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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAE24F it is the complementary color #451DB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAE24F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAE24F shade: #BFE24A, #D0F45D, #E1FF70, #F2FF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAE24F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAE24F shade: #BAE24F, #A9D03C, #98BE29, #87AC16 and #769A03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAE24F shade: #BAE24F, #E2E24F, #E2BB4F, #E2934F and #E26B4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAE24F shade: #BAE24F, #92E24F, #6BE24F, #4FE25B and #4FE283

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAE24F shade matches the following richer shades: #BAE24F and #C1F23F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAE24F shade: #BAE24F, #B2D160, #ABC170, #A3B081 and #9CA091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAE24F shade: #E2BB4F, #E2E24F, #BBE24F, #94E24F and #6CE24F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAE24F shade: #94C01F, #ACDC2C, #BAE24F, #C8E873 and #D6ED96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAE24F shade: #BAE24F, #4FE294 and #CE4FE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAE24F shade: #BAE24F, #4FBBE2 and #E24FBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAE24F shade: #BAE24F, #4FE294, #764FE2 and #E24F9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAE24F shade: #BAE24F, #4FE2C0, #764FE2 and #E24F71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

Complementary color

CMYK 61 / 84 / 0 / 31

HEX #451DB0

RGB 69 29 176

HSL 256.33, 0.72%, 0.4%

LAB 27.51, 54.09, -70.02

 

CMYK 15 / 0 / 67 / 11

HEX #BFE24A

RGB 191 226 74

HSL 73.82, 0.72%, 0.59%

LAB 84.98, -31.84, 67.3

 

CMYK 15 / 0 / 62 / 4

HEX #D0F45D

RGB 208 244 93

HSL 74.3, 0.87%, 0.66%

LAB 91.19, -32.3, 66.73

 

CMYK 12 / 0 / 56 / 0

HEX #E1FF70

RGB 225 255 112

HSL 72.59, 1%, 0.72%

LAB 95.45, -29.44, 63.82

 

CMYK 5 / 0 / 49 / 0

HEX #F2FF83

RGB 242 255 131

HSL 66.29, 1%, 0.76%

LAB 96.83, -21.31, 57.27

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 19 / 0 / 71 / 18

HEX #A9D03C

RGB 169 208 60

HSL 75.81, 0.61%, 0.53%

LAB 78.39, -32.98, 65.33

 

CMYK 20 / 0 / 78 / 25

HEX #98BE29

RGB 152 190 41

HSL 75.3, 0.65%, 0.45%

LAB 72, -32.35, 65.09

 

CMYK 22 / 0 / 87 / 33

HEX #87AC16

RGB 135 172 22

HSL 74.8, 0.77%, 0.38%

LAB 65.53, -31.52, 63.83

 

CMYK 23 / 0 / 98 / 40

HEX #769A03

RGB 118 154 3

HSL 74.3, 0.96%, 0.31%

LAB 58.95, -30.47, 61.17

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 0 / 0 / 65 / 11

HEX #E2E24F

RGB 226 226 79

HSL 60, 0.72%, 0.6%

LAB 87.55, -17.47, 68.83

 

CMYK 0 / 17 / 65 / 11

HEX #E2BB4F

RGB 226 187 79

HSL 44.08, 0.72%, 0.6%

LAB 77.44, 2.31, 58.23

 

CMYK 0 / 35 / 65 / 11

HEX #E2934F

RGB 226 147 79

HSL 27.76, 0.72%, 0.6%

LAB 67.73, 23.57, 47.47

 

CMYK 0 / 53 / 65 / 11

HEX #E26B4F

RGB 226 107 79

HSL 11.43, 0.72%, 0.6%

LAB 59.2, 44.29, 37.51

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 35 / 0 / 65 / 11

HEX #92E24F

RGB 146 226 79

HSL 92.65, 0.72%, 0.6%

LAB 82.42, -48.07, 61.88

 

CMYK 53 / 0 / 65 / 11

HEX #6BE24F

RGB 107 226 79

HSL 108.57, 0.72%, 0.6%

LAB 80.78, -59.92, 59.64

 

CMYK 65 / 0 / 60 / 11

HEX #4FE25B

RGB 79 226 91

HSL 124.9, 0.72%, 0.6%

LAB 80.07, -65.15, 53.57

 

CMYK 65 / 0 / 42 / 11

HEX #4FE283

RGB 79 226 131

HSL 141.22, 0.72%, 0.6%

LAB 80.57, -59.51, 35.22

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 20 / 0 / 74 / 5

HEX #C1F23F

RGB 193 242 63

HSL 76.42, 0.87%, 0.6%

LAB 89.49, -38.94, 75.6

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 15 / 0 / 54 / 18

HEX #B2D160

RGB 178 209 96

HSL 76.46, 0.55%, 0.6%

LAB 79.56, -27.26, 51.88

 

