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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA9390 it is the complementary color #456C6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA9390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA9390 shade: #BF938B, #D0A59E, #E1B7B1, #F2C9C4 and #FFDBD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA9390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA9390 shade: #BA9390, #A9817D, #986F6A, #875D57 and #764B44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA9390 shade: #BA9491 and #BA9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA9390 shade: #BA9491, #BA9F91, #BAAA91, #BAB591 and #B4BA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA9390 shade matches the following richer shades: #BA9491, #C88782, #D77B74, #E56F65 and #F46257

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA9390 shade: #BA9491, #ABA09F, #9DACAE, #8EB9BC and #80C5CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA9390 shade: #BA91A4, #BA9199, #BA9391, #BA9E91 and #BAA991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA9390 shade: #99635F, #AA7B77, #BA9491, #CAACAA and #DAC5C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA9390 shade: #BA9390, #AFBA91 and #919EBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA9390 shade: #BA9390, #91BA93 and #9391BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA9390 shade: #BA9390, #AFBA91, #91B7BA and #9C91BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA9390 shade: #BA9390, #A3BA91, #91B7BA and #A891BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 23 / 27

HEX #BA9390

RGB 186 147 144

HSL 4.29, 0.23%, 0.65%

LAB 64.42, 14.18, 7.17

 

Complementary color

CMYK 38 / 3 / 0 / 56

HEX #456C6F

RGB 69 108 111

HSL 184.29, 0.23%, 0.35%

LAB 42.97, -12.86, -6.05

 

CMYK 0 / 23 / 27 / 25

HEX #BF938B

RGB 191 147 139

HSL 9.23, 0.29%, 0.65%

LAB 64.81, 15.38, 10.61

 

CMYK 0 / 21 / 24 / 18

HEX #D0A59E

RGB 208 165 158

HSL 8.4, 0.35%, 0.72%

LAB 71.41, 14.76, 9.65

 

CMYK 0 / 19 / 21 / 12

HEX #E1B7B1

RGB 225 183 177

HSL 7.5, 0.44%, 0.79%

LAB 77.9, 14.21, 8.76

 

CMYK 0 / 17 / 19 / 5

HEX #F2C9C4

RGB 242 201 196

HSL 6.52, 0.64%, 0.86%

LAB 84.3, 13.71, 7.92

 

CMYK 0 / 14 / 16 / 0

HEX #FFDBD7

RGB 255 219 215

HSL 6, 1%, 0.92%

LAB 90.24, 11.84, 6.58

 

CMYK 0 / 21 / 23 / 27

HEX #BA9390

RGB 186 147 144

HSL 4.29, 0.23%, 0.65%

LAB 64.42, 14.18, 7.17

 

CMYK 0 / 24 / 26 / 34

HEX #A9817D

RGB 169 129 125

HSL 5.45, 0.2%, 0.58%

LAB 57.67, 14.8, 8.12

 

CMYK 0 / 27 / 30 / 40

HEX #986F6A

RGB 152 111 106

HSL 6.52, 0.18%, 0.51%

LAB 50.79, 15.52, 9.17

 

CMYK 0 / 31 / 36 / 47

HEX #875D57

RGB 135 93 87

HSL 7.5, 0.22%, 0.44%

LAB 43.75, 16.36, 10.35

 

CMYK 0 / 36 / 42 / 54

HEX #764B44

RGB 118 75 68

HSL 8.4, 0.27%, 0.36%

LAB 36.56, 17.35, 11.73

 

CMYK 0 / 20 / 22 / 27

HEX #BA9491

RGB 186 148 145

HSL 4.39, 0.23%, 0.65%

LAB 64.69, 13.78, 7.01

 

CMYK 0 / 22 / 22 / 27

HEX #BA9191

RGB 186 145 145

HSL 0, 0.23%, 0.65%

LAB 63.95, 15.44, 5.93

 

