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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAC8C6 it is the complementary color #453739. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAC8C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAC8C6 shade: #BFC8C1, #D0DAD4, #E1ECE7 and #F2FEFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAC8C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAC8C6 shade: #BAC8C6, #A9B6B3, #98A4A0, #87928D and #76807A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAC8C6 shade: #BBC8C6, #BBC8C2, #BBC8BF, #BBC8BB and #BEC8BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAC8C6 shade: #BBC8C6, #BBC6C8, #BBC3C8, #BBBFC8 and #BBBBC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAC8C6 shade matches the following richer shades: #BBC8C6, #B1D2CD, #A7DCD4, #9DE6DB and #93F0E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAC8C6 shade: #BBC8C6, #C4BEBF, #CEB4B8, #D8AAB1 and #E2A0AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAC8C6 shade: #BBC8BF, #BBC8C2, #BBC8C6, #BBC6C8 and #BBC3C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAC8C6 shade: #8DA3A0, #A4B6B3, #BBC8C6, #D1DAD9 and #E8EDEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAC8C6 shade: #BAC8C6, #BBBBC8 and #C8C1BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAC8C6 shade: #BAC8C6, #C6BBC8 and #C8C6BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAC8C6 shade: #BAC8C6, #BBBBC8, #C8BBBD and #C7C8BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAC8C6 shade: #BAC8C6, #BFBBC8, #C8BBBD and #C3C8BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 1 / 22

HEX #BAC8C6

RGB 186 200 198

HSL 171.43, 0.11%, 0.76%

LAB 79.51, -5.14, -0.65

 

Complementary color

CMYK 0 / 20 / 17 / 73

HEX #453739

RGB 69 55 57

HSL 351.43, 0.11%, 0.24%

LAB 24.62, 6.59, 1.09

 

CMYK 5 / 0 / 4 / 22

HEX #BFC8C1

RGB 191 200 193

HSL 133.33, 0.08%, 0.77%

LAB 79.75, -4.38, 2.42

 

CMYK 5 / 0 / 3 / 15

HEX #D0DAD4

RGB 208 218 212

HSL 144, 0.12%, 0.84%

LAB 86.16, -4.47, 1.77

 

CMYK 5 / 0 / 2 / 7

HEX #E1ECE7

RGB 225 236 231

HSL 152.73, 0.22%, 0.9%

LAB 92.47, -4.55, 1.14

 

CMYK 5 / 0 / 2 / 0

HEX #F2FEFA

RGB 242 254 250

HSL 160, 0.86%, 0.97%

LAB 98.7, -4.64, 0.54

 

CMYK 7 / 0 / 1 / 22

HEX #BAC8C6

RGB 186 200 198

HSL 171.43, 0.11%, 0.76%

LAB 79.51, -5.14, -0.65

 

CMYK 7 / 0 / 2 / 29

HEX #A9B6B3

RGB 169 182 179

HSL 166.15, 0.08%, 0.69%

LAB 72.99, -5.08, -0.03

 

CMYK 7 / 0 / 2 / 36

HEX #98A4A0

RGB 152 164 160

HSL 160, 0.06%, 0.62%

LAB 66.34, -5.02, 0.61

 

CMYK 8 / 0 / 3 / 43

HEX #87928D

RGB 135 146 141

HSL 152.73, 0.05%, 0.55%

LAB 59.55, -4.97, 1.28

 

CMYK 8 / 0 / 5 / 50

HEX #76807A

RGB 118 128 122

HSL 144, 0.04%, 0.48%

LAB 52.61, -4.93, 1.98

 

CMYK 7 / 0 / 1 / 22

HEX #BBC8C6

RGB 187 200 198

HSL 170.77, 0.11%, 0.76%

LAB 79.59, -4.8, -0.54

 

CMYK 7 / 0 / 3 / 22

HEX #BBC8C2

RGB 187 200 194

HSL 152.31, 0.11%, 0.76%

LAB 79.48, -5.56, 1.46

 

CMYK 7 / 0 / 5 / 22

HEX #BBC8BF

RGB 187 200 191

HSL 138.46, 0.11%, 0.76%

LAB 79.41, -6.12, 2.96

 

