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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA6578 it is the complementary color #459A87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA6578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA6578 shade: #BF6573, #D07786, #E18999, #F29BAC and #FFADBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA6578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA6578 shade: #BA6578, #A95365, #984152, #872F3F and #761D2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA6578 shade: #B96477 and #B96464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA6578 shade: #B96477, #B9648E, #B964A5, #B664B9 and #9F64B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA6578 shade matches the following richer shades: #B96477, #CB526D, #DD3F63 and #EF2D59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA6578 shade: #B96477, #A77681, #95888B, #829A95 and #70AC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA6578 shade: #B964A5, #B9648E, #B96478, #B96764 and #B97D64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA6578 shade: #8C3E50, #A84B60, #B96477, #C68090 and #D39DA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA6578 shade: #BA6578, #B9B664 and #649AB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA6578 shade: #BA6578, #78B964 and #6478B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA6578 shade: #BA6578, #B9B664, #64B9A5 and #6467B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA6578 shade: #BA6578, #A2B964, #64B9A5 and #7A64B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 35 / 27

HEX #BA6578

RGB 186 101 120

HSL 346.59, 0.38%, 0.56%

LAB 53.06, 36.17, 4.72

 

Complementary color

CMYK 55 / 0 / 12 / 40

HEX #459A87

RGB 69 154 135

HSL 166.59, 0.38%, 0.44%

LAB 58.16, -30.48, 2.21

 

CMYK 0 / 47 / 40 / 25

HEX #BF6573

RGB 191 101 115

HSL 350.67, 0.41%, 0.57%

LAB 53.62, 37.41, 8.57

 

CMYK 0 / 43 / 36 / 18

HEX #D07786

RGB 208 119 134

HSL 349.89, 0.49%, 0.64%

LAB 60.18, 36.43, 7.15

 

CMYK 0 / 39 / 32 / 12

HEX #E18999

RGB 225 137 153

HSL 349.09, 0.59%, 0.71%

LAB 66.67, 35.5, 5.91

 

CMYK 0 / 36 / 29 / 5

HEX #F29BAC

RGB 242 155 172

HSL 348.28, 0.77%, 0.78%

LAB 73.09, 34.63, 4.81

 

CMYK 0 / 32 / 25 / 0

HEX #FFADBF

RGB 255 173 191

HSL 346.83, 1%, 0.84%

LAB 78.99, 32.41, 3.12

 

CMYK 0 / 46 / 35 / 27

HEX #BA6578

RGB 186 101 120

HSL 346.59, 0.38%, 0.56%

LAB 53.06, 36.17, 4.72

 

CMYK 0 / 51 / 40 / 34

HEX #A95365

RGB 169 83 101

HSL 347.44, 0.34%, 0.49%

LAB 46.39, 37.15, 6.23

 

CMYK 0 / 57 / 46 / 40

HEX #984152

RGB 152 65 82

HSL 348.28, 0.4%, 0.43%

LAB 39.69, 38.1, 8.08

 

CMYK 0 / 65 / 53 / 47

HEX #872F3F

RGB 135 47 63

HSL 349.09, 0.48%, 0.36%

LAB 33.01, 38.91, 10.43

 

CMYK 0 / 75 / 63 / 54

HEX #761D2C

RGB 118 29 44

HSL 349.89, 0.61%, 0.29%

LAB 26.48, 39.29, 13.59

 

CMYK 0 / 46 / 36 / 27

HEX #B96477

RGB 185 100 119

HSL 346.59, 0.38%, 0.56%

LAB 52.69, 36.21, 4.75

 

CMYK 0 / 46 / 46 / 27

HEX #B96464

RGB 185 100 100

HSL 0, 0.38%, 0.56%

LAB 52.23, 34.04, 15.34

 

CMYK 0 / 46 / 36 / 27

HEX #B96477

RGB 185 100 119

HSL 346.59, 0.38%, 0.56%

LAB 52.69, 36.21, 4.75

 

CMYK 0 / 46 / 23 / 27

HEX #B9648E

RGB 185 100 142

HSL 330.35, 0.38%, 0.56%

LAB 53.36, 39.34, -7.84

 

CMYK 0 / 46 / 11 / 27

HEX #B964A5

RGB 185 100 165

HSL 314.12, 0.38%, 0.56%

LAB 54.18, 42.98, -20.08

 

CMYK 2 / 46 / 0 / 27

HEX #B664B9

RGB 182 100 185

HSL 297.88, 0.38%, 0.56%

LAB 54.62, 45.63, -31.02

 

CMYK 14 / 46 / 0 / 27

HEX #9F64B9

RGB 159 100 185

HSL 281.65, 0.38%, 0.56%

LAB 51.82, 38.81, -35.6

 

CMYK 0 / 46 / 36 / 27

HEX #B96477

RGB 185 100 119

HSL 346.59, 0.38%, 0.56%

LAB 52.69, 36.21, 4.75

 

CMYK 0 / 60 / 46 / 20

HEX #CB526D

RGB 203 82 109

HSL 346.61, 0.54%, 0.56%

LAB 51.65, 50.37, 9.59

 

CMYK 0 / 71 / 55 / 13

HEX #DD3F63

RGB 221 63 99

HSL 346.33, 0.7%, 0.56%

LAB 51.64, 62.85, 16.05

 

CMYK 0 / 81 / 63 / 6

HEX #EF2D59

RGB 239 45 89

HSL 346.39, 0.86%, 0.56%

LAB 52.89, 72.48, 24.31

 

CMYK 0 / 46 / 36 / 27

HEX #B96477

RGB 185 100 119

HSL 346.59, 0.38%, 0.56%

LAB 52.69, 36.21, 4.75

 

