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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB5EEC it is the complementary color #44A113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB5EEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB5EEC shade: #C05EE7, #D170FA, #E282FF, #F394FF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB5EEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB5EEC shade: #BB5EEC, #AA4CD9, #993AC6, #8828B3 and #7716A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB5EEC shade: #BB5FEC, #E15FEC, #EC5FD0, #EC5FAA and #EC5F84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB5EEC shade: #BB5FEC, #955FEC, #6F5FEC and #5F5FEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB5EEC shade matches the following richer shades: #BB5FEC and #C050FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB5EEC shade: #BB5FEC, #B76DDD, #B27CCF, #AE8AC0 and #A999B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB5EEC shade: #6F5FEC, #955FEC, #BA5FEC, #E05FEC and #EC5FD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB5EEC shade: #9A1ADE, #AC3AE7, #BB5FEC, #CB84F0 and #DAA9F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB5EEC shade: #BB5EEC, #EC5F74 and #5FEC82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB5EEC shade: #BB5EEC, #ECBA5F and #5FECBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB5EEC shade: #BB5EEC, #EC5F74, #90EC5F and #5FECD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB5EEC shade: #BB5EEC, #EC745F, #90EC5F and #5FD7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 60 / 0 / 7

HEX #BB5EEC

RGB 187 94 236

HSL 279.3, 0.79%, 0.65%

LAB 56.71, 60.15, -56.62

 

Complementary color

CMYK 58 / 0 / 88 / 37

HEX #44A113

RGB 68 161 19

HSL 99.3, 0.79%, 0.35%

LAB 58.76, -50.56, 57.37

 

CMYK 17 / 59 / 0 / 9

HEX #C05EE7

RGB 192 94 231

HSL 282.92, 0.74%, 0.64%

LAB 57.06, 60.31, -53.23

 

CMYK 16 / 55 / 0 / 2

HEX #D170FA

RGB 209 112 250

HSL 282.17, 0.93%, 0.71%

LAB 63.38, 59.7, -53.59

 

CMYK 11 / 49 / 0 / 0

HEX #E282FF

RGB 226 130 255

HSL 286.08, 1%, 0.75%

LAB 69.01, 56.21, -47.31

 

CMYK 5 / 42 / 0 / 0

HEX #F394FF

RGB 243 148 255

HSL 293.27, 1%, 0.79%

LAB 74.48, 51.87, -38.61

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 21 / 60 / 0 / 7

HEX #BB5EEC

RGB 187 94 236

HSL 279.3, 0.79%, 0.65%

LAB 56.71, 60.15, -56.62

 

CMYK 22 / 65 / 0 / 15

HEX #AA4CD9

RGB 170 76 217

HSL 280, 0.65%, 0.57%

LAB 50.36, 60.65, -56.19

 

CMYK 23 / 71 / 0 / 22

HEX #993AC6

RGB 153 58 198

HSL 280.71, 0.55%, 0.5%

LAB 44.05, 60.83, -55.54

 

CMYK 24 / 78 / 0 / 30

HEX #8828B3

RGB 136 40 179

HSL 281.44, 0.63%, 0.43%

LAB 37.85, 60.47, -54.53

 

CMYK 26 / 86 / 0 / 37

HEX #7716A0

RGB 119 22 160

HSL 282.17, 0.76%, 0.36%

LAB 31.88, 59.16, -52.95

 

CMYK 21 / 60 / 0 / 7

HEX #BB5FEC

RGB 187 95 236

HSL 279.15, 0.79%, 0.65%

LAB 56.89, 59.68, -56.34

 

CMYK 5 / 60 / 0 / 7

HEX #E15FEC

RGB 225 95 236

HSL 295.32, 0.79%, 0.65%

LAB 61.87, 68.75, -48.11

 

CMYK 0 / 60 / 12 / 7

HEX #EC5FD0

RGB 236 95 208

HSL 311.91, 0.79%, 0.65%

LAB 62.14, 66.99, -31.87

 

CMYK 0 / 60 / 28 / 7

HEX #EC5FAA

RGB 236 95 170

HSL 328.09, 0.79%, 0.65%

LAB 60.71, 61.74, -12.39

 

CMYK 0 / 60 / 44 / 7

HEX #EC5F84

RGB 236 95 132

HSL 344.26, 0.79%, 0.65%

LAB 59.6, 57.52, 8.02

 

CMYK 21 / 60 / 0 / 7

HEX #BB5FEC

RGB 187 95 236

HSL 279.15, 0.79%, 0.65%

LAB 56.89, 59.68, -56.34

 

CMYK 37 / 60 / 0 / 7

HEX #955FEC

RGB 149 95 236

HSL 262.98, 0.79%, 0.65%

LAB 52.54, 51.04, -63.54

 

CMYK 53 / 60 / 0 / 7

HEX #6F5FEC

RGB 111 95 236

HSL 246.81, 0.79%, 0.65%

LAB 49.03, 43.38, -69.39

 

CMYK 60 / 60 / 0 / 7

HEX #5F5FEC

RGB 95 95 236

HSL 240, 0.79%, 0.65%

LAB 47.85, 40.62, -71.37

 

CMYK 21 / 60 / 0 / 7

HEX #BB5FEC

RGB 187 95 236

HSL 279.15, 0.79%, 0.65%

LAB 56.89, 59.68, -56.34

 

CMYK 23 / 68 / 0 / 2

HEX #C050FA

RGB 192 80 250

HSL 279.53, 0.94%, 0.65%

LAB 55.93, 70.36, -65.63

 

CMYK 21 / 60 / 0 / 7

HEX #BB5FEC

RGB 187 95 236

HSL 279.15, 0.79%, 0.65%

LAB 56.89, 59.68, -56.34

 

