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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAD596 it is the complementary color #452A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAD596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAD596 shade: #BFD591, #D0E7A4, #E1F9B7, #F2FFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAD596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAD596 shade: #BAD596, #A9C383, #98B170, #879F5D and #768D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAD596 shade: #B9D495, #CAD495, #D4CD95, #D4BC95 and #D4AB95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAD596 shade: #B9D495, #A8D495, #97D495, #95D4A4 and #95D4B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAD596 shade matches the following richer shades: #B9D495, #BBE089, #BDEC7D and #BEF871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAD596 shade: #B9D495, #B7C8A1, #B6BCAD, #B4B0B9 and #B2A4C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAD596 shade: #D4CD95, #CBD495, #BAD495, #A9D495 and #98D495

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAD596 shade: #92BD5A, #A6C977, #B9D495, #CCE0B2 and #E0ECD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAD596 shade: #BAD596, #95D4BC and #D495D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAD596 shade: #BAD596, #95BAD4 and #D495BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAD596 shade: #BAD596, #95D4BC, #AF95D4 and #D495AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAD596 shade: #BAD596, #95D4CF, #AF95D4 and #D4959A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 30 / 16

HEX #BAD596

RGB 186 213 150

HSL 85.71, 0.43%, 0.71%

LAB 81.96, -19.84, 28.25

 

Complementary color

CMYK 34 / 60 / 0 / 59

HEX #452A69

RGB 69 42 105

HSL 265.71, 0.43%, 0.29%

LAB 23.48, 27.06, -32.44

 

CMYK 10 / 0 / 32 / 16

HEX #BFD591

RGB 191 213 145

HSL 79.41, 0.45%, 0.7%

LAB 82.22, -18.69, 31.24

 

CMYK 10 / 0 / 29 / 9

HEX #D0E7A4

RGB 208 231 164

HSL 80.6, 0.58%, 0.77%

LAB 88.56, -18.73, 30.18

 

CMYK 10 / 0 / 27 / 2

HEX #E1F9B7

RGB 225 249 183

HSL 81.82, 0.85%, 0.85%

LAB 94.81, -18.76, 29.16

 

CMYK 5 / 0 / 21 / 0

HEX #F2FFCA

RGB 242 255 202

HSL 74.72, 1%, 0.9%

LAB 97.9, -12.95, 23.95

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 13 / 0 / 30 / 16

HEX #BAD596

RGB 186 213 150

HSL 85.71, 0.43%, 0.71%

LAB 81.96, -19.84, 28.25

 

CMYK 13 / 0 / 33 / 24

HEX #A9C383

RGB 169 195 131

HSL 84.38, 0.35%, 0.64%

LAB 75.52, -19.85, 29.34

 

CMYK 14 / 0 / 37 / 31

HEX #98B170

RGB 152 177 112

HSL 83.08, 0.29%, 0.57%

LAB 68.96, -19.84, 30.48

 

CMYK 15 / 0 / 42 / 38

HEX #879F5D

RGB 135 159 93

HSL 81.82, 0.26%, 0.49%

LAB 62.29, -19.81, 31.67

 

CMYK 16 / 0 / 48 / 45

HEX #768D4A

RGB 118 141 74

HSL 80.6, 0.31%, 0.42%

LAB 55.48, -19.73, 32.9

 

CMYK 13 / 0 / 30 / 17

HEX #B9D495

RGB 185 212 149

HSL 85.71, 0.42%, 0.71%

LAB 81.6, -19.86, 28.28

 

CMYK 5 / 0 / 30 / 17

HEX #CAD495

RGB 202 212 149

HSL 69.52, 0.42%, 0.71%

LAB 82.81, -13.54, 30.11

 

CMYK 0 / 3 / 30 / 17

HEX #D4CD95

RGB 212 205 149

HSL 53.33, 0.42%, 0.71%

LAB 81.75, -6.16, 28.82

 

