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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAFE76 it is the complementary color #450189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAFE76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAFE76 shade: #BFFE71, #D0FF84, #E1FF97, #F2FFAA and #FFFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAFE76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAFE76 shade: #BAFE76, #A9EC63, #98DA50, #87C83D and #76B62A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAFE76 shade: #BAFE75, #DEFE75, #FEF875, #FED475 and #FEAF75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAFE76 shade: #BAFE75, #95FE75, #75FE7B, #75FEA0 and #75FEC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAFE76 shade matches the following richer shades: #BAFE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAFE76 shade: #BAFE75, #BAF381, #BAE88C, #BADC97 and #BAD1A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAFE76 shade: #FEF975, #DEFE75, #BAFE75, #95FE75 and #75FE7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAFE76 shade: #90FD23, #A5FE4C, #BAFE75, #CEFE9F and #E3FEC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAFE76 shade: #BAFE76, #75FED5 and #FE75F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAFE76 shade: #BAFE76, #75BAFE and #FE75BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAFE76 shade: #BAFE76, #75FED5, #BA75FE and #FE759E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAFE76 shade: #BAFE76, #75FEFE, #BA75FE and #FE7575

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 54 / 0

HEX #BAFE76

RGB 186 254 118

HSL 90, 0.99%, 0.73%

LAB 92.85, -42.76, 57.56

 

Complementary color

CMYK 50 / 99 / 0 / 46

HEX #450189

RGB 69 1 137

HSL 270, 0.99%, 0.27%

LAB 20.41, 52.44, -57.86

 

CMYK 25 / 0 / 56 / 0

HEX #BFFE71

RGB 191 254 113

HSL 86.81, 0.99%, 0.72%

LAB 93.08, -41.48, 60.11

 

CMYK 18 / 0 / 48 / 0

HEX #D0FF84

RGB 208 255 132

HSL 82.93, 1%, 0.76%

LAB 94.57, -33.96, 53.54

 

CMYK 12 / 0 / 41 / 0

HEX #E1FF97

RGB 225 255 151

HSL 77.31, 1%, 0.8%

LAB 95.9, -25.69, 46.43

 

CMYK 5 / 0 / 33 / 0

HEX #F2FFAA

RGB 242 255 170

HSL 69.18, 1%, 0.83%

LAB 97.35, -17.21, 39.26

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE76

RGB 186 254 118

HSL 90, 0.99%, 0.73%

LAB 92.85, -42.76, 57.56

 

CMYK 28 / 0 / 58 / 7

HEX #A9EC63

RGB 169 236 99

HSL 89.34, 0.78%, 0.66%

LAB 86.67, -42.67, 58.55

 

CMYK 30 / 0 / 63 / 15

HEX #98DA50

RGB 152 218 80

HSL 88.7, 0.65%, 0.58%

LAB 80.4, -42.5, 59.39

 

CMYK 33 / 0 / 70 / 22

HEX #87C83D

RGB 135 200 61

HSL 88.06, 0.56%, 0.51%

LAB 74.06, -42.22, 59.95

 

CMYK 35 / 0 / 77 / 29

HEX #76B62A

RGB 118 182 42

HSL 87.43, 0.63%, 0.44%

LAB 67.63, -41.77, 59.99

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE75

RGB 186 254 117

HSL 89.78, 0.99%, 0.73%

LAB 92.84, -42.86, 58

 

CMYK 13 / 0 / 54 / 0

HEX #DEFE75

RGB 222 254 117

HSL 74.01, 0.99%, 0.73%

LAB 95.03, -29.7, 61.1

 

CMYK 0 / 2 / 54 / 0

HEX #FEF875

RGB 254 248 117

HSL 57.37, 0.99%, 0.73%

LAB 95.78, -14.41, 62.58

 

CMYK 0 / 17 / 54 / 0

HEX #FED475

RGB 254 212 117

HSL 41.61, 0.99%, 0.73%

LAB 86.72, 3.6, 51.97

 

CMYK 0 / 31 / 54 / 0

HEX #FEAF75

RGB 254 175 117

HSL 25.4, 0.99%, 0.73%

LAB 77.88, 22.84, 41.17

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE75

RGB 186 254 117

HSL 89.78, 0.99%, 0.73%

LAB 92.84, -42.86, 58

 

CMYK 41 / 0 / 54 / 0

HEX #95FE75

RGB 149 254 117

HSL 105.99, 0.99%, 0.73%

LAB 91.03, -54.93, 55.42

 

CMYK 54 / 0 / 52 / 0

HEX #75FE7B

RGB 117 254 123

HSL 122.63, 0.99%, 0.73%

LAB 89.9, -62.92, 51.04

 

CMYK 54 / 0 / 37 / 0

HEX #75FEA0

RGB 117 254 160

HSL 138.83, 0.99%, 0.73%

LAB 90.42, -57.43, 33.87

 

CMYK 54 / 0 / 23 / 0

HEX #75FEC4

RGB 117 254 196

HSL 154.6, 0.99%, 0.73%

LAB 91.08, -50.66, 16.54

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE75

RGB 186 254 117

HSL 89.78, 0.99%, 0.73%

LAB 92.84, -42.86, 58

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE75

RGB 186 254 117

HSL 89.78, 0.99%, 0.73%

LAB 92.84, -42.86, 58

 

