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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB2265 it is the complementary color #44DD9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB2265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB2265 shade: #C02260, #D13473, #E24686, #F35899 and #FF6AAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB2265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB2265 shade: #BB2265, #AA1052, #99003F, #88002C and #770019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB2265 shade: #B92164, #B9213B and #B92121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB2265 shade: #B92164, #B9218D, #B921B5, #9321B9 and #6B21B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB2265 shade matches the following richer shades: #B92164 and #CB1062

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB2265 shade: #B92164, #A73366, #954568, #84576A and #72686D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB2265 shade: #B921B6, #B9218E, #B92166, #B9213D and #B92E21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB2265 shade: #73153E, #961B51, #B92164, #D82C77 and #DE4F8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB2265 shade: #BB2265, #B99321 and #21A2B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB2265 shade: #BB2265, #66B921 and #2166B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB2265 shade: #BB2265, #B99321, #21B975 and #2147B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB2265 shade: #BB2265, #B1B921, #21B975 and #2921B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 46 / 27

HEX #BB2265

RGB 187 34 101

HSL 333.73, 0.69%, 0.43%

LAB 42.23, 62.45, 0.62

 

Complementary color

CMYK 69 / 0 / 30 / 13

HEX #44DD9A

RGB 68 221 154

HSL 153.73, 0.69%, 0.57%

LAB 79.2, -55.15, 21.56

 

CMYK 0 / 82 / 50 / 25

HEX #C02260

RGB 192 34 96

HSL 336.46, 0.7%, 0.44%

LAB 43.06, 63.32, 5.07

 

CMYK 0 / 75 / 45 / 18

HEX #D13473

RGB 209 52 115

HSL 335.92, 0.63%, 0.51%

LAB 48.57, 64.42, 1.7

 

CMYK 0 / 69 / 41 / 11

HEX #E24686

RGB 226 70 134

HSL 335.38, 0.73%, 0.58%

LAB 54.31, 64.81, -1.01

 

CMYK 0 / 64 / 37 / 5

HEX #F35899

RGB 243 88 153

HSL 334.84, 0.87%, 0.65%

LAB 60.19, 64.73, -3.21

 

CMYK 0 / 58 / 33 / 0

HEX #FF6AAC

RGB 255 106 172

HSL 333.42, 1%, 0.71%

LAB 65.39, 62.87, -6.24

 

CMYK 0 / 82 / 46 / 27

HEX #BB2265

RGB 187 34 101

HSL 333.73, 0.69%, 0.43%

LAB 42.23, 62.45, 0.62

 

CMYK 0 / 91 / 52 / 33

HEX #AA1052

RGB 170 16 82

HSL 334.29, 0.83%, 0.36%

LAB 36.98, 60.29, 4.68

 

CMYK 0 / 100 / 59 / 40

HEX #99003F

RGB 153 0 63

HSL 335.29, 1%, 0.3%

LAB 32.1, 56.93, 9.73

 

CMYK 0 / 100 / 68 / 47

HEX #88002C

RGB 136 0 44

HSL 340.59, 1%, 0.27%

LAB 27.89, 51.56, 16.15

 

CMYK 0 / 100 / 79 / 53

HEX #770019

RGB 119 0 25

HSL 347.39, 1%, 0.23%

LAB 23.65, 46.24, 22.88

 

CMYK 0 / 82 / 46 / 27

HEX #B92164

RGB 185 33 100

HSL 333.55, 0.7%, 0.43%

LAB 41.72, 62.1, 0.46

 

CMYK 0 / 82 / 68 / 27

HEX #B9213B

RGB 185 33 59

HSL 349.74, 0.7%, 0.43%

LAB 40.76, 59.23, 24.96

 

CMYK 0 / 82 / 82 / 27

HEX #B92121

RGB 185 33 33

HSL 0, 0.7%, 0.43%

LAB 40.43, 58.2, 39.97

 

CMYK 0 / 82 / 46 / 27

HEX #B92164

RGB 185 33 100

HSL 333.55, 0.7%, 0.43%

LAB 41.72, 62.1, 0.46

 

CMYK 0 / 82 / 24 / 27

HEX #B9218D

RGB 185 33 141

HSL 317.37, 0.7%, 0.43%

LAB 43.25, 66.5, -22.61

 

CMYK 0 / 82 / 2 / 27

HEX #B921B5

RGB 185 33 181

HSL 301.58, 0.7%, 0.43%

LAB 45.27, 72.08, -43.37

 

CMYK 21 / 82 / 0 / 27

HEX #9321B9

RGB 147 33 185

HSL 285, 0.7%, 0.43%

LAB 39.23, 65.8, -55.77

 

CMYK 42 / 82 / 0 / 27

HEX #6B21B9

RGB 107 33 185

HSL 269.21, 0.7%, 0.43%

LAB 33.38, 59.5, -65.55

 

CMYK 0 / 82 / 46 / 27

HEX #B92164

RGB 185 33 100

HSL 333.55, 0.7%, 0.43%

LAB 41.72, 62.1, 0.46

 

CMYK 0 / 92 / 52 / 20

HEX #CB1062

RGB 203 16 98

HSL 333.69, 0.85%, 0.43%

LAB 44.16, 69.45, 5.69

 

CMYK 0 / 82 / 46 / 27

HEX #B92164

RGB 185 33 100

HSL 333.55, 0.7%, 0.43%

LAB 41.72, 62.1, 0.46

 

