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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB63E7 it is the complementary color #449C18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB63E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB63E7 shade: #C063E2, #D175F5, #E287FF, #F399FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB63E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB63E7 shade: #BB63E7, #AA51D4, #993FC1, #882DAE and #771B9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB63E7 shade: #BB64E6, #DE64E6, #E664CC, #E664A8 and #E66485

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB63E7 shade: #BB64E6, #9864E6, #7564E6 and #6464E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB63E7 shade matches the following richer shades: #BB64E6 and #C056F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB63E7 shade: #BB64E6, #B673D8, #B181CA, #AD8FBB and #A89EAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB63E7 shade: #7564E6, #9864E6, #BB64E6, #DE64E6 and #E664CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB63E7 shade: #9A21D7, #AB40E1, #BB64E6, #CB88EC and #DAABF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB63E7 shade: #BB63E7, #E66475 and #64E687

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB63E7 shade: #BB63E7, #E6BB64 and #64E6BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB63E7 shade: #BB63E7, #E66475, #90E664 and #64E6D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB63E7 shade: #BB63E7, #E67A64, #90E664 and #64D1E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 57 / 0 / 9

HEX #BB63E7

RGB 187 99 231

HSL 280, 0.73%, 0.65%

LAB 57.33, 56.69, -52.84

 

Complementary color

CMYK 56 / 0 / 85 / 39

HEX #449C18

RGB 68 156 24

HSL 100, 0.73%, 0.35%

LAB 57.15, -48.5, 54.77

 

CMYK 15 / 56 / 0 / 11

HEX #C063E2

RGB 192 99 226

HSL 283.94, 0.69%, 0.64%

LAB 57.68, 56.9, -49.44

 

CMYK 15 / 52 / 0 / 4

HEX #D175F5

RGB 209 117 245

HSL 283.13, 0.86%, 0.71%

LAB 64.06, 56.22, -49.77

 

CMYK 11 / 47 / 0 / 0

HEX #E287FF

RGB 226 135 255

HSL 285.5, 1%, 0.76%

LAB 69.98, 53.7, -45.78

 

CMYK 5 / 40 / 0 / 0

HEX #F399FF

RGB 243 153 255

HSL 292.94, 1%, 0.8%

LAB 75.49, 49.32, -37.04

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 19 / 57 / 0 / 9

HEX #BB63E7

RGB 187 99 231

HSL 280, 0.73%, 0.65%

LAB 57.33, 56.69, -52.84

 

CMYK 20 / 62 / 0 / 17

HEX #AA51D4

RGB 170 81 212

HSL 280.76, 0.6%, 0.57%

LAB 50.9, 57.29, -52.48

 

CMYK 21 / 67 / 0 / 24

HEX #993FC1

RGB 153 63 193

HSL 281.54, 0.51%, 0.5%

LAB 44.49, 57.66, -51.94

 

CMYK 22 / 74 / 0 / 32

HEX #882DAE

RGB 136 45 174

HSL 282.33, 0.59%, 0.43%

LAB 38.14, 57.61, -51.1

 

CMYK 23 / 83 / 0 / 39

HEX #771B9B

RGB 119 27 155

HSL 283.13, 0.7%, 0.36%

LAB 31.97, 56.76, -49.77

 

CMYK 19 / 57 / 0 / 10

HEX #BB64E6

RGB 187 100 230

HSL 280.15, 0.72%, 0.65%

LAB 57.46, 55.98, -52.07

 

CMYK 3 / 57 / 0 / 10

HEX #DE64E6

RGB 222 100 230

HSL 296.31, 0.72%, 0.65%

LAB 61.96, 64.78, -44.65

 

CMYK 0 / 57 / 11 / 10

HEX #E664CC

RGB 230 100 204

HSL 312, 0.72%, 0.65%

LAB 61.91, 62.6, -30.04

 

CMYK 0 / 57 / 27 / 10

HEX #E664A8

RGB 230 100 168

HSL 328.62, 0.72%, 0.65%

LAB 60.57, 57.49, -11.53

 

CMYK 0 / 57 / 42 / 10

HEX #E66485

RGB 230 100 133

HSL 344.77, 0.72%, 0.65%

LAB 59.55, 53.43, 7.24

 

CMYK 19 / 57 / 0 / 10

HEX #BB64E6

RGB 187 100 230

HSL 280.15, 0.72%, 0.65%

LAB 57.46, 55.98, -52.07

 

CMYK 34 / 57 / 0 / 10

HEX #9864E6

RGB 152 100 230

HSL 264, 0.72%, 0.65%

LAB 53.5, 47.52, -58.63

 

CMYK 49 / 57 / 0 / 10

HEX #7564E6

RGB 117 100 230

HSL 247.85, 0.72%, 0.65%

LAB 50.23, 39.85, -64.06

 

CMYK 57 / 57 / 0 / 10

HEX #6464E6

RGB 100 100 230

HSL 240, 0.72%, 0.65%

LAB 48.93, 36.58, -66.22

 

CMYK 19 / 57 / 0 / 10

HEX #BB64E6

RGB 187 100 230

HSL 280.15, 0.72%, 0.65%

LAB 57.46, 55.98, -52.07

 

CMYK 22 / 65 / 0 / 4

HEX #C056F5

RGB 192 86 245

HSL 280, 0.89%, 0.65%

LAB 56.54, 66.79, -61.87

 

CMYK 19 / 57 / 0 / 10

HEX #BB64E6

RGB 187 100 230

HSL 280.15, 0.72%, 0.65%

LAB 57.46, 55.98, -52.07

 

