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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6C8D it is the complementary color #449372. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6C8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6C8D shade: #C06C88, #D17E9B, #E290AE, #F3A2C1 and #FFB4D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6C8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6C8D shade: #BB6C8D, #AA5A7A, #994867, #883654 and #772441

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6C8D shade: #BB6C8D, #BB6C78 and #BB6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6C8D shade: #BB6C8D, #BB6CA2, #BB6CB8, #A96CBB and #946CBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6C8D shade matches the following richer shades: #BB6C8D, #CC5A8A, #DE4987 and #EF3884

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6C8D shade: #BB6C8D, #AA7D90, #988E93, #87A095 and #76B198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6C8D shade: #BB6CB8, #BB6CA3, #BB6C8E, #BB6C79 and #BB746C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6C8D shade: #924364, #AE5077, #BB6C8D, #C888A3 and #D5A4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6C8D shade: #BB6C8D, #BBA96C and #6CAEBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6C8D shade: #BB6C8D, #8EBB6C and #6C8EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6C8D shade: #BB6C8D, #BBA96C, #6CBB99 and #6C7EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6C8D shade: #BB6C8D, #B6BB6C, #6CBB99 and #716CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

Complementary color

CMYK 54 / 0 / 22 / 42

HEX #449372

RGB 68 147 114

HSL 154.94, 0.37%, 0.42%

LAB 55.39, -32.48, 10.19

 

CMYK 0 / 44 / 29 / 25

HEX #C06C88

RGB 192 108 136

HSL 340, 0.4%, 0.59%

LAB 55.8, 36.71, -0.62

 

CMYK 0 / 40 / 26 / 18

HEX #D17E9B

RGB 209 126 155

HSL 339.04, 0.47%, 0.66%

LAB 62.38, 35.84, -1.71

 

CMYK 0 / 36 / 23 / 11

HEX #E290AE

RGB 226 144 174

HSL 338.05, 0.59%, 0.73%

LAB 68.88, 35.02, -2.67

 

CMYK 0 / 33 / 21 / 5

HEX #F3A2C1

RGB 243 162 193

HSL 337.04, 0.77%, 0.79%

LAB 75.29, 34.24, -3.53

 

CMYK 0 / 29 / 17 / 0

HEX #FFB4D4

RGB 255 180 212

HSL 334.4, 1%, 0.85%

LAB 81.1, 31.79, -5.15

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 47 / 28 / 33

HEX #AA5A7A

RGB 170 90 122

HSL 336, 0.32%, 0.51%

LAB 48.59, 36.51, -3.25

 

CMYK 0 / 53 / 33 / 40

HEX #994867

RGB 153 72 103

HSL 337.04, 0.36%, 0.44%

LAB 41.82, 37.37, -1.92

 

CMYK 0 / 60 / 38 / 47

HEX #883654

RGB 136 54 84

HSL 338.05, 0.43%, 0.37%

LAB 35.03, 38.14, -0.23

 

CMYK 0 / 70 / 45 / 53

HEX #772441

RGB 119 36 65

HSL 339.04, 0.54%, 0.3%

LAB 28.29, 38.61, 2.02

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 42 / 36 / 27

HEX #BB6C78

RGB 187 108 120

HSL 350.89, 0.37%, 0.58%

LAB 54.71, 32.79, 7.09

 

CMYK 0 / 42 / 42 / 27

HEX #BB6C6C

RGB 187 108 108

HSL 0, 0.37%, 0.58%

LAB 54.42, 31.37, 13.72

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 42 / 13 / 27

HEX #BB6CA2

RGB 187 108 162

HSL 318.99, 0.37%, 0.58%

LAB 55.99, 38.91, -15.56

 

CMYK 0 / 42 / 2 / 27

HEX #BB6CB8

RGB 187 108 184

HSL 302.28, 0.37%, 0.58%

LAB 56.83, 42.77, -26.97

 

CMYK 10 / 42 / 0 / 27

HEX #A96CBB

RGB 169 108 187

HSL 286.33, 0.37%, 0.58%

LAB 54.81, 37.82, -31.99

 

CMYK 21 / 42 / 0 / 27

HEX #946CBB

RGB 148 108 187

HSL 270.38, 0.37%, 0.58%

LAB 52.52, 31.49, -35.74

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 56 / 32 / 20

HEX #CC5A8A

RGB 204 90 138

HSL 334.74, 0.53%, 0.58%

LAB 54.01, 50.17, -4.23

 

CMYK 0 / 67 / 39 / 13

HEX #DE4987

RGB 222 73 135

HSL 335.03, 0.69%, 0.58%

LAB 54.07, 62.65, -2.03

 

