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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BACFC2 it is the complementary color #45303D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BACFC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BACFC2 shade: #BFCFBD, #D0E1D0, #E1F3E3 and #F2FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BACFC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BACFC2 shade: #BACFC2, #A9BDAF, #98AB9C, #879989 and #768776

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BACFC2 shade: #B9CEC1, #B9CEBC, #BDCEB9, #C2CEB9 and #C8CEB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BACFC2 shade: #B9CEC1, #B9CEC7, #B9CECD, #B9CACE and #B9C5CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BACFC2 shade matches the following richer shades: #B9CEC1, #B0D8BF, #A6E1BD, #9DEBBB and #93F4B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BACFC2 shade: #B9CEC1, #C3C5C4, #CCBBC6, #D6B2C8 and #DFA8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BACFC2 shade: #BDCEB9, #B9CEBB, #B9CEC1, #B9CEC7 and #B9CECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BACFC2 shade: #89AD96, #A1BDAC, #B9CEC1, #D2DFD7 and #EAF0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BACFC2 shade: #BACFC2, #B9C2CE and #CEB9BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BACFC2 shade: #BACFC2, #C1B9CE and #CEC1B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BACFC2 shade: #BACFC2, #B9C2CE, #CEB9C7 and #CEC5B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BACFC2 shade: #BACFC2, #B9BCCE, #CEB9C7 and #CECCB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 6 / 19

HEX #BACFC2

RGB 186 207 194

HSL 142.86, 0.18%, 0.77%

LAB 81.27, -9.54, 4.05

 

Complementary color

CMYK 0 / 30 / 12 / 73

HEX #45303D

RGB 69 48 61

HSL 322.86, 0.18%, 0.23%

LAB 22.71, 12.05, -4.41

 

CMYK 8 / 0 / 9 / 19

HEX #BFCFBD

RGB 191 207 189

HSL 113.33, 0.16%, 0.78%

LAB 81.5, -8.75, 7.09

 

CMYK 8 / 0 / 8 / 12

HEX #D0E1D0

RGB 208 225 208

HSL 120, 0.22%, 0.85%

LAB 87.88, -8.77, 6.37

 

CMYK 7 / 0 / 7 / 5

HEX #E1F3E3

RGB 225 243 227

HSL 126.67, 0.43%, 0.92%

LAB 94.16, -8.8, 5.68

 

CMYK 5 / 0 / 4 / 0

HEX #F2FFF6

RGB 242 255 246

HSL 138.46, 1%, 0.97%

LAB 98.85, -5.85, 2.81

 

CMYK 10 / 0 / 6 / 19

HEX #BACFC2

RGB 186 207 194

HSL 142.86, 0.18%, 0.77%

LAB 81.27, -9.54, 4.05

 

CMYK 11 / 0 / 7 / 26

HEX #A9BDAF

RGB 169 189 175

HSL 138, 0.13%, 0.7%

LAB 74.78, -9.55, 4.75

 

CMYK 11 / 0 / 9 / 33

HEX #98AB9C

RGB 152 171 156

HSL 132.63, 0.1%, 0.63%

LAB 68.17, -9.57, 5.48

 

CMYK 12 / 0 / 10 / 40

HEX #879989

RGB 135 153 137

HSL 126.67, 0.08%, 0.56%

LAB 61.43, -9.59, 6.25

 

CMYK 13 / 0 / 13 / 47

HEX #768776

RGB 118 135 118

HSL 120, 0.07%, 0.5%

LAB 54.54, -9.64, 7.07

 

CMYK 10 / 0 / 6 / 19

HEX #B9CEC1

RGB 185 206 193

HSL 142.86, 0.18%, 0.77%

LAB 80.91, -9.55, 4.05

 

CMYK 10 / 0 / 9 / 19

HEX #B9CEBC

RGB 185 206 188

HSL 128.57, 0.18%, 0.77%

LAB 80.79, -10.47, 6.55

 

CMYK 8 / 0 / 10 / 19

HEX #BDCEB9

RGB 189 206 185

HSL 108.57, 0.18%, 0.77%

LAB 81, -9.64, 8.48

 

