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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB0696 it is the complementary color #44F969. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB0696. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB0696 shade: #C00691, #D118A4, #E22AB7, #F33CCA and #FF4EDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB0696. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB0696 shade: #BB0696, #AA0083, #990070, #88005D and #77004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB0696 shade: #BB0596, #BB0565, #BB0534 and #BB0505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB0696 shade: #BB0596, #B005BB, #7E05BB, #4D05BB and #1C05BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB0696 shade matches the following richer shades: #BB0596

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB0696 shade: #BB0596, #AC158D, #9C2584, #8C347A and #7D4471

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB0696 shade: #7F05BB, #AF05BB, #BB0597, #BB0566 and #BB0536

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB0696 shade: #6B0356, #930476, #BB0596, #E407B6 and #F71CCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB0696 shade: #BB0696, #BB4E05 and #05BB97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB0696 shade: #BB0696, #97BB05 and #0597BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB0696 shade: #BB0696, #BB4E05, #05BB2A and #0573BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB0696 shade: #BB0696, #BB8505, #05BB2A and #053CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 20 / 27

HEX #BB0696

RGB 187 6 150

HSL 312.27, 0.94%, 0.38%

LAB 42.61, 72.22, -29.05

 

Complementary color

CMYK 73 / 0 / 58 / 2

HEX #44F969

RGB 68 249 105

HSL 132.27, 0.94%, 0.62%

LAB 87, -73.01, 55.39

 

CMYK 0 / 97 / 24 / 25

HEX #C00691

RGB 192 6 145

HSL 315.16, 0.94%, 0.39%

LAB 43.33, 72.59, -24.81

 

CMYK 0 / 89 / 22 / 18

HEX #D118A4

RGB 209 24 164

HSL 314.59, 0.79%, 0.46%

LAB 48.12, 76.18, -28.54

 

CMYK 0 / 81 / 19 / 11

HEX #E22AB7

RGB 226 42 183

HSL 314.02, 0.76%, 0.53%

LAB 53.22, 78.65, -31.55

 

CMYK 0 / 75 / 17 / 5

HEX #F33CCA

RGB 243 60 202

HSL 313.44, 0.88%, 0.59%

LAB 58.56, 80.21, -33.96

 

CMYK 0 / 69 / 13 / 0

HEX #FF4EDD

RGB 255 78 221

HSL 311.53, 1%, 0.65%

LAB 63.28, 79.94, -37.19

 

CMYK 0 / 97 / 20 / 27

HEX #BB0696

RGB 187 6 150

HSL 312.27, 0.94%, 0.38%

LAB 42.61, 72.22, -29.05

 

CMYK 0 / 100 / 23 / 33

HEX #AA0083

RGB 170 0 131

HSL 313.76, 1%, 0.33%

LAB 38.17, 67.2, -24.58

 

CMYK 0 / 100 / 27 / 40

HEX #990070

RGB 153 0 112

HSL 316.08, 1%, 0.3%

LAB 33.86, 61.51, -19.61

 

CMYK 0 / 100 / 32 / 47

HEX #88005D

RGB 136 0 93

HSL 318.97, 1%, 0.27%

LAB 29.47, 55.72, -14.4

 

CMYK 0 / 100 / 38 / 53

HEX #77004A

RGB 119 0 74

HSL 322.69, 1%, 0.23%

LAB 25, 49.83, -8.91

 

CMYK 0 / 97 / 20 / 27

HEX #BB0596

RGB 187 5 150

HSL 312.2, 0.95%, 0.38%

LAB 42.57, 72.32, -29.1

 

CMYK 0 / 97 / 46 / 27

HEX #BB0565

RGB 187 5 101

HSL 328.35, 0.95%, 0.38%

LAB 40.59, 67.17, -1.77

 

CMYK 0 / 97 / 72 / 27

HEX #BB0534

RGB 187 5 52

HSL 344.51, 0.95%, 0.38%

LAB 39.45, 64.08, 27.8

 

CMYK 0 / 97 / 97 / 27

HEX #BB0505

RGB 187 5 5

HSL 0, 0.95%, 0.38%

LAB 39.04, 62.96, 51.39

 

CMYK 0 / 97 / 20 / 27

HEX #BB0596

RGB 187 5 150

HSL 312.2, 0.95%, 0.38%

LAB 42.57, 72.32, -29.1

 

CMYK 6 / 97 / 0 / 27

HEX #B005BB

RGB 176 5 187

HSL 296.37, 0.95%, 0.38%

LAB 42.65, 75.58, -51.18

 

CMYK 33 / 97 / 0 / 27

HEX #7E05BB

RGB 126 5 187

HSL 279.89, 0.95%, 0.38%

LAB 34.26, 68.52, -65.2

 

CMYK 59 / 97 / 0 / 27

HEX #4D05BB

RGB 77 5 187

HSL 263.74, 0.95%, 0.38%

LAB 27.5, 63.91, -76.57

 

CMYK 85 / 97 / 0 / 27

HEX #1C05BB

RGB 28 5 187

HSL 247.58, 0.95%, 0.38%

LAB 23.48, 61.88, -83.37

 

CMYK 0 / 97 / 20 / 27

HEX #BB0596

RGB 187 5 150

HSL 312.2, 0.95%, 0.38%

LAB 42.57, 72.32, -29.1

 

CMYK 0 / 97 / 20 / 27

HEX #BB0596

RGB 187 5 150

HSL 312.2, 0.95%, 0.38%

LAB 42.57, 72.32, -29.1

 

