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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAE9B4 it is the complementary color #45164B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAE9B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAE9B4 shade: #BFE9AF, #D0FBC2, #E1FFD5, #F2FFE8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAE9B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAE9B4 shade: #BAE9B4, #A9D7A1, #98C58E, #87B37B and #76A168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAE9B4 shade: #B9E9B3, #C8E9B3, #D6E9B3, #E5E9B3 and #E9DEB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAE9B4 shade: #B9E9B3, #B3E9BC, #B3E9CA, #B3E9D8 and #B3E9E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAE9B4 shade matches the following richer shades: #B9E9B3, #B3F1AC and #ADF8A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAE9B4 shade: #B9E9B3, #BFE1BB, #C6D9C3, #CCD1CB and #D2C9D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAE9B4 shade: #D6E9B3, #C8E9B3, #BAE9B3, #B3E9BB and #B3E9CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAE9B4 shade: #7FD673, #9CDF93, #B9E9B3, #D7F2D3 and #F4FBF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAE9B4 shade: #BAE9B4, #B3E4E9 and #E9B3CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAE9B4 shade: #BAE9B4, #B3BAE9 and #E9B3BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAE9B4 shade: #BAE9B4, #B3E4E9, #E2B3E9 and #E9B8B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAE9B4 shade: #BAE9B4, #B3D4E9, #E2B3E9 and #E9C8B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 23 / 9

HEX #BAE9B4

RGB 186 233 180

HSL 113.21, 0.55%, 0.81%

LAB 87.97, -24.98, 20.91

 

Complementary color

CMYK 8 / 71 / 0 / 71

HEX #45164B

RGB 69 22 75

HSL 293.21, 0.55%, 0.19%

LAB 17.21, 30.92, -22.47

 

CMYK 18 / 0 / 25 / 9

HEX #BFE9AF

RGB 191 233 175

HSL 103.45, 0.57%, 0.8%

LAB 88.18, -24.09, 23.84

 

CMYK 17 / 0 / 23 / 2

HEX #D0FBC2

RGB 208 251 194

HSL 105.26, 0.88%, 0.87%

LAB 94.44, -23.97, 22.89

 

CMYK 12 / 0 / 16 / 0

HEX #E1FFD5

RGB 225 255 213

HSL 102.86, 1%, 0.92%

LAB 96.96, -17.12, 16.86

 

CMYK 5 / 0 / 9 / 0

HEX #F2FFE8

RGB 242 255 232

HSL 93.91, 1%, 0.95%

LAB 98.52, -8.26, 9.52

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 20 / 0 / 23 / 9

HEX #BAE9B4

RGB 186 233 180

HSL 113.21, 0.55%, 0.81%

LAB 87.97, -24.98, 20.91

 

CMYK 21 / 0 / 25 / 16

HEX #A9D7A1

RGB 169 215 161

HSL 111.11, 0.4%, 0.74%

LAB 81.63, -25.14, 21.88

 

CMYK 23 / 0 / 28 / 23

HEX #98C58E

RGB 152 197 142

HSL 109.09, 0.32%, 0.66%

LAB 75.18, -25.32, 22.9

 

CMYK 25 / 0 / 31 / 30

HEX #87B37B

RGB 135 179 123

HSL 107.14, 0.27%, 0.59%

LAB 68.62, -25.5, 23.98

 

CMYK 27 / 0 / 35 / 37

HEX #76A168

RGB 118 161 104

HSL 105.26, 0.23%, 0.52%

LAB 61.95, -25.69, 25.12

 

CMYK 21 / 0 / 23 / 9

HEX #B9E9B3

RGB 185 233 179

HSL 113.33, 0.55%, 0.81%

LAB 87.89, -25.48, 21.31

 

CMYK 14 / 0 / 23 / 9

HEX #C8E9B3

RGB 200 233 179

HSL 96.67, 0.55%, 0.81%

LAB 88.83, -20.36, 22.76

 

CMYK 8 / 0 / 23 / 9

HEX #D6E9B3

RGB 214 233 179

HSL 81.11, 0.55%, 0.81%

LAB 89.78, -15.41, 24.21

 

