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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB0555 it is the complementary color #44FAAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB0555. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB0555 shade: #C00550, #D11763, #E22976, #F33B89 and #FF4D9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB0555. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB0555 shade: #BB0555, #AA0042, #99002F, #88001C and #770009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB0555 shade: #BC0455, #BC0424 and #BC0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB0555 shade: #BC0455, #BC0487, #BC04B9, #8F04BC and #5D04BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB0555 shade matches the following richer shades: #BC0455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB0555 shade: #BC0455, #AD1457, #9D2459, #8D335B and #7E435D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB0555 shade: #BC04B9, #BC0488, #BC0457, #BC0426 and #BC1404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB0555 shade: #6C0231, #940343, #BC0455, #E50568 and #F91B7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB0555 shade: #BB0555, #BC8E04 and #04A1BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB0555 shade: #BB0555, #57BC04 and #0457BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB0555 shade: #BB0555, #BC8E04, #04BC6A and #0432BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB0555 shade: #BB0555, #B3BC04, #04BC6A and #0E04BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 55 / 27

HEX #BB0555

RGB 187 5 85

HSL 333.63, 0.95%, 0.38%

LAB 40.13, 65.93, 7.72

 

Complementary color

CMYK 73 / 0 / 32 / 2

HEX #44FAAA

RGB 68 250 170

HSL 153.63, 0.95%, 0.62%

LAB 88.21, -62.9, 25.67

 

CMYK 0 / 97 / 58 / 25

HEX #C00550

RGB 192 5 80

HSL 335.94, 0.95%, 0.39%

LAB 41.05, 66.77, 12.35

 

CMYK 0 / 89 / 53 / 18

HEX #D11763

RGB 209 23 99

HSL 335.48, 0.8%, 0.45%

LAB 45.73, 69.97, 7.46

 

CMYK 0 / 82 / 48 / 11

HEX #E22976

RGB 226 41 118

HSL 335.03, 0.76%, 0.52%

LAB 50.76, 72.07, 3.44

 

CMYK 0 / 76 / 44 / 5

HEX #F33B89

RGB 243 59 137

HSL 334.57, 0.88%, 0.59%

LAB 56.08, 73.29, 0.14

 

CMYK 0 / 70 / 39 / 0

HEX #FF4D9C

RGB 255 77 156

HSL 333.37, 1%, 0.65%

LAB 60.75, 72.51, -3.9

 

CMYK 0 / 97 / 55 / 27

HEX #BB0555

RGB 187 5 85

HSL 333.63, 0.95%, 0.38%

LAB 40.13, 65.93, 7.72

 

CMYK 0 / 100 / 61 / 33

HEX #AA0042

RGB 170 0 66

HSL 336.71, 1%, 0.33%

LAB 35.87, 61.21, 13.51

 

CMYK 0 / 100 / 69 / 40

HEX #99002F

RGB 153 0 47

HSL 341.57, 1%, 0.3%

LAB 31.76, 56, 19.88

 

CMYK 0 / 100 / 79 / 47

HEX #88001C

RGB 136 0 28

HSL 347.65, 1%, 0.27%

LAB 27.62, 50.84, 26.44

 

CMYK 0 / 100 / 92 / 53

HEX #770009

RGB 119 0 9

HSL 355.46, 1%, 0.23%

LAB 23.48, 45.78, 31.67

 

CMYK 0 / 98 / 55 / 26

HEX #BC0455

RGB 188 4 85

HSL 333.59, 0.96%, 0.38%

LAB 40.3, 66.26, 8

 

CMYK 0 / 98 / 81 / 26

HEX #BC0424

RGB 188 4 36

HSL 349.57, 0.96%, 0.38%

LAB 39.42, 63.87, 37.51

 

CMYK 0 / 98 / 98 / 26

HEX #BC0404

RGB 188 4 4

HSL 0, 0.96%, 0.38%

LAB 39.22, 63.32, 51.96

 

CMYK 0 / 98 / 55 / 26

HEX #BC0455

RGB 188 4 85

HSL 333.59, 0.96%, 0.38%

LAB 40.3, 66.26, 8

 

CMYK 0 / 98 / 28 / 26

HEX #BC0487

RGB 188 4 135

HSL 317.28, 0.96%, 0.38%

LAB 42.04, 70.84, -20.76

 

CMYK 0 / 98 / 2 / 26

HEX #BC04B9

RGB 188 4 185

HSL 300.98, 0.96%, 0.38%

LAB 44.63, 77.33, -46.72

 

CMYK 24 / 98 / 0 / 26

HEX #8F04BC

RGB 143 4 188

HSL 285.33, 0.96%, 0.38%

LAB 37.04, 71, -61.14

 

CMYK 51 / 98 / 0 / 26

HEX #5D04BC

RGB 93 4 188

HSL 269.02, 0.96%, 0.38%

LAB 29.53, 65.51, -73.75

 

CMYK 0 / 98 / 55 / 26

HEX #BC0455

RGB 188 4 85

HSL 333.59, 0.96%, 0.38%

LAB 40.3, 66.26, 8

 

CMYK 0 / 98 / 55 / 26

HEX #BC0455

RGB 188 4 85

HSL 333.59, 0.96%, 0.38%

LAB 40.3, 66.26, 8

 

CMYK 0 / 88 / 50 / 32

HEX #AD1457

RGB 173 20 87

HSL 333.73, 0.79%, 0.38%

LAB 37.97, 60.76, 2.97

 

