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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA81D9 it is the complementary color #457E26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA81D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA81D9 shade: #BF81D4, #D093E7, #E1A5FA, #F2B7FF and #FFC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA81D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA81D9 shade: #BA81D9, #A96FC6, #985DB3, #874BA0 and #76398D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA81D9 shade: #BA81D9, #D281D9, #D981C8, #D981B1 and #D98199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA81D9 shade: #BA81D9, #A281D9, #8A81D9 and #8181D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA81D9 shade matches the following richer shades: #BA81D9, #BE74E6 and #C266F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA81D9 shade: #BA81D9, #B68ECC, #B29BBF, #AEA8B1 and #AAB6A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA81D9 shade: #8A81D9, #A181D9, #B981D9, #D081D9 and #D981CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA81D9 shade: #9741C6, #A961CF, #BA81D9, #CBA1E2 and #DDC0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA81D9 shade: #BA81D9, #D98190 and #81D995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA81D9 shade: #BA81D9, #D9B981 and #81D9B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA81D9 shade: #BA81D9, #D98190, #A1D981 and #81D9CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA81D9 shade: #BA81D9, #D98D81, #A1D981 and #81CDD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

Complementary color

CMYK 45 / 0 / 70 / 51

HEX #457E26

RGB 69 126 38

HSL 98.86, 0.54%, 0.32%

LAB 47.4, -35.17, 40.45

 

CMYK 10 / 39 / 0 / 17

HEX #BF81D4

RGB 191 129 212

HSL 284.82, 0.49%, 0.67%

LAB 62.95, 38.15, -33.31

 

CMYK 10 / 36 / 0 / 9

HEX #D093E7

RGB 208 147 231

HSL 283.57, 0.64%, 0.74%

LAB 69.5, 37.41, -33.54

 

CMYK 10 / 34 / 0 / 2

HEX #E1A5FA

RGB 225 165 250

HSL 282.35, 0.89%, 0.81%

LAB 75.96, 36.7, -33.76

 

CMYK 5 / 28 / 0 / 0

HEX #F2B7FF

RGB 242 183 255

HSL 289.17, 1%, 0.86%

LAB 81.82, 33.32, -27.3

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 15 / 44 / 0 / 22

HEX #A96FC6

RGB 169 111 198

HSL 280, 0.43%, 0.61%

LAB 55.97, 38.49, -36.48

 

CMYK 15 / 48 / 0 / 30

HEX #985DB3

RGB 152 93 179

HSL 281.16, 0.36%, 0.53%

LAB 49.2, 39.31, -36.29

 

CMYK 16 / 53 / 0 / 37

HEX #874BA0

RGB 135 75 160

HSL 282.35, 0.36%, 0.46%

LAB 42.34, 40.13, -36.05

 

CMYK 16 / 60 / 0 / 45

HEX #76398D

RGB 118 57 141

HSL 283.57, 0.42%, 0.39%

LAB 35.4, 40.87, -35.7

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 3 / 41 / 0 / 15

HEX #D281D9

RGB 210 129 217

HSL 295.23, 0.54%, 0.68%

LAB 65.29, 44.88, -32.31

 

CMYK 0 / 41 / 8 / 15

HEX #D981C8

RGB 217 129 200

HSL 311.59, 0.54%, 0.68%

LAB 65.45, 43.99, -22.48

 

CMYK 0 / 41 / 18 / 15

HEX #D981B1

RGB 217 129 177

HSL 327.27, 0.54%, 0.68%

LAB 64.67, 40.27, -10.72

 

CMYK 0 / 41 / 29 / 15

HEX #D98199

RGB 217 129 153

HSL 343.64, 0.54%, 0.68%

LAB 63.96, 36.83, 1.86

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 25 / 41 / 0 / 15

HEX #A281D9

RGB 162 129 217

HSL 262.5, 0.54%, 0.68%

LAB 60.24, 30.69, -40.56

 

CMYK 36 / 41 / 0 / 15

HEX #8A81D9

RGB 138 129 217

HSL 246.14, 0.54%, 0.68%

LAB 58.14, 24.05, -44

 

CMYK 41 / 41 / 0 / 15

HEX #8181D9

RGB 129 129 217

HSL 240, 0.54%, 0.68%

LAB 57.44, 21.7, -45.16

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 17 / 50 / 0 / 10

HEX #BE74E6

RGB 190 116 230

HSL 278.95, 0.7%, 0.68%

LAB 60.91, 48.59, -46.56

 

CMYK 20 / 58 / 0 / 5

HEX #C266F3

RGB 194 102 243

HSL 279.15, 0.85%, 0.68%

LAB 59.38, 59.44, -56.2

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 11 / 30 / 0 / 20

HEX #B68ECC

RGB 182 142 204

HSL 278.71, 0.38%, 0.68%

LAB 64.68, 26.49, -26.23

 

