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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB32D8 it is the complementary color #44CD27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB32D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB32D8 shade: #C032D3, #D144E6, #E256F9, #F368FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB32D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB32D8 shade: #BB32D8, #AA20C5, #990EB2, #88009F and #77008C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB32D8 shade: #BA31D7, #D731C8, #D7319B, #D7316E and #D73141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB32D8 shade: #BA31D7, #8D31D7, #6031D7, #3431D7 and #3131D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB32D8 shade matches the following richer shades: #BA31D7 and #C71DEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB32D8 shade: #BA31D7, #AD45C4, #A058B0, #946C9C and #878088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB32D8 shade: #6031D7, #8C31D7, #B931D7, #D731C9 and #D7319D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB32D8 shade: #831D99, #A123BC, #BA31D7, #C654DE and #D176E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB32D8 shade: #BB32D8, #D73431 and #31D776

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB32D8 shade: #BB32D8, #D7B931 and #31D7B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB32D8 shade: #BB32D8, #D73431, #4FD731 and #31D5D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB32D8 shade: #BB32D8, #D76631, #4FD731 and #31A3D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 77 / 0 / 15

HEX #BB32D8

RGB 187 50 216

HSL 289.52, 0.68%, 0.52%

LAB 49.26, 73.75, -57.27

 

Complementary color

CMYK 67 / 0 / 81 / 20

HEX #44CD27

RGB 68 205 39

HSL 109.52, 0.68%, 0.48%

LAB 72.92, -64.7, 65.17

 

CMYK 9 / 76 / 0 / 17

HEX #C032D3

RGB 192 50 211

HSL 292.92, 0.65%, 0.51%

LAB 49.73, 73.83, -53.61

 

CMYK 9 / 70 / 0 / 10

HEX #D144E6

RGB 209 68 230

HSL 292.22, 0.76%, 0.58%

LAB 55.48, 74.65, -55.04

 

CMYK 9 / 65 / 0 / 2

HEX #E256F9

RGB 226 86 249

HSL 291.53, 0.93%, 0.66%

LAB 61.36, 74.93, -56.12

 

CMYK 5 / 59 / 0 / 0

HEX #F368FF

RGB 243 104 255

HSL 295.23, 1%, 0.7%

LAB 66.65, 72.56, -50.88

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 13 / 77 / 0 / 15

HEX #BB32D8

RGB 187 50 216

HSL 289.52, 0.68%, 0.52%

LAB 49.26, 73.75, -57.27

 

CMYK 14 / 84 / 0 / 23

HEX #AA20C5

RGB 170 32 197

HSL 290.18, 0.72%, 0.45%

LAB 43.67, 72.19, -55.45

 

CMYK 14 / 92 / 0 / 30

HEX #990EB2

RGB 153 14 178

HSL 290.85, 0.85%, 0.38%

LAB 38.38, 69.46, -52.96

 

CMYK 14 / 100 / 0 / 38

HEX #88009F

RGB 136 0 159

HSL 291.32, 1%, 0.31%

LAB 33.43, 65.36, -49.7

 

CMYK 15 / 100 / 0 / 45

HEX #77008C

RGB 119 0 140

HSL 291, 1%, 0.27%

LAB 28.94, 59.47, -45.44

 

CMYK 13 / 77 / 0 / 16

HEX #BA31D7

RGB 186 49 215

HSL 289.52, 0.67%, 0.52%

LAB 48.94, 73.69, -57.22

 

CMYK 0 / 77 / 7 / 16

HEX #D731C8

RGB 215 49 200

HSL 305.42, 0.67%, 0.52%

LAB 52.75, 76.96, -42.26

 

CMYK 0 / 77 / 28 / 16

HEX #D7319B

RGB 215 49 155

HSL 321.69, 0.67%, 0.52%

LAB 50.7, 71.02, -19.12

 

CMYK 0 / 77 / 49 / 16

HEX #D7316E

RGB 215 49 110

HSL 337.95, 0.67%, 0.52%

LAB 49.22, 66.51, 5.82

 

CMYK 0 / 77 / 70 / 16

HEX #D73141

RGB 215 49 65

HSL 354.22, 0.67%, 0.52%

LAB 48.29, 63.6, 31.88

 

CMYK 13 / 77 / 0 / 16

HEX #BA31D7

RGB 186 49 215

HSL 289.52, 0.67%, 0.52%

LAB 48.94, 73.69, -57.22

 

CMYK 34 / 77 / 0 / 16

HEX #8D31D7

RGB 141 49 215

HSL 273.25, 0.67%, 0.52%

LAB 42.41, 65.79, -68.1

 

CMYK 55 / 77 / 0 / 16

HEX #6031D7

RGB 96 49 215

HSL 256.99, 0.67%, 0.52%

LAB 37.1, 59.27, -77.02

 

CMYK 76 / 77 / 0 / 16

HEX #3431D7

RGB 52 49 215

HSL 241.08, 0.67%, 0.52%

LAB 33.63, 54.94, -82.85

 

CMYK 77 / 77 / 0 / 16

HEX #3131D7

RGB 49 49 215

HSL 240, 0.67%, 0.52%

LAB 33.47, 54.74, -83.12

 

CMYK 13 / 77 / 0 / 16

HEX #BA31D7

RGB 186 49 215

HSL 289.52, 0.67%, 0.52%

LAB 48.94, 73.69, -57.22

 

CMYK 15 / 88 / 0 / 8

HEX #C71DEB

RGB 199 29 235

HSL 289.51, 0.84%, 0.52%

LAB 50.71, 83.97, -65.61

 

CMYK 13 / 77 / 0 / 16

HEX #BA31D7

RGB 186 49 215

HSL 289.52, 0.67%, 0.52%

LAB 48.94, 73.69, -57.22

 

