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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB2575 it is the complementary color #44DA8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB2575. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB2575 shade: #C02570, #D13783, #E24996, #F35BA9 and #FF6DBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB2575. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB2575 shade: #BB2575, #AA1362, #99014F, #88003C and #770029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB2575 shade: #BB2575, #BB254C and #BB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB2575 shade: #BB2575, #BB259D, #B025BB, #8725BB and #5F25BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB2575 shade matches the following richer shades: #BB2575, #CD1276 and #DF0077

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB2575 shade: #BB2575, #A93774, #974972, #845B71 and #726D70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB2575 shade: #B125BB, #BB259D, #BB2575, #BB254D and #BB2525

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB2575 shade: #76174A, #981E5F, #BB2575, #D6328A and #DD559D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB2575 shade: #BB2575, #BB8925 and #25B1BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB2575 shade: #BB2575, #75BB25 and #2575BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB2575 shade: #BB2575, #BB8925, #25BB6B and #2557BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB2575 shade: #BB2575, #BBB625, #25BB6B and #252ABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

Complementary color

CMYK 69 / 0 / 37 / 15

HEX #44DA8A

RGB 68 218 138

HSL 148, 0.67%, 0.56%

LAB 78, -57.17, 28.23

 

CMYK 0 / 81 / 42 / 25

HEX #C02570

RGB 192 37 112

HSL 330.97, 0.68%, 0.45%

LAB 43.8, 63.99, -3.82

 

CMYK 0 / 74 / 37 / 18

HEX #D13783

RGB 209 55 131

HSL 330.39, 0.63%, 0.52%

LAB 49.41, 65.03, -6.79

 

CMYK 0 / 68 / 34 / 11

HEX #E24996

RGB 226 73 150

HSL 329.8, 0.73%, 0.59%

LAB 55.21, 65.39, -9.15

 

CMYK 0 / 63 / 30 / 5

HEX #F35BA9

RGB 243 91 169

HSL 329.21, 0.86%, 0.65%

LAB 61.13, 65.32, -11.07

 

CMYK 0 / 57 / 26 / 0

HEX #FF6DBC

RGB 255 109 188

HSL 327.53, 1%, 0.71%

LAB 66.39, 63.51, -13.83

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 89 / 42 / 33

HEX #AA1362

RGB 170 19 98

HSL 328.61, 0.8%, 0.37%

LAB 37.65, 61.18, -4.6

 

CMYK 0 / 99 / 48 / 40

HEX #99014F

RGB 153 1 79

HSL 329.21, 0.99%, 0.3%

LAB 32.61, 58, -0.13

 

CMYK 0 / 100 / 56 / 47

HEX #88003C

RGB 136 0 60

HSL 333.53, 1%, 0.27%

LAB 28.28, 52.59, 5.83

 

CMYK 0 / 100 / 66 / 53

HEX #770029

RGB 119 0 41

HSL 339.33, 1%, 0.23%

LAB 23.94, 47.04, 12.3

HEX #770029

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 80 / 59 / 27

HEX #BB254C

RGB 187 37 76

HSL 344.4, 0.67%, 0.44%

LAB 41.86, 59.72, 15.82

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 80 / 16 / 27

HEX #BB259D

RGB 187 37 157

HSL 312, 0.67%, 0.44%

LAB 44.69, 68.06, -30.01

 

CMYK 6 / 80 / 0 / 27

HEX #B025BB

RGB 176 37 187

HSL 295.6, 0.67%, 0.44%

LAB 44.43, 70.35, -48.33

 

CMYK 28 / 80 / 0 / 27

HEX #8725BB

RGB 135 37 187

HSL 279.2, 0.67%, 0.44%

LAB 37.95, 62.96, -59.11

 

CMYK 49 / 80 / 0 / 27

HEX #5F25BB

RGB 95 37 187

HSL 263.2, 0.67%, 0.44%

LAB 32.58, 56.86, -68.12

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 91 / 42 / 20

HEX #CD1276

RGB 205 18 118

HSL 327.91, 0.84%, 0.44%

LAB 45.25, 71.3, -5.11

 

