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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB578D it is the complementary color #44A872. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB578D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB578D shade: #C05788, #D1699B, #E27BAE, #F38DC1 and #FF9FD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB578D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB578D shade: #BB578D, #AA457A, #993367, #882154 and #770F41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB578D shade: #BA588D, #BA5873, #BA5858 and #BA5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB578D shade: #BA588D, #BA58A8, #B358BA, #9858BA and #7E58BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB578D shade matches the following richer shades: #BA588D, #CD458F, #E03290 and #F31F92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB578D shade: #BA588D, #A76B8C, #957E8A, #829189 and #6FA487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB578D shade: #B258BA, #BA58A8, #BA588E, #BA5874 and #BA585A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB578D shade: #883763, #A64379, #BA588D, #C675A1 and #D293B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB578D shade: #BB578D, #BA9858 and #58B6BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB578D shade: #BB578D, #8EBA58 and #588EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB578D shade: #BB578D, #BA9858, #58BA84 and #587ABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB578D shade: #BB578D, #BAB658, #58BA84 and #585DBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 25 / 27

HEX #BB578D

RGB 187 87 141

HSL 327.6, 0.42%, 0.54%

LAB 51.04, 46.51, -10.7

 

Complementary color

CMYK 60 / 0 / 32 / 34

HEX #44A872

RGB 68 168 114

HSL 147.6, 0.42%, 0.46%

LAB 62.04, -41.87, 19.42

 

CMYK 0 / 55 / 29 / 25

HEX #C05788

RGB 192 87 136

HSL 332, 0.45%, 0.55%

LAB 51.61, 47.45, -6.8

 

CMYK 0 / 50 / 26 / 18

HEX #D1699B

RGB 209 105 155

HSL 331.15, 0.53%, 0.62%

LAB 58.06, 46.72, -8.09

 

CMYK 0 / 46 / 23 / 11

HEX #E27BAE

RGB 226 123 174

HSL 330.29, 0.64%, 0.68%

LAB 64.48, 45.93, -9.18

 

CMYK 0 / 42 / 21 / 5

HEX #F38DC1

RGB 243 141 193

HSL 329.41, 0.81%, 0.75%

LAB 70.84, 45.14, -10.13

 

CMYK 0 / 38 / 17 / 0

HEX #FF9FD4

RGB 255 159 212

HSL 326.88, 1%, 0.81%

LAB 76.56, 42.71, -11.9

 

CMYK 0 / 53 / 25 / 27

HEX #BB578D

RGB 187 87 141

HSL 327.6, 0.42%, 0.54%

LAB 51.04, 46.51, -10.7

 

CMYK 0 / 59 / 28 / 33

HEX #AA457A

RGB 170 69 122

HSL 328.51, 0.42%, 0.47%

LAB 44.53, 47.11, -9.3

 

CMYK 0 / 67 / 33 / 40

HEX #993367

RGB 153 51 103

HSL 329.41, 0.5%, 0.4%

LAB 38.06, 47.43, -7.51

 

CMYK 0 / 76 / 38 / 47

HEX #882154

RGB 136 33 84

HSL 330.29, 0.61%, 0.33%

LAB 31.72, 47.2, -5.11

 

CMYK 0 / 87 / 45 / 53

HEX #770F41

RGB 119 15 65

HSL 331.15, 0.78%, 0.26%

LAB 25.7, 45.88, -1.75

 

CMYK 0 / 53 / 24 / 27

HEX #BA588D

RGB 186 88 141

HSL 327.55, 0.42%, 0.54%

LAB 51.08, 45.69, -10.65

 

CMYK 0 / 53 / 38 / 27

HEX #BA5873

RGB 186 88 115

HSL 343.47, 0.42%, 0.54%

LAB 50.28, 42.31, 3.69

 

CMYK 0 / 53 / 53 / 27

HEX #BA5858

RGB 186 88 88

HSL 0, 0.42%, 0.54%

LAB 49.65, 39.53, 18.95

 

