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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAE1E9 it is the complementary color #451E16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAE1E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAE1E9 shade: #BFE1E4, #D0F3F7, #E1FFFF and #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAE1E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAE1E9 shade: #BAE1E9, #A9CFD6, #98BDC3, #87ABB0 and #76999D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAE1E9 shade: #B9E0E8, #B9D3E8, #B9C7E8, #B9BAE8 and #C5B9E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAE1E9 shade: #B9E0E8, #B9D3E8, #B9C7E8, #B9BAE8 and #B9B9E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAE1E9 shade matches the following richer shades: #B9E0E8, #B1E5F0 and #AAEAF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAE1E9 shade: #B9E0E8, #C0DBE1, #C8D7DA, #CFD2D2 and #D6CDCB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAE1E9 shade: #B9E8D7, #B9E8E4, #B9E1E8, #B9D4E8 and #B9C7E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAE1E9 shade: #7AC5D5, #99D3DF, #B9E0E8, #D8EEF2 and #F7FBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAE1E9 shade: #BAE1E9, #CAB9E8 and #E8DDB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAE1E9 shade: #BAE1E9, #E8B9E1 and #E1E8B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAE1E9 shade: #BAE1E9, #CAB9E8, #E8C1B9 and #D7E8B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAE1E9 shade: #BAE1E9, #D9B9E8, #E8C1B9 and #C9E8B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 3 / 0 / 9

HEX #BAE1E9

RGB 186 225 233

HSL 190.21, 0.52%, 0.82%

LAB 87.08, -10.96, -8.13

 

Complementary color

CMYK 0 / 57 / 68 / 73

HEX #451E16

RGB 69 30 22

HSL 10.21, 0.52%, 0.18%

LAB 16.76, 17.93, 14.15

 

CMYK 16 / 1 / 0 / 11

HEX #BFE1E4

RGB 191 225 228

HSL 184.86, 0.41%, 0.82%

LAB 87.26, -10.47, -5.2

 

CMYK 16 / 2 / 0 / 3

HEX #D0F3F7

RGB 208 243 247

HSL 186.15, 0.71%, 0.89%

LAB 93.55, -10.46, -5.73

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 20 / 3 / 0 / 9

HEX #BAE1E9

RGB 186 225 233

HSL 190.21, 0.52%, 0.82%

LAB 87.08, -10.96, -8.13

 

CMYK 21 / 3 / 0 / 16

HEX #A9CFD6

RGB 169 207 214

HSL 189.33, 0.35%, 0.75%

LAB 80.69, -10.97, -7.63

 

CMYK 22 / 3 / 0 / 24

HEX #98BDC3

RGB 152 189 195

HSL 188.37, 0.26%, 0.68%

LAB 74.2, -11, -7.12

 

CMYK 23 / 3 / 0 / 31

HEX #87ABB0

RGB 135 171 176

HSL 187.32, 0.21%, 0.61%

LAB 67.58, -11.03, -6.6

 

CMYK 25 / 3 / 0 / 38

HEX #76999D

RGB 118 153 157

HSL 186.15, 0.17%, 0.54%

LAB 60.84, -11.08, -6.06

 

CMYK 20 / 3 / 0 / 9

HEX #B9E0E8

RGB 185 224 232

HSL 190.21, 0.51%, 0.82%

LAB 86.73, -10.96, -8.13

 

CMYK 20 / 9 / 0 / 9

HEX #B9D3E8

RGB 185 211 232

HSL 206.81, 0.51%, 0.82%

LAB 83.3, -4.24, -13.24

 

CMYK 20 / 14 / 0 / 9

HEX #B9C7E8

RGB 185 199 232

HSL 222.13, 0.51%, 0.82%

LAB 80.17, 2.11, -17.94

 

CMYK 20 / 20 / 0 / 9

HEX #B9BAE8

RGB 185 186 232

HSL 238.72, 0.51%, 0.82%

LAB 76.84, 9.13, -23

 

