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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB1AA0 it is the complementary color #44E55F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB1AA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB1AA0 shade: #C01A9B, #D12CAE, #E23EC1, #F350D4 and #FF62E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB1AA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB1AA0 shade: #BB1AA0, #AA088D, #99007A, #880067 and #770054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB1AA0 shade: #BC19A1, #BC1975, #BC1949, #BC191D and #BC1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB1AA0 shade: #BC19A1, #AB19BC, #7F19BC, #5419BC and #2819BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB1AA0 shade matches the following richer shades: #BC19A1 and #CD08AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB1AA0 shade: #BC19A1, #AB2B95, #993C8A, #884D7E and #775F73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB1AA0 shade: #8019BC, #AC19BC, #BC19A1, #BC1975 and #BC194A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB1AA0 shade: #730F63, #981482, #BC19A1, #E01FC0 and #E543CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB1AA0 shade: #BB1AA0, #BC5519 and #19BC96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB1AA0 shade: #BB1AA0, #A1BC19 and #19A1BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB1AA0 shade: #BB1AA0, #BC5519, #19BC34 and #1980BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB1AA0 shade: #BB1AA0, #BC8619, #19BC34 and #194FBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 14 / 27

HEX #BB1AA0

RGB 187 26 160

HSL 310.06, 0.76%, 0.42%

LAB 44, 70.88, -32.89

 

Complementary color

CMYK 70 / 0 / 59 / 10

HEX #44E55F

RGB 68 229 95

HSL 130.06, 0.76%, 0.58%

LAB 80.79, -67.68, 52.57

 

CMYK 0 / 86 / 19 / 25

HEX #C01A9B

RGB 192 26 155

HSL 313.37, 0.76%, 0.43%

LAB 44.68, 71.25, -28.77

 

CMYK 0 / 79 / 17 / 18

HEX #D12CAE

RGB 209 44 174

HSL 312.73, 0.65%, 0.5%

LAB 49.99, 73.37, -31.53

 

CMYK 0 / 73 / 15 / 11

HEX #E23EC1

RGB 226 62 193

HSL 312.07, 0.74%, 0.56%

LAB 55.55, 74.59, -33.7

 

CMYK 0 / 67 / 13 / 5

HEX #F350D4

RGB 243 80 212

HSL 311.41, 0.87%, 0.63%

LAB 61.26, 75.17, -35.42

 

CMYK 0 / 62 / 9 / 0

HEX #FF62E7

RGB 255 98 231

HSL 309.17, 1%, 0.69%

LAB 66.34, 74.08, -38.01

 

CMYK 0 / 86 / 14 / 27

HEX #BB1AA0

RGB 187 26 160

HSL 310.06, 0.76%, 0.42%

LAB 44, 70.88, -32.89

 

CMYK 0 / 95 / 17 / 33

HEX #AA088D

RGB 170 8 141

HSL 310.74, 0.91%, 0.35%

LAB 38.97, 67.57, -29.49

 

CMYK 0 / 100 / 20 / 40

HEX #99007A

RGB 153 0 122

HSL 312.16, 1%, 0.3%

LAB 34.35, 62.74, -25.17

 

CMYK 0 / 100 / 24 / 47

HEX #880067

RGB 136 0 103

HSL 314.56, 1%, 0.27%

LAB 29.94, 56.92, -20.19

 

CMYK 0 / 100 / 29 / 53

HEX #770054

RGB 119 0 84

HSL 317.65, 1%, 0.23%

LAB 25.45, 50.98, -14.95

 

CMYK 0 / 87 / 14 / 26

HEX #BC19A1

RGB 188 25 161

HSL 309.94, 0.77%, 0.42%

LAB 44.18, 71.4, -33.2

 

CMYK 0 / 87 / 38 / 26

HEX #BC1975

RGB 188 25 117

HSL 326.13, 0.77%, 0.42%

LAB 42.26, 66.2, -9.3

 

