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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB3F39 it is the complementary color #44C0C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB3F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB3F39 shade: #C03F34, #D15147, #E2635A, #F3756D and #FF8780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB3F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB3F39 shade: #BB3F39, #AA2D26, #991B13, #880900 and #770000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB3F39 shade: #BB3F39 and #BB3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB3F39 shade: #BB3F39, #BB6239, #BB8539, #BBA839 and #ABBB39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB3F39 shade matches the following richer shades: #BB3F39, #CF2D25 and #E21B11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB3F39 shade: #BB3F39, #A7514D, #936361, #7F7574 and #6C8788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB3F39 shade: #BB397A, #BB3957, #BB3D39, #BB6039 and #BB8339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB3F39 shade: #7C2A26, #9B342F, #BB3F39, #CA5953 and #D47773

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB3F39 shade: #BB3F39, #9CBB39 and #3969BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB3F39 shade: #BB3F39, #39BB3D and #3D39BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB3F39 shade: #BB3F39, #9CBB39, #39B6BB and #5739BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB3F39 shade: #BB3F39, #76BB39, #39B6BB and #7E39BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

Complementary color

CMYK 66 / 3 / 0 / 22

HEX #44C0C6

RGB 68 192 198

HSL 182.77, 0.53%, 0.52%

LAB 71.56, -31.66, -13.07

 

CMYK 0 / 67 / 73 / 25

HEX #C03F34

RGB 192 63 52

HSL 4.71, 0.57%, 0.48%

LAB 45.65, 50.9, 35.28

 

CMYK 0 / 61 / 66 / 18

HEX #D15147

RGB 209 81 71

HSL 4.35, 0.6%, 0.55%

LAB 51.72, 49.95, 32.29

 

CMYK 0 / 56 / 60 / 11

HEX #E2635A

RGB 226 99 90

HSL 3.97, 0.7%, 0.62%

LAB 57.88, 48.85, 29.72

 

CMYK 0 / 52 / 55 / 5

HEX #F3756D

RGB 243 117 109

HSL 3.58, 0.85%, 0.69%

LAB 64.06, 47.69, 27.5

 

CMYK 0 / 47 / 50 / 0

HEX #FF8780

RGB 255 135 128

HSL 3.31, 1%, 0.75%

LAB 69.57, 44.75, 24.53

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 0 / 74 / 78 / 33

HEX #AA2D26

RGB 170 45 38

HSL 3.18, 0.63%, 0.41%

LAB 38.83, 50.06, 34.6

 

CMYK 0 / 82 / 88 / 40

HEX #991B13

RGB 153 27 19

HSL 3.58, 0.78%, 0.34%

LAB 33.14, 50, 38.27

 

CMYK 0 / 93 / 100 / 47

HEX #880900

RGB 136 9 0

HSL 3.97, 1%, 0.27%

LAB 27.93, 48.67, 40.88

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 0 / 70 / 70 / 27

HEX #BB3939

RGB 187 57 57

HSL 0, 0.53%, 0.48%

LAB 43.93, 51.9, 30.13

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 0 / 48 / 70 / 27

HEX #BB6239

RGB 187 98 57

HSL 18.92, 0.53%, 0.48%

LAB 51.38, 32.48, 38.8

 

CMYK 0 / 29 / 70 / 27

HEX #BB8539

RGB 187 133 57

HSL 35.08, 0.53%, 0.48%

LAB 59.56, 13.31, 47.77

 

CMYK 0 / 10 / 70 / 27

HEX #BBA839

RGB 187 168 57

HSL 51.23, 0.53%, 0.48%

LAB 68.65, -5.71, 57.2

 

CMYK 9 / 0 / 70 / 27

HEX #ABBB39

RGB 171 187 57

HSL 67.38, 0.53%, 0.48%

LAB 72.56, -22.3, 60.68

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 0 / 78 / 82 / 19

HEX #CF2D25

RGB 207 45 37

HSL 2.82, 0.7%, 0.48%

LAB 46.01, 61.42, 44.71

 

CMYK 0 / 88 / 92 / 11

HEX #E21B11

RGB 226 27 17

HSL 2.87, 0.86%, 0.48%

LAB 48.25, 70.37, 56.88

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 0 / 51 / 54 / 35

HEX #A7514D

RGB 167 81 77

HSL 2.67, 0.37%, 0.48%

LAB 45.13, 34.97, 18.99

 

CMYK 0 / 33 / 34 / 42

HEX #936361

RGB 147 99 97

HSL 2.4, 0.2%, 0.48%

LAB 46.96, 19.17, 9.04

 