CMYK 23 / 0 / 47 / 5

HEX #BAF381

RGB 186 243 129

HSL 90, 0.83%, 0.73%

LAB 89.92, -36.72, 48.96

 

CMYK 20 / 0 / 40 / 9

HEX #BAE88C

RGB 186 232 140

HSL 90, 0.67%, 0.73%

LAB 87.02, -30.34, 39.97

 

CMYK 15 / 0 / 31 / 14

HEX #BADC97

RGB 186 220 151

HSL 89.57, 0.5%, 0.73%

LAB 83.89, -23.14, 30.32

 

CMYK 11 / 0 / 22 / 18

HEX #BAD1A2

RGB 186 209 162

HSL 89.36, 0.34%, 0.73%

LAB 81.1, -16.05, 20.8

 

CMYK 0 / 2 / 54 / 0

HEX #FEF975

RGB 254 249 117

HSL 57.81, 0.99%, 0.73%

LAB 96.04, -14.9, 62.87

 

CMYK 13 / 0 / 54 / 0

HEX #DEFE75

RGB 222 254 117

HSL 74.01, 0.99%, 0.73%

LAB 95.03, -29.7, 61.1

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE75

RGB 186 254 117

HSL 89.78, 0.99%, 0.73%

LAB 92.84, -42.86, 58

 

CMYK 41 / 0 / 54 / 0

HEX #95FE75

RGB 149 254 117

HSL 105.99, 0.99%, 0.73%

LAB 91.03, -54.93, 55.42

 

CMYK 54 / 0 / 52 / 0

HEX #75FE7A

RGB 117 254 122

HSL 122.19, 0.99%, 0.73%

LAB 89.89, -63.04, 51.49

 

CMYK 43 / 0 / 86 / 1

HEX #90FD23

RGB 144 253 35

HSL 90, 0.98%, 0.56%

LAB 90, -61.7, 82.19

 

CMYK 35 / 0 / 70 / 0

HEX #A5FE4C

RGB 165 254 76

HSL 90, 0.99%, 0.65%

LAB 91.42, -53.38, 72.64

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE75

RGB 186 254 117

HSL 89.78, 0.99%, 0.73%

LAB 92.84, -42.86, 58

 

CMYK 19 / 0 / 37 / 0

HEX #CEFE9F

RGB 206 254 159

HSL 90.32, 0.98%, 0.81%

LAB 94.53, -31.09, 40.54

 

CMYK 11 / 0 / 21 / 0

HEX #E3FEC8

RGB 227 254 200

HSL 90, 0.96%, 0.89%

LAB 96.57, -18, 22.97

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE76

RGB 186 254 118

HSL 90, 0.99%, 0.73%

LAB 92.85, -42.76, 57.56

 

CMYK 54 / 0 / 16 / 0

HEX #75FED5

RGB 117 254 213

HSL 162.04, 0.99%, 0.73%

LAB 91.45, -47.01, 8.31

 

CMYK 0 / 54 / 6 / 0

HEX #FE75F0

RGB 254 117 240

HSL 306.13, 0.99%, 0.73%

LAB 69.53, 67.2, -38.02

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE76

RGB 186 254 118

HSL 90, 0.99%, 0.73%

LAB 92.85, -42.76, 57.56

 

CMYK 54 / 27 / 0 / 0

HEX #75BAFE

RGB 117 186 254

HSL 209.78, 0.99%, 0.73%

LAB 73.58, -2.93, -40.21

 

CMYK 0 / 54 / 27 / 0

HEX #FE75BA

RGB 254 117 186

HSL 329.78, 0.99%, 0.73%

LAB 67.53, 59.36, -11

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE76

RGB 186 254 118

HSL 90, 0.99%, 0.73%

LAB 92.85, -42.76, 57.56

 

CMYK 54 / 0 / 16 / 0

HEX #75FED5

RGB 117 254 213

HSL 162.04, 0.99%, 0.73%

LAB 91.45, -47.01, 8.31

 

CMYK 27 / 54 / 0 / 0

HEX #BA75FE

RGB 186 117 254

HSL 270.22, 0.99%, 0.73%

LAB 61.93, 52.36, -58.27

 

CMYK 0 / 54 / 38 / 0

HEX #FE759E

RGB 254 117 158

HSL 342.04, 0.99%, 0.73%

LAB 66.72, 56.04, 3.65

 

CMYK 27 / 0 / 54 / 0

HEX #BAFE76

RGB 186 254 118

HSL 90, 0.99%, 0.73%

LAB 92.85, -42.76, 57.56

 

CMYK 54 / 0 / 0 / 0

HEX #75FEFE

RGB 117 254 254

HSL 180, 0.99%, 0.73%

LAB 92.5, -37.15, -11.38

 

CMYK 27 / 54 / 0 / 0

HEX #BA75FE

RGB 186 117 254

HSL 270.22, 0.99%, 0.73%

LAB 61.93, 52.36, -58.27

 

CMYK 0 / 54 / 54 / 0

HEX #FE7575

RGB 254 117 117

HSL 0, 0.99%, 0.73%

LAB 65.81, 52.2, 25.6

 

Description

Color code: HEX #BAFE76 | qconv.com Color code: HEX #BAFE76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 254 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 254 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 54 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 54% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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