CMYK 0 / 87 / 61 / 26

HEX #BC1949

RGB 188 25 73

HSL 342.33, 0.77%, 0.42%

LAB 41.01, 62.62, 16.6

 

CMYK 0 / 87 / 85 / 26

HEX #BC191D

RGB 188 25 29

HSL 358.53, 0.77%, 0.42%

LAB 40.37, 60.77, 42.27

 

CMYK 0 / 87 / 87 / 26

HEX #BC1919

RGB 188 25 25

HSL 0, 0.77%, 0.42%

LAB 40.34, 60.68, 44.28

 

CMYK 0 / 87 / 14 / 26

HEX #BC19A1

RGB 188 25 161

HSL 309.94, 0.77%, 0.42%

LAB 44.18, 71.4, -33.2

 

CMYK 9 / 87 / 0 / 26

HEX #AB19BC

RGB 171 25 188

HSL 293.74, 0.77%, 0.42%

LAB 42.74, 72.3, -51.68

 

CMYK 32 / 87 / 0 / 26

HEX #7F19BC

RGB 127 25 188

HSL 277.55, 0.77%, 0.42%

LAB 35.67, 65.35, -63.47

 

CMYK 55 / 87 / 0 / 26

HEX #5419BC

RGB 84 25 188

HSL 261.72, 0.77%, 0.42%

LAB 29.94, 60.14, -73.1

 

CMYK 79 / 87 / 0 / 26

HEX #2819BC

RGB 40 25 188

HSL 245.52, 0.77%, 0.42%

LAB 26.09, 56.95, -79.6

 

CMYK 0 / 87 / 14 / 26

HEX #BC19A1

RGB 188 25 161

HSL 309.94, 0.77%, 0.42%

LAB 44.18, 71.4, -33.2

 

CMYK 0 / 96 / 16 / 20

HEX #CD08AC

RGB 205 8 172

HSL 310.05, 0.92%, 0.42%

LAB 47.15, 78.21, -34.87

 

CMYK 0 / 87 / 14 / 26

HEX #BC19A1

RGB 188 25 161

HSL 309.94, 0.77%, 0.42%

LAB 44.18, 71.4, -33.2

 

CMYK 0 / 75 / 13 / 33

HEX #AB2B95

RGB 171 43 149

HSL 310.31, 0.6%, 0.42%

LAB 42.09, 61.58, -29.47

 

CMYK 0 / 61 / 10 / 40

HEX #993C8A

RGB 153 60 138

HSL 309.68, 0.44%, 0.42%

LAB 40.96, 48.57, -24.77

 

CMYK 0 / 43 / 7 / 47

HEX #884D7E

RGB 136 77 126

HSL 310.17, 0.28%, 0.42%

LAB 41.29, 32.38, -17.12

 

CMYK 0 / 20 / 3 / 53

HEX #775F73

RGB 119 95 115

HSL 310, 0.11%, 0.42%

LAB 43.28, 13.46, -7.6

 

CMYK 32 / 87 / 0 / 26

HEX #8019BC

RGB 128 25 188

HSL 277.91, 0.77%, 0.42%

LAB 35.82, 65.49, -63.22

 

CMYK 9 / 87 / 0 / 26

HEX #AC19BC

RGB 172 25 188

HSL 294.11, 0.77%, 0.42%

LAB 42.91, 72.47, -51.4

 

CMYK 0 / 87 / 14 / 26

HEX #BC19A1

RGB 188 25 161

HSL 309.94, 0.77%, 0.42%

LAB 44.18, 71.4, -33.2

 

CMYK 0 / 87 / 38 / 26

HEX #BC1975

RGB 188 25 117

HSL 326.13, 0.77%, 0.42%

LAB 42.26, 66.2, -9.3

 

CMYK 0 / 87 / 61 / 26

HEX #BC194A

RGB 188 25 74

HSL 341.96, 0.77%, 0.42%

LAB 41.03, 62.69, 15.99

 