CMYK 11 / 0 / 42 / 24

HEX #ABC170

RGB 171 193 112

HSL 76.3, 0.4%, 0.6%

LAB 74.8, -20.52, 38.24

 

CMYK 7 / 0 / 27 / 31

HEX #A3B081

RGB 163 176 129

HSL 76.6, 0.23%, 0.6%

LAB 69.77, -12.71, 22.62

 

CMYK 2 / 0 / 9 / 37

HEX #9CA091

RGB 156 160 145

HSL 76, 0.07%, 0.6%

LAB 65.16, -4.22, 7.32

 

CMYK 0 / 17 / 65 / 11

HEX #E2BB4F

RGB 226 187 79

HSL 44.08, 0.72%, 0.6%

LAB 77.44, 2.31, 58.23

 

CMYK 0 / 0 / 65 / 11

HEX #E2E24F

RGB 226 226 79

HSL 60, 0.72%, 0.6%

LAB 87.55, -17.47, 68.83

 

CMYK 17 / 0 / 65 / 11

HEX #BBE24F

RGB 187 226 79

HSL 75.92, 0.72%, 0.6%

LAB 84.75, -33.08, 65.06

 

CMYK 35 / 0 / 65 / 11

HEX #94E24F

RGB 148 226 79

HSL 91.84, 0.72%, 0.6%

LAB 82.51, -47.39, 62.01

 

CMYK 52 / 0 / 65 / 11

HEX #6CE24F

RGB 108 226 79

HSL 108.16, 0.72%, 0.6%

LAB 80.82, -59.65, 59.69

 

CMYK 23 / 0 / 84 / 25

HEX #94C01F

RGB 148 192 31

HSL 76.4, 0.72%, 0.44%

LAB 72.29, -35.25, 67.91

 

CMYK 22 / 0 / 80 / 14

HEX #ACDC2C

RGB 172 220 44

HSL 76.36, 0.72%, 0.52%

LAB 81.91, -38.02, 73.68

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 14 / 0 / 50 / 9

HEX #C8E873

RGB 200 232 115

HSL 76.41, 0.72%, 0.68%

LAB 87.6, -27.94, 52.92

 

CMYK 10 / 0 / 37 / 7

HEX #D6ED96

RGB 214 237 150

HSL 75.86, 0.71%, 0.76%

LAB 90.35, -21.27, 39.67

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 65 / 0 / 35 / 11

HEX #4FE294

RGB 79 226 148

HSL 148.16, 0.72%, 0.6%

LAB 80.85, -56.46, 26.95

 

CMYK 9 / 65 / 0 / 11

HEX #CE4FE2

RGB 206 79 226

HSL 291.84, 0.72%, 0.6%

LAB 56.29, 69.16, -51.52

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 65 / 17 / 0 / 11

HEX #4FBBE2

RGB 79 187 226

HSL 195.92, 0.72%, 0.6%

LAB 71.35, -19.06, -28.63

 

CMYK 0 / 65 / 17 / 11

HEX #E24FBB

RGB 226 79 187

HSL 315.92, 0.72%, 0.6%

LAB 57.41, 67.78, -27.35

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 65 / 0 / 35 / 11

HEX #4FE294

RGB 79 226 148

HSL 148.16, 0.72%, 0.6%

LAB 80.85, -56.46, 26.95

 

CMYK 48 / 65 / 0 / 11

HEX #764FE2

RGB 118 79 226

HSL 255.92, 0.72%, 0.6%

LAB 45.54, 50.73, -69.39

 

CMYK 0 / 65 / 31 / 11

HEX #E24F9D

RGB 226 79 157

HSL 328.16, 0.72%, 0.6%

LAB 56.28, 63.9, -11.65

 

CMYK 18 / 0 / 65 / 11

HEX #BAE24F

RGB 186 226 79

HSL 76.33, 0.72%, 0.6%

LAB 84.69, -33.47, 64.97

 

CMYK 65 / 0 / 15 / 11

HEX #4FE2C0

RGB 79 226 192

HSL 166.12, 0.72%, 0.6%

LAB 81.76, -46.9, 5.21

 

CMYK 48 / 65 / 0 / 11

HEX #764FE2

RGB 118 79 226

HSL 255.92, 0.72%, 0.6%

LAB 45.54, 50.73, -69.39

 

CMYK 0 / 65 / 50 / 11

HEX #E24F71

RGB 226 79 113

HSL 346.12, 0.72%, 0.6%

LAB 55.02, 59.41, 12.5

 

Description

Color code: HEX #BAE24F | qconv.com Color code: HEX #BAE24F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 226 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 226 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 65 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 65% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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