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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB5B34 it is the complementary color #44A4CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB5B34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB5B34 shade: #C05B2F, #D16D42, #E27F55, #F39168 and #FFA37B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB5B34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB5B34 shade: #BB5B34, #AA4921, #99370E, #882500 and #771300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB5B34 shade: #BA5B34, #BA3734 and #BA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB5B34 shade: #BA5B34, #BA7F34, #BAA334, #ADBA34 and #89BA34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB5B34 shade matches the following richer shades: #BA5B34, #CE5321 and #E14B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB5B34 shade: #BA5B34, #A76348, #946B5B, #80746E and #6D7C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB5B34 shade: #BA3456, #BA3634, #BA5A34, #BA7E34 and #BAA234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB5B34 shade: #7A3C22, #9A4B2B, #BA5B34, #CC714C and #D58A6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB5B34 shade: #BB5B34, #7ABA34 and #3444BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB5B34 shade: #BB5B34, #34BA5A and #5A34BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB5B34 shade: #BB5B34, #7ABA34, #3494BA and #7534BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB5B34 shade: #BB5B34, #51BA34, #3494BA and #9D34BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 72 / 27

HEX #BB5B34

RGB 187 91 52

HSL 17.33, 0.56%, 0.47%

LAB 49.85, 35.89, 39.74

 

Complementary color

CMYK 67 / 19 / 0 / 20

HEX #44A4CB

RGB 68 164 203

HSL 197.33, 0.56%, 0.53%

LAB 63.42, -15.93, -28.22

 

CMYK 0 / 53 / 76 / 25

HEX #C05B2F

RGB 192 91 47

HSL 18.21, 0.61%, 0.47%

LAB 50.56, 37.63, 43.31

 

CMYK 0 / 48 / 68 / 18

HEX #D16D42

RGB 209 109 66

HSL 18.04, 0.61%, 0.54%

LAB 56.96, 36.02, 41.23

 

CMYK 0 / 44 / 62 / 11

HEX #E27F55

RGB 226 127 85

HSL 17.87, 0.71%, 0.61%

LAB 63.35, 34.53, 39.26

 

CMYK 0 / 40 / 57 / 5

HEX #F39168

RGB 243 145 104

HSL 17.7, 0.85%, 0.68%

LAB 69.69, 33.17, 37.44

 

CMYK 0 / 36 / 52 / 0

HEX #FFA37B

RGB 255 163 123

HSL 18.18, 1%, 0.74%

LAB 75.38, 30.01, 34.88

 

CMYK 0 / 51 / 72 / 27

HEX #BB5B34

RGB 187 91 52

HSL 17.33, 0.56%, 0.47%

LAB 49.85, 35.89, 39.74

 

CMYK 0 / 57 / 81 / 33

HEX #AA4921

RGB 170 73 33

HSL 17.52, 0.67%, 0.4%

LAB 43.39, 37.56, 41.89

 

CMYK 0 / 64 / 91 / 40

HEX #99370E

RGB 153 55 14

HSL 17.7, 0.83%, 0.33%

LAB 37, 39.23, 43.56

 

CMYK 0 / 73 / 100 / 47

HEX #882500

RGB 136 37 0

HSL 16.32, 1%, 0.27%

LAB 30.78, 40.66, 43.11

 

CMYK 0 / 84 / 100 / 53

HEX #771300

RGB 119 19 0

HSL 9.58, 1%, 0.23%

LAB 24.91, 41.31, 36.75

 

CMYK 0 / 51 / 72 / 27

HEX #BA5B34

RGB 186 91 52

HSL 17.46, 0.56%, 0.47%

LAB 49.7, 35.49, 39.53

 

CMYK 0 / 70 / 72 / 27

HEX #BA3734

RGB 186 55 52

HSL 1.34, 0.56%, 0.47%

LAB 43.39, 52.1, 32.4

 

CMYK 0 / 72 / 72 / 27

HEX #BA3434

RGB 186 52 52

HSL 0, 0.56%, 0.47%

LAB 42.98, 53.23, 31.92

 

CMYK 0 / 51 / 72 / 27

HEX #BA5B34

RGB 186 91 52

HSL 17.46, 0.56%, 0.47%

LAB 49.7, 35.49, 39.53

 

CMYK 0 / 32 / 72 / 27

HEX #BA7F34

RGB 186 127 52

HSL 33.58, 0.56%, 0.47%

LAB 57.91, 15.93, 48.31

 

CMYK 0 / 12 / 72 / 27

HEX #BAA334

RGB 186 163 52

HSL 49.7, 0.56%, 0.47%

LAB 67.19, -3.75, 57.69

 

CMYK 7 / 0 / 72 / 27

HEX #ADBA34

RGB 173 186 52

HSL 65.82, 0.56%, 0.47%

LAB 72.4, -21.23, 62.4

 

CMYK 26 / 0 / 72 / 27

HEX #89BA34

RGB 137 186 52

HSL 81.94, 0.56%, 0.47%

LAB 69.95, -35.85, 59.18

 

CMYK 0 / 51 / 72 / 27

HEX #BA5B34

RGB 186 91 52

HSL 17.46, 0.56%, 0.47%

LAB 49.7, 35.49, 39.53

 

CMYK 0 / 60 / 84 / 19

HEX #CE5321

RGB 206 83 33

HSL 17.34, 0.72%, 0.47%

LAB 51.17, 46.38, 51.22

 

CMYK 0 / 67 / 94 / 12

HEX #E14B0D

RGB 225 75 13

HSL 17.55, 0.89%, 0.47%

LAB 53.02, 56.16, 60.87

 

CMYK 0 / 51 / 72 / 27

HEX #BA5B34

RGB 186 91 52

HSL 17.46, 0.56%, 0.47%

LAB 49.7, 35.49, 39.53

 

