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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA6F19 it is the complementary color #4590E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA6F19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA6F19 shade: #BF6F14, #D08127, #E1933A, #F2A54D and #FFB760

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA6F19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA6F19 shade: #BA6F19, #A95D06, #984B00, #873900 and #762700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA6F19 shade: #B86D19, #B84319 and #B81919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA6F19 shade: #B86D19, #B89819, #ACB819, #81B819 and #56B819

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA6F19 shade matches the following richer shades: #B86D19 and #C86F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA6F19 shade: #B86D19, #A76C2A, #966B3A, #856A4B and #74695C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA6F19 shade: #B81919, #B84319, #B86D19, #B89819 and #ADB819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA6F19 shade: #6F420F, #935814, #B86D19, #DC831E and #E4973E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA6F19 shade: #BA6F19, #43B819 and #2E19B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA6F19 shade: #BA6F19, #19B86D and #6D19B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA6F19 shade: #BA6F19, #43B819, #1963B8 and #8D19B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA6F19 shade: #BA6F19, #19B81E, #1963B8 and #B819B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 87 / 27

HEX #BA6F19

RGB 186 111 25

HSL 32.05, 0.76%, 0.41%

LAB 53.9, 23.75, 55.35

 

Complementary color

CMYK 70 / 37 / 0 / 10

HEX #4590E6

RGB 69 144 230

HSL 212.05, 0.76%, 0.59%

LAB 58.9, 4.64, -50.31

 

CMYK 0 / 42 / 90 / 25

HEX #BF6F14

RGB 191 111 20

HSL 31.93, 0.81%, 0.41%

LAB 54.55, 25.79, 57.65

 

CMYK 0 / 38 / 81 / 18

HEX #D08127

RGB 208 129 39

HSL 31.95, 0.68%, 0.48%

LAB 61.01, 23.8, 57.68

 

CMYK 0 / 35 / 74 / 12

HEX #E1933A

RGB 225 147 58

HSL 31.98, 0.74%, 0.55%

LAB 67.41, 22.05, 56.85

 

CMYK 0 / 32 / 68 / 5

HEX #F2A54D

RGB 242 165 77

HSL 32, 0.86%, 0.63%

LAB 73.75, 20.52, 55.63

 

CMYK 0 / 28 / 62 / 0

HEX #FFB760

RGB 255 183 96

HSL 32.83, 1%, 0.69%

LAB 79.6, 17.54, 53.67

 

CMYK 0 / 40 / 87 / 27

HEX #BA6F19

RGB 186 111 25

HSL 32.05, 0.76%, 0.41%

LAB 53.9, 23.75, 55.35

 

CMYK 0 / 45 / 96 / 34

HEX #A95D06

RGB 169 93 6

HSL 32.02, 0.93%, 0.34%

LAB 47.34, 25.92, 54.37

 

CMYK 0 / 51 / 100 / 40

HEX #984B00

RGB 152 75 0

HSL 29.61, 1%, 0.3%

LAB 40.75, 28.36, 50.49

 

CMYK 0 / 58 / 100 / 47

HEX #873900

RGB 135 57 0

HSL 25.33, 1%, 0.26%

LAB 34.14, 30.84, 45.2

 

CMYK 0 / 67 / 100 / 54

HEX #762700

RGB 118 39 0

HSL 19.83, 1%, 0.23%

LAB 27.58, 33.06, 39.09

 

CMYK 0 / 41 / 86 / 28

HEX #B86D19

RGB 184 109 25

HSL 31.7, 0.76%, 0.41%

LAB 53.17, 23.98, 54.63

 

CMYK 0 / 64 / 86 / 28

HEX #B84319

RGB 184 67 25

HSL 15.85, 0.76%, 0.41%

LAB 44.62, 45.45, 47.54

 

CMYK 0 / 86 / 86 / 28

HEX #B81919

RGB 184 25 25

HSL 0, 0.76%, 0.41%

LAB 39.51, 59.58, 43.24

 

CMYK 0 / 41 / 86 / 28

HEX #B86D19

RGB 184 109 25

HSL 31.7, 0.76%, 0.41%

LAB 53.17, 23.98, 54.63

 

CMYK 0 / 17 / 86 / 28

HEX #B89819

RGB 184 152 25

HSL 47.92, 0.76%, 0.41%

LAB 63.93, 0.27, 63.47

 

CMYK 7 / 0 / 86 / 28

HEX #ACB819

RGB 172 184 25

HSL 64.53, 0.76%, 0.41%

LAB 71.64, -21.67, 69.36

 

CMYK 30 / 0 / 86 / 28

HEX #81B819

RGB 129 184 25

HSL 80.75, 0.76%, 0.41%

LAB 68.76, -39.26, 65.79

 

CMYK 53 / 0 / 86 / 28

HEX #56B819

RGB 86 184 25

HSL 96.98, 0.76%, 0.41%

LAB 66.77, -53.76, 63.29

 

CMYK 0 / 41 / 86 / 28

HEX #B86D19

RGB 184 109 25

HSL 31.7, 0.76%, 0.41%

LAB 53.17, 23.98, 54.63

 

CMYK 0 / 45 / 96 / 22

HEX #C86F08

RGB 200 111 8

HSL 32.19, 0.92%, 0.41%

LAB 55.75, 29.44, 61.73

 

CMYK 0 / 41 / 86 / 28

HEX #B86D19

RGB 184 109 25

HSL 31.7, 0.76%, 0.41%

LAB 53.17, 23.98, 54.63

 

