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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA935D it is the complementary color #456CA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA935D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA935D shade: #BF9358, #D0A56B, #E1B77E, #F2C991 and #FFDBA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA935D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA935D shade: #BA935D, #A9814A, #986F37, #875D24 and #764B11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA935D shade: #BA935E, #BA7A5E, #BA625E and #BA5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA935D shade: #BA935E, #BAAC5E, #AFBA5E, #96BA5E and #7DBA5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA935D shade matches the following richer shades: #BA935E, #CC964B, #DF9939 and #F19C26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA935D shade: #BA935E, #A79070, #958D83, #828A96 and #6F87A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA935D shade: #BA615E, #BA795E, #BA925E, #BAAA5E and #B0BA5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA935D shade: #8A693B, #A77F47, #BA935E, #C6A67B and #D2BA98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA935D shade: #BA935D, #73BA5E and #6D5EBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA935D shade: #BA935D, #5EBA92 and #925EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA935D shade: #BA935D, #73BA5E, #5E86BA and #A45EBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA935D shade: #BA935D, #5EBA64, #5E86BA and #BA5EB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 50 / 27

HEX #BA935D

RGB 186 147 93

HSL 34.84, 0.4%, 0.55%

LAB 63.42, 7.87, 34.03

 

Complementary color

CMYK 57 / 33 / 0 / 36

HEX #456CA2

RGB 69 108 162

HSL 214.84, 0.4%, 0.45%

LAB 45.08, 2.89, -33.3

 

CMYK 0 / 23 / 54 / 25

HEX #BF9358

RGB 191 147 88

HSL 34.37, 0.45%, 0.55%

LAB 63.88, 9.53, 37.35

 

CMYK 0 / 21 / 49 / 18

HEX #D0A56B

RGB 208 165 107

HSL 34.46, 0.52%, 0.62%

LAB 70.44, 8.61, 35.96

 

CMYK 0 / 19 / 44 / 12

HEX #E1B77E

RGB 225 183 126

HSL 34.55, 0.62%, 0.69%

LAB 76.91, 7.81, 34.65

 

CMYK 0 / 17 / 40 / 5

HEX #F2C991

RGB 242 201 145

HSL 34.64, 0.79%, 0.76%

LAB 83.28, 7.12, 33.41

 

CMYK 0 / 14 / 36 / 0

HEX #FFDBA4

RGB 255 219 164

HSL 36.26, 1%, 0.82%

LAB 89.21, 4.98, 31.69

 

CMYK 0 / 21 / 50 / 27

HEX #BA935D

RGB 186 147 93

HSL 34.84, 0.4%, 0.55%

LAB 63.42, 7.87, 34.03

 

CMYK 0 / 24 / 56 / 34

HEX #A9814A

RGB 169 129 74

HSL 34.74, 0.39%, 0.48%

LAB 56.71, 8.85, 35.46

 

CMYK 0 / 27 / 64 / 40

HEX #986F37

RGB 152 111 55

HSL 34.64, 0.47%, 0.41%

LAB 49.88, 10.03, 36.93

 

CMYK 0 / 31 / 73 / 47

HEX #875D24

RGB 135 93 36

HSL 34.55, 0.58%, 0.34%

LAB 42.92, 11.48, 38.31

 

CMYK 0 / 36 / 86 / 54

HEX #764B11

RGB 118 75 17

HSL 34.46, 0.75%, 0.26%

LAB 35.84, 13.3, 39.18

 

CMYK 0 / 21 / 49 / 27

HEX #BA935E

RGB 186 147 94

HSL 34.57, 0.4%, 0.55%

LAB 63.44, 7.96, 33.52

 

CMYK 0 / 34 / 49 / 27

HEX #BA7A5E

RGB 186 122 94

HSL 18.26, 0.4%, 0.55%

LAB 57.24, 21.82, 25.55

 

CMYK 0 / 47 / 49 / 27

HEX #BA625E

RGB 186 98 94

HSL 2.61, 0.4%, 0.55%

LAB 51.82, 34.89, 18.34

 