CMYK 0 / 11 / 30 / 17

HEX #D4BC95

RGB 212 188 149

HSL 37.14, 0.42%, 0.71%

LAB 77.36, 2.71, 22.89

 

CMYK 0 / 19 / 30 / 17

HEX #D4AB95

RGB 212 171 149

HSL 20.95, 0.42%, 0.71%

LAB 73.08, 11.79, 16.99

 

CMYK 13 / 0 / 30 / 17

HEX #B9D495

RGB 185 212 149

HSL 85.71, 0.42%, 0.71%

LAB 81.6, -19.86, 28.28

 

CMYK 21 / 0 / 30 / 17

HEX #A8D495

RGB 168 212 149

HSL 101.9, 0.42%, 0.71%

LAB 80.51, -25.94, 26.61

 

CMYK 29 / 0 / 30 / 17

HEX #97D495

RGB 151 212 149

HSL 118.1, 0.42%, 0.71%

LAB 79.52, -31.7, 25.11

 

CMYK 30 / 0 / 23 / 17

HEX #95D4A4

RGB 149 212 164

HSL 134.29, 0.42%, 0.71%

LAB 79.7, -29.75, 17.46

 

CMYK 30 / 0 / 15 / 17

HEX #95D4B5

RGB 149 212 181

HSL 150.48, 0.42%, 0.71%

LAB 80.07, -26.51, 8.97

 

CMYK 13 / 0 / 30 / 17

HEX #B9D495

RGB 185 212 149

HSL 85.71, 0.42%, 0.71%

LAB 81.6, -19.86, 28.28

 

CMYK 17 / 0 / 39 / 12

HEX #BBE089

RGB 187 224 137

HSL 85.52, 0.58%, 0.71%

LAB 84.83, -26.57, 38.67

 

CMYK 20 / 0 / 47 / 7

HEX #BDEC7D

RGB 189 236 125

HSL 85.41, 0.74%, 0.71%

LAB 88.11, -32.89, 48.67

 

CMYK 23 / 0 / 54 / 3

HEX #BEF871

RGB 190 248 113

HSL 85.78, 0.91%, 0.71%

LAB 91.36, -39.18, 58.1

 

CMYK 13 / 0 / 30 / 17

HEX #B9D495

RGB 185 212 149

HSL 85.71, 0.42%, 0.71%

LAB 81.6, -19.86, 28.28

 

CMYK 9 / 0 / 20 / 22

HEX #B7C8A1

RGB 183 200 161

HSL 86.15, 0.26%, 0.71%

LAB 78.43, -12.73, 17.6

 

CMYK 3 / 0 / 8 / 26

HEX #B6BCAD

RGB 182 188 173

HSL 84, 0.1%, 0.71%

LAB 75.41, -4.83, 6.86

 

CMYK 3 / 5 / 0 / 27

HEX #B4B0B9

RGB 180 176 185

HSL 266.67, 0.06%, 0.71%

LAB 72.4, 3.11, -4.09

 

CMYK 10 / 17 / 0 / 23

HEX #B2A4C5

RGB 178 164 197

HSL 265.45, 0.22%, 0.71%

LAB 69.5, 11.42, -15.04

 

CMYK 0 / 3 / 30 / 17

HEX #D4CD95

RGB 212 205 149

HSL 53.33, 0.42%, 0.71%

LAB 81.75, -6.16, 28.82

 

CMYK 4 / 0 / 30 / 17

HEX #CBD495

RGB 203 212 149

HSL 68.57, 0.42%, 0.71%

LAB 82.89, -13.16, 30.22

 

CMYK 12 / 0 / 30 / 17

HEX #BAD495

RGB 186 212 149

HSL 84.76, 0.42%, 0.71%

LAB 81.67, -19.49, 28.38

 

CMYK 20 / 0 / 30 / 17

HEX #A9D495

RGB 169 212 149

HSL 100.95, 0.42%, 0.71%

LAB 80.57, -25.59, 26.7

 

CMYK 28 / 0 / 30 / 17

HEX #98D495

RGB 152 212 149

HSL 117.14, 0.42%, 0.71%

LAB 79.58, -31.37, 25.19

 

