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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA5C2B it is the complementary color #45A3D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA5C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA5C2B shade: #BF5C26, #D06E39, #E1804C, #F2925F and #FFA472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA5C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA5C2B shade: #BA5C2B, #A94A18, #983805, #872600 and #761400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA5C2B shade: #B95C2B, #B9352B and #B92B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA5C2B shade: #B95C2B, #B9822B, #B9A92B, #A4B92B and #7DB92B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA5C2B shade matches the following richer shades: #B95C2B, #CC5619 and #DF5006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA5C2B shade: #B95C2B, #A7623E, #946850, #826D63 and #6F7375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA5C2B shade: #B92B48, #B9352B, #B95B2B, #B9802B and #B9A62B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA5C2B shade: #773B1B, #984B23, #B95C2B, #D1703D and #D9885E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA5C2B shade: #BA5C2B, #6EB92B and #2B35B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA5C2B shade: #BA5C2B, #2BB95B and #5B2BB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA5C2B shade: #BA5C2B, #6EB92B, #2B8AB9 and #772BB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA5C2B shade: #BA5C2B, #43B92B, #2B8AB9 and #A22BB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 77 / 27

HEX #BA5C2B

RGB 186 92 43

HSL 20.56, 0.62%, 0.45%

LAB 49.82, 34.56, 44.23

 

Complementary color

CMYK 67 / 23 / 0 / 17

HEX #45A3D4

RGB 69 163 212

HSL 200.56, 0.62%, 0.55%

LAB 63.52, -12.31, -33.06

 

CMYK 0 / 52 / 80 / 25

HEX #BF5C26

RGB 191 92 38

HSL 21.18, 0.67%, 0.45%

LAB 50.54, 36.38, 47.55

 

CMYK 0 / 47 / 73 / 18

HEX #D06E39

RGB 208 110 57

HSL 21.06, 0.62%, 0.52%

LAB 56.94, 34.64, 45.77

 

CMYK 0 / 43 / 66 / 12

HEX #E1804C

RGB 225 128 76

HSL 20.94, 0.71%, 0.59%

LAB 63.32, 33.05, 43.9

 

CMYK 0 / 40 / 61 / 5

HEX #F2925F

RGB 242 146 95

HSL 20.82, 0.85%, 0.66%

LAB 69.66, 31.61, 42.1

 

CMYK 0 / 36 / 55 / 0

HEX #FFA472

RGB 255 164 114

HSL 21.28, 1%, 0.72%

LAB 75.47, 28.75, 39.73

 

CMYK 0 / 51 / 77 / 27

HEX #BA5C2B

RGB 186 92 43

HSL 20.56, 0.62%, 0.45%

LAB 49.82, 34.56, 44.23

 

CMYK 0 / 56 / 86 / 34

HEX #A94A18

RGB 169 74 24

HSL 20.69, 0.75%, 0.38%

LAB 43.36, 36.38, 45.88

 

CMYK 0 / 63 / 97 / 40

HEX #983805

RGB 152 56 5

HSL 20.82, 0.94%, 0.31%

LAB 36.96, 38.23, 46.53

 

CMYK 0 / 72 / 100 / 47

HEX #872600

RGB 135 38 0

HSL 16.89, 1%, 0.26%

LAB 30.73, 39.89, 42.99

 

CMYK 0 / 83 / 100 / 54

HEX #761400

RGB 118 20 0

HSL 10.17, 1%, 0.23%

LAB 24.8, 40.68, 36.57

 

CMYK 0 / 50 / 77 / 27

HEX #B95C2B

RGB 185 92 43

HSL 20.7, 0.62%, 0.45%

LAB 49.67, 34.16, 44.03

 

CMYK 0 / 71 / 77 / 27

HEX #B9352B

RGB 185 53 43

HSL 4.23, 0.62%, 0.45%

LAB 42.82, 52.16, 36.88

 

CMYK 0 / 77 / 77 / 27

HEX #B92B2B

RGB 185 43 43

HSL 0, 0.62%, 0.45%

LAB 41.56, 55.64, 35.52

 

CMYK 0 / 50 / 77 / 27

HEX #B95C2B

RGB 185 92 43

HSL 20.7, 0.62%, 0.45%

LAB 49.67, 34.16, 44.03

 

CMYK 0 / 30 / 77 / 27

HEX #B9822B

RGB 185 130 43

HSL 36.76, 0.62%, 0.45%

LAB 58.47, 13.4, 52.73

 

CMYK 0 / 9 / 77 / 27

HEX #B9A92B

RGB 185 169 43

HSL 53.24, 0.62%, 0.45%

LAB 68.65, -7.76, 62.32

 

CMYK 11 / 0 / 77 / 27

HEX #A4B92B

RGB 164 185 43

HSL 68.87, 0.62%, 0.45%

LAB 71.4, -24.94, 64.22

 

CMYK 32 / 0 / 77 / 27

HEX #7DB92B

RGB 125 185 43

HSL 85.35, 0.62%, 0.45%

LAB 68.92, -40.45, 61.02

 

CMYK 0 / 50 / 77 / 27

HEX #B95C2B

RGB 185 92 43

HSL 20.7, 0.62%, 0.45%

LAB 49.67, 34.16, 44.03

 

CMYK 0 / 58 / 88 / 20

HEX #CC5619

RGB 204 86 25

HSL 20.45, 0.78%, 0.45%

LAB 51.34, 44.03, 54.39

 

CMYK 0 / 64 / 97 / 13

HEX #DF5006

RGB 223 80 6

HSL 20.46, 0.95%, 0.45%

LAB 53.43, 53.35, 62.45

 

CMYK 0 / 50 / 77 / 27

HEX #B95C2B

RGB 185 92 43

HSL 20.7, 0.62%, 0.45%

LAB 49.67, 34.16, 44.03

 

