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Color name
HEX #BB572A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB572A it is the complementary color #44A8D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB572A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB572A shade: #C05725, #D16938, #E27B4B, #F38D5E and #FF9F71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB572A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB572A shade: #BB572A, #AA4517, #993304, #882100 and #770F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB572A shade: #BB572A, #BB302A and #BB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB572A shade: #BB572A, #BB7E2A, #BBA52A, #A9BB2A and #82BB2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB572A shade matches the following richer shades: #BB572A, #CD5017 and #E04905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB572A shade: #BB572A, #A85E3D, #95654F, #836C62 and #707374

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB572A shade: #BB2A4C, #BB2F2A, #BB552A, #BB7C2A and #BBA22A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB572A shade: #77371B, #994722, #BB572A, #D26A3C and #DA845D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB572A shade: #BB572A, #72BB2A and #2A38BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB572A shade: #BB572A, #2ABB55 and #552ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB572A shade: #BB572A, #72BB2A, #2A8FBB and #722ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB572A shade: #BB572A, #47BB2A, #2A8FBB and #9E2ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

Complementary color

CMYK 68 / 21 / 0 / 16

HEX #44A8D5

RGB 68 168 213

HSL 198.62, 0.63%, 0.55%

LAB 64.99, -14.85, -31.33

 

CMYK 0 / 55 / 81 / 25

HEX #C05725

RGB 192 87 37

HSL 19.35, 0.68%, 0.45%

LAB 49.69, 39.27, 47.26

 

CMYK 0 / 50 / 73 / 18

HEX #D16938

RGB 209 105 56

HSL 19.22, 0.62%, 0.52%

LAB 56.03, 37.57, 45.34

 

CMYK 0 / 46 / 67 / 11

HEX #E27B4B

RGB 226 123 75

HSL 19.07, 0.72%, 0.59%

LAB 62.37, 35.99, 43.37

 

CMYK 0 / 42 / 61 / 5

HEX #F38D5E

RGB 243 141 94

HSL 18.93, 0.86%, 0.66%

LAB 68.69, 34.54, 41.49

 

CMYK 0 / 38 / 56 / 0

HEX #FF9F71

RGB 255 159 113

HSL 19.44, 1%, 0.72%

LAB 74.35, 31.27, 38.84

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 0 / 59 / 86 / 33

HEX #AA4517

RGB 170 69 23

HSL 18.78, 0.76%, 0.38%

LAB 42.56, 39.23, 45.68

 

CMYK 0 / 67 / 97 / 40

HEX #993304

RGB 153 51 4

HSL 18.93, 0.95%, 0.31%

LAB 36.27, 40.9, 46.56

 

CMYK 0 / 76 / 100 / 47

HEX #882100

RGB 136 33 0

HSL 14.56, 1%, 0.27%

LAB 30.21, 42.22, 42.7

 

CMYK 0 / 87 / 100 / 53

HEX #770F00

RGB 119 15 0

HSL 7.56, 1%, 0.23%

LAB 24.52, 42.41, 36.38

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 0 / 74 / 78 / 27

HEX #BB302A

RGB 187 48 42

HSL 2.48, 0.63%, 0.45%

LAB 42.53, 54.56, 37.25

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 0 / 33 / 78 / 27

HEX #BB7E2A

RGB 187 126 42

HSL 34.76, 0.63%, 0.45%

LAB 57.71, 16.46, 52.5

 

CMYK 0 / 12 / 78 / 27

HEX #BBA52A

RGB 187 165 42

HSL 50.9, 0.63%, 0.45%

LAB 67.76, -4.81, 61.9

 

CMYK 10 / 0 / 78 / 27

HEX #A9BB2A

RGB 169 187 42

HSL 67.45, 0.63%, 0.45%

LAB 72.32, -23.87, 65.52

 

CMYK 30 / 0 / 78 / 27

HEX #82BB2A

RGB 130 187 42

HSL 83.59, 0.63%, 0.45%

LAB 69.79, -39.51, 62.26

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 0 / 61 / 89 / 20

HEX #CD5017

RGB 205 80 23

HSL 18.79, 0.8%, 0.45%

LAB 50.43, 47.16, 54.47

 

CMYK 0 / 67 / 98 / 12

HEX #E04905

RGB 224 73 5

HSL 18.63, 0.96%, 0.45%

LAB 52.53, 56.55, 62.27

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 0 / 44 / 64 / 34

HEX #A85E3D

RGB 168 94 61

HSL 18.5, 0.47%, 0.45%

LAB 47.84, 27.08, 31.8

 

