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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB682E it is the complementary color #4497D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB682E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB682E shade: #C06829, #D17A3C, #E28C4F, #F39E62 and #FFB075

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB682E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB682E shade: #BB682E, #AA561B, #994408, #883200 and #772000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB682E shade: #BC682D, #BC422D and #BC2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB682E shade: #BC682D, #BC8F2D, #BCB52D, #9DBC2D and #76BC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB682E shade matches the following richer shades: #BC682D, #CF651A and #E26107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB682E shade: #BC682D, #A96B40, #966F53, #837266 and #707679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB682E shade: #BC2D40, #BC402D, #BC662D, #BC8D2D and #BCB32D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB682E shade: #7A431D, #9B5625, #BC682D, #D17D42 and #D99463

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB682E shade: #BB682E, #66BC2D and #2D2DBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB682E shade: #BB682E, #2DBC66 and #662DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB682E shade: #BB682E, #66BC2D, #2D83BC and #832DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB682E shade: #BB682E, #3CBC2D, #2D83BC and #AE2DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 75 / 27

HEX #BB682E

RGB 187 104 46

HSL 24.68, 0.61%, 0.46%

LAB 52.58, 28.72, 45.65

 

Complementary color

CMYK 67 / 28 / 0 / 18

HEX #4497D1

RGB 68 151 209

HSL 204.68, 0.61%, 0.54%

LAB 59.86, -6.79, -37.1

 

CMYK 0 / 46 / 79 / 25

HEX #C06829

RGB 192 104 41

HSL 25.03, 0.65%, 0.46%

LAB 53.24, 30.59, 48.85

 

CMYK 0 / 42 / 71 / 18

HEX #D17A3C

RGB 209 122 60

HSL 24.97, 0.62%, 0.53%

LAB 59.71, 28.85, 47.31

 

CMYK 0 / 38 / 65 / 11

HEX #E28C4F

RGB 226 140 79

HSL 24.9, 0.72%, 0.6%

LAB 66.13, 27.3, 45.64

 

CMYK 0 / 35 / 60 / 5

HEX #F39E62

RGB 243 158 98

HSL 24.83, 0.86%, 0.67%

LAB 72.49, 25.93, 44

 

CMYK 0 / 31 / 54 / 0

HEX #FFB075

RGB 255 176 117

HSL 25.65, 1%, 0.73%

LAB 78.22, 22.72, 41.62

 

CMYK 0 / 44 / 75 / 27

HEX #BB682E

RGB 187 104 46

HSL 24.68, 0.61%, 0.46%

LAB 52.58, 28.72, 45.65

 

CMYK 0 / 49 / 84 / 33

HEX #AA561B

RGB 170 86 27

HSL 24.76, 0.73%, 0.39%

LAB 46.02, 30.59, 47.01

 

CMYK 0 / 56 / 95 / 40

HEX #994408

RGB 153 68 8

HSL 24.83, 0.9%, 0.32%

LAB 39.45, 32.66, 47.3

 

CMYK 0 / 63 / 100 / 47

HEX #883200

RGB 136 50 0

HSL 22.06, 1%, 0.27%

LAB 32.95, 34.81, 44.58

 

CMYK 0 / 73 / 100 / 53

HEX #772000

RGB 119 32 0

HSL 16.13, 1%, 0.23%

LAB 26.61, 36.6, 38.32

 

CMYK 0 / 45 / 76 / 26

HEX #BC682D

RGB 188 104 45

HSL 24.76, 0.61%, 0.46%

LAB 52.71, 29.09, 46.3

 

CMYK 0 / 65 / 76 / 26

HEX #BC422D

RGB 188 66 45

HSL 8.81, 0.61%, 0.46%

LAB 45.33, 47.96, 38.62

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 45 / 76 / 26

HEX #BC682D

RGB 188 104 45

HSL 24.76, 0.61%, 0.46%

LAB 52.71, 29.09, 46.3

 

CMYK 0 / 24 / 76 / 26

HEX #BC8F2D

RGB 188 143 45

HSL 41.12, 0.61%, 0.46%

LAB 62.11, 7.64, 55.55

 

CMYK 0 / 4 / 76 / 26

HEX #BCB52D

RGB 188 181 45

HSL 57.06, 0.61%, 0.46%

LAB 72.18, -12.6, 65

 

CMYK 16 / 0 / 76 / 26

HEX #9DBC2D

RGB 157 188 45

HSL 73.01, 0.61%, 0.46%

LAB 71.77, -29.2, 63.77

 

CMYK 37 / 0 / 76 / 26

HEX #76BC2D

RGB 118 188 45

HSL 89.37, 0.61%, 0.46%

LAB 69.47, -44.15, 60.77

 

CMYK 0 / 45 / 76 / 26

HEX #BC682D

RGB 188 104 45

HSL 24.76, 0.61%, 0.46%

LAB 52.71, 29.09, 46.3

 

CMYK 0 / 51 / 87 / 19

HEX #CF651A

RGB 207 101 26

HSL 24.86, 0.78%, 0.46%

LAB 54.71, 37.81, 56.91

 

CMYK 0 / 57 / 97 / 11

HEX #E26107

RGB 226 97 7

HSL 24.66, 0.94%, 0.46%

LAB 56.81, 46.82, 64.51

 

CMYK 0 / 45 / 76 / 26

HEX #BC682D

RGB 188 104 45

HSL 24.76, 0.61%, 0.46%

LAB 52.71, 29.09, 46.3

 