CMYK 2 / 0 / 23 / 9

HEX #E5E9B3

RGB 229 233 179

HSL 64.44, 0.55%, 0.81%

LAB 90.87, -9.99, 25.87

 

CMYK 0 / 5 / 23 / 9

HEX #E9DEB3

RGB 233 222 179

HSL 47.78, 0.55%, 0.81%

LAB 88.36, -2.95, 22.48

 

CMYK 21 / 0 / 23 / 9

HEX #B9E9B3

RGB 185 233 179

HSL 113.33, 0.55%, 0.81%

LAB 87.89, -25.48, 21.31

 

CMYK 23 / 0 / 19 / 9

HEX #B3E9BC

RGB 179 233 188

HSL 130, 0.55%, 0.81%

LAB 87.72, -25.92, 16.35

 

CMYK 23 / 0 / 13 / 9

HEX #B3E9CA

RGB 179 233 202

HSL 145.56, 0.55%, 0.81%

LAB 88.03, -23.35, 9.48

 

CMYK 23 / 0 / 7 / 9

HEX #B3E9D8

RGB 179 233 216

HSL 161.11, 0.55%, 0.81%

LAB 88.36, -20.62, 2.64

 

CMYK 23 / 0 / 1 / 9

HEX #B3E9E7

RGB 179 233 231

HSL 177.78, 0.55%, 0.81%

LAB 88.75, -17.51, -4.66

 

CMYK 21 / 0 / 23 / 9

HEX #B9E9B3

RGB 185 233 179

HSL 113.33, 0.55%, 0.81%

LAB 87.89, -25.48, 21.31

 

CMYK 26 / 0 / 29 / 5

HEX #B3F1AC

RGB 179 241 172

HSL 113.91, 0.71%, 0.81%

LAB 89.61, -32.38, 27.21

 

CMYK 30 / 0 / 34 / 3

HEX #ADF8A4

RGB 173 248 164

HSL 113.57, 0.86%, 0.81%

LAB 91.1, -38.75, 33.2

 

CMYK 21 / 0 / 23 / 9

HEX #B9E9B3

RGB 185 233 179

HSL 113.33, 0.55%, 0.81%

LAB 87.89, -25.48, 21.31

 

CMYK 15 / 0 / 17 / 12

HEX #BFE1BB

RGB 191 225 187

HSL 113.68, 0.39%, 0.81%

LAB 86.26, -18.21, 14.93

 

CMYK 9 / 0 / 10 / 15

HEX #C6D9C3

RGB 198 217 195

HSL 111.82, 0.22%, 0.81%

LAB 84.78, -10.4, 8.67

 

CMYK 2 / 0 / 3 / 18

HEX #CCD1CB

RGB 204 209 203

HSL 110, 0.06%, 0.81%

LAB 83.31, -2.79, 2.37

 

CMYK 0 / 5 / 0 / 17

HEX #D2C9D3

RGB 210 201 211

HSL 294, 0.1%, 0.81%

LAB 81.93, 4.92, -3.86

 

CMYK 8 / 0 / 23 / 9

HEX #D6E9B3

RGB 214 233 179

HSL 81.11, 0.55%, 0.81%

LAB 89.78, -15.41, 24.21

 

CMYK 14 / 0 / 23 / 9

HEX #C8E9B3

RGB 200 233 179

HSL 96.67, 0.55%, 0.81%

LAB 88.83, -20.36, 22.76

 

CMYK 20 / 0 / 23 / 9

HEX #BAE9B3

RGB 186 233 179

HSL 112.22, 0.55%, 0.81%

LAB 87.95, -25.14, 21.41

 

CMYK 23 / 0 / 20 / 9

HEX #B3E9BB

RGB 179 233 187

HSL 128.89, 0.55%, 0.81%

LAB 87.7, -26.09, 16.84

 

CMYK 23 / 0 / 13 / 9

HEX #B3E9CA

RGB 179 233 202

HSL 145.56, 0.55%, 0.81%

LAB 88.03, -23.35, 9.48

 