CMYK 0 / 35 / 75 / 35

HEX #A76C2A

RGB 167 108 42

HSL 31.68, 0.6%, 0.41%

LAB 50.81, 17.68, 44.87

 

CMYK 0 / 29 / 61 / 41

HEX #966B3A

RGB 150 107 58

HSL 31.96, 0.44%, 0.41%

LAB 48.64, 11.65, 33.84

 

CMYK 0 / 20 / 44 / 48

HEX #856A4B

RGB 133 106 75

HSL 32.07, 0.28%, 0.41%

LAB 46.71, 6.31, 21.47

 

CMYK 0 / 9 / 21 / 55

HEX #74695C

RGB 116 105 92

HSL 32.5, 0.12%, 0.41%

LAB 45.07, 2.01, 8.88

 

CMYK 0 / 86 / 86 / 28

HEX #B81919

RGB 184 25 25

HSL 0, 0.76%, 0.41%

LAB 39.51, 59.58, 43.24

 

CMYK 0 / 64 / 86 / 28

HEX #B84319

RGB 184 67 25

HSL 15.85, 0.76%, 0.41%

LAB 44.62, 45.45, 47.54

 

CMYK 0 / 41 / 86 / 28

HEX #B86D19

RGB 184 109 25

HSL 31.7, 0.76%, 0.41%

LAB 53.17, 23.98, 54.63

 

CMYK 0 / 17 / 86 / 28

HEX #B89819

RGB 184 152 25

HSL 47.92, 0.76%, 0.41%

LAB 63.93, 0.27, 63.47

 

CMYK 6 / 0 / 86 / 28

HEX #ADB819

RGB 173 184 25

HSL 64.15, 0.76%, 0.41%

LAB 71.71, -21.24, 69.45

 

CMYK 0 / 41 / 86 / 56

HEX #6F420F

RGB 111 66 15

HSL 31.88, 0.76%, 0.25%

LAB 32.5, 15.32, 36.66

 

CMYK 0 / 40 / 86 / 42

HEX #935814

RGB 147 88 20

HSL 32.13, 0.76%, 0.33%

LAB 43.11, 19.25, 45.91

 

CMYK 0 / 41 / 86 / 28

HEX #B86D19

RGB 184 109 25

HSL 31.7, 0.76%, 0.41%

LAB 53.17, 23.98, 54.63

 

CMYK 0 / 40 / 86 / 14

HEX #DC831E

RGB 220 131 30

HSL 31.89, 0.76%, 0.49%

LAB 62.96, 27.55, 63.02

 

CMYK 0 / 34 / 73 / 11

HEX #E4973E

RGB 228 151 62

HSL 32.17, 0.75%, 0.57%

LAB 68.73, 21.36, 56.57

 

CMYK 0 / 40 / 87 / 27

HEX #BA6F19

RGB 186 111 25

HSL 32.05, 0.76%, 0.41%

LAB 53.9, 23.75, 55.35

 

CMYK 64 / 0 / 86 / 28

HEX #43B819

RGB 67 184 25

HSL 104.15, 0.76%, 0.41%

LAB 66.17, -58.63, 62.53

 

CMYK 75 / 86 / 0 / 28

HEX #2E19B8

RGB 46 25 184

HSL 247.92, 0.76%, 0.41%

LAB 25.97, 56.12, -77.41

 

CMYK 0 / 40 / 87 / 27

HEX #BA6F19

RGB 186 111 25

HSL 32.05, 0.76%, 0.41%

LAB 53.9, 23.75, 55.35

 

CMYK 86 / 0 / 41 / 28

HEX #19B86D

RGB 25 184 109

HSL 151.7, 0.76%, 0.41%

LAB 66.21, -55.46, 27.54

 

CMYK 41 / 86 / 0 / 28

HEX #6D19B8

RGB 109 25 184

HSL 271.7, 0.76%, 0.41%

LAB 32.72, 62.04, -66.04

 

CMYK 0 / 40 / 87 / 27

HEX #BA6F19

RGB 186 111 25

HSL 32.05, 0.76%, 0.41%

LAB 53.9, 23.75, 55.35

 

CMYK 64 / 0 / 86 / 28

HEX #43B819

RGB 67 184 25

HSL 104.15, 0.76%, 0.41%

LAB 66.17, -58.63, 62.53

 

CMYK 86 / 46 / 0 / 28

HEX #1963B8

RGB 25 99 184

HSL 212.08, 0.76%, 0.41%

LAB 42.14, 10.36, -50.98

 

CMYK 23 / 86 / 0 / 28

HEX #8D19B8

RGB 141 25 184

HSL 283.77, 0.76%, 0.41%

LAB 37.52, 66.65, -58.01

 

CMYK 0 / 40 / 87 / 27

HEX #BA6F19

RGB 186 111 25

HSL 32.05, 0.76%, 0.41%

LAB 53.9, 23.75, 55.35

 

CMYK 86 / 0 / 84 / 28

HEX #19B81E

RGB 25 184 30

HSL 121.89, 0.76%, 0.41%

LAB 65.42, -65.02, 60.39

 

CMYK 86 / 46 / 0 / 28

HEX #1963B8

RGB 25 99 184

HSL 212.08, 0.76%, 0.41%

LAB 42.14, 10.36, -50.98

 

CMYK 0 / 86 / 3 / 28

HEX #B819B2

RGB 184 25 178

HSL 302.26, 0.76%, 0.41%

LAB 44.38, 73.05, -43.04

 

Description

Color code: HEX #BA6F19 | qconv.com Color code: HEX #BA6F19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 111 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 111 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 87 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 87% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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