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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB493E it is the complementary color #44B6C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB493E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB493E shade: #C04939, #D15B4C, #E26D5F, #F37F72 and #FF9185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB493E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB493E shade: #BB493E, #AA372B, #992518, #881305 and #770100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB493E shade: #BB493E and #BB3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB493E shade: #BB493E, #BB6B3E, #BB8C3E, #BBAE3E and #A6BB3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB493E shade matches the following richer shades: #BB493E, #CF382A, #E32816 and #F81701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB493E shade: #BB493E, #A75A52, #926A66, #7E7B7B and #6A8C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB493E shade: #BB3E76, #BB3E55, #BB483E, #BB6A3E and #BB8B3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB493E shade: #7D3129, #9C3D34, #BB493E, #C8645A and #D28179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB493E shade: #BB493E, #98BB3E and #3E66BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB493E shade: #BB493E, #3EBB48 and #483EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB493E shade: #BB493E, #98BB3E, #3EB1BB and #613EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB493E shade: #BB493E, #72BB3E, #3EB1BB and #873EBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

Complementary color

CMYK 65 / 6 / 0 / 24

HEX #44B6C1

RGB 68 182 193

HSL 185.28, 0.5%, 0.51%

LAB 68.41, -28.26, -15.06

 

CMYK 0 / 62 / 70 / 25

HEX #C04939

RGB 192 73 57

HSL 7.11, 0.54%, 0.49%

LAB 47.32, 46.81, 34.36

 

CMYK 0 / 56 / 64 / 18

HEX #D15B4C

RGB 209 91 76

HSL 6.77, 0.59%, 0.56%

LAB 53.56, 45.62, 31.7

 

CMYK 0 / 52 / 58 / 11

HEX #E26D5F

RGB 226 109 95

HSL 6.41, 0.69%, 0.63%

LAB 59.83, 44.38, 29.39

 

CMYK 0 / 48 / 53 / 5

HEX #F37F72

RGB 243 127 114

HSL 6.05, 0.84%, 0.7%

LAB 66.1, 43.17, 27.38

 

CMYK 0 / 43 / 48 / 0

HEX #FF9185

RGB 255 145 133

HSL 5.9, 1%, 0.76%

LAB 71.69, 40.17, 24.62

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 0 / 68 / 75 / 33

HEX #AA372B

RGB 170 55 43

HSL 5.67, 0.6%, 0.42%

LAB 40.33, 46.32, 33.37

 

CMYK 0 / 76 / 84 / 40

HEX #992518

RGB 153 37 24

HSL 6.05, 0.73%, 0.35%

LAB 34.32, 46.94, 36.73

 

CMYK 0 / 86 / 96 / 47

HEX #881305

RGB 136 19 5

HSL 6.41, 0.93%, 0.28%

LAB 28.67, 46.71, 39.46

 

CMYK 0 / 99 / 100 / 53

HEX #770100

RGB 119 1 0

HSL 0.5, 1%, 0.23%

LAB 23.48, 45.39, 35.35

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 0 / 67 / 67 / 27

HEX #BB3E3E

RGB 187 62 62

HSL 0, 0.5%, 0.49%

LAB 44.74, 50.15, 28.15

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 0 / 43 / 67 / 27

HEX #BB6B3E

RGB 187 107 62

HSL 21.6, 0.5%, 0.49%

LAB 53.41, 27.94, 38.47

 

CMYK 0 / 25 / 67 / 27

HEX #BB8C3E

RGB 187 140 62

HSL 37.44, 0.5%, 0.49%

LAB 61.37, 9.73, 47.37

 

CMYK 0 / 7 / 67 / 27

HEX #BBAE3E

RGB 187 174 62

HSL 53.76, 0.5%, 0.49%

LAB 70.31, -8.58, 56.85

 

CMYK 11 / 0 / 67 / 27

HEX #A6BB3E

RGB 166 187 62

HSL 70.08, 0.5%, 0.49%

LAB 72.23, -24.08, 58.3

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 0 / 73 / 80 / 19

HEX #CF382A

RGB 207 56 42

HSL 5.09, 0.66%, 0.49%

LAB 47.31, 58.05, 43.37

 

CMYK 0 / 82 / 90 / 11

HEX #E32816

RGB 227 40 22

HSL 5.27, 0.82%, 0.49%

LAB 49.38, 68.11, 55.9

 

CMYK 0 / 91 / 100 / 3

HEX #F81701

RGB 248 23 1

HSL 5.34, 0.99%, 0.49%

LAB 52.48, 76.46, 65.8

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 0 / 46 / 51 / 35

HEX #A75A52

RGB 167 90 82

HSL 5.65, 0.34%, 0.49%

LAB 47.15, 30.61, 18.7

 

