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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6C30 it is the complementary color #4493CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6C30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6C30 shade: #C06C2B, #D17E3E, #E29051, #F3A264 and #FFB477

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6C30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6C30 shade: #BB6C30, #AA5A1D, #99480A, #883600 and #772400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6C30 shade: #BA6B30, #BA4630 and #BA3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6C30 shade: #BA6B30, #BA9130, #BAB630, #99BA30 and #73BA30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6C30 shade matches the following richer shades: #BA6B30, #CD691D and #E0660A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6C30 shade: #BA6B30, #A76E43, #947156, #817369 and #6E767C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6C30 shade: #BA3040, #BA4430, #BA6930, #BA8E30 and #BAB330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6C30 shade: #78451F, #995827, #BA6B30, #CF8044 and #D79665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6C30 shade: #BB6C30, #65BA30 and #3230BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6C30 shade: #BB6C30, #30BA69 and #6930BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6C30 shade: #BB6C30, #65BA30, #3080BA and #8530BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6C30 shade: #BB6C30, #3BBA30, #3080BA and #AE30BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 74 / 27

HEX #BB6C30

RGB 187 108 48

HSL 25.9, 0.59%, 0.46%

LAB 53.5, 26.64, 45.64

 

Complementary color

CMYK 67 / 29 / 0 / 19

HEX #4493CF

RGB 68 147 207

HSL 205.9, 0.59%, 0.54%

LAB 58.6, -5.19, -37.94

 

CMYK 0 / 44 / 78 / 25

HEX #C06C2B

RGB 192 108 43

HSL 26.17, 0.63%, 0.46%

LAB 54.14, 28.52, 48.83

 

CMYK 0 / 40 / 70 / 18

HEX #D17E3E

RGB 209 126 62

HSL 26.12, 0.62%, 0.53%

LAB 60.63, 26.81, 47.33

 

CMYK 0 / 36 / 64 / 11

HEX #E29051

RGB 226 144 81

HSL 26.07, 0.71%, 0.6%

LAB 67.06, 25.3, 45.71

 

CMYK 0 / 33 / 59 / 5

HEX #F3A264

RGB 243 162 100

HSL 26.01, 0.86%, 0.67%

LAB 73.43, 23.96, 44.11

 

CMYK 0 / 29 / 53 / 0

HEX #FFB477

RGB 255 180 119

HSL 26.91, 1%, 0.73%

LAB 79.18, 20.79, 41.78

 

CMYK 0 / 42 / 74 / 27

HEX #BB6C30

RGB 187 108 48

HSL 25.9, 0.59%, 0.46%

LAB 53.5, 26.64, 45.64

 

CMYK 0 / 47 / 83 / 33

HEX #AA5A1D

RGB 170 90 29

HSL 25.96, 0.71%, 0.39%

LAB 46.9, 28.49, 46.98

 

CMYK 0 / 53 / 93 / 40

HEX #99480A

RGB 153 72 10

HSL 26.01, 0.88%, 0.32%

LAB 40.29, 30.58, 47.31

 

CMYK 0 / 60 / 100 / 47

HEX #883600

RGB 136 54 0

HSL 23.82, 1%, 0.27%

LAB 33.72, 32.81, 45.05

 

CMYK 0 / 70 / 100 / 53

HEX #772400

RGB 119 36 0

HSL 18.15, 1%, 0.23%

LAB 27.25, 34.85, 38.89

 

CMYK 0 / 42 / 74 / 27

HEX #BA6B30

RGB 186 107 48

HSL 25.65, 0.59%, 0.46%

LAB 53.13, 26.76, 45.22

 

CMYK 0 / 62 / 74 / 27

HEX #BA4630

RGB 186 70 48

HSL 9.57, 0.59%, 0.46%

LAB 45.68, 45.6, 37.26

 

CMYK 0 / 74 / 74 / 27

HEX #BA3030

RGB 186 48 48

HSL 0, 0.59%, 0.46%

LAB 42.41, 54.49, 33.62

 

CMYK 0 / 42 / 74 / 27

HEX #BA6B30

RGB 186 107 48

HSL 25.65, 0.59%, 0.46%

LAB 53.13, 26.76, 45.22

 

CMYK 0 / 22 / 74 / 27

HEX #BA9130

RGB 186 145 48

HSL 42.17, 0.59%, 0.46%

LAB 62.43, 5.79, 54.6

 

CMYK 0 / 2 / 74 / 27

HEX #BAB630

RGB 186 182 48

HSL 58.26, 0.59%, 0.46%

LAB 72.3, -13.85, 64.06

 

CMYK 18 / 0 / 74 / 27

HEX #99BA30

RGB 153 186 48

HSL 74.35, 0.59%, 0.46%

LAB 70.94, -29.73, 61.89

 

CMYK 38 / 0 / 74 / 27

HEX #73BA30

RGB 115 186 48

HSL 90.87, 0.59%, 0.46%

LAB 68.73, -44.18, 58.99

 

CMYK 0 / 42 / 74 / 27

HEX #BA6B30

RGB 186 107 48

HSL 25.65, 0.59%, 0.46%

LAB 53.13, 26.76, 45.22

 

CMYK 0 / 49 / 86 / 20

HEX #CD691D

RGB 205 105 29

HSL 25.91, 0.75%, 0.46%

LAB 55.25, 35.02, 56.19

 

CMYK 0 / 54 / 96 / 12

HEX #E0660A

RGB 224 102 10

HSL 25.79, 0.91%, 0.46%

LAB 57.44, 43.7, 64.19

 

CMYK 0 / 42 / 74 / 27

HEX #BA6B30

RGB 186 107 48

HSL 25.65, 0.59%, 0.46%

LAB 53.13, 26.76, 45.22

 

