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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB4884 it is the complementary color #44B77B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB4884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB4884 shade: #C0487F, #D15A92, #E26CA5, #F37EB8 and #FF90CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB4884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB4884 shade: #BB4884, #AA3671, #99245E, #88124B and #770038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB4884 shade: #BB4884, #BB4865 and #BB4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB4884 shade: #BB4884, #BB48A3, #B448BB, #9548BB and #7648BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB4884 shade matches the following richer shades: #BB4884, #CF3485, #E32086 and #F80B87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB4884 shade: #BB4884, #A75C83, #937182, #7E8581 and #6A9981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB4884 shade: #B348BB, #BB48A4, #BB4885, #BB4867 and #BB4848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB4884 shade: #812F5A, #9F3B6F, #BB4884, #C66698 and #D184AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB4884 shade: #BB4884, #BB9548 and #48B3BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB4884 shade: #BB4884, #85BB48 and #4885BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB4884 shade: #BB4884, #BB9548, #48BB7E and #486EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB4884 shade: #BB4884, #BBB748, #48BB7E and #484CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

Complementary color

CMYK 63 / 0 / 33 / 28

HEX #44B77B

RGB 68 183 123

HSL 148.7, 0.46%, 0.49%

LAB 66.92, -46.32, 21.18

 

CMYK 0 / 63 / 34 / 25

HEX #C0487F

RGB 192 72 127

HSL 332.5, 0.49%, 0.52%

LAB 48.73, 53.25, -5.69

 

CMYK 0 / 57 / 30 / 18

HEX #D15A92

RGB 209 90 146

HSL 331.76, 0.56%, 0.59%

LAB 55.01, 52.76, -7.37

 

CMYK 0 / 52 / 27 / 11

HEX #E26CA5

RGB 226 108 165

HSL 331.02, 0.67%, 0.65%

LAB 61.32, 52.11, -8.75

 

CMYK 0 / 48 / 24 / 5

HEX #F37EB8

RGB 243 126 184

HSL 330.26, 0.83%, 0.72%

LAB 67.6, 51.38, -9.93

 

CMYK 0 / 44 / 20 / 0

HEX #FF90CB

RGB 255 144 203

HSL 328.11, 1%, 0.78%

LAB 73.23, 48.99, -11.94

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 68 / 34 / 33

HEX #AA3671

RGB 170 54 113

HSL 329.48, 0.52%, 0.44%

LAB 41.81, 52.51, -7.84

 

CMYK 0 / 76 / 39 / 40

HEX #99245E

RGB 153 36 94

HSL 330.26, 0.62%, 0.37%

LAB 35.68, 52.1, -5.34

 

CMYK 0 / 87 / 45 / 47

HEX #88124B

RGB 136 18 75

HSL 331.02, 0.77%, 0.3%

LAB 29.85, 50.67, -1.96

 

CMYK 0 / 100 / 53 / 53

HEX #770038

RGB 119 0 56

HSL 331.76, 1%, 0.23%

LAB 24.35, 48.12, 2.45

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 61 / 46 / 27

HEX #BB4865

RGB 187 72 101

HSL 344.87, 0.46%, 0.51%

LAB 47.16, 48.81, 7.7

 

CMYK 0 / 61 / 61 / 27

HEX #BB4848

RGB 187 72 72

HSL 0, 0.46%, 0.51%

LAB 46.54, 46.4, 24.43

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 61 / 13 / 27

HEX #BB48A3

RGB 187 72 163

HSL 312.52, 0.46%, 0.51%

LAB 49.31, 56.74, -26.39

 

CMYK 4 / 61 / 0 / 27

HEX #B448BB

RGB 180 72 187

HSL 296.35, 0.46%, 0.51%

LAB 49.41, 58.92, -40.38

 

CMYK 20 / 61 / 0 / 27

HEX #9548BB

RGB 149 72 187

HSL 280.17, 0.46%, 0.51%

LAB 45.1, 51.27, -47.49

 

CMYK 37 / 61 / 0 / 27

HEX #7648BB

RGB 118 72 187

HSL 264, 0.46%, 0.51%

LAB 41.33, 43.98, -53.74

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 75 / 36 / 19

HEX #CF3485

RGB 207 52 133

HSL 328.65, 0.62%, 0.51%

LAB 48.78, 65.67, -8.97

 

CMYK 0 / 86 / 41 / 11

HEX #E32086

RGB 227 32 134

HSL 328.62, 0.78%, 0.51%

LAB 50.79, 75.55, -6.19

 

CMYK 0 / 96 / 46 / 3

HEX #F80B87

RGB 248 11 135

HSL 328.61, 0.94%, 0.51%

LAB 53.97, 82.85, -1.64

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 45 / 22 / 35

HEX #A75C83

RGB 167 92 131

HSL 328.8, 0.3%, 0.51%

LAB 48.89, 35.7, -8.24

 