CMYK 0 / 27 / 30 / 43

HEX #926A66

RGB 146 106 102

HSL 5.45, 0.18%, 0.49%

LAB 48.73, 15.4, 8.54

 

CMYK 0 / 2 / 2 / 51

HEX #7E7B7B

RGB 126 123 123

HSL 0, 0.01%, 0.49%

LAB 51.87, 1.14, 0.4

 

CMYK 26 / 2 / 0 / 44

HEX #6A8C8F

RGB 106 140 143

HSL 184.86, 0.15%, 0.49%

LAB 55.89, -11.1, -5.48

 

CMYK 0 / 67 / 37 / 27

HEX #BB3E76

RGB 187 62 118

HSL 333.12, 0.5%, 0.49%

LAB 46.07, 54.89, -4.26

 

CMYK 0 / 67 / 55 / 27

HEX #BB3E55

RGB 187 62 85

HSL 348.96, 0.5%, 0.49%

LAB 45.17, 51.72, 14.73

 

CMYK 0 / 61 / 67 / 27

HEX #BB483E

RGB 187 72 62

HSL 4.8, 0.5%, 0.49%

LAB 46.37, 45.76, 30.15

 

CMYK 0 / 43 / 67 / 27

HEX #BB6A3E

RGB 187 106 62

HSL 21.12, 0.5%, 0.49%

LAB 53.19, 28.48, 38.21

 

CMYK 0 / 26 / 67 / 27

HEX #BB8B3E

RGB 187 139 62

HSL 36.96, 0.5%, 0.49%

LAB 61.11, 10.28, 47.09

 

CMYK 0 / 61 / 67 / 51

HEX #7D3129

RGB 125 49 41

HSL 5.71, 0.51%, 0.33%

LAB 31.15, 32.45, 21.78

 

CMYK 0 / 61 / 67 / 39

HEX #9C3D34

RGB 156 61 52

HSL 5.19, 0.5%, 0.41%

LAB 38.99, 39.04, 25.86

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 0 / 50 / 55 / 22

HEX #C8645A

RGB 200 100 90

HSL 5.45, 0.5%, 0.57%

LAB 54.17, 38.83, 24.16

 

CMYK 0 / 39 / 42 / 18

HEX #D28179

RGB 210 129 121

HSL 5.39, 0.5%, 0.65%

LAB 62.32, 30.35, 17.62

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 19 / 0 / 67 / 27

HEX #98BB3E

RGB 152 187 62

HSL 76.8, 0.5%, 0.49%

LAB 71.26, -29.77, 56.99

 

CMYK 67 / 45 / 0 / 27

HEX #3E66BB

RGB 62 102 187

HSL 220.8, 0.5%, 0.49%

LAB 44.4, 14.05, -49.04

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 67 / 0 / 61 / 27

HEX #3EBB48

RGB 62 187 72

HSL 124.8, 0.5%, 0.49%

LAB 67.3, -57.14, 47.27

 

CMYK 61 / 67 / 0 / 27

HEX #483EBB

RGB 72 62 187

HSL 244.8, 0.5%, 0.49%

LAB 34.82, 40.93, -64.52

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 19 / 0 / 67 / 27

HEX #98BB3E

RGB 152 187 62

HSL 76.8, 0.5%, 0.49%

LAB 71.26, -29.77, 56.99

 

CMYK 67 / 5 / 0 / 27

HEX #3EB1BB

RGB 62 177 187

HSL 184.8, 0.5%, 0.49%

LAB 66.56, -28.5, -14.55

 

CMYK 48 / 67 / 0 / 27

HEX #613EBB

RGB 97 62 187

HSL 256.8, 0.5%, 0.49%

LAB 37.07, 45.15, -60.76

 

CMYK 0 / 61 / 67 / 27

HEX #BB493E

RGB 187 73 62

HSL 5.28, 0.5%, 0.49%

LAB 46.55, 45.3, 30.36

 

CMYK 39 / 0 / 67 / 27

HEX #72BB3E

RGB 114 187 62

HSL 95.04, 0.5%, 0.49%

LAB 69.09, -43.94, 54.05

 

CMYK 67 / 5 / 0 / 27

HEX #3EB1BB

RGB 62 177 187

HSL 184.8, 0.5%, 0.49%

LAB 66.56, -28.5, -14.55

 

CMYK 28 / 67 / 0 / 27

HEX #873EBB

RGB 135 62 187

HSL 275.04, 0.5%, 0.49%

LAB 41.51, 52.87, -53.36

 

Description

Color code: HEX #BB493E | qconv.com Color code: HEX #BB493E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 73 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 73 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 67 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 67% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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