CMYK 0 / 41 / 57 / 35

HEX #A76348

RGB 167 99 72

HSL 17.05, 0.4%, 0.47%

LAB 49.02, 24.73, 26.98

 

CMYK 0 / 28 / 39 / 42

HEX #946B5B

RGB 148 107 91

HSL 16.84, 0.24%, 0.47%

LAB 48.97, 14.16, 15.41

 

CMYK 0 / 9 / 14 / 50

HEX #80746E

RGB 128 116 110

HSL 20, 0.08%, 0.47%

LAB 49.74, 3.55, 4.99

 

CMYK 16 / 5 / 0 / 49

HEX #6D7C82

RGB 109 124 130

HSL 197.14, 0.09%, 0.47%

LAB 51.01, -4.16, -5.13

 

CMYK 0 / 72 / 54 / 27

HEX #BA3456

RGB 186 52 86

HSL 344.78, 0.56%, 0.47%

LAB 43.61, 55.37, 11.93

 

CMYK 0 / 71 / 72 / 27

HEX #BA3634

RGB 186 54 52

HSL 0.9, 0.56%, 0.47%

LAB 43.25, 52.48, 32.24

 

CMYK 0 / 52 / 72 / 27

HEX #BA5A34

RGB 186 90 52

HSL 17.01, 0.56%, 0.47%

LAB 49.5, 36.01, 39.3

 

CMYK 0 / 32 / 72 / 27

HEX #BA7E34

RGB 186 126 52

HSL 33.13, 0.56%, 0.47%

LAB 57.66, 16.48, 48.05

 

CMYK 0 / 13 / 72 / 27

HEX #BAA234

RGB 186 162 52

HSL 49.25, 0.56%, 0.47%

LAB 66.92, -3.22, 57.43

 

CMYK 0 / 51 / 72 / 52

HEX #7A3C22

RGB 122 60 34

HSL 17.73, 0.56%, 0.31%

LAB 32.89, 24.78, 27.94

 

CMYK 0 / 51 / 72 / 40

HEX #9A4B2B

RGB 154 75 43

HSL 17.3, 0.56%, 0.39%

LAB 41.34, 30.53, 33.74

 

CMYK 0 / 51 / 72 / 27

HEX #BA5B34

RGB 186 91 52

HSL 17.46, 0.56%, 0.47%

LAB 49.7, 35.49, 39.53

 

CMYK 0 / 45 / 63 / 20

HEX #CC714C

RGB 204 113 76

HSL 17.34, 0.56%, 0.55%

LAB 57.24, 32.55, 36.03

 

CMYK 0 / 35 / 49 / 16

HEX #D58A6C

RGB 213 138 108

HSL 17.14, 0.56%, 0.63%

LAB 64.49, 25.36, 27.87

 

CMYK 0 / 51 / 72 / 27

HEX #BB5B34

RGB 187 91 52

HSL 17.33, 0.56%, 0.47%

LAB 49.85, 35.89, 39.74

 

CMYK 34 / 0 / 72 / 27

HEX #7ABA34

RGB 122 186 52

HSL 88.66, 0.56%, 0.47%

LAB 69.11, -41.45, 58.07

 

CMYK 72 / 63 / 0 / 27

HEX #3444BA

RGB 52 68 186

HSL 232.84, 0.56%, 0.47%

LAB 34.82, 34.16, -63.98

 

CMYK 0 / 51 / 72 / 27

HEX #BB5B34

RGB 187 91 52

HSL 17.33, 0.56%, 0.47%

LAB 49.85, 35.89, 39.74

 

CMYK 72 / 0 / 52 / 27

HEX #34BA5A

RGB 52 186 90

HSL 137.01, 0.56%, 0.47%

LAB 66.97, -56.2, 38.31

 

CMYK 52 / 72 / 0 / 27

HEX #5A34BA

RGB 90 52 186

HSL 257.01, 0.56%, 0.47%

LAB 34.34, 48.98, -64.65

 

CMYK 0 / 51 / 72 / 27

HEX #BB5B34

RGB 187 91 52

HSL 17.33, 0.56%, 0.47%

LAB 49.85, 35.89, 39.74

 

CMYK 34 / 0 / 72 / 27

HEX #7ABA34

RGB 122 186 52

HSL 88.66, 0.56%, 0.47%

LAB 69.11, -41.45, 58.07

 

CMYK 72 / 20 / 0 / 27

HEX #3494BA

RGB 52 148 186

HSL 197.01, 0.56%, 0.47%

LAB 57.52, -15.24, -27.82

 

CMYK 37 / 72 / 0 / 27

HEX #7534BA

RGB 117 52 186

HSL 269.1, 0.56%, 0.47%

LAB 37.45, 53.66, -59.45

 

CMYK 0 / 51 / 72 / 27

HEX #BB5B34

RGB 187 91 52

HSL 17.33, 0.56%, 0.47%

LAB 49.85, 35.89, 39.74

 

CMYK 56 / 0 / 72 / 27

HEX #51BA34

RGB 81 186 52

HSL 107.01, 0.56%, 0.47%

LAB 67.36, -54.33, 55.73

 

CMYK 72 / 20 / 0 / 27

HEX #3494BA

RGB 52 148 186

HSL 197.01, 0.56%, 0.47%

LAB 57.52, -15.24, -27.82

 

CMYK 16 / 72 / 0 / 27

HEX #9D34BA

RGB 157 52 186

HSL 287.01, 0.56%, 0.47%

LAB 43.02, 61.63, -50.18

 

Description

Color code: HEX #BB5B34 | qconv.com Color code: HEX #BB5B34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 91 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 91 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 72 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 72% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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