CMYK 7 / 0 / 7 / 22

HEX #BBC8BB

RGB 187 200 187

HSL 120, 0.11%, 0.76%

LAB 79.31, -6.86, 4.97

 

CMYK 5 / 0 / 7 / 22

HEX #BEC8BB

RGB 190 200 187

HSL 106.15, 0.11%, 0.76%

LAB 79.52, -5.82, 5.31

 

CMYK 7 / 0 / 1 / 22

HEX #BBC8C6

RGB 187 200 198

HSL 170.77, 0.11%, 0.76%

LAB 79.59, -4.8, -0.54

 

CMYK 7 / 1 / 0 / 22

HEX #BBC6C8

RGB 187 198 200

HSL 189.23, 0.11%, 0.76%

LAB 79.11, -3.37, -2.31

 

CMYK 7 / 3 / 0 / 22

HEX #BBC3C8

RGB 187 195 200

HSL 203.08, 0.11%, 0.76%

LAB 78.32, -1.78, -3.46

 

CMYK 7 / 5 / 0 / 22

HEX #BBBFC8

RGB 187 191 200

HSL 221.54, 0.11%, 0.76%

LAB 77.28, 0.35, -5.01

 

CMYK 7 / 7 / 0 / 22

HEX #BBBBC8

RGB 187 187 200

HSL 240, 0.11%, 0.76%

LAB 76.24, 2.49, -6.54

 

CMYK 7 / 0 / 1 / 22

HEX #BBC8C6

RGB 187 200 198

HSL 170.77, 0.11%, 0.76%

LAB 79.59, -4.8, -0.54

 

CMYK 16 / 0 / 2 / 18

HEX #B1D2CD

RGB 177 210 205

HSL 170.91, 0.27%, 0.76%

LAB 81.76, -11.9, -1.19

 

CMYK 24 / 0 / 4 / 14

HEX #A7DCD4

RGB 167 220 212

HSL 170.94, 0.43%, 0.76%

LAB 84.05, -18.62, -1.63

 

CMYK 32 / 0 / 5 / 10

HEX #9DE6DB

RGB 157 230 219

HSL 170.96, 0.59%, 0.76%

LAB 86.44, -24.94, -1.88

 

CMYK 39 / 0 / 6 / 6

HEX #93F0E2

RGB 147 240 226

HSL 170.97, 0.76%, 0.76%

LAB 88.93, -30.83, -1.96

 

CMYK 7 / 0 / 1 / 22

HEX #BBC8C6

RGB 187 200 198

HSL 170.77, 0.11%, 0.76%

LAB 79.59, -4.8, -0.54

 

CMYK 0 / 3 / 3 / 23

HEX #C4BEBF

RGB 196 190 191

HSL 350, 0.05%, 0.76%

LAB 77.47, 2.28, 0.23

 

CMYK 0 / 13 / 11 / 19

HEX #CEB4B8

RGB 206 180 184

HSL 350.77, 0.21%, 0.76%

LAB 75.59, 9.98, 1.39

 

CMYK 0 / 21 / 18 / 15

HEX #D8AAB1

RGB 216 170 177

HSL 350.87, 0.37%, 0.76%

LAB 73.88, 17.89, 2.86

 

CMYK 0 / 29 / 25 / 11

HEX #E2A0AA

RGB 226 160 170

HSL 350.91, 0.53%, 0.76%

LAB 72.37, 25.9, 4.65

 

CMYK 7 / 0 / 5 / 22

HEX #BBC8BF

RGB 187 200 191

HSL 138.46, 0.11%, 0.76%

LAB 79.41, -6.12, 2.96

 

CMYK 7 / 0 / 3 / 22

HEX #BBC8C2

RGB 187 200 194

HSL 152.31, 0.11%, 0.76%

LAB 79.48, -5.56, 1.46

 

CMYK 7 / 0 / 1 / 22

HEX #BBC8C6

RGB 187 200 198

HSL 170.77, 0.11%, 0.76%

LAB 79.59, -4.8, -0.54

 

CMYK 7 / 1 / 0 / 22

HEX #BBC6C8

RGB 187 198 200

HSL 189.23, 0.11%, 0.76%

LAB 79.11, -3.37, -2.31

 