CMYK 0 / 20 / 22 / 27

HEX #BA9491

RGB 186 148 145

HSL 4.39, 0.23%, 0.65%

LAB 64.69, 13.78, 7.01

 

CMYK 0 / 15 / 22 / 27

HEX #BA9F91

RGB 186 159 145

HSL 20.49, 0.23%, 0.65%

LAB 67.49, 7.71, 10.98

 

CMYK 0 / 9 / 22 / 27

HEX #BAAA91

RGB 186 170 145

HSL 36.59, 0.23%, 0.65%

LAB 70.34, 1.72, 14.99

 

CMYK 0 / 3 / 22 / 27

HEX #BAB591

RGB 186 181 145

HSL 52.68, 0.23%, 0.65%

LAB 73.24, -4.17, 19.02

 

CMYK 3 / 0 / 22 / 27

HEX #B4BA91

RGB 180 186 145

HSL 68.78, 0.23%, 0.65%

LAB 74.1, -9.08, 20.14

 

CMYK 0 / 20 / 22 / 27

HEX #BA9491

RGB 186 148 145

HSL 4.39, 0.23%, 0.65%

LAB 64.69, 13.78, 7.01

 

CMYK 0 / 33 / 35 / 22

HEX #C88782

RGB 200 135 130

HSL 4.29, 0.39%, 0.65%

LAB 62.69, 24.28, 12.85

 

CMYK 0 / 43 / 46 / 16

HEX #D77B74

RGB 215 123 116

HSL 4.24, 0.55%, 0.65%

LAB 61.55, 34.93, 19.49

 

CMYK 0 / 52 / 56 / 10

HEX #E56F65

RGB 229 111 101

HSL 4.69, 0.71%, 0.65%

LAB 60.75, 44.95, 27.28

 

CMYK 0 / 60 / 64 / 4

HEX #F46257

RGB 244 98 87

HSL 4.2, 0.88%, 0.65%

LAB 60.48, 55.37, 35.28

 

CMYK 0 / 20 / 22 / 27

HEX #BA9491

RGB 186 148 145

HSL 4.39, 0.23%, 0.65%

LAB 64.69, 13.78, 7.01

 

CMYK 0 / 6 / 7 / 33

HEX #ABA09F

RGB 171 160 159

HSL 5, 0.07%, 0.65%

LAB 66.75, 3.81, 1.95

 

CMYK 10 / 1 / 0 / 32

HEX #9DACAE

RGB 157 172 174

HSL 187.06, 0.09%, 0.65%

LAB 69.28, -4.81, -2.82

 

CMYK 24 / 2 / 0 / 26

HEX #8EB9BC

RGB 142 185 188

HSL 183.91, 0.26%, 0.65%

LAB 72.28, -13.54, -6.2

 

CMYK 37 / 2 / 0 / 21

HEX #80C5CA

RGB 128 197 202

HSL 184.05, 0.41%, 0.65%

LAB 75.32, -20.39, -9.4

 

CMYK 0 / 22 / 12 / 27

HEX #BA91A4

RGB 186 145 164

HSL 332.2, 0.23%, 0.65%

LAB 64.46, 18.52, -4.05

 

CMYK 0 / 22 / 18 / 27

HEX #BA9199

RGB 186 145 153

HSL 348.29, 0.23%, 0.65%

LAB 64.15, 16.7, 1.71

 

CMYK 0 / 21 / 22 / 27

HEX #BA9391

RGB 186 147 145

HSL 2.93, 0.23%, 0.65%

LAB 64.44, 14.33, 6.65

 

CMYK 0 / 15 / 22 / 27

HEX #BA9E91

RGB 186 158 145

HSL 19.02, 0.23%, 0.65%

LAB 67.23, 8.26, 10.62

 

CMYK 0 / 9 / 22 / 27

HEX #BAA991

RGB 186 169 145

HSL 35.12, 0.23%, 0.65%

LAB 70.08, 2.26, 14.62

 

