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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB03BF it is the complementary color #44FC40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB03BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB03BF shade: #C003BA, #D115CD, #E227E0, #F339F3 and #FF4BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB03BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB03BF shade: #BB03BF, #AA00AC, #990099, #880086 and #770073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB03BF shade: #BA02BE, #BE0290, #BE025D, #BE022A and #BE0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB03BF shade: #BA02BE, #8802BE, #5502BE, #2202BE and #0202BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB03BF shade matches the following richer shades: #BA02BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB03BF shade: #BA02BE, #AB12AF, #9C229F, #8D318F and #7E4180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB03BF shade: #5402BE, #8602BE, #B802BE, #BE0293 and #BE0260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB03BF shade: #6B016D, #930296, #BA02BE, #E203E7 and #F618FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB03BF shade: #BB03BF, #BE2202 and #02BE6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB03BF shade: #BB03BF, #BEB802 and #02BEB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB03BF shade: #BB03BF, #BE2202, #09BE02 and #029FBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB03BF shade: #BB03BF, #BE5A02, #09BE02 and #0267BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 98 / 0 / 25

HEX #BB03BF

RGB 187 3 191

HSL 298.72, 0.97%, 0.38%

LAB 44.79, 78.15, -49.99

 

Complementary color

CMYK 73 / 0 / 75 / 1

HEX #44FC40

RGB 68 252 64

HSL 118.72, 0.97%, 0.62%

LAB 87.59, -77.79, 71.79

 

CMYK 0 / 98 / 3 / 25

HEX #C003BA

RGB 192 3 186

HSL 301.9, 0.97%, 0.38%

LAB 45.38, 78.23, -46.07

 

CMYK 0 / 90 / 2 / 18

HEX #D115CD

RGB 209 21 205

HSL 301.28, 0.82%, 0.45%

LAB 50.1, 82.09, -49.41

 

CMYK 0 / 83 / 1 / 11

HEX #E227E0

RGB 226 39 224

HSL 300.64, 0.76%, 0.52%

LAB 55.07, 84.91, -52.15

 

CMYK 0 / 77 / 0 / 5

HEX #F339F3

RGB 243 57 243

HSL 300, 0.89%, 0.59%

LAB 60.29, 86.79, -54.33

 

CMYK 0 / 71 / 0 / 0

HEX #FF4BFF

RGB 255 75 255

HSL 300, 1%, 0.65%

LAB 64.57, 85.88, -54.06

 

CMYK 2 / 98 / 0 / 25

HEX #BB03BF

RGB 187 3 191

HSL 298.72, 0.97%, 0.38%

LAB 44.79, 78.15, -49.99

 

CMYK 1 / 100 / 0 / 33

HEX #AA00AC

RGB 170 0 172

HSL 299.3, 1%, 0.34%

LAB 40.45, 72.81, -45.9

 

CMYK 0 / 100 / 0 / 40

HEX #990099

RGB 153 0 153

HSL 300, 1%, 0.3%

LAB 36.12, 67.1, -41.55

 

CMYK 0 / 100 / 1 / 47

HEX #880086

RGB 136 0 134

HSL 300.88, 1%, 0.27%

LAB 31.71, 61.27, -37.09

 

CMYK 0 / 100 / 3 / 53

HEX #770073

RGB 119 0 115

HSL 302.02, 1%, 0.23%

LAB 27.19, 55.3, -32.5

 

CMYK 2 / 99 / 0 / 25

HEX #BA02BE

RGB 186 2 190

HSL 298.72, 0.98%, 0.38%

LAB 44.52, 77.93, -49.85

 

CMYK 0 / 99 / 24 / 25

HEX #BE0290

RGB 190 2 144

HSL 314.68, 0.98%, 0.38%

LAB 42.77, 72.46, -25.11

 

CMYK 0 / 99 / 51 / 25

HEX #BE025D

RGB 190 2 93

HSL 330.96, 0.98%, 0.38%

LAB 40.87, 67.51, 3.77

 

CMYK 0 / 99 / 78 / 25

HEX #BE022A

RGB 190 2 42

HSL 347.23, 0.98%, 0.38%

LAB 39.84, 64.76, 34.55

 

CMYK 0 / 99 / 99 / 25

HEX #BE0202

RGB 190 2 2

HSL 0, 0.98%, 0.38%

LAB 39.57, 64.02, 53.13

 

CMYK 2 / 99 / 0 / 25

HEX #BA02BE

RGB 186 2 190

HSL 298.72, 0.98%, 0.38%

LAB 44.52, 77.93, -49.85

 

CMYK 28 / 99 / 0 / 25

HEX #8802BE

RGB 136 2 190

HSL 282.77, 0.98%, 0.38%

LAB 35.98, 70.71, -64.09

 

CMYK 55 / 99 / 0 / 25

HEX #5502BE

RGB 85 2 190

HSL 266.49, 0.98%, 0.38%

LAB 28.62, 65.69, -76.46

 

CMYK 82 / 99 / 0 / 25

HEX #2202BE

RGB 34 2 190

HSL 250.21, 0.98%, 0.38%

LAB 24, 63.42, -84.27

 

CMYK 99 / 99 / 0 / 25

HEX #0202BE

RGB 2 2 190

HSL 240, 0.98%, 0.38%

LAB 22.91, 63.02, -86.13

 

CMYK 2 / 99 / 0 / 25

HEX #BA02BE

RGB 186 2 190

HSL 298.72, 0.98%, 0.38%

LAB 44.52, 77.93, -49.85

 

CMYK 2 / 99 / 0 / 25

HEX #BA02BE

RGB 186 2 190

HSL 298.72, 0.98%, 0.38%

LAB 44.52, 77.93, -49.85

 