CMYK 0 / 53 / 53 / 27

HEX #BA5858

RGB 186 88 88

HSL 0, 0.42%, 0.54%

LAB 49.65, 39.53, 18.95

 

CMYK 0 / 53 / 24 / 27

HEX #BA588D

RGB 186 88 141

HSL 327.55, 0.42%, 0.54%

LAB 51.08, 45.69, -10.65

 

CMYK 0 / 53 / 10 / 27

HEX #BA58A8

RGB 186 88 168

HSL 311.02, 0.42%, 0.54%

LAB 52.11, 49.86, -25

 

CMYK 4 / 53 / 0 / 27

HEX #B358BA

RGB 179 88 186

HSL 295.71, 0.42%, 0.54%

LAB 51.96, 51.03, -35.78

 

CMYK 18 / 53 / 0 / 27

HEX #9858BA

RGB 152 88 186

HSL 279.18, 0.42%, 0.54%

LAB 48.51, 43.58, -41.45

 

CMYK 32 / 53 / 0 / 27

HEX #7E58BA

RGB 126 88 186

HSL 263.27, 0.42%, 0.54%

LAB 45.58, 36.63, -46.29

 

CMYK 0 / 53 / 24 / 27

HEX #BA588D

RGB 186 88 141

HSL 327.55, 0.42%, 0.54%

LAB 51.08, 45.69, -10.65

 

CMYK 0 / 66 / 30 / 20

HEX #CD458F

RGB 205 69 143

HSL 327.35, 0.58%, 0.54%

LAB 50.94, 60.24, -11.76

 

CMYK 0 / 78 / 36 / 12

HEX #E03290

RGB 224 50 144

HSL 327.59, 0.74%, 0.54%

LAB 52, 71.71, -10.44

 

CMYK 0 / 87 / 40 / 5

HEX #F31F92

RGB 243 31 146

HSL 327.45, 0.9%, 0.54%

LAB 54.14, 80.42, -8.06

 

CMYK 0 / 53 / 24 / 27

HEX #BA588D

RGB 186 88 141

HSL 327.55, 0.42%, 0.54%

LAB 51.08, 45.69, -10.65

 

CMYK 0 / 36 / 16 / 35

HEX #A76B8C

RGB 167 107 140

HSL 327, 0.25%, 0.54%

LAB 52.54, 28.86, -8.14

 

CMYK 0 / 15 / 7 / 42

HEX #957E8A

RGB 149 126 138

HSL 328.7, 0.1%, 0.54%

LAB 55.22, 10.97, -3.2

 

CMYK 10 / 0 / 6 / 43

HEX #829189

RGB 130 145 137

HSL 148, 0.06%, 0.54%

LAB 58.79, -7.02, 2.4

 

CMYK 32 / 0 / 18 / 36

HEX #6FA487

RGB 111 164 135

HSL 147.17, 0.23%, 0.54%

LAB 63.08, -23.93, 9.52

 

CMYK 4 / 53 / 0 / 27

HEX #B258BA

RGB 178 88 186

HSL 295.1, 0.42%, 0.54%

LAB 51.83, 50.76, -36

 

CMYK 0 / 53 / 10 / 27

HEX #BA58A8

RGB 186 88 168

HSL 311.02, 0.42%, 0.54%

LAB 52.11, 49.86, -25

 

CMYK 0 / 53 / 24 / 27

HEX #BA588E

RGB 186 88 142

HSL 326.94, 0.42%, 0.54%

LAB 51.12, 45.83, -11.19

 

CMYK 0 / 53 / 38 / 27

HEX #BA5874

RGB 186 88 116

HSL 342.86, 0.42%, 0.54%

LAB 50.31, 42.42, 3.13

 

CMYK 0 / 53 / 52 / 27

HEX #BA585A

RGB 186 88 90

HSL 358.78, 0.42%, 0.54%

LAB 49.69, 39.71, 17.82

 