CMYK 0 / 8 / 9 / 50

HEX #7F7574

RGB 127 117 116

HSL 5.45, 0.05%, 0.48%

LAB 50.09, 3.66, 1.93

 

CMYK 21 / 1 / 0 / 47

HEX #6C8788

RGB 108 135 136

HSL 182.14, 0.11%, 0.48%

LAB 54.34, -9.33, -3.72

 

CMYK 0 / 70 / 35 / 27

HEX #BB397A

RGB 187 57 122

HSL 330, 0.53%, 0.48%

LAB 45.49, 57.3, -7.57

 

CMYK 0 / 70 / 53 / 27

HEX #BB3957

RGB 187 57 87

HSL 346.15, 0.53%, 0.48%

LAB 44.49, 53.88, 12.56

 

CMYK 0 / 67 / 70 / 27

HEX #BB3D39

RGB 187 61 57

HSL 1.85, 0.53%, 0.48%

LAB 44.52, 50.29, 30.84

 

CMYK 0 / 49 / 70 / 27

HEX #BB6039

RGB 187 96 57

HSL 18, 0.53%, 0.48%

LAB 50.95, 33.54, 38.31

 

CMYK 0 / 30 / 70 / 27

HEX #BB8339

RGB 187 131 57

HSL 34.15, 0.53%, 0.48%

LAB 59.06, 14.41, 47.24

 

CMYK 0 / 66 / 69 / 51

HEX #7C2A26

RGB 124 42 38

HSL 2.79, 0.53%, 0.32%

LAB 29.62, 35.34, 21.75

 

CMYK 0 / 66 / 70 / 39

HEX #9B342F

RGB 155 52 47

HSL 2.78, 0.53%, 0.4%

LAB 37.17, 42.57, 26.64

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 0 / 56 / 59 / 21

HEX #CA5953

RGB 202 89 83

HSL 3.03, 0.53%, 0.56%

LAB 52.2, 44.51, 25.72

 

CMYK 0 / 44 / 46 / 17

HEX #D47773

RGB 212 119 115

HSL 2.47, 0.53%, 0.64%

LAB 60.27, 35.8, 18.26

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 17 / 0 / 70 / 27

HEX #9CBB39

RGB 156 187 57

HSL 74.31, 0.53%, 0.48%

LAB 71.49, -28.48, 59.26

 

CMYK 70 / 44 / 0 / 27

HEX #3969BB

RGB 57 105 187

HSL 217.85, 0.53%, 0.48%

LAB 45.03, 11.34, -48.04

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 70 / 0 / 67 / 27

HEX #39BB3D

RGB 57 187 61

HSL 121.85, 0.53%, 0.48%

LAB 67.09, -59.26, 51.72

 

CMYK 67 / 70 / 0 / 27

HEX #3D39BB

RGB 61 57 187

HSL 241.85, 0.53%, 0.48%

LAB 32.93, 42.38, -67.65

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 17 / 0 / 70 / 27

HEX #9CBB39

RGB 156 187 57

HSL 74.31, 0.53%, 0.48%

LAB 71.49, -28.48, 59.26

 

CMYK 70 / 3 / 0 / 27

HEX #39B6BB

RGB 57 182 187

HSL 182.31, 0.53%, 0.48%

LAB 67.96, -31.64, -12.46

 

CMYK 53 / 70 / 0 / 27

HEX #5739BB

RGB 87 57 187

HSL 253.85, 0.53%, 0.48%

LAB 35.08, 46.13, -64.04

 

CMYK 0 / 66 / 70 / 27

HEX #BB3F39

RGB 187 63 57

HSL 2.77, 0.53%, 0.48%

LAB 44.82, 49.45, 31.2

 

CMYK 37 / 0 / 70 / 27

HEX #76BB39

RGB 118 187 57

HSL 91.85, 0.53%, 0.48%

LAB 69.25, -42.95, 56.26

 

CMYK 70 / 3 / 0 / 27

HEX #39B6BB

RGB 57 182 187

HSL 182.31, 0.53%, 0.48%

LAB 67.96, -31.64, -12.46

 

CMYK 33 / 70 / 0 / 27

HEX #7E39BB

RGB 126 57 187

HSL 271.85, 0.53%, 0.48%

LAB 39.5, 53.34, -56.66

 

Description

Color code: HEX #BB3F39 | qconv.com Color code: HEX #BB3F39 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 63 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 63 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 70 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 70% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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