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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA9591 it is the complementary color #456A6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA9591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA9591 shade: #BF958C, #D0A79F, #E1B9B2, #F2CBC5 and #FFDDD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA9591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA9591 shade: #BA9591, #A9837E, #98716B, #875F58 and #764D45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA9591 shade: #BA9591 and #BA9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA9591 shade: #BA9591, #BAA091, #BAAB91, #BAB691 and #B3BA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA9591 shade matches the following richer shades: #BA9591, #C88982, #D77D74, #E57265 and #F46657

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA9591 shade: #BA9591, #ABA09F, #9DACAE, #8EB8BC and #80C3CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA9591 shade: #BA91A3, #BA9198, #BA9491, #BA9F91 and #BAAA91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA9591 shade: #99655F, #AA7C77, #BA9591, #CAADAA and #DAC6C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA9591 shade: #BA9591, #AEBA91 and #919EBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA9591 shade: #BA9591, #91BA94 and #9491BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA9591 shade: #BA9591, #AEBA91, #91B6BA and #9C91BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA9591 shade: #BA9591, #A2BA91, #91B6BA and #A991BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

Complementary color

CMYK 37 / 4 / 0 / 57

HEX #456A6E

RGB 69 106 110

HSL 185.85, 0.23%, 0.35%

LAB 42.31, -12, -6.43

 

CMYK 0 / 22 / 27 / 25

HEX #BF958C

RGB 191 149 140

HSL 10.59, 0.28%, 0.65%

LAB 65.33, 14.41, 10.79

 

CMYK 0 / 20 / 24 / 18

HEX #D0A79F

RGB 208 167 159

HSL 9.8, 0.34%, 0.72%

LAB 71.93, 13.82, 9.83

 

CMYK 0 / 18 / 21 / 12

HEX #E1B9B2

RGB 225 185 178

HSL 8.94, 0.44%, 0.79%

LAB 78.41, 13.29, 8.95

 

CMYK 0 / 16 / 19 / 5

HEX #F2CBC5

RGB 242 203 197

HSL 8, 0.63%, 0.86%

LAB 84.8, 12.81, 8.11

 

CMYK 0 / 13 / 15 / 0

HEX #FFDDD8

RGB 255 221 216

HSL 7.69, 1%, 0.92%

LAB 90.75, 10.96, 6.78

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 0 / 22 / 25 / 34

HEX #A9837E

RGB 169 131 126

HSL 6.98, 0.2%, 0.58%

LAB 58.2, 13.82, 8.3

 

CMYK 0 / 26 / 30 / 40

HEX #98716B

RGB 152 113 107

HSL 8, 0.18%, 0.51%

LAB 51.32, 14.51, 9.34

 

CMYK 0 / 30 / 35 / 47

HEX #875F58

RGB 135 95 88

HSL 8.94, 0.21%, 0.44%

LAB 44.29, 15.31, 10.5

 

CMYK 0 / 35 / 42 / 54

HEX #764D45

RGB 118 77 69

HSL 9.8, 0.26%, 0.37%

LAB 37.09, 16.27, 11.84

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 0 / 22 / 22 / 27

HEX #BA9191

RGB 186 145 145

HSL 0, 0.23%, 0.65%

LAB 63.95, 15.44, 5.93

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 0 / 14 / 22 / 27

HEX #BAA091

RGB 186 160 145

HSL 21.95, 0.23%, 0.65%

LAB 67.74, 7.16, 11.34

 

CMYK 0 / 8 / 22 / 27

HEX #BAAB91

RGB 186 171 145

HSL 38.05, 0.23%, 0.65%

LAB 70.6, 1.18, 15.36

 

CMYK 0 / 2 / 22 / 27

HEX #BAB691

RGB 186 182 145

HSL 54.15, 0.23%, 0.65%

LAB 73.51, -4.7, 19.39

 

CMYK 4 / 0 / 22 / 27

HEX #B3BA91

RGB 179 186 145

HSL 70.24, 0.23%, 0.65%

LAB 74.03, -9.46, 20.02

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 0 / 32 / 35 / 22

HEX #C88982

RGB 200 137 130

HSL 6, 0.39%, 0.65%

LAB 63.16, 23.19, 13.51

 

CMYK 0 / 42 / 46 / 16

HEX #D77D74

RGB 215 125 116

HSL 5.45, 0.55%, 0.65%

LAB 61.98, 33.88, 20.08

 

CMYK 0 / 50 / 56 / 10

HEX #E57265

RGB 229 114 101

HSL 6.09, 0.71%, 0.65%

LAB 61.34, 43.46, 28.05

 

CMYK 0 / 58 / 64 / 4

HEX #F46657

RGB 244 102 87

HSL 5.73, 0.88%, 0.65%

LAB 61.15, 53.58, 36.11

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 0 / 6 / 7 / 33

HEX #ABA09F

RGB 171 160 159

HSL 5, 0.07%, 0.65%

LAB 66.75, 3.81, 1.95

 

