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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB5B2E it is the complementary color #44A4D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB5B2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB5B2E shade: #C05B29, #D16D3C, #E27F4F, #F39162 and #FFA375

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB5B2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB5B2E shade: #BB5B2E, #AA491B, #993708, #882500 and #771300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB5B2E shade: #BC5B2D, #BC342D and #BC2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB5B2E shade: #BC5B2D, #BC822D, #BCA82D, #AABC2D and #83BC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB5B2E shade matches the following richer shades: #BC5B2D, #CF541A and #E24D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB5B2E shade: #BC5B2D, #A96240, #966953, #837066 and #707679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB5B2E shade: #BC2D4C, #BC342D, #BC5B2D, #BC812D and #BCA72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB5B2E shade: #7A3B1D, #9B4B25, #BC5B2D, #D17042 and #D98963

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB5B2E shade: #BB5B2E, #72BC2D and #2D39BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB5B2E shade: #BB5B2E, #2DBC5B and #5B2DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB5B2E shade: #BB5B2E, #72BC2D, #2D8FBC and #772DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB5B2E shade: #BB5B2E, #47BC2D, #2D8FBC and #A22DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 75 / 27

HEX #BB5B2E

RGB 187 91 46

HSL 19.15, 0.61%, 0.46%

LAB 49.79, 35.61, 42.77

 

Complementary color

CMYK 67 / 22 / 0 / 18

HEX #44A4D1

RGB 68 164 209

HSL 199.15, 0.61%, 0.54%

LAB 63.66, -13.99, -31.18

 

CMYK 0 / 53 / 79 / 25

HEX #C05B29

RGB 192 91 41

HSL 19.87, 0.65%, 0.46%

LAB 50.51, 37.39, 46.19

 

CMYK 0 / 48 / 71 / 18

HEX #D16D3C

RGB 209 109 60

HSL 19.73, 0.62%, 0.53%

LAB 56.9, 35.7, 44.26

 

CMYK 0 / 44 / 65 / 11

HEX #E27F4F

RGB 226 127 79

HSL 19.59, 0.72%, 0.6%

LAB 63.27, 34.15, 42.33

 

CMYK 0 / 40 / 60 / 5

HEX #F39162

RGB 243 145 98

HSL 19.45, 0.86%, 0.67%

LAB 69.6, 32.74, 40.5

 

CMYK 0 / 36 / 54 / 0

HEX #FFA375

RGB 255 163 117

HSL 20, 1%, 0.73%

LAB 75.29, 29.51, 37.93

 

CMYK 0 / 51 / 75 / 27

HEX #BB5B2E

RGB 187 91 46

HSL 19.15, 0.61%, 0.46%

LAB 49.79, 35.61, 42.77

 

CMYK 0 / 57 / 84 / 33

HEX #AA491B

RGB 170 73 27

HSL 19.3, 0.73%, 0.39%

LAB 43.35, 37.36, 44.64

 

CMYK 0 / 64 / 95 / 40

HEX #993708

RGB 153 55 8

HSL 19.45, 0.9%, 0.32%

LAB 36.97, 39.13, 45.61

 

CMYK 0 / 73 / 100 / 47

HEX #882500

RGB 136 37 0

HSL 16.32, 1%, 0.27%

LAB 30.78, 40.66, 43.11

 

CMYK 0 / 84 / 100 / 53

HEX #771300

RGB 119 19 0

HSL 9.58, 1%, 0.23%

LAB 24.91, 41.31, 36.75

 

CMYK 0 / 52 / 76 / 26

HEX #BC5B2D

RGB 188 91 45

HSL 19.3, 0.61%, 0.46%

LAB 49.93, 35.97, 43.46

 

CMYK 0 / 72 / 76 / 26

HEX #BC342D

RGB 188 52 45

HSL 2.94, 0.61%, 0.46%

LAB 43.27, 53.57, 36.4

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 52 / 76 / 26

HEX #BC5B2D

RGB 188 91 45

HSL 19.3, 0.61%, 0.46%

LAB 49.93, 35.97, 43.46

 

CMYK 0 / 31 / 76 / 26

HEX #BC822D

RGB 188 130 45

HSL 35.66, 0.61%, 0.46%

LAB 58.83, 14.81, 52.38

 

CMYK 0 / 11 / 76 / 26

HEX #BCA82D

RGB 188 168 45

HSL 51.61, 0.61%, 0.46%

LAB 68.67, -5.84, 61.75

 

CMYK 10 / 0 / 76 / 26

HEX #AABC2D

RGB 170 188 45

HSL 67.55, 0.61%, 0.46%

LAB 72.7, -23.81, 64.96

 

CMYK 30 / 0 / 76 / 26

HEX #83BC2D

RGB 131 188 45

HSL 83.92, 0.61%, 0.46%

LAB 70.16, -39.43, 61.67

 

CMYK 0 / 52 / 76 / 26

HEX #BC5B2D

RGB 188 91 45

HSL 19.3, 0.61%, 0.46%

LAB 49.93, 35.97, 43.46

 

CMYK 0 / 59 / 87 / 19

HEX #CF541A

RGB 207 84 26

HSL 19.23, 0.78%, 0.46%

LAB 51.47, 46.11, 54.34

 

CMYK 0 / 66 / 97 / 11

HEX #E24D07

RGB 226 77 7

HSL 19.18, 0.94%, 0.46%

LAB 53.48, 55.63, 62.55

 

CMYK 0 / 52 / 76 / 26

HEX #BC5B2D

RGB 188 91 45

HSL 19.3, 0.61%, 0.46%

LAB 49.93, 35.97, 43.46

 