CMYK 0 / 77 / 43 / 38

HEX #9D2459

RGB 157 36 89

HSL 333.72, 0.63%, 0.38%

LAB 36.27, 52.69, -1.17

 

CMYK 0 / 64 / 35 / 45

HEX #8D335B

RGB 141 51 91

HSL 333.33, 0.47%, 0.38%

LAB 35.57, 42.14, -3.82

 

CMYK 0 / 47 / 26 / 51

HEX #7E435D

RGB 126 67 93

HSL 333.56, 0.31%, 0.38%

LAB 36.44, 28.81, -4.05

 

CMYK 0 / 98 / 2 / 26

HEX #BC04B9

RGB 188 4 185

HSL 300.98, 0.96%, 0.38%

LAB 44.63, 77.33, -46.72

 

CMYK 0 / 98 / 28 / 26

HEX #BC0488

RGB 188 4 136

HSL 316.96, 0.96%, 0.38%

LAB 42.09, 70.95, -21.31

 

CMYK 0 / 98 / 54 / 26

HEX #BC0457

RGB 188 4 87

HSL 332.93, 0.96%, 0.38%

LAB 40.36, 66.41, 6.8

 

CMYK 0 / 98 / 80 / 26

HEX #BC0426

RGB 188 4 38

HSL 348.91, 0.96%, 0.38%

LAB 39.44, 63.93, 36.37

 

CMYK 0 / 89 / 98 / 26

HEX #BC1404

RGB 188 20 4

HSL 5.22, 0.96%, 0.38%

LAB 39.92, 61.31, 52.28

 

CMYK 0 / 98 / 55 / 58

HEX #6C0231

RGB 108 2 49

HSL 333.4, 0.96%, 0.22%

LAB 21.77, 44.34, 3.31

 

CMYK 0 / 98 / 55 / 42

HEX #940343

RGB 148 3 67

HSL 333.52, 0.96%, 0.3%

LAB 31.27, 55.57, 5.74

 

CMYK 0 / 98 / 55 / 26

HEX #BC0455

RGB 188 4 85

HSL 333.59, 0.96%, 0.38%

LAB 40.3, 66.26, 8

 

CMYK 0 / 98 / 55 / 10

HEX #E50568

RGB 229 5 104

HSL 333.48, 0.96%, 0.46%

LAB 49.21, 76.84, 9.86

 

CMYK 0 / 89 / 50 / 2

HEX #F91B7C

RGB 249 27 124

HSL 333.78, 0.95%, 0.54%

LAB 54.43, 80.56, 5.66

 

CMYK 0 / 97 / 55 / 27

HEX #BB0555

RGB 187 5 85

HSL 333.63, 0.95%, 0.38%

LAB 40.13, 65.93, 7.72

 

CMYK 0 / 24 / 98 / 26

HEX #BC8E04

RGB 188 142 4

HSL 45, 0.96%, 0.38%

LAB 61.69, 7.18, 65.79

 

CMYK 98 / 14 / 0 / 26

HEX #04A1BC

RGB 4 161 188

HSL 188.8, 0.96%, 0.38%

LAB 60.91, -25.11, -23.78

 

CMYK 0 / 97 / 55 / 27

HEX #BB0555

RGB 187 5 85

HSL 333.63, 0.95%, 0.38%

LAB 40.13, 65.93, 7.72

 

CMYK 54 / 0 / 98 / 26

HEX #57BC04

RGB 87 188 4

HSL 92.93, 0.96%, 0.38%

LAB 68.02, -55.47, 67.54

 

CMYK 98 / 54 / 0 / 26

HEX #0457BC

RGB 4 87 188

HSL 212.93, 0.96%, 0.38%

LAB 38.68, 18.83, -58.93

 

CMYK 0 / 97 / 55 / 27

HEX #BB0555

RGB 187 5 85

HSL 333.63, 0.95%, 0.38%

LAB 40.13, 65.93, 7.72

 

CMYK 0 / 24 / 98 / 26

HEX #BC8E04

RGB 188 142 4

HSL 45, 0.96%, 0.38%

LAB 61.69, 7.18, 65.79

 

CMYK 98 / 0 / 44 / 26

HEX #04BC6A

RGB 4 188 106

HSL 153.26, 0.96%, 0.38%

LAB 67.3, -58.55, 30.51

 

CMYK 98 / 73 / 0 / 26

HEX #0432BC

RGB 4 50 188

HSL 225, 0.96%, 0.38%

LAB 29.26, 43.07, -74.38

 

CMYK 0 / 97 / 55 / 27

HEX #BB0555

RGB 187 5 85

HSL 333.63, 0.95%, 0.38%

LAB 40.13, 65.93, 7.72

 

CMYK 5 / 0 / 98 / 26

HEX #B3BC04

RGB 179 188 4

HSL 62.93, 0.96%, 0.38%

LAB 73.26, -20.99, 73.85

 

CMYK 98 / 0 / 44 / 26

HEX #04BC6A

RGB 4 188 106

HSL 153.26, 0.96%, 0.38%

LAB 67.3, -58.55, 30.51

 

CMYK 93 / 98 / 0 / 26

HEX #0E04BC

RGB 14 4 188

HSL 243.26, 0.96%, 0.38%

LAB 23.04, 62.15, -84.72

 

Description

Color code: HEX #BB0555 | qconv.com Color code: HEX #BB0555 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 5 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 5 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 55 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 55% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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