CMYK 0 / 77 / 45 / 6

HEX #EF3884

RGB 239 56 132

HSL 335.08, 0.85%, 0.58%

LAB 54.91, 72.67, 1.33

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 26 / 15 / 33

HEX #AA7D90

RGB 170 125 144

HSL 334.67, 0.21%, 0.58%

LAB 57.3, 20.46, -3.38

 

CMYK 0 / 7 / 3 / 40

HEX #988E93

RGB 152 142 147

HSL 330, 0.05%, 0.58%

LAB 60, 4.65, -1.32

 

CMYK 16 / 0 / 7 / 37

HEX #87A095

RGB 135 160 149

HSL 153.6, 0.12%, 0.58%

LAB 63.72, -10.99, 2.81

 

CMYK 33 / 0 / 14 / 31

HEX #76B198

RGB 118 177 152

HSL 154.58, 0.27%, 0.58%

LAB 67.7, -24.7, 6.74

 

CMYK 0 / 42 / 2 / 27

HEX #BB6CB8

RGB 187 108 184

HSL 302.28, 0.37%, 0.58%

LAB 56.83, 42.77, -26.97

 

CMYK 0 / 42 / 13 / 27

HEX #BB6CA3

RGB 187 108 163

HSL 318.23, 0.37%, 0.58%

LAB 56.02, 39.08, -16.09

 

CMYK 0 / 42 / 24 / 27

HEX #BB6C8E

RGB 187 108 142

HSL 334.18, 0.37%, 0.58%

LAB 55.32, 35.78, -4.9

 

CMYK 0 / 42 / 35 / 27

HEX #BB6C79

RGB 187 108 121

HSL 350.13, 0.37%, 0.58%

LAB 54.73, 32.92, 6.54

 

CMYK 0 / 38 / 42 / 27

HEX #BB746C

RGB 187 116 108

HSL 6.08, 0.37%, 0.58%

LAB 56.23, 27, 16.21

 

CMYK 0 / 54 / 32 / 43

HEX #924364

RGB 146 67 100

HSL 334.94, 0.37%, 0.42%

LAB 39.66, 37.1, -3.37

 

CMYK 0 / 54 / 32 / 32

HEX #AE5077

RGB 174 80 119

HSL 335.11, 0.37%, 0.5%

LAB 47.06, 42.68, -3.63

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 32 / 19 / 22

HEX #C888A3

RGB 200 136 163

HSL 334.69, 0.37%, 0.66%

LAB 63.78, 28.41, -4.32

 

CMYK 0 / 23 / 13 / 16

HEX #D5A4B9

RGB 213 164 185

HSL 334.29, 0.37%, 0.74%

LAB 72.36, 21.33, -3.8

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 10 / 42 / 27

HEX #BBA96C

RGB 187 169 108

HSL 46.33, 0.37%, 0.58%

LAB 69.49, -2.12, 33.81

 

CMYK 42 / 7 / 0 / 27

HEX #6CAEBB

RGB 108 174 187

HSL 189.87, 0.37%, 0.58%

LAB 67.31, -17.58, -13.25

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 24 / 0 / 42 / 27

HEX #8EBB6C

RGB 142 187 108

HSL 94.18, 0.37%, 0.58%

LAB 71.13, -29.05, 35.22

 

CMYK 42 / 24 / 0 / 27

HEX #6C8EBB

RGB 108 142 187

HSL 214.18, 0.37%, 0.58%

LAB 58.15, -0.01, -27.22

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 0 / 10 / 42 / 27

HEX #BBA96C

RGB 187 169 108

HSL 46.33, 0.37%, 0.58%

LAB 69.49, -2.12, 33.81

 

CMYK 42 / 0 / 18 / 27

HEX #6CBB99

RGB 108 187 153

HSL 154.18, 0.37%, 0.58%

LAB 70.2, -32.22, 9.69

 

CMYK 42 / 33 / 0 / 27

HEX #6C7EBB

RGB 108 126 187

HSL 226.33, 0.37%, 0.58%

LAB 53.7, 9.38, -34.13

 

CMYK 0 / 42 / 25 / 27

HEX #BB6C8D

RGB 187 108 141

HSL 334.94, 0.37%, 0.58%

LAB 55.29, 35.64, -4.36

 

CMYK 3 / 0 / 42 / 27

HEX #B6BB6C

RGB 182 187 108

HSL 63.8, 0.37%, 0.58%

LAB 73.91, -13.59, 39.32

 

CMYK 42 / 0 / 18 / 27

HEX #6CBB99

RGB 108 187 153

HSL 154.18, 0.37%, 0.58%

LAB 70.2, -32.22, 9.69

 

CMYK 40 / 42 / 0 / 27

HEX #716CBB

RGB 113 108 187

HSL 243.8, 0.37%, 0.58%

LAB 49.28, 21.57, -41.06

 

Description

Color code: HEX #BB6C8D | qconv.com Color code: HEX #BB6C8D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 108 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 108 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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