, 57, -46.87

 

CMYK 11 / 49 / 0 / 18

HEX #BA6BD0

RGB 186 107 208

HSL 286.93, 0.52%, 0.62%

LAB 57.57, 47.63, -39.51

 

CMYK 8 / 36 / 0 / 15

HEX #C88BDA

RGB 200 139 218

HSL 286.33, 0.52%, 0.7%

LAB 66.37, 36.68, -31.27

 

CMYK 6 / 25 / 0 / 11

HEX #D7AAE4

RGB 215 170 228

HSL 286.55, 0.52%, 0.78%

LAB 75.33, 26.52, -22.9

 

CMYK 11 / 48 / 0 / 18

HEX #BB6DD1

RGB 187 109 209

HSL 286.8, 0.52%, 0.62%

LAB 58.14, 47.07, -39.17

 

CMYK 0 / 49 / 47 / 18

HEX #D06B6F

RGB 208 107 111

HSL 357.62, 0.52%, 0.62%

LAB 57.15, 40.13, 16.19

 

CMYK 49 / 0 / 31 / 18

HEX #6BD090

RGB 107 208 144

HSL 141.98, 0.52%, 0.62%

LAB 76.22, -43.79, 22.91

 

CMYK 11 / 48 / 0 / 18

HEX #BB6DD1

RGB 187 109 209

HSL 286.8, 0.52%, 0.62%

LAB 58.14, 47.07, -39.17

 

CMYK 0 / 12 / 49 / 18

HEX #D0B86B

RGB 208 184 107

HSL 45.74, 0.52%, 0.62%

LAB 75.3, -1.51, 42.03

 

CMYK 49 / 0 / 12 / 18

HEX #6BD0B8

RGB 107 208 184

HSL 165.74, 0.52%, 0.62%

LAB 77.1, -35.32, 2.83

 

CMYK 11 / 48 / 0 / 18

HEX #BB6DD1

RGB 187 109 209

HSL 286.8, 0.52%, 0.62%

LAB 58.14, 47.07, -39.17

 

CMYK 0 / 49 / 47 / 18

HEX #D06B6F

RGB 208 107 111

HSL 357.62, 0.52%, 0.62%

LAB 57.15, 40.13, 16.19

 

CMYK 37 / 0 / 49 / 18

HEX #83D06B

RGB 131 208 107

HSL 105.74, 0.52%, 0.62%

LAB 76.68, -42.57, 42.55

 

CMYK 49 / 0 / 1 / 18

HEX #6BD0CD

RGB 107 208 205

HSL 178.22, 0.52%, 0.62%

LAB 77.67, -30.17, -7.62

 

CMYK 11 / 48 / 0 / 18

HEX #BB6DD1

RGB 187 109 209

HSL 286.8, 0.52%, 0.62%

LAB 58.14, 47.07, -39.17

 

CMYK 0 / 36 / 49 / 18

HEX #D0866B

RGB 208 134 107

HSL 16.04, 0.52%, 0.62%

LAB 62.95, 25.43, 26.28

 

CMYK 37 / 0 / 49 / 18

HEX #83D06B

RGB 131 208 107

HSL 105.74, 0.52%, 0.62%

LAB 76.68, -42.57, 42.55

 

CMYK 49 / 13 / 0 / 18

HEX #6BB5D0

RGB 107 181 208

HSL 196.04, 0.52%, 0.62%

LAB 69.98, -15.78, -20.79

 

Description

Color code: HEX #BB6DD1 | qconv.com Color code: HEX #BB6DD1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 109 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 109 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 48 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 48% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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