CMYK 0 / 37 / 62 / 34

HEX #A96B40

RGB 169 107 64

HSL 24.57, 0.45%, 0.46%

LAB 51.06, 20.46, 34.03

 

CMYK 0 / 26 / 45 / 41

HEX #966F53

RGB 150 111 83

HSL 25.07, 0.29%, 0.46%

LAB 50.07, 11.73, 21.61

 

CMYK 0 / 13 / 22 / 49

HEX #837266

RGB 131 114 102

HSL 24.83, 0.12%, 0.46%

LAB 49.28, 4.57, 9.08

 

CMYK 7 / 2 / 0 / 53

HEX #707679

RGB 112 118 121

HSL 200, 0.04%, 0.46%

LAB 49.23, -1.62, -2.43

 

CMYK 0 / 76 / 66 / 26

HEX #BC2D40

RGB 188 45 64

HSL 352.03, 0.61%, 0.46%

LAB 42.67, 56.89, 24.39

 

CMYK 0 / 66 / 76 / 26

HEX #BC402D

RGB 188 64 45

HSL 7.97, 0.61%, 0.46%

LAB 45.01, 48.82, 38.28

 

CMYK 0 / 46 / 76 / 26

HEX #BC662D

RGB 188 102 45

HSL 23.92, 0.61%, 0.46%

LAB 52.27, 30.17, 45.85

 

CMYK 0 / 25 / 76 / 26

HEX #BC8D2D

RGB 188 141 45

HSL 40.28, 0.61%, 0.46%

LAB 61.59, 8.74, 55.06

 

CMYK 0 / 5 / 76 / 26

HEX #BCB32D

RGB 188 179 45

HSL 56.22, 0.61%, 0.46%

LAB 71.64, -11.57, 64.5

 

CMYK 0 / 45 / 76 / 52

HEX #7A431D

RGB 122 67 29

HSL 24.52, 0.62%, 0.3%

LAB 34.48, 20.45, 32.46

 

CMYK 0 / 45 / 76 / 39

HEX #9B5625

RGB 155 86 37

HSL 24.92, 0.61%, 0.38%

LAB 43.88, 24.58, 39.65

 

CMYK 0 / 45 / 76 / 26

HEX #BC682D

RGB 188 104 45

HSL 24.76, 0.61%, 0.46%

LAB 52.71, 29.09, 46.3

 

CMYK 0 / 40 / 68 / 18

HEX #D17D42

RGB 209 125 66

HSL 24.76, 0.61%, 0.54%

LAB 60.44, 27.56, 45.15

 

CMYK 0 / 32 / 54 / 15

HEX #D99463

RGB 217 148 99

HSL 24.92, 0.61%, 0.62%

LAB 67.15, 20.78, 36.25

 

CMYK 0 / 44 / 75 / 27

HEX #BB682E

RGB 187 104 46

HSL 24.68, 0.61%, 0.46%

LAB 52.58, 28.72, 45.65

 

CMYK 46 / 0 / 76 / 26

HEX #66BC2D

RGB 102 188 45

HSL 96.08, 0.61%, 0.46%

LAB 68.74, -49.5, 59.81

 

CMYK 76 / 76 / 0 / 26

HEX #2D2DBC

RGB 45 45 188

HSL 240, 0.61%, 0.46%

LAB 29.58, 47.93, -73.81

 

CMYK 0 / 44 / 75 / 27

HEX #BB682E

RGB 187 104 46

HSL 24.68, 0.61%, 0.46%

LAB 52.58, 28.72, 45.65

 

CMYK 76 / 0 / 46 / 26

HEX #2DBC66

RGB 45 188 102

HSL 143.92, 0.61%, 0.46%

LAB 67.64, -56.03, 33.08

 

CMYK 46 / 76 / 0 / 26

HEX #662DBC

RGB 102 45 188

HSL 263.92, 0.61%, 0.46%

LAB 34.67, 54.75, -65.25

 

CMYK 0 / 44 / 75 / 27

HEX #BB682E

RGB 187 104 46

HSL 24.68, 0.61%, 0.46%

LAB 52.58, 28.72, 45.65

 

CMYK 46 / 0 / 76 / 26

HEX #66BC2D

RGB 102 188 45

HSL 96.08, 0.61%, 0.46%

LAB 68.74, -49.5, 59.81

 

CMYK 76 / 30 / 0 / 26

HEX #2D83BC

RGB 45 131 188

HSL 203.92, 0.61%, 0.46%

LAB 52.31, -5.85, -37.09

 

CMYK 30 / 76 / 0 / 26

HEX #832DBC

RGB 131 45 188

HSL 276.08, 0.61%, 0.46%

LAB 38.43, 59.64, -58.94

 

CMYK 0 / 44 / 75 / 27

HEX #BB682E

RGB 187 104 46

HSL 24.68, 0.61%, 0.46%

LAB 52.58, 28.72, 45.65

 

CMYK 68 / 0 / 76 / 26

HEX #3CBC2D

RGB 60 188 45

HSL 113.71, 0.61%, 0.46%

LAB 67.36, -60.35, 58

 

CMYK 76 / 30 / 0 / 26

HEX #2D83BC

RGB 45 131 188

HSL 203.92, 0.61%, 0.46%

LAB 52.31, -5.85, -37.09

 

CMYK 7 / 76 / 0 / 26

HEX #AE2DBC

RGB 174 45 188

HSL 294.13, 0.61%, 0.46%

LAB 44.95, 67.87, -48.1

 

Description

Color code: HEX #BB682E | qconv.com Color code: HEX #BB682E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 104 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 104 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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