CMYK 7 / 3 / 0 / 22

HEX #BBC3C8

RGB 187 195 200

HSL 203.08, 0.11%, 0.76%

LAB 78.32, -1.78, -3.46

 

CMYK 13 / 0 / 2 / 36

HEX #8DA3A0

RGB 141 163 160

HSL 171.82, 0.11%, 0.6%

LAB 65.28, -8.28, -1.04

 

CMYK 10 / 0 / 2 / 29

HEX #A4B6B3

RGB 164 182 179

HSL 170, 0.11%, 0.68%

LAB 72.63, -6.79, -0.6

 

CMYK 7 / 0 / 1 / 22

HEX #BBC8C6

RGB 187 200 198

HSL 170.77, 0.11%, 0.76%

LAB 79.59, -4.8, -0.54

 

CMYK 4 / 0 / 0 / 15

HEX #D1DAD9

RGB 209 218 217

HSL 173.33, 0.11%, 0.84%

LAB 86.36, -3.21, -0.57

 

CMYK 2 / 0 / 0 / 7

HEX #E8EDEC

RGB 232 237 236

HSL 168, 0.12%, 0.92%

LAB 93.35, -1.84, -0.11

 

CMYK 7 / 0 / 1 / 22

HEX #BAC8C6

RGB 186 200 198

HSL 171.43, 0.11%, 0.76%

LAB 79.51, -5.14, -0.65

 

CMYK 7 / 7 / 0 / 22

HEX #BBBBC8

RGB 187 187 200

HSL 240, 0.11%, 0.76%

LAB 76.24, 2.49, -6.54

 

CMYK 0 / 4 / 7 / 22

HEX #C8C1BB

RGB 200 193 187

HSL 27.69, 0.11%, 0.76%

LAB 78.47, 1.39, 3.88

 

CMYK 7 / 0 / 1 / 22

HEX #BAC8C6

RGB 186 200 198

HSL 171.43, 0.11%, 0.76%

LAB 79.51, -5.14, -0.65

 

CMYK 1 / 7 / 0 / 22

HEX #C6BBC8

RGB 198 187 200

HSL 290.77, 0.11%, 0.76%

LAB 77.11, 6.24, -5.16

 

CMYK 0 / 1 / 7 / 22

HEX #C8C6BB

RGB 200 198 187

HSL 50.77, 0.11%, 0.76%

LAB 79.76, -1.25, 5.74

 

CMYK 7 / 0 / 1 / 22

HEX #BAC8C6

RGB 186 200 198

HSL 171.43, 0.11%, 0.76%

LAB 79.51, -5.14, -0.65

 

CMYK 7 / 7 / 0 / 22

HEX #BBBBC8

RGB 187 187 200

HSL 240, 0.11%, 0.76%

LAB 76.24, 2.49, -6.54

 

CMYK 0 / 7 / 5 / 22

HEX #C8BBBD

RGB 200 187 189

HSL 350.77, 0.11%, 0.76%

LAB 76.98, 4.94, 0.63

 

CMYK 0 / 0 / 7 / 22

HEX #C7C8BB

RGB 199 200 187

HSL 64.62, 0.11%, 0.76%

LAB 80.2, -2.66, 6.37

 

CMYK 7 / 0 / 1 / 22

HEX #BAC8C6

RGB 186 200 198

HSL 171.43, 0.11%, 0.76%

LAB 79.51, -5.14, -0.65

 

CMYK 5 / 7 / 0 / 22

HEX #BFBBC8

RGB 191 187 200

HSL 258.46, 0.11%, 0.76%

LAB 76.55, 3.85, -6.05

 

CMYK 0 / 7 / 5 / 22

HEX #C8BBBD

RGB 200 187 189

HSL 350.77, 0.11%, 0.76%

LAB 76.98, 4.94, 0.63

 

CMYK 3 / 0 / 7 / 22

HEX #C3C8BB

RGB 195 200 187

HSL 83.08, 0.11%, 0.76%

LAB 79.9, -4.07, 5.89

 

Description

Color code: HEX #BAC8C6 | qconv.com Color code: HEX #BAC8C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 200 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 200 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 1 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 1% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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