CMYK 23 / 0 / 52 / 26

HEX #92BD5A

RGB 146 189 90

HSL 86.06, 0.43%, 0.55%

LAB 71.72, -30.64, 44.96

 

CMYK 17 / 0 / 41 / 21

HEX #A6C977

RGB 166 201 119

HSL 85.61, 0.43%, 0.63%

LAB 76.81, -25.52, 37.17

 

CMYK 13 / 0 / 30 / 17

HEX #B9D495

RGB 185 212 149

HSL 85.71, 0.42%, 0.71%

LAB 81.6, -19.86, 28.28

 

CMYK 9 / 0 / 21 / 12

HEX #CCE0B2

RGB 204 224 178

HSL 86.09, 0.43%, 0.79%

LAB 86.68, -14.65, 20.34

 

CMYK 5 / 0 / 12 / 7

HEX #E0ECD0

RGB 224 236 208

HSL 85.71, 0.42%, 0.87%

LAB 91.86, -8.87, 12.22

 

CMYK 13 / 0 / 30 / 16

HEX #BAD596

RGB 186 213 150

HSL 85.71, 0.43%, 0.71%

LAB 81.96, -19.84, 28.25

 

CMYK 30 / 0 / 11 / 17

HEX #95D4BC

RGB 149 212 188

HSL 157.14, 0.42%, 0.71%

LAB 80.24, -25.09, 5.47

 

CMYK 0 / 30 / 0 / 17

HEX #D495D3

RGB 212 149 211

HSL 300.95, 0.42%, 0.71%

LAB 69.61, 33.7, -22.32

 

CMYK 13 / 0 / 30 / 16

HEX #BAD596

RGB 186 213 150

HSL 85.71, 0.43%, 0.71%

LAB 81.96, -19.84, 28.25

 

CMYK 30 / 12 / 0 / 17

HEX #95BAD4

RGB 149 186 212

HSL 204.76, 0.42%, 0.71%

LAB 73.71, -6.36, -17.12

 

CMYK 0 / 30 / 12 / 17

HEX #D495BA

RGB 212 149 186

HSL 324.76, 0.42%, 0.71%

LAB 68.78, 29.3, -9.68

 

CMYK 13 / 0 / 30 / 16

HEX #BAD596

RGB 186 213 150

HSL 85.71, 0.43%, 0.71%

LAB 81.96, -19.84, 28.25

 

CMYK 30 / 0 / 11 / 17

HEX #95D4BC

RGB 149 212 188

HSL 157.14, 0.42%, 0.71%

LAB 80.24, -25.09, 5.47

 

CMYK 17 / 30 / 0 / 17

HEX #AF95D4

RGB 175 149 212

HSL 264.76, 0.42%, 0.71%

LAB 66.03, 22.08, -28.67

 

CMYK 0 / 30 / 18 / 17

HEX #D495AD

RGB 212 149 173

HSL 337.14, 0.42%, 0.71%

LAB 68.39, 27.2, -3

 

CMYK 13 / 0 / 30 / 16

HEX #BAD596

RGB 186 213 150

HSL 85.71, 0.43%, 0.71%

LAB 81.96, -19.84, 28.25

 

CMYK 30 / 0 / 2 / 17

HEX #95D4CF

RGB 149 212 207

HSL 175.24, 0.42%, 0.71%

LAB 80.73, -20.98, -3.96

 

CMYK 17 / 30 / 0 / 17

HEX #AF95D4

RGB 175 149 212

HSL 264.76, 0.42%, 0.71%

LAB 66.03, 22.08, -28.67

 

CMYK 0 / 30 / 27 / 17

HEX #D4959A

RGB 212 149 154

HSL 355.24, 0.42%, 0.71%

LAB 67.89, 24.4, 6.9

 

Description

Color code: HEX #BAD596 | qconv.com Color code: HEX #BAD596 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 213 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 213 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 30 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 30% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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