CMYK 15 / 20 / 0 / 9

HEX #C5B9E8

RGB 197 185 232

HSL 255.32, 0.51%, 0.82%

LAB 77.52, 13.42, -21.88

 

CMYK 20 / 3 / 0 / 9

HEX #B9E0E8

RGB 185 224 232

HSL 190.21, 0.51%, 0.82%

LAB 86.73, -10.96, -8.13

 

CMYK 20 / 9 / 0 / 9

HEX #B9D3E8

RGB 185 211 232

HSL 206.81, 0.51%, 0.82%

LAB 83.3, -4.24, -13.24

 

CMYK 20 / 14 / 0 / 9

HEX #B9C7E8

RGB 185 199 232

HSL 222.13, 0.51%, 0.82%

LAB 80.17, 2.11, -17.94

 

CMYK 20 / 20 / 0 / 9

HEX #B9BAE8

RGB 185 186 232

HSL 238.72, 0.51%, 0.82%

LAB 76.84, 9.13, -23

 

CMYK 20 / 20 / 0 / 9

HEX #B9B9E8

RGB 185 185 232

HSL 240, 0.51%, 0.82%

LAB 76.58, 9.68, -23.38

 

CMYK 20 / 3 / 0 / 9

HEX #B9E0E8

RGB 185 224 232

HSL 190.21, 0.51%, 0.82%

LAB 86.73, -10.96, -8.13

 

CMYK 26 / 5 / 0 / 6

HEX #B1E5F0

RGB 177 229 240

HSL 190.48, 0.68%, 0.82%

LAB 87.81, -14.12, -10.78

 

CMYK 31 / 5 / 0 / 3

HEX #AAEAF7

RGB 170 234 247

HSL 190.13, 0.83%, 0.82%

LAB 88.97, -17.01, -12.76

 

CMYK 20 / 3 / 0 / 9

HEX #B9E0E8

RGB 185 224 232

HSL 190.21, 0.51%, 0.82%

LAB 86.73, -10.96, -8.13

 

CMYK 15 / 3 / 0 / 12

HEX #C0DBE1

RGB 192 219 225

HSL 190.91, 0.35%, 0.82%

LAB 85.66, -7.7, -5.97

 

CMYK 8 / 1 / 0 / 15

HEX #C8D7DA

RGB 200 215 218

HSL 190, 0.2%, 0.82%

LAB 84.97, -4.45, -3.22

 

CMYK 1 / 0 / 0 / 18

HEX #CFD2D2

RGB 207 210 210

HSL 180, 0.03%, 0.82%

LAB 83.97, -1.02, -0.37

 

CMYK 0 / 4 / 5 / 16

HEX #D6CDCB

RGB 214 205 203

HSL 10.91, 0.12%, 0.82%

LAB 83.06, 2.76, 2.09

 

CMYK 20 / 0 / 7 / 9

HEX #B9E8D7

RGB 185 232 215

HSL 158.3, 0.51%, 0.82%

LAB 88.42, -18.48, 3.28

 

CMYK 20 / 0 / 2 / 9

HEX #B9E8E4

RGB 185 232 228

HSL 174.89, 0.51%, 0.82%

LAB 88.75, -15.85, -3.05

 

CMYK 20 / 3 / 0 / 9

HEX #B9E1E8

RGB 185 225 232

HSL 188.94, 0.51%, 0.82%

LAB 86.99, -11.47, -7.74

 

CMYK 20 / 9 / 0 / 9

HEX #B9D4E8

RGB 185 212 232

HSL 205.53, 0.51%, 0.82%

LAB 83.56, -4.76, -12.85

 

CMYK 20 / 14 / 0 / 9

HEX #B9C7E8

RGB 185 199 232

HSL 222.13, 0.51%, 0.82%

LAB 80.17, 2.11, -17.94

 