CMYK 2 / 90 / 0 / 31

HEX #AB12AF

RGB 171 18 175

HSL 298.47, 0.81%, 0.38%

LAB 41.51, 71.4, -45.98

 

CMYK 2 / 79 / 0 / 38

HEX #9C229F

RGB 156 34 159

HSL 298.56, 0.65%, 0.38%

LAB 39.1, 62.56, -40.41

 

CMYK 1 / 66 / 0 / 44

HEX #8D318F

RGB 141 49 143

HSL 298.72, 0.49%, 0.38%

LAB 37.56, 51.08, -33.29

 

CMYK 2 / 49 / 0 / 50

HEX #7E4180

RGB 126 65 128

HSL 298.1, 0.33%, 0.38%

LAB 37.44, 36.17, -24.42

 

CMYK 56 / 99 / 0 / 25

HEX #5402BE

RGB 84 2 190

HSL 266.17, 0.98%, 0.38%

LAB 28.5, 65.62, -76.67

 

CMYK 29 / 99 / 0 / 25

HEX #8602BE

RGB 134 2 190

HSL 282.13, 0.98%, 0.38%

LAB 35.65, 70.46, -64.63

 

CMYK 3 / 99 / 0 / 25

HEX #B802BE

RGB 184 2 190

HSL 298.09, 0.98%, 0.38%

LAB 44.16, 77.6, -50.44

 

CMYK 0 / 99 / 23 / 25

HEX #BE0293

RGB 190 2 147

HSL 313.72, 0.98%, 0.38%

LAB 42.91, 72.82, -26.72

 

CMYK 0 / 99 / 49 / 25

HEX #BE0260

RGB 190 2 96

HSL 330, 0.98%, 0.38%

LAB 40.95, 67.75, 1.99

 

CMYK 2 / 99 / 0 / 57

HEX #6B016D

RGB 107 1 109

HSL 298.89, 0.98%, 0.22%

LAB 24.49, 51.98, -33.08

 

CMYK 2 / 99 / 0 / 41

HEX #930296

RGB 147 2 150

HSL 298.78, 0.97%, 0.3%

LAB 34.9, 65.37, -41.74

 

CMYK 2 / 99 / 0 / 25

HEX #BA02BE

RGB 186 2 190

HSL 298.72, 0.98%, 0.38%

LAB 44.52, 77.93, -49.85

 

CMYK 2 / 99 / 0 / 9

HEX #E203E7

RGB 226 3 231

HSL 298.68, 0.97%, 0.46%

LAB 54.03, 90.2, -57.78

 

CMYK 2 / 90 / 0 / 2

HEX #F618FB

RGB 246 24 251

HSL 298.68, 0.97%, 0.54%

LAB 59.17, 94.52, -60.55

 

CMYK 2 / 98 / 0 / 25

HEX #BB03BF

RGB 187 3 191

HSL 298.72, 0.97%, 0.38%

LAB 44.79, 78.15, -49.99

 

CMYK 0 / 82 / 99 / 25

HEX #BE2202

RGB 190 34 2

HSL 10.21, 0.98%, 0.38%

LAB 41.37, 58.87, 53.89

 

CMYK 99 / 0 / 43 / 25

HEX #02BE6D

RGB 2 190 109

HSL 154.15, 0.98%, 0.38%

LAB 67.98, -58.76, 29.84

 

CMYK 2 / 98 / 0 / 25

HEX #BB03BF

RGB 187 3 191

HSL 298.72, 0.97%, 0.38%

LAB 44.79, 78.15, -49.99

 

CMYK 0 / 3 / 99 / 25

HEX #BEB802

RGB 190 184 2

HSL 58.09, 0.98%, 0.38%

LAB 73.04, -14.23, 74.31

 

CMYK 99 / 0 / 3 / 25

HEX #02BEB8

RGB 2 190 184

HSL 178.09, 0.98%, 0.38%

LAB 69.68, -40.27, -8.3

 

CMYK 2 / 98 / 0 / 25

HEX #BB03BF

RGB 187 3 191

HSL 298.72, 0.97%, 0.38%

LAB 44.79, 78.15, -49.99

 

CMYK 0 / 82 / 99 / 25

HEX #BE2202

RGB 190 34 2

HSL 10.21, 0.98%, 0.38%

LAB 41.37, 58.87, 53.89

 

CMYK 95 / 0 / 99 / 25

HEX #09BE02

RGB 9 190 2

HSL 117.77, 0.98%, 0.38%

LAB 67.19, -68.63, 66.49

 

CMYK 99 / 16 / 0 / 25

HEX #029FBE

RGB 2 159 190

HSL 189.89, 0.98%, 0.38%

LAB 60.36, -23.47, -25.74

 

CMYK 2 / 98 / 0 / 25

HEX #BB03BF

RGB 187 3 191

HSL 298.72, 0.97%, 0.38%

LAB 44.79, 78.15, -49.99

 

CMYK 0 / 53 / 99 / 25

HEX #BE5A02

RGB 190 90 2

HSL 28.09, 0.98%, 0.38%

LAB 49.81, 36.26, 58.43

 

CMYK 95 / 0 / 99 / 25

HEX #09BE02

RGB 9 190 2

HSL 117.77, 0.98%, 0.38%

LAB 67.19, -68.63, 66.49

 

CMYK 99 / 46 / 0 / 25

HEX #0267BE

RGB 2 103 190

HSL 207.77, 0.98%, 0.38%

LAB 43.41, 9.06, -52.45

 

Description

Color code: HEX #BB03BF | qconv.com Color code: HEX #BB03BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 3 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 3 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 98 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 98% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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