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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB1649 it is the complementary color #44E9B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB1649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB1649 shade: #C01644, #D12857, #E23A6A, #F34C7D and #FF5E90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB1649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB1649 shade: #BB1649, #AA0436, #990023, #880010 and #770000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB1649 shade: #BB1549, #BB151C and #BB1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB1649 shade: #BB1549, #BB1575, #BB15A2, #A715BB and #7B15BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB1649 shade matches the following richer shades: #BB1549 and #CC0542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB1649 shade: #BB1549, #AA264F, #993755, #88485C and #775962

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB1649 shade: #BB15A2, #BB1576, #BB154A, #BB151E and #BB3915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB1649 shade: #710D2C, #96113A, #BB1549, #E01A57 and #E83B70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB1649 shade: #BB1649, #BBA715 and #158CBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB1649 shade: #BB1649, #4ABB15 and #154ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB1649 shade: #BB1649, #BBA715, #15BB86 and #1529BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB1649 shade: #BB1649, #9CBB15, #15BB86 and #3415BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 61 / 27

HEX #BB1649

RGB 187 22 73

HSL 341.45, 0.79%, 0.41%

LAB 40.61, 62.93, 16.02

 

Complementary color

CMYK 71 / 0 / 22 / 9

HEX #44E9B6

RGB 68 233 182

HSL 161.45, 0.79%, 0.59%

LAB 83.38, -53.78, 12.76

 

CMYK 0 / 89 / 65 / 25

HEX #C01644

RGB 192 22 68

HSL 343.76, 0.79%, 0.42%

LAB 41.53, 63.92, 20.59

 

CMYK 0 / 81 / 58 / 18

HEX #D12857

RGB 209 40 87

HSL 343.31, 0.68%, 0.49%

LAB 46.66, 65.65, 16.2

 

CMYK 0 / 74 / 53 / 11

HEX #E23A6A

RGB 226 58 106

HSL 342.86, 0.74%, 0.56%

LAB 52.1, 66.46, 12.61

 

CMYK 0 / 69 / 49 / 5

HEX #F34C7D

RGB 243 76 125

HSL 342.4, 0.87%, 0.63%

LAB 57.76, 66.66, 9.66

 

CMYK 0 / 63 / 44 / 0

HEX #FF5E90

RGB 255 94 144

HSL 341.37, 1%, 0.68%

LAB 62.74, 64.96, 5.95

 

CMYK 0 / 88 / 61 / 27

HEX #BB1649

RGB 187 22 73

HSL 341.45, 0.79%, 0.41%

LAB 40.61, 62.93, 16.02

 

CMYK 0 / 98 / 68 / 33

HEX #AA0436

RGB 170 4 54

HSL 341.93, 0.95%, 0.34%

LAB 35.79, 60.06, 21.2

 

CMYK 0 / 100 / 77 / 40

HEX #990023

RGB 153 0 35

HSL 346.27, 1%, 0.3%

LAB 31.56, 55.48, 27.43

 

CMYK 0 / 100 / 88 / 47

HEX #880010

RGB 136 0 16

HSL 352.94, 1%, 0.27%

LAB 27.5, 50.49, 33.56

 

CMYK 0 / 100 / 100 / 53

HEX #770000

RGB 119 0 0

HSL 0, 1%, 0.23%

LAB 23.41, 45.6, 35.27

 

CMYK 0 / 89 / 61 / 27

HEX #BB1549

RGB 187 21 73

HSL 341.2, 0.8%, 0.41%

LAB 40.54, 63.1, 15.94

 

CMYK 0 / 89 / 85 / 27

HEX #BB151C

RGB 187 21 28

HSL 357.47, 0.8%, 0.41%

LAB 39.89, 61.23, 42.29

 

CMYK 0 / 89 / 89 / 27

HEX #BB1515

RGB 187 21 21

HSL 0, 0.8%, 0.41%

LAB 39.84, 61.08, 45.7

 

CMYK 0 / 89 / 61 / 27

HEX #BB1549

RGB 187 21 73

HSL 341.2, 0.8%, 0.41%

LAB 40.54, 63.1, 15.94

 

CMYK 0 / 89 / 37 / 27

HEX #BB1575

RGB 187 21 117

HSL 325.3, 0.8%, 0.41%

LAB 41.82, 66.67, -9.98

 

CMYK 0 / 89 / 13 / 27

HEX #BB15A2

RGB 187 21 162

HSL 309.04, 0.8%, 0.41%

LAB 43.81, 72.01, -34.38

 

CMYK 11 / 89 / 0 / 27

HEX #A715BB

RGB 167 21 187

HSL 292.77, 0.8%, 0.41%

LAB 41.75, 72.17, -52.72

 

CMYK 34 / 89 / 0 / 27

HEX #7B15BB

RGB 123 21 187

HSL 276.87, 0.8%, 0.41%

LAB 34.67, 65.53, -64.54

 

CMYK 0 / 89 / 61 / 27

HEX #BB1549

RGB 187 21 73

HSL 341.2, 0.8%, 0.41%

LAB 40.54, 63.1, 15.94

 

CMYK 0 / 98 / 68 / 20

HEX #CC0542

RGB 204 5 66

HSL 341.61, 0.95%, 0.41%

LAB 43.27, 68.85, 24.58

 

CMYK 0 / 89 / 61 / 27

HEX #BB1549

RGB 187 21 73

HSL 341.2, 0.8%, 0.41%

LAB 40.54, 63.1, 15.94

 