CMYK 12 / 65 / 0 / 23

HEX #AD45C4

RGB 173 69 196

HSL 289.13, 0.52%, 0.52%

LAB 48.42, 60.2, -47.23

 

CMYK 9 / 50 / 0 / 31

HEX #A058B0

RGB 160 88 176

HSL 289.09, 0.36%, 0.52%

LAB 48.99, 43.7, -34.8

 

CMYK 5 / 31 / 0 / 39

HEX #946C9C

RGB 148 108 156

HSL 290, 0.2%, 0.52%

LAB 51.18, 24.6, -19.81

 

CMYK 1 / 6 / 0 / 47

HEX #878088

RGB 135 128 136

HSL 292.5, 0.03%, 0.52%

LAB 54.41, 4.2, -3.38

 

CMYK 55 / 77 / 0 / 16

HEX #6031D7

RGB 96 49 215

HSL 256.99, 0.67%, 0.52%

LAB 37.1, 59.27, -77.02

 

CMYK 35 / 77 / 0 / 16

HEX #8C31D7

RGB 140 49 215

HSL 272.89, 0.67%, 0.52%

LAB 42.27, 65.63, -68.33

 

CMYK 14 / 77 / 0 / 16

HEX #B931D7

RGB 185 49 215

HSL 289.16, 0.67%, 0.52%

LAB 48.78, 73.51, -57.48

 

CMYK 0 / 77 / 7 / 16

HEX #D731C9

RGB 215 49 201

HSL 305.06, 0.67%, 0.52%

LAB 52.8, 77.11, -42.76

 

CMYK 0 / 77 / 27 / 16

HEX #D7319D

RGB 215 49 157

HSL 320.96, 0.67%, 0.52%

LAB 50.78, 71.25, -20.18

 

CMYK 14 / 81 / 0 / 40

HEX #831D99

RGB 131 29 153

HSL 289.35, 0.68%, 0.36%

LAB 33.99, 57.98, -45.19

 

CMYK 14 / 81 / 0 / 26

HEX #A123BC

RGB 161 35 188

HSL 289.41, 0.69%, 0.44%

LAB 41.86, 68.27, -53.18

 

CMYK 13 / 77 / 0 / 16

HEX #BA31D7

RGB 186 49 215

HSL 289.52, 0.67%, 0.52%

LAB 48.94, 73.69, -57.22

 

CMYK 11 / 62 / 0 / 13

HEX #C654DE

RGB 198 84 222

HSL 289.57, 0.68%, 0.6%

LAB 55.71, 64.5, -50.27

 

CMYK 9 / 48 / 0 / 10

HEX #D176E5

RGB 209 118 229

HSL 289.19, 0.68%, 0.68%

LAB 63.48, 52.55, -41.81

 

CMYK 13 / 77 / 0 / 15

HEX #BB32D8

RGB 187 50 216

HSL 289.52, 0.68%, 0.52%

LAB 49.26, 73.75, -57.27

 

CMYK 0 / 76 / 77 / 16

HEX #D73431

RGB 215 52 49

HSL 1.08, 0.67%, 0.52%

LAB 48.42, 62.04, 41.2

 

CMYK 77 / 0 / 45 / 16

HEX #31D776

RGB 49 215 118

HSL 144.94, 0.67%, 0.52%

LAB 76.41, -62.36, 36.25

 

CMYK 13 / 77 / 0 / 15

HEX #BB32D8

RGB 187 50 216

HSL 289.52, 0.68%, 0.52%

LAB 49.26, 73.75, -57.27

 

CMYK 0 / 14 / 77 / 16

HEX #D7B931

RGB 215 185 49

HSL 49.16, 0.67%, 0.52%

LAB 75.68, -2.81, 67.79

 

CMYK 77 / 0 / 14 / 16

HEX #31D7B9

RGB 49 215 185

HSL 169.16, 0.67%, 0.52%

LAB 77.73, -47.95, 3.03

 

CMYK 13 / 77 / 0 / 15

HEX #BB32D8

RGB 187 50 216

HSL 289.52, 0.68%, 0.52%

LAB 49.26, 73.75, -57.27

 

CMYK 0 / 76 / 77 / 16

HEX #D73431

RGB 215 52 49

HSL 1.08, 0.67%, 0.52%

LAB 48.42, 62.04, 41.2

 

CMYK 63 / 0 / 77 / 16

HEX #4FD731

RGB 79 215 49

HSL 109.16, 0.67%, 0.52%

LAB 76.37, -65.12, 65.63

 

CMYK 77 / 1 / 0 / 16

HEX #31D5D7

RGB 49 213 215

HSL 180.72, 0.67%, 0.52%

LAB 77.96, -38.86, -12.71

 

CMYK 13 / 77 / 0 / 15

HEX #BB32D8

RGB 187 50 216

HSL 289.52, 0.68%, 0.52%

LAB 49.26, 73.75, -57.27

 

CMYK 0 / 53 / 77 / 16

HEX #D76631

RGB 215 102 49

HSL 19.16, 0.67%, 0.52%

LAB 56.26, 41.13, 49.27

 

CMYK 63 / 0 / 77 / 16

HEX #4FD731

RGB 79 215 49

HSL 109.16, 0.67%, 0.52%

LAB 76.37, -65.12, 65.63

 

CMYK 77 / 24 / 0 / 16

HEX #31A3D7

RGB 49 163 215

HSL 198.8, 0.67%, 0.52%

LAB 63.14, -13.94, -35.35

 

Description

Color code: HEX #BB32D8 | qconv.com Color code: HEX #BB32D8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 50 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 50 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 77 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 77% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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