CMYK 0 / 69 / 39 / 35

HEX #A73366

RGB 167 51 102

HSL 333.62, 0.53%, 0.43%

LAB 40.48, 51.54, -3.01

 

CMYK 0 / 54 / 30 / 42

HEX #954568

RGB 149 69 104

HSL 333.75, 0.37%, 0.43%

LAB 40.65, 37.66, -4.34

 

CMYK 0 / 34 / 20 / 48

HEX #84576A

RGB 132 87 106

HSL 334.67, 0.21%, 0.43%

LAB 42.4, 21.58, -3.24

 

CMYK 0 / 9 / 4 / 55

HEX #72686D

RGB 114 104 109

HSL 330, 0.05%, 0.43%

LAB 45.06, 4.91, -1.38

 

CMYK 0 / 82 / 2 / 27

HEX #B921B6

RGB 185 33 182

HSL 301.18, 0.7%, 0.43%

LAB 45.33, 72.23, -43.87

 

CMYK 0 / 82 / 23 / 27

HEX #B9218E

RGB 185 33 142

HSL 316.97, 0.7%, 0.43%

LAB 43.29, 66.63, -23.15

 

CMYK 0 / 82 / 45 / 27

HEX #B92166

RGB 185 33 102

HSL 332.76, 0.7%, 0.43%

LAB 41.78, 62.28, -0.7

 

CMYK 0 / 82 / 67 / 27

HEX #B9213D

RGB 185 33 61

HSL 348.95, 0.7%, 0.43%

LAB 40.8, 59.33, 23.76

 

CMYK 0 / 75 / 82 / 27

HEX #B92E21

RGB 185 46 33

HSL 5.13, 0.7%, 0.43%

LAB 41.81, 54.32, 41.3

 

CMYK 0 / 82 / 46 / 55

HEX #73153E

RGB 115 21 62

HSL 333.83, 0.69%, 0.27%

LAB 25.35, 42.78, -0.32

 

CMYK 0 / 82 / 46 / 41

HEX #961B51

RGB 150 27 81

HSL 333.66, 0.69%, 0.35%

LAB 33.69, 52.69, 0.07

 

CMYK 0 / 82 / 46 / 27

HEX #B92164

RGB 185 33 100

HSL 333.55, 0.7%, 0.43%

LAB 41.72, 62.1, 0.46

 

CMYK 0 / 80 / 45 / 15

HEX #D82C77

RGB 216 44 119

HSL 333.84, 0.69%, 0.51%

LAB 49.17, 68.91, 0.29

 

CMYK 0 / 64 / 36 / 13

HEX #DE4F8D

RGB 222 79 141

HSL 333.99, 0.68%, 0.59%

LAB 55.12, 60.92, -4.05

 

CMYK 0 / 82 / 46 / 27

HEX #BB2265

RGB 187 34 101

HSL 333.73, 0.69%, 0.43%

LAB 42.23, 62.45, 0.62

 

CMYK 0 / 21 / 82 / 27

HEX #B99321

RGB 185 147 33

HSL 45, 0.7%, 0.43%

LAB 62.75, 3.67, 60.27

 

CMYK 82 / 12 / 0 / 27

HEX #21A2B9

RGB 33 162 185

HSL 189.08, 0.7%, 0.43%

LAB 61.37, -25.07, -21.37

 

CMYK 0 / 82 / 46 / 27

HEX #BB2265

RGB 187 34 101

HSL 333.73, 0.69%, 0.43%

LAB 42.23, 62.45, 0.62

 

CMYK 45 / 0 / 82 / 27

HEX #66B921

RGB 102 185 33

HSL 92.76, 0.7%, 0.43%

LAB 67.75, -48.94, 62.47

 

CMYK 82 / 45 / 0 / 27

HEX #2166B9

RGB 33 102 185

HSL 212.76, 0.7%, 0.43%

LAB 43.25, 9.5, -49.76

 

CMYK 0 / 82 / 46 / 27

HEX #BB2265

RGB 187 34 101

HSL 333.73, 0.69%, 0.43%

LAB 42.23, 62.45, 0.62

 

CMYK 0 / 21 / 82 / 27

HEX #B99321

RGB 185 147 33

HSL 45, 0.7%, 0.43%

LAB 62.75, 3.67, 60.27

 

CMYK 82 / 0 / 37 / 27

HEX #21B975

RGB 33 185 117

HSL 153.16, 0.7%, 0.43%

LAB 66.75, -53.53, 24.05

 

CMYK 82 / 62 / 0 / 27

HEX #2147B9

RGB 33 71 185

HSL 225, 0.7%, 0.43%

LAB 34.67, 29.89, -63.68

 

CMYK 0 / 82 / 46 / 27

HEX #BB2265

RGB 187 34 101

HSL 333.73, 0.69%, 0.43%

LAB 42.23, 62.45, 0.62

 

CMYK 4 / 0 / 82 / 27

HEX #B1B921

RGB 177 185 33

HSL 63.16, 0.7%, 0.43%

LAB 72.33, -19.8, 68.26

 

CMYK 82 / 0 / 37 / 27

HEX #21B975

RGB 33 185 117

HSL 153.16, 0.7%, 0.43%

LAB 66.75, -53.53, 24.05

 

CMYK 78 / 82 / 0 / 27

HEX #2921B9

RGB 41 33 185

HSL 243.16, 0.7%, 0.43%

LAB 26.91, 52.77, -76.45

 

Description

Color code: HEX #BB2265 | qconv.com Color code: HEX #BB2265 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 34 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 34 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 46 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 46% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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