CMYK 0 / 32 / 47 / 42

HEX #95654F

RGB 149 101 79

HSL 18.86, 0.31%, 0.45%

LAB 47.32, 16.64, 20.26

 

CMYK 0 / 18 / 25 / 49

HEX #836C62

RGB 131 108 98

HSL 18.18, 0.14%, 0.45%

LAB 47.54, 7.45, 9

 

CMYK 3 / 1 / 0 / 55

HEX #707374

RGB 112 115 116

HSL 195, 0.02%, 0.45%

LAB 48.22, -0.93, -0.95

 

CMYK 0 / 78 / 59 / 27

HEX #BB2A4C

RGB 187 42 76

HSL 345.93, 0.63%, 0.45%

LAB 42.37, 58.27, 16.51

 

CMYK 0 / 75 / 78 / 27

HEX #BB2F2A

RGB 187 47 42

HSL 2.07, 0.63%, 0.45%

LAB 42.41, 54.91, 37.12

 

CMYK 0 / 55 / 78 / 27

HEX #BB552A

RGB 187 85 42

HSL 17.79, 0.63%, 0.45%

LAB 48.55, 38.51, 43.48

 

CMYK 0 / 34 / 78 / 27

HEX #BB7C2A

RGB 187 124 42

HSL 33.93, 0.63%, 0.45%

LAB 57.22, 17.57, 52.03

 

CMYK 0 / 13 / 78 / 27

HEX #BBA22A

RGB 187 162 42

HSL 49.66, 0.63%, 0.45%

LAB 66.96, -3.22, 61.16

 

CMYK 0 / 54 / 77 / 53

HEX #77371B

RGB 119 55 27

HSL 18.26, 0.63%, 0.29%

LAB 31.19, 25.92, 29.92

 

CMYK 0 / 54 / 78 / 40

HEX #994722

RGB 153 71 34

HSL 18.66, 0.64%, 0.37%

LAB 40.24, 31.82, 37.33

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 0 / 50 / 71 / 18

HEX #D26A3C

RGB 210 106 60

HSL 18.4, 0.63%, 0.53%

LAB 56.42, 37.64, 43.78

 

CMYK 0 / 39 / 57 / 15

HEX #DA845D

RGB 218 132 93

HSL 18.72, 0.63%, 0.61%

LAB 63.51, 29.29, 34.93

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 39 / 0 / 78 / 27

HEX #72BB2A

RGB 114 187 42

HSL 90.21, 0.63%, 0.45%

LAB 68.96, -45.29, 61.17

 

CMYK 78 / 70 / 0 / 27

HEX #2A38BB

RGB 42 56 187

HSL 234.21, 0.63%, 0.45%

LAB 31.6, 40.98, -69.88

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 78 / 0 / 55 / 27

HEX #2ABB55

RGB 42 187 85

HSL 137.79, 0.63%, 0.45%

LAB 67.04, -58.75, 40.8

 

CMYK 55 / 78 / 0 / 27

HEX #552ABB

RGB 85 42 187

HSL 257.79, 0.63%, 0.45%

LAB 32.2, 53.39, -68.77

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 39 / 0 / 78 / 27

HEX #72BB2A

RGB 114 187 42

HSL 90.21, 0.63%, 0.45%

LAB 68.96, -45.29, 61.17

 

CMYK 78 / 24 / 0 / 27

HEX #2A8FBB

RGB 42 143 187

HSL 198.21, 0.63%, 0.45%

LAB 55.81, -13.4, -31.05

 

CMYK 39 / 78 / 0 / 27

HEX #722ABB

RGB 114 42 187

HSL 269.79, 0.63%, 0.45%

LAB 35.64, 57.68, -63.01

 

CMYK 0 / 53 / 78 / 27

HEX #BB572A

RGB 187 87 42

HSL 18.62, 0.63%, 0.45%

LAB 48.94, 37.5, 43.89

 

CMYK 62 / 0 / 78 / 27

HEX #47BB2A

RGB 71 187 42

HSL 108, 0.63%, 0.45%

LAB 67.31, -57.86, 59.03

 

CMYK 78 / 24 / 0 / 27

HEX #2A8FBB

RGB 42 143 187

HSL 198.21, 0.63%, 0.45%

LAB 55.81, -13.4, -31.05

 

CMYK 16 / 78 / 0 / 27

HEX #9E2ABB

RGB 158 42 187

HSL 288, 0.63%, 0.45%

LAB 42.02, 65.5, -52.36

 

Description

Color code: HEX #BB572A | qconv.com Color code: HEX #BB572A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 87 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 87 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 78 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 78% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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