CMYK 16 / 47 / 0 / 15

HEX #B673D8

RGB 182 115 216

HSL 279.8, 0.56%, 0.65%

LAB 59.13, 43.93, -41.61

 

CMYK 12 / 36 / 0 / 21

HEX #B181CA

RGB 177 129 202

HSL 279.45, 0.41%, 0.65%

LAB 61.06, 31.77, -30.75

 

CMYK 7 / 24 / 0 / 27

HEX #AD8FBB

RGB 173 143 187

HSL 280.91, 0.24%, 0.65%

LAB 63.44, 19.44, -18.68

 

CMYK 3 / 9 / 0 / 32

HEX #A89EAD

RGB 168 158 173

HSL 280, 0.08%, 0.65%

LAB 66.36, 6.47, -6.47

 

CMYK 49 / 57 / 0 / 10

HEX #7564E6

RGB 117 100 230

HSL 247.85, 0.72%, 0.65%

LAB 50.23, 39.85, -64.06

 

CMYK 34 / 57 / 0 / 10

HEX #9864E6

RGB 152 100 230

HSL 264, 0.72%, 0.65%

LAB 53.5, 47.52, -58.63

 

CMYK 19 / 57 / 0 / 10

HEX #BB64E6

RGB 187 100 230

HSL 280.15, 0.72%, 0.65%

LAB 57.46, 55.98, -52.07

 

CMYK 3 / 57 / 0 / 10

HEX #DE64E6

RGB 222 100 230

HSL 296.31, 0.72%, 0.65%

LAB 61.96, 64.78, -44.65

 

CMYK 0 / 57 / 11 / 10

HEX #E664CC

RGB 230 100 204

HSL 312, 0.72%, 0.65%

LAB 61.91, 62.6, -30.04

 

CMYK 28 / 85 / 0 / 16

HEX #9A21D7

RGB 154 33 215

HSL 279.89, 0.73%, 0.49%

LAB 42.56, 72.74, -67.78

 

CMYK 24 / 72 / 0 / 12

HEX #AB40E1

RGB 171 64 225

HSL 279.88, 0.73%, 0.57%

LAB 49.2, 67.57, -62.59

 

CMYK 19 / 57 / 0 / 10

HEX #BB64E6

RGB 187 100 230

HSL 280.15, 0.72%, 0.65%

LAB 57.46, 55.98, -52.07

 

CMYK 14 / 42 / 0 / 7

HEX #CB88EC

RGB 203 136 236

HSL 280.2, 0.72%, 0.73%

LAB 66.79, 42.88, -40.55

 

CMYK 10 / 29 / 0 / 5

HEX #DAABF2

RGB 218 171 242

HSL 279.72, 0.73%, 0.81%

LAB 76.34, 29.71, -28.91

 

CMYK 19 / 57 / 0 / 9

HEX #BB63E7

RGB 187 99 231

HSL 280, 0.73%, 0.65%

LAB 57.33, 56.69, -52.84

 

CMYK 0 / 57 / 49 / 10

HEX #E66475

RGB 230 100 117

HSL 352.15, 0.72%, 0.65%

LAB 59.18, 51.9, 16.02

 

CMYK 57 / 0 / 41 / 10

HEX #64E687

RGB 100 230 135

HSL 136.15, 0.72%, 0.65%

LAB 82.41, -56.07, 35.72

 

CMYK 19 / 57 / 0 / 9

HEX #BB63E7

RGB 187 99 231

HSL 280, 0.73%, 0.65%

LAB 57.33, 56.69, -52.84

 

CMYK 0 / 19 / 57 / 10

HEX #E6BB64

RGB 230 187 100

HSL 40.15, 0.72%, 0.65%

LAB 78.04, 5.42, 49.29

 

CMYK 57 / 0 / 19 / 10

HEX #64E6BB

RGB 100 230 187

HSL 160.15, 0.72%, 0.65%

LAB 83.38, -45.97, 10.25

 

CMYK 19 / 57 / 0 / 9

HEX #BB63E7

RGB 187 99 231

HSL 280, 0.73%, 0.65%

LAB 57.33, 56.69, -52.84

 

CMYK 0 / 57 / 49 / 10

HEX #E66475

RGB 230 100 117

HSL 352.15, 0.72%, 0.65%

LAB 59.18, 51.9, 16.02

 

CMYK 37 / 0 / 57 / 10

HEX #90E664

RGB 144 230 100

HSL 99.69, 0.72%, 0.65%

LAB 83.67, -48.5, 54.35

 

CMYK 57 / 0 / 7 / 10

HEX #64E6D5

RGB 100 230 213

HSL 172.15, 0.72%, 0.65%

LAB 84.02, -39.81, -2.53

 

CMYK 19 / 57 / 0 / 9

HEX #BB63E7

RGB 187 99 231

HSL 280, 0.73%, 0.65%

LAB 57.33, 56.69, -52.84

 

CMYK 0 / 47 / 57 / 10

HEX #E67A64

RGB 230 122 100

HSL 10.15, 0.72%, 0.65%

LAB 63.06, 39.73, 30.86

 

CMYK 37 / 0 / 57 / 10

HEX #90E664

RGB 144 230 100

HSL 99.69, 0.72%, 0.65%

LAB 83.67, -48.5, 54.35

 

CMYK 57 / 9 / 0 / 10

HEX #64D1E6

RGB 100 209 230

HSL 189.69, 0.72%, 0.65%

LAB 78.48, -25.36, -19.85

 

Description

Color code: HEX #BB63E7 | qconv.com Color code: HEX #BB63E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 99 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 99 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 57 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 57% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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