CMYK 0 / 35 / 38 / 40

HEX #99635F

RGB 153 99 95

HSL 4.14, 0.23%, 0.49%

LAB 47.65, 21.36, 11.32

 

CMYK 0 / 28 / 30 / 33

HEX #AA7B77

RGB 170 123 119

HSL 4.71, 0.23%, 0.57%

LAB 56.13, 17.73, 9.42

 

CMYK 0 / 20 / 22 / 27

HEX #BA9491

RGB 186 148 145

HSL 4.39, 0.23%, 0.65%

LAB 64.69, 13.78, 7.01

 

CMYK 0 / 15 / 16 / 21

HEX #CAACAA

RGB 202 172 170

HSL 3.75, 0.23%, 0.73%

LAB 72.87, 10.55, 5.06

 

CMYK 0 / 10 / 11 / 15

HEX #DAC5C3

RGB 218 197 195

HSL 5.22, 0.24%, 0.81%

LAB 81.17, 7.04, 3.67

 

CMYK 0 / 21 / 23 / 27

HEX #BA9390

RGB 186 147 144

HSL 4.29, 0.23%, 0.65%

LAB 64.42, 14.18, 7.17

 

CMYK 6 / 0 / 22 / 27

HEX #AFBA91

RGB 175 186 145

HSL 76.1, 0.23%, 0.65%

LAB 73.72, -10.96, 19.55

 

CMYK 22 / 15 / 0 / 27

HEX #919EBA

RGB 145 158 186

HSL 220.98, 0.23%, 0.65%

LAB 64.98, 1.55, -16

 

CMYK 0 / 21 / 23 / 27

HEX #BA9390

RGB 186 147 144

HSL 4.29, 0.23%, 0.65%

LAB 64.42, 14.18, 7.17

 

CMYK 22 / 0 / 21 / 27

HEX #91BA93

RGB 145 186 147

HSL 122.93, 0.23%, 0.65%

LAB 71.72, -21.43, 15.38

 

CMYK 21 / 22 / 0 / 27

HEX #9391BA

RGB 147 145 186

HSL 242.93, 0.23%, 0.65%

LAB 61.65, 9.54, -21.04

 

CMYK 0 / 21 / 23 / 27

HEX #BA9390

RGB 186 147 144

HSL 4.29, 0.23%, 0.65%

LAB 64.42, 14.18, 7.17

 

CMYK 6 / 0 / 22 / 27

HEX #AFBA91

RGB 175 186 145

HSL 76.1, 0.23%, 0.65%

LAB 73.72, -10.96, 19.55

 

CMYK 22 / 2 / 0 / 27

HEX #91B7BA

RGB 145 183 186

HSL 184.39, 0.23%, 0.65%

LAB 71.85, -12.02, -5.73

 

CMYK 16 / 22 / 0 / 27

HEX #9C91BA

RGB 156 145 186

HSL 256.1, 0.23%, 0.65%

LAB 62.39, 12.45, -19.85

 

CMYK 0 / 21 / 23 / 27

HEX #BA9390

RGB 186 147 144

HSL 4.29, 0.23%, 0.65%

LAB 64.42, 14.18, 7.17

 

CMYK 12 / 0 / 22 / 27

HEX #A3BA91

RGB 163 186 145

HSL 93.66, 0.23%, 0.65%

LAB 72.86, -15.4, 18.22

 

CMYK 22 / 2 / 0 / 27

HEX #91B7BA

RGB 145 183 186

HSL 184.39, 0.23%, 0.65%

LAB 71.85, -12.02, -5.73

 

CMYK 10 / 22 / 0 / 27

HEX #A891BA

RGB 168 145 186

HSL 273.66, 0.23%, 0.65%

LAB 63.44, 16.42, -18.15

 

Description

Color code: HEX #BA9390 | qconv.com Color code: HEX #BA9390 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 147 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 147 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 23 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 23% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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