CMYK 0 / 49 / 49 / 27

HEX #BA5E5E

RGB 186 94 94

HSL 0, 0.4%, 0.55%

LAB 50.98, 36.99, 17.2

 

CMYK 0 / 21 / 49 / 27

HEX #BA935E

RGB 186 147 94

HSL 34.57, 0.4%, 0.55%

LAB 63.44, 7.96, 33.52

 

CMYK 0 / 8 / 49 / 27

HEX #BAAC5E

RGB 186 172 94

HSL 50.87, 0.4%, 0.55%

LAB 70, -5.54, 41.64

 

CMYK 6 / 0 / 49 / 27

HEX #AFBA5E

RGB 175 186 94

HSL 67.17, 0.4%, 0.55%

LAB 72.92, -17.34, 44.94

 

CMYK 19 / 0 / 49 / 27

HEX #96BA5E

RGB 150 186 94

HSL 83.48, 0.4%, 0.55%

LAB 71.15, -27.25, 42.4

 

CMYK 33 / 0 / 49 / 27

HEX #7DBA5E

RGB 125 186 94

HSL 99.78, 0.4%, 0.55%

LAB 69.67, -36.44, 40.25

 

CMYK 0 / 21 / 49 / 27

HEX #BA935E

RGB 186 147 94

HSL 34.57, 0.4%, 0.55%

LAB 63.44, 7.96, 33.52

 

CMYK 0 / 26 / 63 / 20

HEX #CC964B

RGB 204 150 75

HSL 34.88, 0.56%, 0.55%

LAB 65.87, 12.44, 46.65

 

CMYK 0 / 31 / 74 / 13

HEX #DF9939

RGB 223 153 57

HSL 34.7, 0.72%, 0.55%

LAB 68.58, 17.95, 58.35

 

CMYK 0 / 35 / 84 / 5

HEX #F19C26

RGB 241 156 38

HSL 34.88, 0.88%, 0.55%

LAB 71.29, 23.32, 68.51

 

CMYK 0 / 21 / 49 / 27

HEX #BA935E

RGB 186 147 94

HSL 34.57, 0.4%, 0.55%

LAB 63.44, 7.96, 33.52

 

CMYK 0 / 14 / 33 / 35

HEX #A79070

RGB 167 144 112

HSL 34.91, 0.24%, 0.55%

LAB 61.07, 3.75, 20.21

 

CMYK 0 / 5 / 12 / 42

HEX #958D83

RGB 149 141 131

HSL 33.33, 0.08%, 0.55%

LAB 59.05, 1.17, 6.39

 

CMYK 13 / 8 / 0 / 41

HEX #828A96

RGB 130 138 150

HSL 216, 0.09%, 0.55%

LAB 57.2, -0.36, -7.39

 

CMYK 34 / 20 / 0 / 34

HEX #6F87A8

RGB 111 135 168

HSL 214.74, 0.25%, 0.55%

LAB 55.62, -0.38, -20.25

 

CMYK 0 / 48 / 49 / 27

HEX #BA615E

RGB 186 97 94

HSL 1.96, 0.4%, 0.55%

LAB 51.61, 35.42, 18.05

 

CMYK 0 / 35 / 49 / 27

HEX #BA795E

RGB 186 121 94

HSL 17.61, 0.4%, 0.55%

LAB 57, 22.37, 25.24

 

CMYK 0 / 22 / 49 / 27

HEX #BA925E

RGB 186 146 94

HSL 33.91, 0.4%, 0.55%

LAB 63.18, 8.51, 33.2

 

CMYK 0 / 9 / 49 / 27

HEX #BAAA5E

RGB 186 170 94

HSL 49.57, 0.4%, 0.55%

LAB 69.47, -4.48, 40.99

 

CMYK 5 / 0 / 49 / 27

HEX #B0BA5E

RGB 176 186 94

HSL 66.52, 0.4%, 0.55%

LAB 72.99, -16.93, 45.05

 