CMYK 10 / 1 / 0 / 32

HEX #9DACAE

RGB 157 172 174

HSL 187.06, 0.09%, 0.65%

LAB 69.28, -4.81, -2.82

 

CMYK 24 / 2 / 0 / 26

HEX #8EB8BC

RGB 142 184 188

HSL 185.22, 0.26%, 0.65%

LAB 72, -13.02, -6.62

 

CMYK 37 / 3 / 0 / 21

HEX #80C3CA

RGB 128 195 202

HSL 185.68, 0.41%, 0.65%

LAB 74.75, -19.38, -10.24

 

CMYK 0 / 22 / 12 / 27

HEX #BA91A3

RGB 186 145 163

HSL 333.66, 0.23%, 0.65%

LAB 64.43, 18.35, -3.53

 

CMYK 0 / 22 / 18 / 27

HEX #BA9198

RGB 186 145 152

HSL 349.76, 0.23%, 0.65%

LAB 64.13, 16.54, 2.24

 

CMYK 0 / 20 / 22 / 27

HEX #BA9491

RGB 186 148 145

HSL 4.39, 0.23%, 0.65%

LAB 64.69, 13.78, 7.01

 

CMYK 0 / 15 / 22 / 27

HEX #BA9F91

RGB 186 159 145

HSL 20.49, 0.23%, 0.65%

LAB 67.49, 7.71, 10.98

 

CMYK 0 / 9 / 22 / 27

HEX #BAAA91

RGB 186 170 145

HSL 36.59, 0.23%, 0.65%

LAB 70.34, 1.72, 14.99

 

CMYK 0 / 34 / 38 / 40

HEX #99655F

RGB 153 101 95

HSL 6.21, 0.23%, 0.49%

LAB 48.14, 20.21, 12

 

CMYK 0 / 27 / 30 / 33

HEX #AA7C77

RGB 170 124 119

HSL 5.88, 0.23%, 0.57%

LAB 56.38, 17.17, 9.77

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 0 / 14 / 16 / 21

HEX #CAADAA

RGB 202 173 170

HSL 5.63, 0.23%, 0.73%

LAB 73.12, 10.01, 5.42

 

CMYK 0 / 9 / 11 / 15

HEX #DAC6C3

RGB 218 198 195

HSL 7.83, 0.24%, 0.81%

LAB 81.42, 6.51, 4.04

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 6 / 0 / 22 / 27

HEX #AEBA91

RGB 174 186 145

HSL 77.56, 0.23%, 0.65%

LAB 73.65, -11.34, 19.44

 

CMYK 22 / 15 / 0 / 27

HEX #919EBA

RGB 145 158 186

HSL 220.98, 0.23%, 0.65%

LAB 64.98, 1.55, -16

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 22 / 0 / 20 / 27

HEX #91BA94

RGB 145 186 148

HSL 124.39, 0.23%, 0.65%

LAB 71.74, -21.25, 14.87

 

CMYK 20 / 22 / 0 / 27

HEX #9491BA

RGB 148 145 186

HSL 244.39, 0.23%, 0.65%

LAB 61.73, 9.86, -20.91

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 6 / 0 / 22 / 27

HEX #AEBA91

RGB 174 186 145

HSL 77.56, 0.23%, 0.65%

LAB 73.65, -11.34, 19.44

 

CMYK 22 / 2 / 0 / 27

HEX #91B6BA

RGB 145 182 186

HSL 185.85, 0.23%, 0.65%

LAB 71.57, -11.49, -6.14

 

CMYK 16 / 22 / 0 / 27

HEX #9C91BA

RGB 156 145 186

HSL 256.1, 0.23%, 0.65%

LAB 62.39, 12.45, -19.85

 

CMYK 0 / 20 / 22 / 27

HEX #BA9591

RGB 186 149 145

HSL 5.85, 0.23%, 0.65%

LAB 64.95, 13.22, 7.36

 

CMYK 13 / 0 / 22 / 27

HEX #A2BA91

RGB 162 186 145

HSL 95.12, 0.23%, 0.65%

LAB 72.79, -15.76, 18.12

 

CMYK 22 / 2 / 0 / 27

HEX #91B6BA

RGB 145 182 186

HSL 185.85, 0.23%, 0.65%

LAB 71.57, -11.49, -6.14

 

CMYK 9 / 22 / 0 / 27

HEX #A991BA

RGB 169 145 186

HSL 275.12, 0.23%, 0.65%

LAB 63.53, 16.76, -18.01

 

Description

Color code: HEX #BA9591 | qconv.com Color code: HEX #BA9591 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 149 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 149 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 22 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 22% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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