CMYK 0 / 100 / 47 / 13

HEX #DF0077

RGB 223 0 119

HSL 327.98, 1%, 0.44%

LAB 48.29, 77.01, -0.84

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 67 / 31 / 34

HEX #A93774

RGB 169 55 116

HSL 327.89, 0.51%, 0.44%

LAB 41.89, 52.18, -9.59

 

CMYK 0 / 52 / 25 / 41

HEX #974972

RGB 151 73 114

HSL 328.46, 0.35%, 0.44%

LAB 42.09, 37.7, -8.34

 

CMYK 0 / 31 / 14 / 48

HEX #845B71

RGB 132 91 113

HSL 327.8, 0.18%, 0.44%

LAB 43.62, 20.43, -5.71

 

CMYK 0 / 4 / 2 / 55

HEX #726D70

RGB 114 109 112

HSL 324, 0.02%, 0.44%

LAB 46.56, 2.54, -0.98

 

CMYK 5 / 80 / 0 / 27

HEX #B125BB

RGB 177 37 187

HSL 296, 0.67%, 0.44%

LAB 44.6, 70.54, -48.05

 

CMYK 0 / 80 / 16 / 27

HEX #BB259D

RGB 187 37 157

HSL 312, 0.67%, 0.44%

LAB 44.69, 68.06, -30.01

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 80 / 59 / 27

HEX #BB254D

RGB 187 37 77

HSL 344, 0.67%, 0.44%

LAB 41.88, 59.79, 15.22

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 0 / 81 / 37 / 54

HEX #76174A

RGB 118 23 74

HSL 327.79, 0.67%, 0.28%

LAB 26.62, 44.32, -6.49

 

CMYK 0 / 80 / 38 / 40

HEX #981E5F

RGB 152 30 95

HSL 328.03, 0.67%, 0.36%

LAB 34.86, 53.81, -7.22

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 77 / 36 / 16

HEX #D6328A

RGB 214 50 138

HSL 327.8, 0.67%, 0.52%

LAB 49.99, 68.6, -10.04

 

CMYK 0 / 62 / 29 / 13

HEX #DD559D

RGB 221 85 157

HSL 328.24, 0.67%, 0.6%

LAB 56.39, 60, -11.57

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 27 / 80 / 27

HEX #BB8925

RGB 187 137 37

HSL 40, 0.67%, 0.44%

LAB 60.42, 10.19, 56.94

 

CMYK 80 / 5 / 0 / 27

HEX #25B1BB

RGB 37 177 187

HSL 184, 0.67%, 0.44%

LAB 66.08, -31.5, -15.33

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 37 / 0 / 80 / 27

HEX #75BB25

RGB 117 187 37

HSL 88, 0.67%, 0.44%

LAB 69.08, -44.5, 62.84

 

CMYK 80 / 37 / 0 / 27

HEX #2575BB

RGB 37 117 187

HSL 208, 0.67%, 0.44%

LAB 47.88, 1.25, -43.52

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 27 / 80 / 27

HEX #BB8925

RGB 187 137 37

HSL 40, 0.67%, 0.44%

LAB 60.42, 10.19, 56.94

 

CMYK 80 / 0 / 43 / 27

HEX #25BB6B

RGB 37 187 107

HSL 148, 0.67%, 0.44%

LAB 67.27, -55.77, 30.01

 

CMYK 80 / 53 / 0 / 27

HEX #2557BB

RGB 37 87 187

HSL 220, 0.67%, 0.44%

LAB 39.24, 20.45, -57.41

 

CMYK 0 / 80 / 37 / 27

HEX #BB2575

RGB 187 37 117

HSL 328, 0.67%, 0.44%

LAB 43.02, 63.22, -8.18

 

CMYK 0 / 3 / 80 / 27

HEX #BBB625

RGB 187 182 37

HSL 58, 0.67%, 0.44%

LAB 72.33, -13.84, 67.52

 

CMYK 80 / 0 / 43 / 27

HEX #25BB6B

RGB 37 187 107

HSL 148, 0.67%, 0.44%

LAB 67.27, -55.77, 30.01

 

CMYK 80 / 78 / 0 / 27

HEX #252ABB

RGB 37 42 187

HSL 238, 0.67%, 0.44%

LAB 28.48, 48.66, -75.05

 

Description

Color code: HEX #BB2575 | qconv.com Color code: HEX #BB2575 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 37 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 37 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 37 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 37% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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