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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA49D7 it is the complementary color #45B628. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA49D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA49D7 shade: #BF49D2, #D05BE5, #E16DF8, #F27FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA49D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA49D7 shade: #BA49D7, #A937C4, #9825B1, #87139E and #76018B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA49D7 shade: #B946D6, #D646CD, #D646A6, #D6467F and #D64659

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA49D7 shade: #B946D6, #9246D6, #6B46D6 and #4646D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA49D7 shade matches the following richer shades: #B946D6, #C434E8 and #CE22FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA49D7 shade: #B946D6, #AE59C4, #A36BB2, #997DA0 and #8E8F8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA49D7 shade: #6A46D6, #9146D6, #B746D6, #D646CF and #D646A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA49D7 shade: #8B24A6, #A82BC8, #B946D6, #C668DE and #D28AE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA49D7 shade: #BA49D7, #D64649 and #46D67E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA49D7 shade: #BA49D7, #D6B746 and #46D6B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA49D7 shade: #BA49D7, #D64649, #66D646 and #46D6D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA49D7 shade: #BA49D7, #D66F46, #66D646 and #46ADD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 66 / 0 / 16

HEX #BA49D7

RGB 186 73 215

HSL 287.75, 0.64%, 0.56%

LAB 51.96, 65.09, -52.37

 

Complementary color

CMYK 62 / 0 / 78 / 29

HEX #45B628

RGB 69 182 40

HSL 107.75, 0.64%, 0.44%

LAB 65.65, -56.72, 58.04

 

CMYK 9 / 65 / 0 / 18

HEX #BF49D2

RGB 191 73 210

HSL 291.68, 0.6%, 0.55%

LAB 52.39, 65.29, -48.79

 

CMYK 9 / 60 / 0 / 10

HEX #D05BE5

RGB 208 91 229

HSL 290.87, 0.73%, 0.63%

LAB 58.55, 65.13, -49.6

 

CMYK 9 / 56 / 0 / 3

HEX #E16DF8

RGB 225 109 248

HSL 290.07, 0.91%, 0.7%

LAB 64.74, 64.72, -50.21

 

CMYK 5 / 50 / 0 / 0

HEX #F27FFF

RGB 242 127 255

HSL 293.91, 1%, 0.75%

LAB 70.37, 61.95, -45.04

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 13 / 66 / 0 / 16

HEX #BA49D7

RGB 186 73 215

HSL 287.75, 0.64%, 0.56%

LAB 51.96, 65.09, -52.37

 

CMYK 14 / 72 / 0 / 23

HEX #A937C4

RGB 169 55 196

HSL 288.51, 0.56%, 0.49%

LAB 45.84, 64.9, -51.38

 

CMYK 14 / 79 / 0 / 31

HEX #9825B1

RGB 152 37 177

HSL 289.29, 0.65%, 0.42%

LAB 39.87, 64.05, -49.97

 

CMYK 15 / 88 / 0 / 38

HEX #87139E

RGB 135 19 158

HSL 290.07, 0.79%, 0.35%

LAB 34.16, 62.13, -47.92

 

CMYK 15 / 99 / 0 / 45

HEX #76018B

RGB 118 1 139

HSL 290.87, 0.99%, 0.27%

LAB 28.74, 58.98, -45.16

 

CMYK 14 / 67 / 0 / 16

HEX #B946D6

RGB 185 70 214

HSL 287.92, 0.64%, 0.56%

LAB 51.32, 65.91, -52.83

 

CMYK 0 / 67 / 4 / 16

HEX #D646CD

RGB 214 70 205

HSL 303.75, 0.64%, 0.56%

LAB 55.16, 70.89, -41.33

 

CMYK 0 / 67 / 22 / 16

HEX #D646A6

RGB 214 70 166

HSL 320, 0.64%, 0.56%

LAB 53.42, 65.23, -21.46

 

CMYK 0 / 67 / 41 / 16

HEX #D6467F

RGB 214 70 127

HSL 336.25, 0.64%, 0.56%

LAB 52.07, 60.66, -0.35

 

CMYK 0 / 67 / 58 / 16

HEX #D64659

RGB 214 70 89

HSL 352.08, 0.64%, 0.56%

LAB 51.15, 57.4, 21.17

 

CMYK 14 / 67 / 0 / 16

HEX #B946D6

RGB 185 70 214

HSL 287.92, 0.64%, 0.56%

LAB 51.32, 65.91, -52.83

 

CMYK 32 / 67 / 0 / 16

HEX #9246D6

RGB 146 70 214

HSL 271.67, 0.64%, 0.56%

LAB 46.1, 57.64, -61.5

 

CMYK 50 / 67 / 0 / 16

HEX #6B46D6

RGB 107 70 214

HSL 255.42, 0.64%, 0.56%

LAB 41.78, 50.25, -68.71

 

CMYK 67 / 67 / 0 / 16

HEX #4646D6

RGB 70 70 214

HSL 240, 0.64%, 0.56%

LAB 38.79, 44.74, -73.73

 

CMYK 14 / 67 / 0 / 16

HEX #B946D6

RGB 185 70 214

HSL 287.92, 0.64%, 0.56%

LAB 51.32, 65.91, -52.83

 

CMYK 16 / 78 / 0 / 9

HEX #C434E8

RGB 196 52 232

HSL 288, 0.8%, 0.56%

LAB 51.86, 77.65, -62.09

 

CMYK 18 / 86 / 0 / 2

HEX #CE22FA

RGB 206 34 250

HSL 287.78, 0.96%, 0.56%

LAB 53.13, 86.68, -70.05

 