CMYK 43 / 8 / 0 / 16

HEX #7AC5D5

RGB 122 197 213

HSL 190.55, 0.52%, 0.66%

LAB 75.37, -19.15, -15.3

 

CMYK 31 / 5 / 0 / 13

HEX #99D3DF

RGB 153 211 223

HSL 190.29, 0.52%, 0.74%

LAB 81.12, -15.67, -11.9

 

CMYK 20 / 3 / 0 / 9

HEX #B9E0E8

RGB 185 224 232

HSL 190.21, 0.51%, 0.82%

LAB 86.73, -10.96, -8.13

 

CMYK 11 / 2 / 0 / 5

HEX #D8EEF2

RGB 216 238 242

HSL 189.23, 0.5%, 0.9%

LAB 92.64, -6.42, -4.4

 

CMYK 2 / 0 / 0 / 1

HEX #F7FBFC

RGB 247 251 252

HSL 192, 0.45%, 0.98%

LAB 98.35, -1.13, -0.95

 

CMYK 20 / 3 / 0 / 9

HEX #BAE1E9

RGB 186 225 233

HSL 190.21, 0.52%, 0.82%

LAB 87.08, -10.96, -8.13

 

CMYK 13 / 20 / 0 / 9

HEX #CAB9E8

RGB 202 185 232

HSL 261.7, 0.51%, 0.82%

LAB 77.92, 15, -21.22

 

CMYK 0 / 5 / 20 / 9

HEX #E8DDB9

RGB 232 221 185

HSL 45.96, 0.51%, 0.82%

LAB 88.15, -1.96, 19.05

 

CMYK 20 / 3 / 0 / 9

HEX #BAE1E9

RGB 186 225 233

HSL 190.21, 0.52%, 0.82%

LAB 87.08, -10.96, -8.13

 

CMYK 0 / 20 / 3 / 9

HEX #E8B9E1

RGB 232 185 225

HSL 308.94, 0.51%, 0.82%

LAB 80.34, 23.47, -13.54

 

CMYK 3 / 0 / 20 / 9

HEX #E1E8B9

RGB 225 232 185

HSL 68.94, 0.51%, 0.82%

LAB 90.42, -10.08, 22.13

 

CMYK 20 / 3 / 0 / 9

HEX #BAE1E9

RGB 186 225 233

HSL 190.21, 0.52%, 0.82%

LAB 87.08, -10.96, -8.13

 

CMYK 13 / 20 / 0 / 9

HEX #CAB9E8

RGB 202 185 232

HSL 261.7, 0.51%, 0.82%

LAB 77.92, 15, -21.22

 

CMYK 0 / 17 / 20 / 9

HEX #E8C1B9

RGB 232 193 185

HSL 10.21, 0.51%, 0.82%

LAB 81.18, 12.65, 9.22

 

CMYK 7 / 0 / 20 / 9

HEX #D7E8B9

RGB 215 232 185

HSL 81.7, 0.51%, 0.82%

LAB 89.7, -13.66, 21.02

 

CMYK 20 / 3 / 0 / 9

HEX #BAE1E9

RGB 186 225 233

HSL 190.21, 0.52%, 0.82%

LAB 87.08, -10.96, -8.13

 

CMYK 6 / 20 / 0 / 9

HEX #D9B9E8

RGB 217 185 232

HSL 280.85, 0.51%, 0.82%

LAB 79.2, 19.83, -19.16

 

CMYK 0 / 17 / 20 / 9

HEX #E8C1B9

RGB 232 193 185

HSL 10.21, 0.51%, 0.82%

LAB 81.18, 12.65, 9.22

 

CMYK 13 / 0 / 20 / 9

HEX #C9E8B9

RGB 201 232 185

HSL 99.57, 0.51%, 0.82%

LAB 88.75, -18.57, 19.55

 

Description

Color code: HEX #BAE1E9 | qconv.com Color code: HEX #BAE1E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 225 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 225 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 3 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 3% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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