CMYK 0 / 42 / 62 / 34

HEX #A96240

RGB 169 98 64

HSL 19.43, 0.45%, 0.46%

LAB 48.93, 25.5, 31.47

 

CMYK 0 / 30 / 45 / 41

HEX #966953

RGB 150 105 83

HSL 19.7, 0.29%, 0.46%

LAB 48.53, 15.2, 19.55

 

CMYK 0 / 15 / 22 / 49

HEX #837066

RGB 131 112 102

HSL 20.69, 0.12%, 0.46%

LAB 48.73, 5.74, 8.31

 

CMYK 7 / 2 / 0 / 53

HEX #707679

RGB 112 118 121

HSL 200, 0.04%, 0.46%

LAB 49.23, -1.62, -2.43

 

CMYK 0 / 76 / 60 / 26

HEX #BC2D4C

RGB 188 45 76

HSL 346.99, 0.61%, 0.46%

LAB 42.9, 57.62, 17.25

 

CMYK 0 / 72 / 76 / 26

HEX #BC342D

RGB 188 52 45

HSL 2.94, 0.61%, 0.46%

LAB 43.27, 53.57, 36.4

 

CMYK 0 / 52 / 76 / 26

HEX #BC5B2D

RGB 188 91 45

HSL 19.3, 0.61%, 0.46%

LAB 49.93, 35.97, 43.46

 

CMYK 0 / 31 / 76 / 26

HEX #BC812D

RGB 188 129 45

HSL 35.24, 0.61%, 0.46%

LAB 58.58, 15.36, 52.14

 

CMYK 0 / 11 / 76 / 26

HEX #BCA72D

RGB 188 167 45

HSL 51.19, 0.61%, 0.46%

LAB 68.4, -5.31, 61.5

 

CMYK 0 / 52 / 76 / 52

HEX #7A3B1D

RGB 122 59 29

HSL 19.35, 0.62%, 0.3%

LAB 32.6, 25.07, 30.46

 

CMYK 0 / 52 / 76 / 39

HEX #9B4B25

RGB 155 75 37

HSL 19.32, 0.61%, 0.38%

LAB 41.43, 30.64, 37.1

 

CMYK 0 / 52 / 76 / 26

HEX #BC5B2D

RGB 188 91 45

HSL 19.3, 0.61%, 0.46%

LAB 49.93, 35.97, 43.46

 

CMYK 0 / 46 / 68 / 18

HEX #D17042

RGB 209 112 66

HSL 19.3, 0.61%, 0.54%

LAB 57.59, 34.46, 41.95

 

CMYK 0 / 37 / 54 / 15

HEX #D98963

RGB 217 137 99

HSL 19.32, 0.61%, 0.62%

LAB 64.6, 26.7, 33.03

 

CMYK 0 / 51 / 75 / 27

HEX #BB5B2E

RGB 187 91 46

HSL 19.15, 0.61%, 0.46%

LAB 49.79, 35.61, 42.77

 

CMYK 39 / 0 / 76 / 26

HEX #72BC2D

RGB 114 188 45

HSL 91.05, 0.61%, 0.46%

LAB 69.28, -45.54, 60.52

 

CMYK 76 / 70 / 0 / 26

HEX #2D39BC

RGB 45 57 188

HSL 234.97, 0.61%, 0.46%

LAB 32.07, 40.99, -69.7

 

CMYK 0 / 51 / 75 / 27

HEX #BB5B2E

RGB 187 91 46

HSL 19.15, 0.61%, 0.46%

LAB 49.79, 35.61, 42.77

 

CMYK 76 / 0 / 52 / 26

HEX #2DBC5B

RGB 45 188 91

HSL 139.3, 0.61%, 0.46%

LAB 67.49, -57.81, 38.43

 

CMYK 52 / 76 / 0 / 26

HEX #5B2DBC

RGB 91 45 188

HSL 259.3, 0.61%, 0.46%

LAB 33.42, 53.11, -67.34

 

CMYK 0 / 51 / 75 / 27

HEX #BB5B2E

RGB 187 91 46

HSL 19.15, 0.61%, 0.46%

LAB 49.79, 35.61, 42.77

 

CMYK 39 / 0 / 76 / 26

HEX #72BC2D

RGB 114 188 45

HSL 91.05, 0.61%, 0.46%

LAB 69.28, -45.54, 60.52

 

CMYK 76 / 24 / 0 / 26

HEX #2D8FBC

RGB 45 143 188

HSL 198.88, 0.61%, 0.46%

LAB 55.92, -12.7, -31.45

 

CMYK 37 / 76 / 0 / 26

HEX #772DBC

RGB 119 45 188

HSL 271.05, 0.61%, 0.46%

LAB 36.8, 57.53, -61.68

 

CMYK 0 / 51 / 75 / 27

HEX #BB5B2E

RGB 187 91 46

HSL 19.15, 0.61%, 0.46%

LAB 49.79, 35.61, 42.77

 

CMYK 62 / 0 / 76 / 26

HEX #47BC2D

RGB 71 188 45

HSL 109.09, 0.61%, 0.46%

LAB 67.65, -58.01, 58.37

 

CMYK 76 / 24 / 0 / 26

HEX #2D8FBC

RGB 45 143 188

HSL 198.88, 0.61%, 0.46%

LAB 55.92, -12.7, -31.45

 

CMYK 14 / 76 / 0 / 26

HEX #A22DBC

RGB 162 45 188

HSL 289.09, 0.61%, 0.46%

LAB 43.05, 65.49, -51.26

 

Description

Color code: HEX #BB5B2E | qconv.com Color code: HEX #BB5B2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 91 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 91 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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