CMYK 14 / 67 / 0 / 16

HEX #B946D6

RGB 185 70 214

HSL 287.92, 0.64%, 0.56%

LAB 51.32, 65.91, -52.83

 

CMYK 11 / 55 / 0 / 23

HEX #AE59C4

RGB 174 89 196

HSL 287.66, 0.48%, 0.56%

LAB 51.98, 51.11, -41.56

 

CMYK 8 / 40 / 0 / 30

HEX #A36BB2

RGB 163 107 178

HSL 287.32, 0.32%, 0.56%

LAB 53.51, 34.65, -28.88

 

CMYK 4 / 22 / 0 / 37

HEX #997DA0

RGB 153 125 160

HSL 288, 0.16%, 0.56%

LAB 56.07, 17.31, -14.65

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8D

RGB 142 143 141

HSL 90, 0.01%, 0.56%

LAB 59.27, -0.75, 0.93

 

CMYK 50 / 67 / 0 / 16

HEX #6A46D6

RGB 106 70 214

HSL 255, 0.64%, 0.56%

LAB 41.69, 50.08, -68.87

 

CMYK 32 / 67 / 0 / 16

HEX #9146D6

RGB 145 70 214

HSL 271.25, 0.64%, 0.56%

LAB 45.98, 57.43, -61.7

 

CMYK 14 / 67 / 0 / 16

HEX #B746D6

RGB 183 70 214

HSL 287.08, 0.64%, 0.56%

LAB 51.04, 65.47, -53.3

 

CMYK 0 / 67 / 3 / 16

HEX #D646CF

RGB 214 70 207

HSL 302.92, 0.64%, 0.56%

LAB 55.26, 71.21, -42.32

 

CMYK 0 / 67 / 21 / 16

HEX #D646A9

RGB 214 70 169

HSL 318.75, 0.64%, 0.56%

LAB 53.54, 65.63, -23.04

 

CMYK 16 / 78 / 0 / 35

HEX #8B24A6

RGB 139 36 166

HSL 287.54, 0.64%, 0.4%

LAB 36.94, 59.81, -48.24

 

CMYK 16 / 79 / 0 / 22

HEX #A82BC8

RGB 168 43 200

HSL 287.77, 0.65%, 0.48%

LAB 44.55, 69.46, -55.79

 

CMYK 14 / 67 / 0 / 16

HEX #B946D6

RGB 185 70 214

HSL 287.92, 0.64%, 0.56%

LAB 51.32, 65.91, -52.83

 

CMYK 11 / 53 / 0 / 13

HEX #C668DE

RGB 198 104 222

HSL 287.8, 0.64%, 0.64%

LAB 59.14, 55.21, -44.83

 

CMYK 8 / 40 / 0 / 10

HEX #D28AE5

RGB 210 138 229

HSL 287.47, 0.64%, 0.72%

LAB 67.68, 42.44, -35.25

 

CMYK 13 / 66 / 0 / 16

HEX #BA49D7

RGB 186 73 215

HSL 287.75, 0.64%, 0.56%

LAB 51.96, 65.09, -52.37

 

CMYK 0 / 67 / 66 / 16

HEX #D64649

RGB 214 70 73

HSL 358.75, 0.64%, 0.56%

LAB 50.87, 56.4, 30.29

 

CMYK 67 / 0 / 41 / 16

HEX #46D67E

RGB 70 214 126

HSL 143.33, 0.64%, 0.56%

LAB 76.62, -57.51, 32.56

 

CMYK 13 / 66 / 0 / 16

HEX #BA49D7

RGB 186 73 215

HSL 287.75, 0.64%, 0.56%

LAB 51.96, 65.09, -52.37

 

CMYK 0 / 14 / 67 / 16

HEX #D6B746

RGB 214 183 70

HSL 47.08, 0.64%, 0.56%

LAB 75.21, -1.22, 59.37

 

CMYK 67 / 0 / 14 / 16

HEX #46D6B7

RGB 70 214 183

HSL 167.08, 0.64%, 0.56%

LAB 77.77, -45.37, 4.2

 

CMYK 13 / 66 / 0 / 16

HEX #BA49D7

RGB 186 73 215

HSL 287.75, 0.64%, 0.56%

LAB 51.96, 65.09, -52.37

 

CMYK 0 / 67 / 66 / 16

HEX #D64649

RGB 214 70 73

HSL 358.75, 0.64%, 0.56%

LAB 50.87, 56.4, 30.29

 

CMYK 52 / 0 / 67 / 16

HEX #66D646

RGB 102 214 70

HSL 106.67, 0.64%, 0.56%

LAB 76.9, -57.61, 59

 

CMYK 67 / 0 / 1 / 16

HEX #46D6D4

RGB 70 214 212

HSL 179.17, 0.64%, 0.56%

LAB 78.55, -37.73, -10.18

 

CMYK 13 / 66 / 0 / 16

HEX #BA49D7

RGB 186 73 215

HSL 287.75, 0.64%, 0.56%

LAB 51.96, 65.09, -52.37

 

CMYK 0 / 48 / 67 / 16

HEX #D66F46

RGB 214 111 70

HSL 17.08, 0.64%, 0.56%

LAB 58.14, 37.18, 40.66

 

CMYK 52 / 0 / 67 / 16

HEX #66D646

RGB 102 214 70

HSL 106.67, 0.64%, 0.56%

LAB 76.9, -57.61, 59

 

CMYK 67 / 19 / 0 / 16

HEX #46ADD6

RGB 70 173 214

HSL 197.08, 0.64%, 0.56%

LAB 66.55, -16.9, -29.47

 

Description

Color code: HEX #BA49D7 | qconv.com Color code: HEX #BA49D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 73 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 73 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 66 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 66% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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