CMYK 0 / 34 / 60 / 35

HEX #A76E43

RGB 167 110 67

HSL 25.8, 0.43%, 0.46%

LAB 51.58, 18.13, 32.96

 

CMYK 0 / 24 / 42 / 42

HEX #947156

RGB 148 113 86

HSL 26.13, 0.26%, 0.46%

LAB 50.43, 10.07, 20.31

 

CMYK 0 / 11 / 19 / 49

HEX #817369

RGB 129 115 105

HSL 25, 0.1%, 0.46%

LAB 49.43, 3.67, 7.51

 

CMYK 11 / 5 / 0 / 51

HEX #6E767C

RGB 110 118 124

HSL 205.71, 0.06%, 0.46%

LAB 49.16, -1.69, -4.33

 

CMYK 0 / 74 / 66 / 27

HEX #BA3040

RGB 186 48 64

HSL 353.04, 0.59%, 0.46%

LAB 42.65, 55.28, 24.28

 

CMYK 0 / 63 / 74 / 27

HEX #BA4430

RGB 186 68 48

HSL 8.7, 0.59%, 0.46%

LAB 45.34, 46.5, 36.89

 

CMYK 0 / 44 / 74 / 27

HEX #BA6930

RGB 186 105 48

HSL 24.78, 0.59%, 0.46%

LAB 52.68, 27.85, 44.75

 

CMYK 0 / 24 / 74 / 27

HEX #BA8E30

RGB 186 142 48

HSL 40.87, 0.59%, 0.46%

LAB 61.65, 7.44, 53.84

 

CMYK 0 / 4 / 74 / 27

HEX #BAB330

RGB 186 179 48

HSL 56.96, 0.59%, 0.46%

LAB 71.48, -12.31, 63.29

 

CMYK 0 / 43 / 74 / 53

HEX #78451F

RGB 120 69 31

HSL 25.62, 0.59%, 0.3%

LAB 34.7, 18.47, 31.53

 

CMYK 0 / 42 / 75 / 40

HEX #995827

RGB 153 88 39

HSL 25.79, 0.59%, 0.38%

LAB 44.09, 22.68, 38.78

 

CMYK 0 / 42 / 74 / 27

HEX #BA6B30

RGB 186 107 48

HSL 25.65, 0.59%, 0.46%

LAB 53.13, 26.76, 45.22

 

CMYK 0 / 38 / 67 / 19

HEX #CF8044

RGB 207 128 68

HSL 25.9, 0.59%, 0.54%

LAB 60.89, 25.23, 44.58

 

CMYK 0 / 30 / 53 / 16

HEX #D79665

RGB 215 150 101

HSL 25.79, 0.59%, 0.62%

LAB 67.43, 19.05, 35.48

 

CMYK 0 / 42 / 74 / 27

HEX #BB6C30

RGB 187 108 48

HSL 25.9, 0.59%, 0.46%

LAB 53.5, 26.64, 45.64

 

CMYK 46 / 0 / 74 / 27

HEX #65BA30

RGB 101 186 48

HSL 96.96, 0.59%, 0.46%

LAB 68.09, -48.83, 58.15

 

CMYK 73 / 74 / 0 / 27

HEX #3230BA

RGB 50 48 186

HSL 240.87, 0.59%, 0.46%

LAB 30.25, 46.04, -71.5

 

CMYK 0 / 42 / 74 / 27

HEX #BB6C30

RGB 187 108 48

HSL 25.9, 0.59%, 0.46%

LAB 53.5, 26.64, 45.64

 

CMYK 74 / 0 / 44 / 27

HEX #30BA69

RGB 48 186 105

HSL 144.78, 0.59%, 0.46%

LAB 67.1, -54.36, 30.86

 

CMYK 44 / 74 / 0 / 27

HEX #6930BA

RGB 105 48 186

HSL 264.78, 0.59%, 0.46%

LAB 35.33, 53.37, -62.97

 

CMYK 0 / 42 / 74 / 27

HEX #BB6C30

RGB 187 108 48

HSL 25.9, 0.59%, 0.46%

LAB 53.5, 26.64, 45.64

 

CMYK 46 / 0 / 74 / 27

HEX #65BA30

RGB 101 186 48

HSL 96.96, 0.59%, 0.46%

LAB 68.09, -48.83, 58.15

 

CMYK 74 / 31 / 0 / 27

HEX #3080BA

RGB 48 128 186

HSL 205.22, 0.59%, 0.46%

LAB 51.4, -4.43, -37.38

 

CMYK 28 / 74 / 0 / 27

HEX #8530BA

RGB 133 48 186

HSL 276.96, 0.59%, 0.46%

LAB 38.98, 58.39, -56.87

 

CMYK 0 / 42 / 74 / 27

HEX #BB6C30

RGB 187 108 48

HSL 25.9, 0.59%, 0.46%

LAB 53.5, 26.64, 45.64

 

CMYK 68 / 0 / 74 / 27

HEX #3BBA30

RGB 59 186 48

HSL 115.22, 0.59%, 0.46%

LAB 66.72, -59.67, 56.32

 

CMYK 74 / 31 / 0 / 27

HEX #3080BA

RGB 48 128 186

HSL 205.22, 0.59%, 0.46%

LAB 51.4, -4.43, -37.38

 

CMYK 6 / 74 / 0 / 27

HEX #AE30BA

RGB 174 48 186

HSL 294.78, 0.59%, 0.46%

LAB 45.16, 66.57, -46.59

 

Description

Color code: HEX #BB6C30 | qconv.com Color code: HEX #BB6C30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 108 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 108 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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