CMYK 0 / 24 / 57 / 46

HEX #8A693B

RGB 138 105 59

HSL 34.94, 0.4%, 0.39%

LAB 46.74, 7.49, 30.69

 

CMYK 0 / 24 / 57 / 35

HEX #A77F47

RGB 167 127 71

HSL 35, 0.4%, 0.47%

LAB 55.94, 8.84, 36.06

 

CMYK 0 / 21 / 49 / 27

HEX #BA935E

RGB 186 147 94

HSL 34.57, 0.4%, 0.55%

LAB 63.44, 7.96, 33.52

 

CMYK 0 / 16 / 38 / 22

HEX #C6A67B

RGB 198 166 123

HSL 34.4, 0.4%, 0.63%

LAB 69.97, 5.68, 26.64

 

CMYK 0 / 11 / 28 / 18

HEX #D2BA98

RGB 210 186 152

HSL 35.17, 0.39%, 0.71%

LAB 76.73, 3.4, 20.39

 

CMYK 0 / 21 / 50 / 27

HEX #BA935D

RGB 186 147 93

HSL 34.84, 0.4%, 0.55%

LAB 63.42, 7.87, 34.03

 

CMYK 38 / 0 / 49 / 27

HEX #73BA5E

RGB 115 186 94

HSL 106.3, 0.4%, 0.55%

LAB 69.16, -39.83, 39.51

 

CMYK 41 / 49 / 0 / 27

HEX #6D5EBA

RGB 109 94 186

HSL 249.78, 0.4%, 0.55%

LAB 45.36, 28.75, -46.74

 

CMYK 0 / 21 / 50 / 27

HEX #BA935D

RGB 186 147 93

HSL 34.84, 0.4%, 0.55%

LAB 63.42, 7.87, 34.03

 

CMYK 49 / 0 / 22 / 27

HEX #5EBA92

RGB 94 186 146

HSL 153.91, 0.4%, 0.55%

LAB 69.16, -36.94, 11.96

 

CMYK 22 / 49 / 0 / 27

HEX #925EBA

RGB 146 94 186

HSL 273.91, 0.4%, 0.55%

LAB 49.08, 38.63, -40.59

 

CMYK 0 / 21 / 50 / 27

HEX #BA935D

RGB 186 147 93

HSL 34.84, 0.4%, 0.55%

LAB 63.42, 7.87, 34.03

 

CMYK 38 / 0 / 49 / 27

HEX #73BA5E

RGB 115 186 94

HSL 106.3, 0.4%, 0.55%

LAB 69.16, -39.83, 39.51

 

CMYK 49 / 28 / 0 / 27

HEX #5E86BA

RGB 94 134 186

HSL 213.91, 0.4%, 0.55%

LAB 55.05, 0.78, -31.53

 

CMYK 12 / 49 / 0 / 27

HEX #A45EBA

RGB 164 94 186

HSL 285.65, 0.4%, 0.55%

LAB 51.2, 43.72, -37.11

 

CMYK 0 / 21 / 50 / 27

HEX #BA935D

RGB 186 147 93

HSL 34.84, 0.4%, 0.55%

LAB 63.42, 7.87, 34.03

 

CMYK 49 / 0 / 46 / 27

HEX #5EBA64

RGB 94 186 100

HSL 123.91, 0.4%, 0.55%

LAB 68.33, -45.38, 35.26

 

CMYK 49 / 28 / 0 / 27

HEX #5E86BA

RGB 94 134 186

HSL 213.91, 0.4%, 0.55%

LAB 55.05, 0.78, -31.53

 

CMYK 0 / 49 / 3 / 27

HEX #BA5EB4

RGB 186 94 180

HSL 303.91, 0.4%, 0.55%

LAB 53.75, 48.96, -29.45

 

Description

Color code: HEX #BA935D | qconv.com Color code: HEX #BA935D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 147 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 147 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 50 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 50% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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