CMYK 0 / 60 / 27 / 47

HEX #883763

RGB 136 55 99

HSL 327.41, 0.42%, 0.37%

LAB 35.73, 39.65, -8.76

 

CMYK 0 / 60 / 27 / 35

HEX #A64379

RGB 166 67 121

HSL 327.27, 0.42%, 0.46%

LAB 43.51, 46.65, -10.28

 

CMYK 0 / 53 / 24 / 27

HEX #BA588D

RGB 186 88 141

HSL 327.55, 0.42%, 0.54%

LAB 51.08, 45.69, -10.65

 

CMYK 0 / 41 / 19 / 22

HEX #C675A1

RGB 198 117 161

HSL 327.41, 0.42%, 0.62%

LAB 59.25, 37.68, -9.93

 

CMYK 0 / 30 / 14 / 18

HEX #D293B5

RGB 210 147 181

HSL 327.62, 0.41%, 0.7%

LAB 67.95, 28.86, -8.15

 

CMYK 0 / 53 / 25 / 27

HEX #BB578D

RGB 187 87 141

HSL 327.6, 0.42%, 0.54%

LAB 51.04, 46.51, -10.7

 

CMYK 0 / 18 / 53 / 27

HEX #BA9858

RGB 186 152 88

HSL 39.18, 0.42%, 0.54%

LAB 64.64, 4.67, 38.18

 

CMYK 53 / 2 / 0 / 27

HEX #58B6BA

RGB 88 182 186

HSL 182.45, 0.42%, 0.54%

LAB 68.81, -26.57, -10.55

 

CMYK 0 / 53 / 25 / 27

HEX #BB578D

RGB 187 87 141

HSL 327.6, 0.42%, 0.54%

LAB 51.04, 46.51, -10.7

 

CMYK 24 / 0 / 53 / 27

HEX #8EBA58

RGB 142 186 88

HSL 86.94, 0.42%, 0.54%

LAB 70.58, -30.95, 44.5

 

CMYK 53 / 24 / 0 / 27

HEX #588EBA

RGB 88 142 186

HSL 206.94, 0.42%, 0.54%

LAB 57.04, -5.26, -28.45

 

CMYK 0 / 53 / 25 / 27

HEX #BB578D

RGB 187 87 141

HSL 327.6, 0.42%, 0.54%

LAB 51.04, 46.51, -10.7

 

CMYK 0 / 18 / 53 / 27

HEX #BA9858

RGB 186 152 88

HSL 39.18, 0.42%, 0.54%

LAB 64.64, 4.67, 38.18

 

CMYK 53 / 0 / 29 / 27

HEX #58BA84

RGB 88 186 132

HSL 146.94, 0.42%, 0.54%

LAB 68.65, -41.34, 18.8

 

CMYK 53 / 34 / 0 / 27

HEX #587ABA

RGB 88 122 186

HSL 219.18, 0.42%, 0.54%

LAB 51.31, 6.5, -37.4

 

CMYK 0 / 53 / 25 / 27

HEX #BB578D

RGB 187 87 141

HSL 327.6, 0.42%, 0.54%

LAB 51.04, 46.51, -10.7

 

CMYK 0 / 2 / 53 / 27

HEX #BAB658

RGB 186 182 88

HSL 57.55, 0.42%, 0.54%

LAB 72.63, -11.3, 47.71

 

CMYK 53 / 0 / 29 / 27

HEX #58BA84

RGB 88 186 132

HSL 146.94, 0.42%, 0.54%

LAB 68.65, -41.34, 18.8

 

CMYK 53 / 50 / 0 / 27

HEX #585DBA

RGB 88 93 186

HSL 236.94, 0.42%, 0.54%

LAB 43.43, 24.44, -49.92

 

Description

Color code: HEX #BB578D | qconv.com Color code: HEX #BB578D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 87 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 87 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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