CMYK 0 / 29 / 23 / 35

HEX #A77681

RGB 167 118 129

HSL 346.53, 0.22%, 0.56%

LAB 54.82, 20.87, 1.68

 

CMYK 0 / 9 / 7 / 42

HEX #95888B

RGB 149 136 139

HSL 346.15, 0.06%, 0.56%

LAB 57.91, 5.43, 0.16

 

CMYK 16 / 0 / 3 / 40

HEX #829A95

RGB 130 154 149

HSL 167.5, 0.11%, 0.56%

LAB 61.68, -9.47, -0.21

 

CMYK 35 / 0 / 8 / 33

HEX #70AC9F

RGB 112 172 159

HSL 167, 0.27%, 0.56%

LAB 66.1, -22.41, 0.51

 

CMYK 0 / 46 / 11 / 27

HEX #B964A5

RGB 185 100 165

HSL 314.12, 0.38%, 0.56%

LAB 54.18, 42.98, -20.08

 

CMYK 0 / 46 / 23 / 27

HEX #B9648E

RGB 185 100 142

HSL 330.35, 0.38%, 0.56%

LAB 53.36, 39.34, -7.84

 

CMYK 0 / 46 / 35 / 27

HEX #B96478

RGB 185 100 120

HSL 345.88, 0.38%, 0.56%

LAB 52.71, 36.34, 4.2

 

CMYK 0 / 44 / 46 / 27

HEX #B96764

RGB 185 103 100

HSL 2.12, 0.38%, 0.56%

LAB 52.88, 32.44, 16.23

 

CMYK 0 / 32 / 46 / 27

HEX #B97D64

RGB 185 125 100

HSL 17.65, 0.38%, 0.56%

LAB 57.94, 20.35, 23.07

 

CMYK 0 / 56 / 43 / 45

HEX #8C3E50

RGB 140 62 80

HSL 346.15, 0.39%, 0.4%

LAB 37.11, 35.03, 5.42

 

CMYK 0 / 55 / 43 / 34

HEX #A84B60

RGB 168 75 96

HSL 346.45, 0.38%, 0.48%

LAB 44.52, 40.33, 6.6

 

CMYK 0 / 46 / 36 / 27

HEX #B96477

RGB 185 100 119

HSL 346.59, 0.38%, 0.56%

LAB 52.69, 36.21, 4.75

 

CMYK 0 / 35 / 27 / 22

HEX #C68090

RGB 198 128 144

HSL 346.29, 0.38%, 0.64%

LAB 61.18, 29.22, 2.69

 

CMYK 0 / 26 / 20 / 17

HEX #D39DA9

RGB 211 157 169

HSL 346.67, 0.38%, 0.72%

LAB 70.05, 21.87, 1.65

 

CMYK 0 / 46 / 35 / 27

HEX #BA6578

RGB 186 101 120

HSL 346.59, 0.38%, 0.56%

LAB 53.06, 36.17, 4.72

 

CMYK 0 / 2 / 46 / 27

HEX #B9B664

RGB 185 182 100

HSL 57.88, 0.38%, 0.56%

LAB 72.69, -10.61, 41.89

 

CMYK 46 / 17 / 0 / 27

HEX #649AB9

RGB 100 154 185

HSL 201.88, 0.38%, 0.56%

LAB 61.07, -9.41, -21.65

 

CMYK 0 / 46 / 35 / 27

HEX #BA6578

RGB 186 101 120

HSL 346.59, 0.38%, 0.56%

LAB 53.06, 36.17, 4.72

 

CMYK 35 / 0 / 46 / 27

HEX #78B964

RGB 120 185 100

HSL 105.88, 0.38%, 0.56%

LAB 69.19, -36.93, 36.59

 

CMYK 46 / 35 / 0 / 27

HEX #6478B9

RGB 100 120 185

HSL 225.88, 0.38%, 0.56%

LAB 51.43, 10.3, -36.58

 

CMYK 0 / 46 / 35 / 27

HEX #BA6578

RGB 186 101 120

HSL 346.59, 0.38%, 0.56%

LAB 53.06, 36.17, 4.72

 

CMYK 0 / 2 / 46 / 27

HEX #B9B664

RGB 185 182 100

HSL 57.88, 0.38%, 0.56%

LAB 72.69, -10.61, 41.89

 

CMYK 46 / 0 / 11 / 27

HEX #64B9A5

RGB 100 185 165

HSL 165.88, 0.38%, 0.56%

LAB 69.56, -30.65, 2.16

 

CMYK 46 / 44 / 0 / 27

HEX #6467B9

RGB 100 103 185

HSL 237.88, 0.38%, 0.56%

LAB 46.86, 20.7, -43.81

 

CMYK 0 / 46 / 35 / 27

HEX #BA6578

RGB 186 101 120

HSL 346.59, 0.38%, 0.56%

LAB 53.06, 36.17, 4.72

 

CMYK 12 / 0 / 46 / 27

HEX #A2B964

RGB 162 185 100

HSL 76.24, 0.38%, 0.56%

LAB 71.76, -21.43, 40.35

 

CMYK 46 / 0 / 11 / 27

HEX #64B9A5

RGB 100 185 165

HSL 165.88, 0.38%, 0.56%

LAB 69.56, -30.65, 2.16

 

CMYK 34 / 46 / 0 / 27

HEX #7A64B9

RGB 122 100 185

HSL 255.53, 0.38%, 0.56%

LAB 47.95, 28.25, -41.97

 

Description

Color code: HEX #BA6578 | qconv.com Color code: HEX #BA6578 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 101 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 101 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 35 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 35% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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