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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA4498 it is the complementary color #45BB67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA4498. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA4498 shade: #BF4493, #D056A6, #E168B9, #F27ACC and #FF8CDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA4498. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA4498 shade: #BA4498, #A93285, #982072, #870E5F and #76004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA4498 shade: #BA4498, #BA4478, #BA4459 and #BA4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA4498 shade: #BA4498, #BA44B7, #9C44BA, #7D44BA and #5D44BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA4498 shade matches the following richer shades: #BA4498, #CE30A1, #E31BA9 and #F806B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA4498 shade: #BA4498, #A5598F, #906E86, #7C827E and #679775

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA4498 shade: #9C44BA, #BA44B8, #BA4498, #BA4479 and #BA445A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA4498 shade: #7D2E67, #9C397F, #BA4498, #C562A8 and #D081B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA4498 shade: #BA4498, #BA7D44 and #44BAAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA4498 shade: #BA4498, #98BA44 and #4498BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA4498 shade: #BA4498, #BA7D44, #44BA66 and #4481BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA4498 shade: #BA4498, #BAA044, #44BA66 and #445EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

Complementary color

CMYK 63 / 0 / 45 / 27

HEX #45BB67

RGB 69 187 103

HSL 137.29, 0.46%, 0.5%

LAB 67.86, -51.38, 32.96

 

CMYK 0 / 64 / 23 / 25

HEX #BF4493

RGB 191 68 147

HSL 321.46, 0.49%, 0.51%

LAB 48.66, 57.21, -17.83

 

CMYK 0 / 59 / 20 / 18

HEX #D056A6

RGB 208 86 166

HSL 320.66, 0.56%, 0.58%

LAB 54.89, 56.97, -19.3

 

CMYK 0 / 54 / 18 / 12

HEX #E168B9

RGB 225 104 185

HSL 319.83, 0.67%, 0.65%

LAB 61.14, 56.49, -20.49

 

CMYK 0 / 50 / 16 / 5

HEX #F27ACC

RGB 242 122 204

HSL 319, 0.82%, 0.71%

LAB 67.39, 55.87, -21.48

 

CMYK 0 / 45 / 13 / 0

HEX #FF8CDF

RGB 255 140 223

HSL 316.7, 1%, 0.77%

LAB 73.12, 53.97, -23.13

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 70 / 21 / 34

HEX #A93285

RGB 169 50 133

HSL 318.15, 0.54%, 0.43%

LAB 41.86, 56.37, -20.11

 

CMYK 0 / 79 / 25 / 40

HEX #982072

RGB 152 32 114

HSL 319, 0.65%, 0.36%

LAB 35.84, 55.51, -17.84

 

CMYK 0 / 90 / 30 / 47

HEX #870E5F

RGB 135 14 95

HSL 319.83, 0.81%, 0.29%

LAB 30.14, 53.46, -14.71

 

CMYK 0 / 100 / 36 / 54

HEX #76004C

RGB 118 0 76

HSL 321.36, 1%, 0.23%

LAB 24.87, 49.83, -10.48

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 63 / 35 / 27

HEX #BA4478

RGB 186 68 120

HSL 333.56, 0.46%, 0.5%

LAB 46.88, 52.31, -4.3

 

CMYK 0 / 63 / 52 / 27

HEX #BA4459

RGB 186 68 89

HSL 349.32, 0.46%, 0.5%

LAB 46.04, 49.16, 13.44

 

CMYK 0 / 63 / 63 / 27

HEX #BA4444

RGB 186 68 68

HSL 0, 0.46%, 0.5%

LAB 45.62, 47.59, 25.63

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 63 / 2 / 27

HEX #BA44B7

RGB 186 68 183

HSL 301.53, 0.46%, 0.5%

LAB 49.49, 61.4, -37.86

 

CMYK 16 / 63 / 0 / 27

HEX #9C44BA

RGB 156 68 186

HSL 284.75, 0.46%, 0.5%

LAB 45.29, 54.65, -46.55

 

CMYK 33 / 63 / 0 / 27

HEX #7D44BA

RGB 125 68 186

HSL 268.98, 0.46%, 0.5%

LAB 41.28, 47.44, -53.2

 

CMYK 50 / 63 / 0 / 27

HEX #5D44BA

RGB 93 68 186

HSL 252.71, 0.46%, 0.5%

LAB 37.85, 40.71, -58.91

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 77 / 22 / 19

HEX #CE30A1

RGB 206 48 161

HSL 317.09, 0.62%, 0.5%

LAB 49.26, 69.91, -25.03

 

CMYK 0 / 88 / 26 / 11

HEX #E31BA9

RGB 227 27 169

HSL 317.4, 0.79%, 0.5%

LAB 51.81, 79.98, -25.51

 

