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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA1EEF it is the complementary color #45E110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA1EEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA1EEF shade: #BF1EEA, #D030FD, #E142FF, #F254FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA1EEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA1EEF shade: #BA1EEF, #A90CDC, #9800C9, #8700B6 and #7600A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA1EEF shade: #BA1EEF, #EF1EEC, #EF1EB3, #EF1E7B and #EF1E43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA1EEF shade: #BA1EEF, #821EEF, #4A1EEF and #1E1EEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA1EEF shade matches the following richer shades: #BA1EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA1EEF shade: #BA1EEF, #B032DC, #A745C8, #9D59B5 and #946CA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA1EEF shade: #481EEF, #801EEF, #B71EEF, #EF1EEF and #EF1EB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA1EEF shade: #860CAF, #A30ED6, #BA1EEF, #C645F2 and #D26CF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA1EEF shade: #BA1EEF, #EF1E2C and #1EEF64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA1EEF shade: #BA1EEF, #EFB71E and #1EEFB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA1EEF shade: #BA1EEF, #EF1E2C, #56EF1E and #1EEFE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA1EEF shade: #BA1EEF, #EF4F1E, #56EF1E and #1EBEEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

Complementary color

CMYK 69 / 0 / 93 / 12

HEX #45E110

RGB 69 225 16

HSL 104.78, 0.87%, 0.47%

LAB 79.13, -71.61, 75.05

 

CMYK 18 / 87 / 0 / 8

HEX #BF1EEA

RGB 191 30 234

HSL 287.35, 0.83%, 0.52%

LAB 49.43, 82.4, -67.18

 

CMYK 18 / 81 / 0 / 1

HEX #D030FD

RGB 208 48 253

HSL 286.83, 0.98%, 0.59%

LAB 54.67, 84.49, -69.21

 

CMYK 12 / 74 / 0 / 0

HEX #E142FF

RGB 225 66 255

HSL 290.48, 1%, 0.63%

LAB 59.09, 82.77, -63.08

 

CMYK 5 / 67 / 0 / 0

HEX #F254FF

RGB 242 84 255

HSL 295.44, 1%, 0.66%

LAB 63.7, 80.16, -55.56

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 23 / 95 / 0 / 14

HEX #A90CDC

RGB 169 12 220

HSL 285.29, 0.9%, 0.45%

LAB 44.04, 79.4, -68.14

 

CMYK 24 / 100 / 0 / 21

HEX #9800C9

RGB 152 0 201

HSL 285.37, 1%, 0.39%

LAB 39.4, 74.99, -64.84

 

CMYK 26 / 100 / 0 / 29

HEX #8700B6

RGB 135 0 182

HSL 284.51, 1%, 0.36%

LAB 35.06, 69.34, -60.86

 

CMYK 28 / 100 / 0 / 36

HEX #7600A3

RGB 118 0 163

HSL 283.44, 1%, 0.32%

LAB 30.63, 63.58, -56.82

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 0 / 87 / 1 / 6

HEX #EF1EEC

RGB 239 30 236

HSL 300.86, 0.87%, 0.53%

LAB 57.4, 90.45, -55.07

 

CMYK 0 / 87 / 25 / 6

HEX #EF1EB3

RGB 239 30 179

HSL 317.22, 0.87%, 0.53%

LAB 54.59, 83.1, -26.9

 

CMYK 0 / 87 / 49 / 6

HEX #EF1E7B

RGB 239 30 123

HSL 333.3, 0.87%, 0.53%

LAB 52.63, 77.74, 3.42

 

CMYK 0 / 87 / 72 / 6

HEX #EF1E43

RGB 239 30 67

HSL 349.38, 0.87%, 0.53%

LAB 51.48, 74.47, 35.63

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 46 / 87 / 0 / 6

HEX #821EEF

RGB 130 30 239

HSL 268.71, 0.87%, 0.53%

LAB 41.07, 75.45, -84.03

 

CMYK 69 / 87 / 0 / 6

HEX #4A1EEF

RGB 74 30 239

HSL 252.63, 0.87%, 0.53%

LAB 35.23, 70.84, -93.87

 

CMYK 87 / 87 / 0 / 6

HEX #1E1EEF

RGB 30 30 239

HSL 240, 0.87%, 0.53%

LAB 32.78, 69.11, -98.02

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 20 / 77 / 0 / 14

HEX #B032DC

RGB 176 50 220

HSL 284.47, 0.71%, 0.53%

LAB 47.85, 72.48, -61.9

 