CMYK 0 / 78 / 54 / 33

HEX #AA264F

RGB 170 38 79

HSL 341.36, 0.63%, 0.41%

LAB 38.72, 54.85, 9.07

 

CMYK 0 / 64 / 44 / 40

HEX #993755

RGB 153 55 85

HSL 341.63, 0.47%, 0.41%

LAB 38.13, 43.58, 3.99

 

CMYK 0 / 47 / 32 / 47

HEX #88485C

RGB 136 72 92

HSL 341.25, 0.31%, 0.41%

LAB 38.97, 29.62, 0.46

 

CMYK 0 / 25 / 18 / 53

HEX #775962

RGB 119 89 98

HSL 342, 0.14%, 0.41%

LAB 41.13, 13.86, -0.37

 

CMYK 0 / 89 / 13 / 27

HEX #BB15A2

RGB 187 21 162

HSL 309.04, 0.8%, 0.41%

LAB 43.81, 72.01, -34.38

 

CMYK 0 / 89 / 37 / 27

HEX #BB1576

RGB 187 21 118

HSL 324.94, 0.8%, 0.41%

LAB 41.86, 66.78, -10.55

 

CMYK 0 / 89 / 60 / 27

HEX #BB154A

RGB 187 21 74

HSL 340.84, 0.8%, 0.41%

LAB 40.57, 63.17, 15.33

 

CMYK 0 / 89 / 84 / 27

HEX #BB151E

RGB 187 21 30

HSL 356.75, 0.8%, 0.41%

LAB 39.91, 61.27, 41.24

 

CMYK 0 / 70 / 89 / 27

HEX #BB3915

RGB 187 57 21

HSL 13.01, 0.8%, 0.41%

LAB 43.57, 50.64, 48.58

 

CMYK 0 / 88 / 61 / 56

HEX #710D2C

RGB 113 13 44

HSL 341.4, 0.79%, 0.25%

LAB 23.61, 42.87, 9.53

 

CMYK 0 / 89 / 61 / 41

HEX #96113A

RGB 150 17 58

HSL 341.5, 0.8%, 0.33%

LAB 32.24, 53.23, 13.12

 

CMYK 0 / 89 / 61 / 27

HEX #BB1549

RGB 187 21 73

HSL 341.2, 0.8%, 0.41%

LAB 40.54, 63.1, 15.94

 

CMYK 0 / 88 / 61 / 12

HEX #E01A57

RGB 224 26 87

HSL 341.52, 0.79%, 0.49%

LAB 48.6, 72.35, 19.32

 

CMYK 0 / 75 / 52 / 9

HEX #E83B70

RGB 232 59 112

HSL 341.62, 0.79%, 0.57%

LAB 53.44, 68.27, 11.03

 

CMYK 0 / 88 / 61 / 27

HEX #BB1649

RGB 187 22 73

HSL 341.45, 0.79%, 0.41%

LAB 40.61, 62.93, 16.02

 

CMYK 0 / 11 / 89 / 27

HEX #BBA715

RGB 187 167 21

HSL 52.77, 0.8%, 0.41%

LAB 68.21, -6.48, 67.92

 

CMYK 89 / 25 / 0 / 27

HEX #158CBB

RGB 21 140 187

HSL 196.99, 0.8%, 0.41%

LAB 54.56, -13.54, -33.03

 

CMYK 0 / 88 / 61 / 27

HEX #BB1649

RGB 187 22 73

HSL 341.45, 0.79%, 0.41%

LAB 40.61, 62.93, 16.02

 

CMYK 60 / 0 / 89 / 27

HEX #4ABB15

RGB 74 187 21

HSL 100.84, 0.8%, 0.41%

LAB 67.32, -58.15, 64.42

 

CMYK 89 / 60 / 0 / 27

HEX #154ABB

RGB 21 74 187

HSL 220.84, 0.8%, 0.41%

LAB 35.29, 27.84, -63.85

 

CMYK 0 / 88 / 61 / 27

HEX #BB1649

RGB 187 22 73

HSL 341.45, 0.79%, 0.41%

LAB 40.61, 62.93, 16.02

 

CMYK 0 / 11 / 89 / 27

HEX #BBA715

RGB 187 167 21

HSL 52.77, 0.8%, 0.41%

LAB 68.21, -6.48, 67.92

 

CMYK 89 / 0 / 28 / 27

HEX #15BB86

RGB 21 187 134

HSL 160.84, 0.8%, 0.41%

LAB 67.59, -51.55, 16.04

 

CMYK 89 / 78 / 0 / 27

HEX #1529BB

RGB 21 41 187

HSL 232.77, 0.8%, 0.41%

LAB 27.66, 48.4, -76.42

 

CMYK 0 / 88 / 61 / 27

HEX #BB1649

RGB 187 22 73

HSL 341.45, 0.79%, 0.41%

LAB 40.61, 62.93, 16.02

 

CMYK 17 / 0 / 89 / 27

HEX #9CBB15

RGB 156 187 21

HSL 71.2, 0.8%, 0.41%

LAB 71.33, -29.96, 69.39

 

CMYK 89 / 0 / 28 / 27

HEX #15BB86

RGB 21 187 134

HSL 160.84, 0.8%, 0.41%

LAB 67.59, -51.55, 16.04

 

CMYK 72 / 89 / 0 / 27

HEX #3415BB

RGB 52 21 187

HSL 251.2, 0.8%, 0.41%

LAB 26.32, 58.69, -78.61

 

Description

Color code: HEX #BB1649 | qconv.com Color code: HEX #BB1649 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 22 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 22 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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