CMYK 0 / 23 / 12 / 42

HEX #937182

RGB 147 113 130

HSL 330, 0.14%, 0.51%

LAB 51.41, 16.28, -4.17

 

CMYK 5 / 0 / 3 / 48

HEX #7E8581

RGB 126 133 129

HSL 145.71, 0.03%, 0.51%

LAB 54.86, -3.39, 1.25

 

CMYK 31 / 0 / 16 / 40

HEX #6A9981

RGB 106 153 129

HSL 149.36, 0.19%, 0.51%

LAB 59.37, -21.19, 7.58

 

CMYK 4 / 61 / 0 / 27

HEX #B348BB

RGB 179 72 187

HSL 295.83, 0.46%, 0.51%

LAB 49.26, 58.67, -40.62

 

CMYK 0 / 61 / 12 / 27

HEX #BB48A4

RGB 187 72 164

HSL 312, 0.46%, 0.51%

LAB 49.35, 56.89, -26.91

 

CMYK 0 / 61 / 29 / 27

HEX #BB4885

RGB 187 72 133

HSL 328.17, 0.46%, 0.51%

LAB 48.12, 52.46, -10.3

 

CMYK 0 / 61 / 45 / 27

HEX #BB4867

RGB 187 72 103

HSL 343.83, 0.46%, 0.51%

LAB 47.21, 49.01, 6.56

 

CMYK 0 / 61 / 61 / 27

HEX #BB4848

RGB 187 72 72

HSL 0, 0.46%, 0.51%

LAB 46.54, 46.4, 24.43

 

CMYK 0 / 64 / 30 / 49

HEX #812F5A

RGB 129 47 90

HSL 328.54, 0.47%, 0.35%

LAB 32.78, 39.96, -7.55

 

CMYK 0 / 63 / 30 / 38

HEX #9F3B6F

RGB 159 59 111

HSL 328.8, 0.46%, 0.43%

LAB 40.65, 46.79, -8.52

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 48 / 23 / 22

HEX #C66698

RGB 198 102 152

HSL 328.75, 0.46%, 0.59%

LAB 55.86, 44.16, -9.79

 

CMYK 0 / 37 / 18 / 18

HEX #D184AC

RGB 209 132 172

HSL 328.83, 0.46%, 0.67%

LAB 64.19, 35.17, -8.69

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 20 / 61 / 27

HEX #BB9548

RGB 187 149 72

HSL 40.17, 0.46%, 0.51%

LAB 63.78, 5.45, 45.25

 

CMYK 61 / 4 / 0 / 27

HEX #48B3BB

RGB 72 179 187

HSL 184.17, 0.46%, 0.51%

LAB 67.43, -27.87, -13.21

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 29 / 0 / 61 / 27

HEX #85BB48

RGB 133 187 72

HSL 88.17, 0.46%, 0.51%

LAB 70.17, -36.33, 51.28

 

CMYK 61 / 29 / 0 / 27

HEX #4885BB

RGB 72 133 187

HSL 208.17, 0.46%, 0.51%

LAB 53.75, -3.11, -34.2

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 20 / 61 / 27

HEX #BB9548

RGB 187 149 72

HSL 40.17, 0.46%, 0.51%

LAB 63.78, 5.45, 45.25

 

CMYK 61 / 0 / 33 / 27

HEX #48BB7E

RGB 72 187 126

HSL 148.17, 0.46%, 0.51%

LAB 68.33, -46.56, 21.51

 

CMYK 61 / 41 / 0 / 27

HEX #486EBB

RGB 72 110 187

HSL 220.17, 0.46%, 0.51%

LAB 47.13, 10.81, -44.65

 

CMYK 0 / 61 / 29 / 27

HEX #BB4884

RGB 187 72 132

HSL 328.7, 0.46%, 0.51%

LAB 48.09, 52.34, -9.75

 

CMYK 0 / 2 / 61 / 27

HEX #BBB748

RGB 187 183 72

HSL 57.91, 0.46%, 0.51%

LAB 72.83, -12.61, 55.27

 

CMYK 61 / 0 / 33 / 27

HEX #48BB7E

RGB 72 187 126

HSL 148.17, 0.46%, 0.51%

LAB 68.33, -46.56, 21.51

 

CMYK 61 / 59 / 0 / 27

HEX #484CBB

RGB 72 76 187

HSL 237.91, 0.46%, 0.51%

LAB 38.08, 32.36, -59.2

 

Description

Color code: HEX #BB4884 | qconv.com Color code: HEX #BB4884 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 72 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 72 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 29 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 29% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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