CMYK 17 / 51 / 0 / 13

HEX #B76DDD

RGB 183 109 221

HSL 279.64, 0.62%, 0.65%

LAB 58.25, 48.45, -45.79

 

CMYK 14 / 40 / 0 / 19

HEX #B27CCF

RGB 178 124 207

HSL 279.04, 0.46%, 0.65%

LAB 60.24, 35.92, -34.84

 

CMYK 9 / 28 / 0 / 25

HEX #AE8AC0

RGB 174 138 192

HSL 280, 0.3%, 0.65%

LAB 62.49, 23.63, -22.93

 

CMYK 5 / 14 / 0 / 30

HEX #A999B2

RGB 169 153 178

HSL 278.4, 0.14%, 0.65%

LAB 65.3, 10.61, -10.84

 

CMYK 53 / 60 / 0 / 7

HEX #6F5FEC

RGB 111 95 236

HSL 246.81, 0.79%, 0.65%

LAB 49.03, 43.38, -69.39

 

CMYK 37 / 60 / 0 / 7

HEX #955FEC

RGB 149 95 236

HSL 262.98, 0.79%, 0.65%

LAB 52.54, 51.04, -63.54

 

CMYK 21 / 60 / 0 / 7

HEX #BA5FEC

RGB 186 95 236

HSL 278.72, 0.79%, 0.65%

LAB 56.76, 59.44, -56.54

 

CMYK 5 / 60 / 0 / 7

HEX #E05FEC

RGB 224 95 236

HSL 294.89, 0.79%, 0.65%

LAB 61.73, 68.51, -48.34

 

CMYK 0 / 60 / 11 / 7

HEX #EC5FD2

RGB 236 95 210

HSL 311.06, 0.79%, 0.65%

LAB 62.23, 67.29, -32.87

 

CMYK 31 / 88 / 0 / 13

HEX #9A1ADE

RGB 154 26 222

HSL 279.18, 0.79%, 0.49%

LAB 42.59, 75.67, -71.75

 

CMYK 26 / 75 / 0 / 9

HEX #AC3AE7

RGB 172 58 231

HSL 279.54, 0.78%, 0.57%

LAB 48.97, 71.22, -66.37

 

CMYK 21 / 60 / 0 / 7

HEX #BB5FEC

RGB 187 95 236

HSL 279.15, 0.79%, 0.65%

LAB 56.89, 59.68, -56.34

 

CMYK 15 / 45 / 0 / 6

HEX #CB84F0

RGB 203 132 240

HSL 279.44, 0.78%, 0.73%

LAB 66.13, 45.84, -43.79

 

CMYK 11 / 31 / 0 / 4

HEX #DAA9F4

RGB 218 169 244

HSL 279.2, 0.77%, 0.81%

LAB 75.95, 31.2, -30.58

 

CMYK 21 / 60 / 0 / 7

HEX #BB5EEC

RGB 187 94 236

HSL 279.3, 0.79%, 0.65%

LAB 56.71, 60.15, -56.62

 

CMYK 0 / 60 / 51 / 7

HEX #EC5F74

RGB 236 95 116

HSL 351.06, 0.79%, 0.65%

LAB 59.23, 56.07, 16.81

 

CMYK 60 / 0 / 45 / 7

HEX #5FEC82

RGB 95 236 130

HSL 134.89, 0.79%, 0.65%

LAB 83.98, -60.24, 40.2

 

CMYK 21 / 60 / 0 / 7

HEX #BB5EEC

RGB 187 94 236

HSL 279.3, 0.79%, 0.65%

LAB 56.71, 60.15, -56.62

 

CMYK 0 / 21 / 60 / 7

HEX #ECBA5F

RGB 236 186 95

HSL 38.72, 0.79%, 0.65%

LAB 78.33, 8.07, 52.17

 

CMYK 60 / 0 / 21 / 7

HEX #5FECBA

RGB 95 236 186

HSL 158.72, 0.79%, 0.65%

LAB 84.98, -49.71, 13.02

 

CMYK 21 / 60 / 0 / 7

HEX #BB5EEC

RGB 187 94 236

HSL 279.3, 0.79%, 0.65%

LAB 56.71, 60.15, -56.62

 

CMYK 0 / 60 / 51 / 7

HEX #EC5F74

RGB 236 95 116

HSL 351.06, 0.79%, 0.65%

LAB 59.23, 56.07, 16.81

 

CMYK 39 / 0 / 60 / 7

HEX #90EC5F

RGB 144 236 95

HSL 99.15, 0.79%, 0.65%

LAB 85.38, -51.46, 58.48

 

CMYK 60 / 0 / 9 / 7

HEX #5FECD7

RGB 95 236 215

HSL 171.06, 0.79%, 0.65%

LAB 85.67, -42.9, -1.19

 

CMYK 21 / 60 / 0 / 7

HEX #BB5EEC

RGB 187 94 236

HSL 279.3, 0.79%, 0.65%

LAB 56.71, 60.15, -56.62

 

CMYK 0 / 51 / 60 / 7

HEX #EC745F

RGB 236 116 95

HSL 8.94, 0.79%, 0.65%

LAB 62.63, 44.61, 33.26

 

CMYK 39 / 0 / 60 / 7

HEX #90EC5F

RGB 144 236 95

HSL 99.15, 0.79%, 0.65%

LAB 85.38, -51.46, 58.48

 

CMYK 60 / 9 / 0 / 7

HEX #5FD7EC

RGB 95 215 236

HSL 188.94, 0.79%, 0.65%

LAB 80.23, -27.53, -20.42

 

Description

Color code: HEX #BB5EEC | qconv.com Color code: HEX #BB5EEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 94 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 94 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 60 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 60% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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