CMYK 7 / 19 / 0 / 25

HEX #B29BBF

RGB 178 155 191

HSL 278.33, 0.22%, 0.68%

LAB 67.03, 15.2, -15.44

 

CMYK 2 / 5 / 0 / 31

HEX #AEA8B1

RGB 174 168 177

HSL 280, 0.05%, 0.68%

LAB 69.6, 3.84, -3.86

 

CMYK 7 / 0 / 10 / 29

HEX #AAB6A4

RGB 170 182 164

HSL 100, 0.11%, 0.68%

LAB 72.68, -7.54, 7.73

 

CMYK 36 / 41 / 0 / 15

HEX #8A81D9

RGB 138 129 217

HSL 246.14, 0.54%, 0.68%

LAB 58.14, 24.05, -44

 

CMYK 26 / 41 / 0 / 15

HEX #A181D9

RGB 161 129 217

HSL 261.82, 0.54%, 0.68%

LAB 60.15, 30.41, -40.71

 

CMYK 15 / 41 / 0 / 15

HEX #B981D9

RGB 185 129 217

HSL 278.18, 0.54%, 0.68%

LAB 62.53, 37.4, -36.81

 

CMYK 4 / 41 / 0 / 15

HEX #D081D9

RGB 208 129 217

HSL 293.86, 0.54%, 0.68%

LAB 65.06, 44.27, -32.68

 

CMYK 0 / 41 / 7 / 15

HEX #D981CA

RGB 217 129 202

HSL 310.23, 0.54%, 0.68%

LAB 65.53, 44.33, -23.49

 

CMYK 24 / 67 / 0 / 22

HEX #9741C6

RGB 151 65 198

HSL 278.8, 0.54%, 0.52%

LAB 44.85, 57.4, -54.27

 

CMYK 18 / 53 / 0 / 19

HEX #A961CF

RGB 169 97 207

HSL 279.27, 0.53%, 0.6%

LAB 53.48, 47.98, -45.53

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 10 / 29 / 0 / 11

HEX #CBA1E2

RGB 203 161 226

HSL 278.77, 0.53%, 0.76%

LAB 72.01, 27.21, -26.97

 

CMYK 6 / 19 / 0 / 7

HEX #DDC0EC

RGB 221 192 236

HSL 279.55, 0.54%, 0.84%

LAB 81.36, 18.15, -18.01

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 0 / 41 / 34 / 15

HEX #D98190

RGB 217 129 144

HSL 349.77, 0.54%, 0.68%

LAB 63.73, 35.67, 6.65

 

CMYK 41 / 0 / 31 / 15

HEX #81D995

RGB 129 217 149

HSL 133.64, 0.54%, 0.68%

LAB 79.88, -40.79, 25.41

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 0 / 15 / 41 / 15

HEX #D9B981

RGB 217 185 129

HSL 38.18, 0.54%, 0.68%

LAB 76.7, 3.86, 32.66

 

CMYK 41 / 0 / 15 / 15

HEX #81D9B9

RGB 129 217 185

HSL 158.18, 0.54%, 0.68%

LAB 80.63, -33.78, 7.5

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 0 / 41 / 34 / 15

HEX #D98190

RGB 217 129 144

HSL 349.77, 0.54%, 0.68%

LAB 63.73, 35.67, 6.65

 

CMYK 26 / 0 / 41 / 15

HEX #A1D981

RGB 161 217 129

HSL 98.18, 0.54%, 0.68%

LAB 81.17, -33.62, 37.65

 

CMYK 41 / 0 / 7 / 15

HEX #81D9CA

RGB 129 217 202

HSL 169.77, 0.54%, 0.68%

LAB 81.05, -29.98, -0.93

 

CMYK 14 / 41 / 0 / 15

HEX #BA81D9

RGB 186 129 217

HSL 278.86, 0.54%, 0.68%

LAB 62.63, 37.7, -36.64

 

CMYK 0 / 35 / 41 / 15

HEX #D98D81

RGB 217 141 129

HSL 8.18, 0.54%, 0.68%

LAB 66.05, 27.49, 18.38

 

CMYK 26 / 0 / 41 / 15

HEX #A1D981

RGB 161 217 129

HSL 98.18, 0.54%, 0.68%

LAB 81.17, -33.62, 37.65

 

CMYK 41 / 6 / 0 / 15

HEX #81CDD9

RGB 129 205 217

HSL 188.18, 0.54%, 0.68%

LAB 78.08, -20.45, -13.37

 

Description

Color code: HEX #BA81D9 | qconv.com Color code: HEX #BA81D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 129 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 129 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 41 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 41% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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