CMYK 0 / 88 / 18 / 33

HEX #AC158D

RGB 172 21 141

HSL 312.32, 0.78%, 0.38%

LAB 39.97, 66.18, -27.91

 

CMYK 0 / 76 / 15 / 39

HEX #9C2584

RGB 156 37 132

HSL 312.1, 0.62%, 0.38%

LAB 37.94, 57.44, -25.75

 

CMYK 0 / 63 / 13 / 45

HEX #8C347A

RGB 140 52 122

HSL 312.27, 0.46%, 0.38%

LAB 36.81, 45.86, -21.51

 

CMYK 0 / 46 / 10 / 51

HEX #7D4471

RGB 125 68 113

HSL 312.63, 0.3%, 0.38%

LAB 37.27, 31.28, -15.38

 

CMYK 32 / 97 / 0 / 27

HEX #7F05BB

RGB 127 5 187

HSL 280.22, 0.95%, 0.38%

LAB 34.41, 68.64, -64.94

 

CMYK 6 / 97 / 0 / 27

HEX #AF05BB

RGB 175 5 187

HSL 296.04, 0.95%, 0.38%

LAB 42.48, 75.42, -51.48

 

CMYK 0 / 97 / 19 / 27

HEX #BB0597

RGB 187 5 151

HSL 311.87, 0.95%, 0.38%

LAB 42.62, 72.44, -29.63

 

CMYK 0 / 97 / 45 / 27

HEX #BB0566

RGB 187 5 102

HSL 328.02, 0.95%, 0.38%

LAB 40.63, 67.26, -2.36

 

CMYK 0 / 97 / 71 / 27

HEX #BB0536

RGB 187 5 54

HSL 343.85, 0.95%, 0.38%

LAB 39.48, 64.16, 26.59

 

CMYK 0 / 97 / 20 / 58

HEX #6B0356

RGB 107 3 86

HSL 312.12, 0.95%, 0.22%

LAB 23.21, 48.04, -19.96

 

CMYK 0 / 97 / 20 / 42

HEX #930476

RGB 147 4 118

HSL 312.17, 0.95%, 0.3%

LAB 33.13, 60.49, -24.64

 

CMYK 0 / 97 / 20 / 27

HEX #BB0596

RGB 187 5 150

HSL 312.2, 0.95%, 0.38%

LAB 42.57, 72.32, -29.1

 

CMYK 0 / 97 / 20 / 11

HEX #E407B6

RGB 228 7 182

HSL 312.49, 0.94%, 0.46%

LAB 51.86, 83.78, -33.05

 

CMYK 0 / 89 / 18 / 3

HEX #F71CCB

RGB 247 28 203

HSL 312.05, 0.93%, 0.54%

LAB 56.99, 87.79, -36.92

 

CMYK 0 / 97 / 20 / 27

HEX #BB0696

RGB 187 6 150

HSL 312.27, 0.94%, 0.38%

LAB 42.61, 72.22, -29.05

 

CMYK 0 / 58 / 97 / 27

HEX #BB4E05

RGB 187 78 5

HSL 24.07, 0.95%, 0.38%

LAB 47.01, 41.1, 55.76

 

CMYK 97 / 0 / 19 / 27

HEX #05BB97

RGB 5 187 151

HSL 168.13, 0.95%, 0.38%

LAB 67.88, -48.09, 7.17

 

CMYK 0 / 97 / 20 / 27

HEX #BB0696

RGB 187 6 150

HSL 312.27, 0.94%, 0.38%

LAB 42.61, 72.22, -29.05

 

CMYK 19 / 0 / 97 / 27

HEX #97BB05

RGB 151 187 5

HSL 71.87, 0.95%, 0.38%

LAB 70.96, -32.29, 71.11

 

CMYK 97 / 19 / 0 / 27

HEX #0597BB

RGB 5 151 187

HSL 191.87, 0.95%, 0.38%

LAB 57.8, -20.23, -28

 

CMYK 0 / 97 / 20 / 27

HEX #BB0696

RGB 187 6 150

HSL 312.27, 0.94%, 0.38%

LAB 42.61, 72.22, -29.05

 

CMYK 0 / 58 / 97 / 27

HEX #BB4E05

RGB 187 78 5

HSL 24.07, 0.95%, 0.38%

LAB 47.01, 41.1, 55.76

 

CMYK 97 / 0 / 78 / 27

HEX #05BB2A

RGB 5 187 42

HSL 132.2, 0.95%, 0.38%

LAB 66.32, -66.37, 57.72

 

CMYK 97 / 39 / 0 / 27

HEX #0573BB

RGB 5 115 187

HSL 203.74, 0.95%, 0.38%

LAB 46.82, 0.41, -45.25

 

CMYK 0 / 97 / 20 / 27

HEX #BB0696

RGB 187 6 150

HSL 312.27, 0.94%, 0.38%

LAB 42.61, 72.22, -29.05

 

CMYK 0 / 29 / 97 / 27

HEX #BB8505

RGB 187 133 5

HSL 42.2, 0.95%, 0.38%

LAB 59.3, 11.69, 63.9

 

CMYK 97 / 0 / 78 / 27

HEX #05BB2A

RGB 5 187 42

HSL 132.2, 0.95%, 0.38%

LAB 66.32, -66.37, 57.72

 

CMYK 97 / 68 / 0 / 27

HEX #053CBB

RGB 5 60 187

HSL 221.87, 0.95%, 0.38%

LAB 31.47, 36.44, -70.14

 

Description

Color code: HEX #BB0696 | qconv.com Color code: HEX #BB0696 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 6 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 6 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 20 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 20% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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