CMYK 6 / 0 / 10 / 19

HEX #C2CEB9

RGB 194 206 185

HSL 94.29, 0.18%, 0.77%

LAB 81.35, -7.89, 9.04

 

CMYK 3 / 0 / 10 / 19

HEX #C8CEB9

RGB 200 206 185

HSL 77.14, 0.18%, 0.77%

LAB 81.8, -5.78, 9.74

 

CMYK 10 / 0 / 6 / 19

HEX #B9CEC1

RGB 185 206 193

HSL 142.86, 0.18%, 0.77%

LAB 80.91, -9.55, 4.05

 

CMYK 10 / 0 / 3 / 19

HEX #B9CEC7

RGB 185 206 199

HSL 160, 0.18%, 0.77%

LAB 81.06, -8.41, 1.06

 

CMYK 10 / 0 / 0 / 19

HEX #B9CECD

RGB 185 206 205

HSL 177.14, 0.18%, 0.77%

LAB 81.22, -7.24, -1.92

 

CMYK 10 / 2 / 0 / 19

HEX #B9CACE

RGB 185 202 206

HSL 191.43, 0.18%, 0.77%

LAB 80.19, -4.95, -3.97

 

CMYK 10 / 4 / 0 / 19

HEX #B9C5CE

RGB 185 197 206

HSL 205.71, 0.18%, 0.77%

LAB 78.87, -2.32, -5.91

 

CMYK 10 / 0 / 6 / 19

HEX #B9CEC1

RGB 185 206 193

HSL 142.86, 0.18%, 0.77%

LAB 80.91, -9.55, 4.05

 

CMYK 19 / 0 / 12 / 15

HEX #B0D8BF

RGB 176 216 191

HSL 142.5, 0.34%, 0.77%

LAB 82.97, -18.01, 8

 

CMYK 26 / 0 / 16 / 12

HEX #A6E1BD

RGB 166 225 189

HSL 143.39, 0.5%, 0.77%

LAB 84.81, -26.01, 11.61

 

CMYK 33 / 0 / 20 / 8

HEX #9DEBBB

RGB 157 235 187

HSL 143.08, 0.66%, 0.77%

LAB 87.08, -33.86, 15.8

 

CMYK 40 / 0 / 25 / 4

HEX #93F4B8

RGB 147 244 184

HSL 142.89, 0.82%, 0.77%

LAB 89.09, -41.36, 20.1

 

CMYK 10 / 0 / 6 / 19

HEX #B9CEC1

RGB 185 206 193

HSL 142.86, 0.18%, 0.77%

LAB 80.91, -9.55, 4.05

 

CMYK 1 / 0 / 1 / 23

HEX #C3C5C4

RGB 195 197 196

HSL 150, 0.02%, 0.77%

LAB 79.34, -0.87, 0.25

 

CMYK 0 / 8 / 3 / 20

HEX #CCBBC6

RGB 204 187 198

HSL 321.18, 0.14%, 0.77%

LAB 77.55, 7.95, -3.37

 

CMYK 0 / 17 / 7 / 16

HEX #D6B2C8

RGB 214 178 200

HSL 323.33, 0.31%, 0.77%

LAB 76.26, 16.65, -6.26

 

CMYK 0 / 25 / 9 / 13

HEX #DFA8CA

RGB 223 168 202

HSL 322.91, 0.46%, 0.77%

LAB 74.8, 25.52, -9.43

 

CMYK 8 / 0 / 10 / 19

HEX #BDCEB9

RGB 189 206 185

HSL 108.57, 0.18%, 0.77%

LAB 81, -9.64, 8.48

 

CMYK 10 / 0 / 9 / 19

HEX #B9CEBB

RGB 185 206 187

HSL 125.71, 0.18%, 0.77%

LAB 80.76, -10.66, 7.05

 

CMYK 10 / 0 / 6 / 19

HEX #B9CEC1

RGB 185 206 193

HSL 142.86, 0.18%, 0.77%

LAB 80.91, -9.55, 4.05

 

CMYK 10 / 0 / 3 / 19

HEX #B9CEC7

RGB 185 206 199

HSL 160, 0.18%, 0.77%

LAB 81.06, -8.41, 1.06

 