CMYK 0 / 98 / 28 / 3

HEX #F806B2

RGB 248 6 178

HSL 317.36, 0.95%, 0.5%

LAB 55.38, 87.18, -24.96

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 46 / 13 / 35

HEX #A5598F

RGB 165 89 143

HSL 317.37, 0.3%, 0.5%

LAB 48.42, 38.56, -16.15

 

CMYK 0 / 24 / 7 / 44

HEX #906E86

RGB 144 110 134

HSL 317.65, 0.13%, 0.5%

LAB 50.46, 17.64, -7.98

 

CMYK 5 / 0 / 3 / 49

HEX #7C827E

RGB 124 130 126

HSL 140, 0.02%, 0.5%

LAB 53.77, -3.03, 1.38

 

CMYK 32 / 0 / 23 / 41

HEX #679775

RGB 103 151 117

HSL 137.5, 0.19%, 0.5%

LAB 58.32, -23.6, 12.85

 

CMYK 16 / 63 / 0 / 27

HEX #9C44BA

RGB 156 68 186

HSL 284.75, 0.46%, 0.5%

LAB 45.29, 54.65, -46.55

 

CMYK 0 / 63 / 1 / 27

HEX #BA44B8

RGB 186 68 184

HSL 301.02, 0.46%, 0.5%

LAB 49.54, 61.57, -38.36

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 63 / 35 / 27

HEX #BA4479

RGB 186 68 121

HSL 333.05, 0.46%, 0.5%

LAB 46.91, 52.43, -4.86

 

CMYK 0 / 63 / 52 / 27

HEX #BA445A

RGB 186 68 90

HSL 348.81, 0.46%, 0.5%

LAB 46.06, 49.25, 12.86

 

CMYK 0 / 63 / 18 / 51

HEX #7D2E67

RGB 125 46 103

HSL 316.71, 0.46%, 0.34%

LAB 32.47, 41.11, -16.45

 

CMYK 0 / 63 / 19 / 39

HEX #9C397F

RGB 156 57 127

HSL 317.58, 0.46%, 0.42%

LAB 40.45, 49.04, -18.77

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 50 / 15 / 23

HEX #C562A8

RGB 197 98 168

HSL 317.58, 0.46%, 0.58%

LAB 55.52, 48.28, -19.64

 

CMYK 0 / 38 / 11 / 18

HEX #D081B9

RGB 208 129 185

HSL 317.47, 0.46%, 0.66%

LAB 63.85, 38.54, -16.58

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 33 / 63 / 27

HEX #BA7D44

RGB 186 125 68

HSL 28.98, 0.46%, 0.5%

LAB 57.58, 17.99, 40.11

 

CMYK 63 / 0 / 8 / 27

HEX #44BAAC

RGB 68 186 172

HSL 172.88, 0.46%, 0.5%

LAB 68.99, -36.06, -2.64

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 18 / 0 / 63 / 27

HEX #98BA44

RGB 152 186 68

HSL 77.29, 0.46%, 0.5%

LAB 71.02, -28.87, 54.26

 

CMYK 63 / 18 / 0 / 27

HEX #4498BA

RGB 68 152 186

HSL 197.29, 0.46%, 0.5%

LAB 59.19, -14.89, -25.21

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 33 / 63 / 27

HEX #BA7D44

RGB 186 125 68

HSL 28.98, 0.46%, 0.5%

LAB 57.58, 17.99, 40.11

 

CMYK 63 / 0 / 45 / 27

HEX #44BA66

RGB 68 186 102

HSL 137.29, 0.46%, 0.5%

LAB 67.51, -51.37, 33.02

 

CMYK 63 / 31 / 0 / 27

HEX #4481BA

RGB 68 129 186

HSL 208.98, 0.46%, 0.5%

LAB 52.37, -1.85, -35.8

 

CMYK 0 / 63 / 18 / 27

HEX #BA4498

RGB 186 68 152

HSL 317.29, 0.46%, 0.5%

LAB 48.06, 56.52, -21.8

 

CMYK 0 / 14 / 63 / 27

HEX #BAA044

RGB 186 160 68

HSL 46.78, 0.46%, 0.5%

LAB 66.52, -1.22, 50.17

 

CMYK 63 / 0 / 45 / 27

HEX #44BA66

RGB 68 186 102

HSL 137.29, 0.46%, 0.5%

LAB 67.51, -51.37, 33.02

 

CMYK 63 / 49 / 0 / 27

HEX #445EBA

RGB 68 94 186

HSL 226.78, 0.46%, 0.5%

LAB 42.43, 19.84, -51.6

 

Description

Color code: HEX #BA4498 | qconv.com Color code: HEX #BA4498 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 68 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 68 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 18 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 18% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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