CMYK 0 / 87 / 14 / 55

HEX #730F63

RGB 115 15 99

HSL 309.6, 0.77%, 0.25%

LAB 26.41, 49.18, -23.42

 

CMYK 0 / 87 / 14 / 40

HEX #981482

RGB 152 20 130

HSL 310, 0.77%, 0.34%

LAB 35.57, 60.68, -28.28

 

CMYK 0 / 87 / 14 / 26

HEX #BC19A1

RGB 188 25 161

HSL 309.94, 0.77%, 0.42%

LAB 44.18, 71.4, -33.2

 

CMYK 0 / 86 / 14 / 12

HEX #E01FC0

RGB 224 31 192

HSL 309.95, 0.76%, 0.5%

LAB 52.55, 81.55, -37.85

 

CMYK 0 / 71 / 12 / 10

HEX #E543CA

RGB 229 67 202

HSL 310, 0.76%, 0.58%

LAB 57.01, 74.93, -36.54

 

CMYK 0 / 86 / 14 / 27

HEX #BB1AA0

RGB 187 26 160

HSL 310.06, 0.76%, 0.42%

LAB 44, 70.88, -32.89

 

CMYK 0 / 55 / 87 / 26

HEX #BC5519

RGB 188 85 25

HSL 22.09, 0.77%, 0.42%

LAB 48.58, 38.36, 51.1

 

CMYK 87 / 0 / 20 / 26

HEX #19BC96

RGB 25 188 150

HSL 166.01, 0.77%, 0.42%

LAB 68.3, -47.8, 8.33

 

CMYK 0 / 86 / 14 / 27

HEX #BB1AA0

RGB 187 26 160

HSL 310.06, 0.76%, 0.42%

LAB 44, 70.88, -32.89

 

CMYK 14 / 0 / 87 / 26

HEX #A1BC19

RGB 161 188 25

HSL 69.94, 0.77%, 0.42%

LAB 71.97, -28.27, 69.3

 

CMYK 87 / 14 / 0 / 26

HEX #19A1BC

RGB 25 161 188

HSL 189.94, 0.77%, 0.42%

LAB 61.07, -24.17, -23.52

 

CMYK 0 / 86 / 14 / 27

HEX #BB1AA0

RGB 187 26 160

HSL 310.06, 0.76%, 0.42%

LAB 44, 70.88, -32.89

 

CMYK 0 / 55 / 87 / 26

HEX #BC5519

RGB 188 85 25

HSL 22.09, 0.77%, 0.42%

LAB 48.58, 38.36, 51.1

 

CMYK 87 / 0 / 72 / 26

HEX #19BC34

RGB 25 188 52

HSL 129.94, 0.77%, 0.42%

LAB 66.84, -64.7, 54.82

 

CMYK 87 / 32 / 0 / 26

HEX #1980BC

RGB 25 128 188

HSL 202.09, 0.77%, 0.42%

LAB 51.01, -6.03, -39.17

 

CMYK 0 / 86 / 14 / 27

HEX #BB1AA0

RGB 187 26 160

HSL 310.06, 0.76%, 0.42%

LAB 44, 70.88, -32.89

 

CMYK 0 / 29 / 87 / 26

HEX #BC8619

RGB 188 134 25

HSL 40.12, 0.77%, 0.42%

LAB 59.72, 11.93, 60.21

 

CMYK 87 / 0 / 72 / 26

HEX #19BC34

RGB 25 188 52

HSL 129.94, 0.77%, 0.42%

LAB 66.84, -64.7, 54.82

 

CMYK 87 / 58 / 0 / 26

HEX #194FBC

RGB 25 79 188

HSL 220.12, 0.77%, 0.42%

LAB 36.8, 25.15, -61.97

 

Description

Color code: HEX #BB1AA0 | qconv.com Color code: HEX #BB1AA0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 26 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 26 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 14 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 14% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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