CMYK 0 / 41 / 63 / 35

HEX #A7623E

RGB 167 98 62

HSL 20.57, 0.46%, 0.45%

LAB 48.63, 24.51, 32.16

 

CMYK 0 / 30 / 46 / 42

HEX #946850

RGB 148 104 80

HSL 21.18, 0.3%, 0.45%

LAB 47.98, 14.59, 20.53

 

CMYK 0 / 16 / 24 / 49

HEX #826D63

RGB 130 109 99

HSL 19.35, 0.14%, 0.45%

LAB 47.73, 6.6, 8.67

 

CMYK 5 / 2 / 0 / 54

HEX #6F7375

RGB 111 115 117

HSL 200, 0.03%, 0.45%

LAB 48.17, -1.09, -1.64

 

CMYK 0 / 77 / 61 / 27

HEX #B92B48

RGB 185 43 72

HSL 347.75, 0.62%, 0.45%

LAB 42.02, 57.12, 18.47

 

CMYK 0 / 71 / 77 / 27

HEX #B9352B

RGB 185 53 43

HSL 4.23, 0.62%, 0.45%

LAB 42.82, 52.16, 36.88

 

CMYK 0 / 51 / 77 / 27

HEX #B95B2B

RGB 185 91 43

HSL 20.28, 0.62%, 0.45%

LAB 49.46, 34.68, 43.82

 

CMYK 0 / 31 / 77 / 27

HEX #B9802B

RGB 185 128 43

HSL 35.92, 0.62%, 0.45%

LAB 57.97, 14.51, 52.25

 

CMYK 0 / 10 / 77 / 27

HEX #B9A62B

RGB 185 166 43

HSL 51.97, 0.62%, 0.45%

LAB 67.84, -6.18, 61.57

 

CMYK 0 / 50 / 77 / 53

HEX #773B1B

RGB 119 59 27

HSL 20.87, 0.63%, 0.29%

LAB 32.1, 23.65, 30.88

 

CMYK 0 / 51 / 77 / 40

HEX #984B23

RGB 152 75 35

HSL 20.51, 0.63%, 0.37%

LAB 40.94, 29.29, 37.49

 

CMYK 0 / 50 / 77 / 27

HEX #B95C2B

RGB 185 92 43

HSL 20.7, 0.62%, 0.45%

LAB 49.67, 34.16, 44.03

 

CMYK 0 / 46 / 71 / 18

HEX #D1703D

RGB 209 112 61

HSL 20.68, 0.62%, 0.53%

LAB 57.54, 34.19, 44.46

 

CMYK 0 / 37 / 57 / 15

HEX #D9885E

RGB 217 136 94

HSL 20.49, 0.62%, 0.61%

LAB 64.3, 26.83, 35.35

 

CMYK 0 / 51 / 77 / 27

HEX #BA5C2B

RGB 186 92 43

HSL 20.56, 0.62%, 0.45%

LAB 49.82, 34.56, 44.23

 

CMYK 41 / 0 / 77 / 27

HEX #6EB92B

RGB 110 185 43

HSL 91.69, 0.62%, 0.45%

LAB 68.16, -45.78, 60.03

 

CMYK 77 / 71 / 0 / 27

HEX #2B35B9

RGB 43 53 185

HSL 235.77, 0.62%, 0.45%

LAB 30.79, 42.18, -70.03

 

CMYK 0 / 51 / 77 / 27

HEX #BA5C2B

RGB 186 92 43

HSL 20.56, 0.62%, 0.45%

LAB 49.82, 34.56, 44.23

 

CMYK 77 / 0 / 51 / 27

HEX #2BB95B

RGB 43 185 91

HSL 140.28, 0.62%, 0.45%

LAB 66.49, -57.03, 37.19

 

CMYK 51 / 77 / 0 / 27

HEX #5B2BB9

RGB 91 43 185

HSL 260.28, 0.62%, 0.45%

LAB 32.82, 53.22, -66.55

 

CMYK 0 / 51 / 77 / 27

HEX #BA5C2B

RGB 186 92 43

HSL 20.56, 0.62%, 0.45%

LAB 49.82, 34.56, 44.23

 

CMYK 41 / 0 / 77 / 27

HEX #6EB92B

RGB 110 185 43

HSL 91.69, 0.62%, 0.45%

LAB 68.16, -45.78, 60.03

 

CMYK 77 / 25 / 0 / 27

HEX #2B8AB9

RGB 43 138 185

HSL 199.86, 0.62%, 0.45%

LAB 54.23, -11.18, -32.37

 

CMYK 36 / 77 / 0 / 27

HEX #772BB9

RGB 119 43 185

HSL 272.11, 0.62%, 0.45%

LAB 36.28, 57.64, -60.76

 

CMYK 0 / 51 / 77 / 27

HEX #BA5C2B

RGB 186 92 43

HSL 20.56, 0.62%, 0.45%

LAB 49.82, 34.56, 44.23

 

CMYK 64 / 0 / 77 / 27

HEX #43B92B

RGB 67 185 43

HSL 109.86, 0.62%, 0.45%

LAB 66.57, -58.02, 57.95

 

CMYK 77 / 25 / 0 / 27

HEX #2B8AB9

RGB 43 138 185

HSL 199.86, 0.62%, 0.45%

LAB 54.23, -11.18, -32.37

 

CMYK 12 / 77 / 0 / 27

HEX #A22BB9

RGB 162 43 185

HSL 290.28, 0.62%, 0.45%

LAB 42.63, 65.58, -50.17

 

Description

Color code: HEX #BA5C2B | qconv.com Color code: HEX #BA5C2B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 92 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 92 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 77 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 77% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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