CMYK 10 / 0 / 1 / 19

HEX #B9CECC

RGB 185 206 204

HSL 174.29, 0.18%, 0.77%

LAB 81.19, -7.44, -1.42

 

CMYK 21 / 0 / 13 / 32

HEX #89AD96

RGB 137 173 150

HSL 141.67, 0.18%, 0.61%

LAB 67.58, -16.96, 7.82

 

CMYK 15 / 0 / 9 / 26

HEX #A1BDAC

RGB 161 189 172

HSL 143.57, 0.18%, 0.69%

LAB 74.16, -12.85, 5.41

 

CMYK 10 / 0 / 6 / 19

HEX #B9CEC1

RGB 185 206 193

HSL 142.86, 0.18%, 0.77%

LAB 80.91, -9.55, 4.05

 

CMYK 6 / 0 / 4 / 13

HEX #D2DFD7

RGB 210 223 215

HSL 143.08, 0.17%, 0.85%

LAB 87.67, -5.82, 2.4

 

CMYK 3 / 0 / 2 / 6

HEX #EAF0EC

RGB 234 240 236

HSL 140, 0.17%, 0.93%

LAB 94.26, -2.7, 1.22

 

CMYK 10 / 0 / 6 / 19

HEX #BACFC2

RGB 186 207 194

HSL 142.86, 0.18%, 0.77%

LAB 81.27, -9.54, 4.05

 

CMYK 10 / 6 / 0 / 19

HEX #B9C2CE

RGB 185 194 206

HSL 214.29, 0.18%, 0.77%

LAB 78.08, -0.73, -7.08

 

CMYK 0 / 10 / 10 / 19

HEX #CEB9BA

RGB 206 185 186

HSL 357.14, 0.18%, 0.77%

LAB 76.9, 7.63, 2.21

 

CMYK 10 / 0 / 6 / 19

HEX #BACFC2

RGB 186 207 194

HSL 142.86, 0.18%, 0.77%

LAB 81.27, -9.54, 4.05

 

CMYK 6 / 10 / 0 / 19

HEX #C1B9CE

RGB 193 185 206

HSL 262.86, 0.18%, 0.77%

LAB 76.37, 6.77, -9.56

 

CMYK 0 / 6 / 10 / 19

HEX #CEC1B9

RGB 206 193 185

HSL 22.86, 0.18%, 0.77%

LAB 78.91, 3.19, 5.65

 

CMYK 10 / 0 / 6 / 19

HEX #BACFC2

RGB 186 207 194

HSL 142.86, 0.18%, 0.77%

LAB 81.27, -9.54, 4.05

 

CMYK 10 / 6 / 0 / 19

HEX #B9C2CE

RGB 185 194 206

HSL 214.29, 0.18%, 0.77%

LAB 78.08, -0.73, -7.08

 

CMYK 0 / 10 / 3 / 19

HEX #CEB9C7

RGB 206 185 199

HSL 320, 0.18%, 0.77%

LAB 77.25, 9.91, -4.34

 

CMYK 0 / 4 / 10 / 19

HEX #CEC5B9

RGB 206 197 185

HSL 34.29, 0.18%, 0.77%

LAB 79.93, 1.08, 7.13

 

CMYK 10 / 0 / 6 / 19

HEX #BACFC2

RGB 186 207 194

HSL 142.86, 0.18%, 0.77%

LAB 81.27, -9.54, 4.05

 

CMYK 10 / 9 / 0 / 19

HEX #B9BCCE

RGB 185 188 206

HSL 231.43, 0.18%, 0.77%

LAB 76.52, 2.49, -9.4

 

CMYK 0 / 10 / 3 / 19

HEX #CEB9C7

RGB 206 185 199

HSL 320, 0.18%, 0.77%

LAB 77.25, 9.91, -4.34

 

CMYK 0 / 1 / 10 / 19

HEX #CECCB9

RGB 206 204 185

HSL 54.29, 0.18%, 0.77%

LAB 81.73, -2.6, 9.71

 

Description

Color code: HEX #BACFC2 | qconv.com Color code: HEX #BACFC2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 207 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 207 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 6 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 6% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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