CMYK 17 / 66 / 0 / 22

HEX #A745C8

RGB 167 69 200

HSL 284.89, 0.54%, 0.53%

LAB 47.81, 59.6, -50.57

 

CMYK 13 / 51 / 0 / 29

HEX #9D59B5

RGB 157 89 181

HSL 284.35, 0.38%, 0.53%

LAB 49.07, 43.35, -37.63

 

CMYK 8 / 33 / 0 / 37

HEX #946CA1

RGB 148 108 161

HSL 285.28, 0.22%, 0.53%

LAB 51.38, 25.66, -22.43

 

CMYK 70 / 87 / 0 / 6

HEX #481EEF

RGB 72 30 239

HSL 252.06, 0.87%, 0.53%

LAB 35.08, 70.72, -94.13

 

CMYK 46 / 87 / 0 / 6

HEX #801EEF

RGB 128 30 239

HSL 268.13, 0.87%, 0.53%

LAB 40.82, 75.24, -84.46

 

CMYK 23 / 87 / 0 / 6

HEX #B71EEF

RGB 183 30 239

HSL 283.92, 0.87%, 0.53%

LAB 48.55, 82.11, -71.5

 

CMYK 0 / 87 / 0 / 6

HEX #EF1EEF

RGB 239 30 239

HSL 300, 0.87%, 0.53%

LAB 57.57, 90.88, -56.49

 

CMYK 0 / 87 / 23 / 6

HEX #EF1EB7

RGB 239 30 183

HSL 316.08, 0.87%, 0.53%

LAB 54.76, 83.56, -28.97

 

CMYK 23 / 93 / 0 / 31

HEX #860CAF

RGB 134 12 175

HSL 284.91, 0.87%, 0.37%

LAB 34.86, 66.33, -57.04

 

CMYK 24 / 93 / 0 / 16

HEX #A30ED6

RGB 163 14 214

HSL 284.7, 0.88%, 0.45%

LAB 42.7, 77.29, -66.92

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 18 / 71 / 0 / 5

HEX #C645F2

RGB 198 69 242

HSL 284.74, 0.87%, 0.61%

LAB 54.73, 74.26, -63.06

 

CMYK 14 / 56 / 0 / 4

HEX #D26CF4

RGB 210 108 244

HSL 285, 0.86%, 0.69%

LAB 62.47, 60.67, -51.72

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 0 / 87 / 82 / 6

HEX #EF1E2C

RGB 239 30 44

HSL 355.98, 0.87%, 0.53%

LAB 51.22, 73.73, 48.25

 

CMYK 87 / 0 / 58 / 6

HEX #1EEF64

RGB 30 239 100

HSL 140.1, 0.87%, 0.53%

LAB 83.41, -74.57, 53.27

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 0 / 23 / 87 / 6

HEX #EFB71E

RGB 239 183 30

HSL 43.92, 0.87%, 0.53%

LAB 77.47, 8.06, 75.52

 

CMYK 87 / 0 / 23 / 6

HEX #1EEFB7

RGB 30 239 183

HSL 163.92, 0.87%, 0.53%

LAB 84.7, -59.53, 14.03

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 0 / 87 / 82 / 6

HEX #EF1E2C

RGB 239 30 44

HSL 355.98, 0.87%, 0.53%

LAB 51.22, 73.73, 48.25

 

CMYK 64 / 0 / 87 / 6

HEX #56EF1E

RGB 86 239 30

HSL 103.92, 0.87%, 0.53%

LAB 83.86, -72.28, 77.09

 

CMYK 87 / 0 / 6 / 6

HEX #1EEFE1

RGB 30 239 225

HSL 175.98, 0.87%, 0.53%

LAB 85.73, -48.81, -6.48

 

CMYK 22 / 87 / 0 / 6

HEX #BA1EEF

RGB 186 30 239

HSL 284.78, 0.87%, 0.53%

LAB 49.01, 82.54, -70.72

 

CMYK 0 / 67 / 87 / 6

HEX #EF4F1E

RGB 239 79 30

HSL 14.07, 0.87%, 0.53%

LAB 56.12, 59.48, 58.81

 

CMYK 64 / 0 / 87 / 6

HEX #56EF1E

RGB 86 239 30

HSL 103.92, 0.87%, 0.53%

LAB 83.86, -72.28, 77.09

 

CMYK 87 / 21 / 0 / 6

HEX #1EBEEF

RGB 30 190 239

HSL 194.07, 0.87%, 0.53%

LAB 71.78, -21.6, -35.09

 

Description

Color code: HEX #BA1EEF | qconv.com Color code: HEX #BA1EEF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 30 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 30 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 87 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 87% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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