CMYK 41 / 0 / 46 / 16

HEX #7FD673

RGB 127 214 115

HSL 112.73, 0.55%, 0.65%

LAB 78.37, -45.36, 40.7

 

CMYK 30 / 0 / 34 / 13

HEX #9CDF93

RGB 156 223 147

HSL 112.89, 0.54%, 0.73%

LAB 82.89, -35.49, 30.72

 

CMYK 21 / 0 / 23 / 9

HEX #B9E9B3

RGB 185 233 179

HSL 113.33, 0.55%, 0.81%

LAB 87.89, -25.48, 21.31

 

CMYK 11 / 0 / 13 / 5

HEX #D7F2D3

RGB 215 242 211

HSL 112.26, 0.54%, 0.89%

LAB 92.86, -14.43, 12

 

CMYK 3 / 0 / 3 / 2

HEX #F4FBF3

RGB 244 251 243

HSL 112.5, 0.5%, 0.97%

LAB 97.91, -3.71, 3.01

 

CMYK 20 / 0 / 23 / 9

HEX #BAE9B4

RGB 186 233 180

HSL 113.21, 0.55%, 0.81%

LAB 87.97, -24.98, 20.91

 

CMYK 23 / 2 / 0 / 9

HEX #B3E4E9

RGB 179 228 233

HSL 185.56, 0.55%, 0.81%

LAB 87.46, -14.57, -7.61

 

CMYK 0 / 23 / 11 / 9

HEX #E9B3CF

RGB 233 179 207

HSL 328.89, 0.55%, 0.81%

LAB 78.5, 23.92, -6.54

 

CMYK 20 / 0 / 23 / 9

HEX #BAE9B4

RGB 186 233 180

HSL 113.21, 0.55%, 0.81%

LAB 87.97, -24.98, 20.91

 

CMYK 23 / 20 / 0 / 9

HEX #B3BAE9

RGB 179 186 233

HSL 232.22, 0.55%, 0.81%

LAB 76.43, 7.53, -24.2

 

CMYK 0 / 23 / 20 / 9

HEX #E9B3BA

RGB 233 179 186

HSL 352.22, 0.55%, 0.81%

LAB 77.94, 20.61, 4.03

 

CMYK 20 / 0 / 23 / 9

HEX #BAE9B4

RGB 186 233 180

HSL 113.21, 0.55%, 0.81%

LAB 87.97, -24.98, 20.91

 

CMYK 23 / 2 / 0 / 9

HEX #B3E4E9

RGB 179 228 233

HSL 185.56, 0.55%, 0.81%

LAB 87.46, -14.57, -7.61

 

CMYK 3 / 23 / 0 / 9

HEX #E2B3E9

RGB 226 179 233

HSL 292.22, 0.55%, 0.81%

LAB 78.63, 26.18, -20.48

 

CMYK 0 / 21 / 23 / 9

HEX #E9B8B3

RGB 233 184 179

HSL 5.56, 0.55%, 0.81%

LAB 78.96, 16.92, 9.29

 

CMYK 20 / 0 / 23 / 9

HEX #BAE9B4

RGB 186 233 180

HSL 113.21, 0.55%, 0.81%

LAB 87.97, -24.98, 20.91

 

CMYK 23 / 9 / 0 / 9

HEX #B3D4E9

RGB 179 212 233

HSL 203.33, 0.55%, 0.81%

LAB 83.21, -6.36, -13.95

 

CMYK 3 / 23 / 0 / 9

HEX #E2B3E9

RGB 226 179 233

HSL 292.22, 0.55%, 0.81%

LAB 78.63, 26.18, -20.48

 

CMYK 0 / 14 / 23 / 9

HEX #E9C8B3

RGB 233 200 179

HSL 23.33, 0.55%, 0.81%

LAB 82.85, 8.46, 14.81

 

Description

Color code: HEX #BAE9B4 | qconv.com Color code: HEX #BAE9B4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 233 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 233 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 23 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 23% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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